- Joined
- Jul 17, 2019
Yeah. I came into this so late in the game, and really I'm glad I did, because I never got attached to where I wanted it to be heading until the very very end. When I jumped on, I'm not kidding, the Rumbling had just started, and I binged my way through the anime first and then caught up via the Manga.See, I don't think you're in the minority. I think you share the same opinion with the group that started watching/reading AoT later in its life as opposed to the people who were with it from the beginning.
What I mean is that the points you bring up weren't at all talked about back when the series was first started. It was quite the opposite really.
When discussion of what the world outside the walls was talked about back then, it was almost never about how the outside world was some horrible place, or anything. Sure, there fringe ideas of their being bigger monsters like dragons, or some shit out there, but they were never anything like we actually saw in canon.
No, the main ideas about what would happen if the characters finally saw the outside world was basically either about how they were going to be so happy to be free, and see the beauty of the outside world, and feel so accomplished, and shit, and that everything was worth it.
The other one was that that once they got there, they wouldn't even be able to enjoy it because of how traumatized, and riddled with PTSD they were. The beauty, and wonder of the outside world didn't erase all suffering that happened to them, or their loved ones, and even though they ended up making it in the end, it didn't feel like did anything at all.
It was such an interesting contrast, and one that makes what actually happened just feel cliche. It's also why Eren's character is yet another huge waste of potential because he's literally the only character to be acting like how a good chunk of the fanbase thought the characters would be acting, at least at first.
However, once the Marley arc happened you started seeing people comment on the things you mentioned, and it really casts light upon how this was never really noticed by the fandom until then. Were they red herrings, or were they just appearing now appearing to be that because huge newbie boom that happened because of the Marley arc, and because they weren't here from the beginning, so the massive genre-shift didn't have such a huge effect on them like it did for the ones who were?
I dunno. I dunno if you even fall into the category I said, but you did give me something to think about, so I thank you for that.
Going back and rewatching it recently with dubs instead of subs just for some background noise, it really hits home that things like a world outside that hates them and Eren turning into emo Hitler, were always where we were heading. Eren bitchiness about the outside world being shit is the in universe equivalent of the people who wanted the show to just be steampunk spidermen vs naked baby godzillas.
People that want a drastically different anime original ending are not only getting high of high grade copium, but don't get how part of the theme of the story is the cycle of violence can never be ended with a drastic act of violence. That's why the idea of Paradis getting airbombed 100 years or whatever after the fact doesn't even bother me that much. (The tone of the last chapter is fucked beyond belief though. No arguments there)
But it fits the theme that looking for any final solutions is a toxic endeavor. From the dumb king trying to make his little Utopia by mindwiping people, to the Marleyans trying to take back the founder, to Zeke with euthanasia, to Willy with World War Paradis, to Eren with genocide. All these dumb know it all assholes fucking over the world with their savior complexes. The best people in the story (Pixis, Jean, etc) are the ones that do what they can to make things better in the now, with the humility to realize it's neither perfect nor final.
It's kind of like the end of Parasyte for me. First anime protag is gonna kill the helpless villain alien because he's the righteous avenger destroying the bad guy who was trying to kill him, Then he has a change of heart and realizes that he is just a human being in no position to judge the goodness or evilness of the villain alien dude, because the alien dude was just acting in his nature.
THEN he realizes that the monster is a danger to the friends and family he loves, and he decides to kill it. Not from a place of judgement or moral superiority, but just as a creature killing another creature to protect what it loves. He kills it, but he's not playing god anymore.
AOT has a lot of that, humans playing god. Even the whole Helios thing is wrapped up in that. Helios, a sun god, a hero to save the world. But everyone who tries to become the god who saves the world in the story accomplishes nothing but death and destruction.
Makes me think a lot about Historia, how she refuses the offer to become a God to save the world, and even as queen just shows up to meetings, and then heads back to her farm to frolic with orphans and fuck unnamed farmers. That's what all the Historia and Ancient Ymir symbolism was about to me. Both of them just wanted to be normal girls who were loved, and instead both of them became symbols of power for regimes with their own agendas.