Right after you covered the Gooseworx freakout, it was found out that guy has a transformation fetish, and more recently that he has used The Amazing Digital Circus as a vehicle (pun intended as part of his TF fetish involves people turning into cars) for his exhibitionism, going as far as involving the voice actors in a car transformation short on his producer's official channel.
Now, if you think this is surprising, there were, as always, signs of this fetish in Goose (outside of just being a tranny because they're big transformation fetishists) such as this piece: View attachment 8626385 Archive
Knowing this, I wish to posit two questions to you. What do you think the chances are he gets off to the Abstraction or even the idea of the characters transforming from human to their digital avatars in TADC? Did you realize you were watching a guy's barely disguised transformation fetish?
Shonen is just manga aimed at younger guys, the reason manga was released in anthologies in Japan was because it was published in magazines as collections like how we had comics in newspapers featuring multiple artists and strips. They tried it in America since they started bringing manga over way back and it always failed.
I think "Ya Boi Zack" (Richard C. Meyer / Diversity & Comics / Comics "MATTER") was the one who came up with the idea of crowdfunded grifter comics as "cultural war bonds".
I'm sure someone can come up with the talmudic logic to justify the for-profit business in charge of the ddos protection to be able to pay usips as a business related expense.
