Dude did you just imply that the Prequels are too subtle‽
You're giving me the impression that they (or
The Phantom Menace, anyway) is too subtle for you, at least. Like I said, I never had any such trouble following the plot of that film, even as a kid.
No one in The Phantom Menace is a character.
They are all merely puppets for the script, going and doing wherever and whatever the next scene needs them to be and do.
Asking for them to be more than cardboard cutouts is a far cry from "Dune-style audible internal monologues".
Everyone keeps saying that, but unless I missed something, no one's referencing any criteria by which it can be established that this is so. It all just seems to be reliant on personal opinion.
No one cares how awesome you can make the Prequels, or any flawed film really, in your head with copious amounts of EU material and head cannon.
Films need to stand on their own
I'm not referencing anything from the EU. I do think the Prequels can stand on their own, if you're actually paying attention, though as I mentioned before I do think that they're still flawed in a variety of ways (for one thing, I would
definitely have begun the trilogy with Hayden Christiansen, or whomever, as Anakin; I think
Attack of the Clones is narratively the weakest film in the PT due in large part to all the catching-up that Hayden has to do trying to establish a romantic interest in Padme, rather than puppydog infatuation, which contributes to the unfortunate "weird stalker" vibe that he kind of gives off).
Oh and I see we've gotten to the emoji stage of your posts.
Smoke 'em if you got 'em, soldier.
All we need now is cringeworthy Mandalorian slang and we'll have Cyril Sneer Bingo.
Please, if
@Flexo is going to call people "meatbags" on a regular basis, I'm gonna call 'em
vode and
aruetiise (at least in the Star Wars thread).
Take your Star Wars sperg faggotry somewhere else.
I didn't bring it here. I came because it was here already.
When you opt to defend something against popular opinion, and when all people are simply curious as to why, then you ignore the harder questions that you can't answer, it doesn't do much for your case. Just saying.
That's pretty much how you approached me on my profile messages on Sunday morning. I then spent the next
ten hours, off and on, answering every question about the PT that you came up with until about 20:30, at which point I got distracted by other things. Now, you would think that anyone giving up a significant proportion of his weekend to answer questions posed by a complete stranger could, upon apparently becoming
incommunicado, be given the benefit of the doubt, as in "wow! He spent so much time answering all of these questions, maybe he has other things occupying his mind right now," but no, you don't think that, you don't even bother to
ask me, but instead jump straight to this "gotcha" bullshit, which really makes me wonder if you actually approached me in good faith in the first place.
I'm curious from a philosophical perspective. But how would one go about proving the inverse? Like if I had a large bag of movies and was going to pull one out at random and we discuss it, how would you prove a lack of info?
I guess it would depend on which movie you selected. Context matters a great deal, I think.
character test seems a better method. But there is still the conundrum of proving the negative.
I'm not familiar with that.
I mean i love Nolan's films and can say that it is largely because there's a lot of scenes about characters in them, you can always find clues in his stuff. (Though i will admit he isn't always the tightest on character arcs and a few tweaks could be made.)
The exception is probably Dunkirk where I think the characters are deliberately left vague for audience insertion or at least to be archetypes of people involved in the war.
Star Wars is (or was, anyway) so deeply ingrained in the Western pop-culture consciousness that I Lucas could be forgiven for lightly sketching some things in the Prequels, but we can discuss that on a case-by-case basis.