- Joined
- Apr 12, 2021
Yeah. Comics Code killed a lotta the variety. Horror stuff like EC Comics' output was hit especially hard. It was sorta like the ESRB. Not a real government body, but having its stamp on your book meant being sold in some indie underground shop or sold on every major newsstand.there was some variety stuff in the early post-code era but a lot of the CCA guidelines were "everything that EC is doing (aka not capeshit) is forbidden because it's assraping Marvel and DC" so most of it was clearing the forest so capeshit could grow
Most of this was just fearmongering that was spear headed by a retard named Frederick Wertham. It wasn't just EC shit he went after. Wertham riled people up about all kinds of shit. He thought Batman and Robin were homos and thought that capeshit was gonna lead to faggotry and delinquency. If only he could see modern day comics lol. It's why Batwoman and Bat-Girl (Hyphenated. Different from the Barbara Gordon version) were introduced.
But, even after the CCA went away, things never changed. Sure, there's the occasional Western title or whatever from the Big two. Image is mostly capeslop, but there's a few titles here and there. IDW lives solely off licensed dreck. Dark Horse has always had a pretty diverse portfolio. Shit, even Penthouse Comics had more variety than Marvel or DC while they lasted.
It's just show crazy how completely and utterly non-diverse the American comics scene is compared to just about every other region with a big comics scene. Like, obviously people wanna read about shit other than dudes in spandex wailing on each other.