/horror/ general megathread - Let's talk about movies and shit.

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I'm a little pissed off today because I checked out the new UHD of Fulci's City of the Living Dead and the idiots fucked up the color for the finale of the movie. This is not nit-picky film nerd shit. This is pretty glaring:

Old Blu:

View attachment 5304526

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Idiots. Absolute fucking retards. Did no one watch the movie? It reminds me of what Arrow did with their Blu of The Beyond and they fucked up the opening and released it in black and white instead of sepia and some film critic cocksuckers like Troy Howarth were defending this mistake.

Imagine if cocksuckers released Suspiria and fucked up the colors... There would be riots in the streets. Jesus Fucking Christ.
Update: Arrow is now coming out with a 4K UHD.


The double dipping on these movies is getting pretty absurd now. It's like endless re-releases of Evil Dead. Well, at least Arrow can't fuck up the color to the ending like Cauldron Films.
 
Phantastic new for Phantasm phans! Directors Don Coscarelli (Phantasm 1-IV) and David Hartman (Phantasm V) have reunited with actor Bill Thornbury (Jody Pearson)

for a country music video


Personally, I think it's great that they're not dead
 
Phantastic new for Phantasm phans! Directors Don Coscarelli (Phantasm 1-IV) and David Hartman (Phantasm V) have reunited with actor Bill Thornbury (Jody Pearson)

for a country music video

https://youtube.com/watch?v=4N5qiCMT8uI
Personally, I think it's great that they're not dead
I want to cut this into The Howling 7: New Moon Rising.
 
Gremlins is probably the only really good one. I mean it's one Phoebe Cates titty shot away from being a perfect movie (I get that it'd be hard to do in a Christmas movie, but, you know, showers, tanning beds, dream sequences (a tip of the cap to Fast times) all exist).

Krampus' biggest fault is its trope-y proto-wokeness, but it's just such an efficient movie that even those scenes go by so fast they're only mildly irritating. It's one of the few horror movies that is almost over edited. Plus it pulls no punches on victims. It really deserves a bit more credit, because it's pretty rare that a horror movie can start the killings at like the 15-20 minute mark, and still communicate the kind of desolate timelessness that the "protagonists" are in.

Black Christmas 74 isn't really that good of a horror movie - I mean it probably scared people shitless when it came out, but it doesn't hold up anywhere nearly as well as a lot of its contemporaries. But that being said, it's still fun to watch because of all the wierdness - Margot Kidder's drunken profanity laced speeches, Andrea Martin in a non-intentional comedy, Olivia Hussey, some of the worst policemen ever put on screen, and the guy trying to get into the music conservatory red herring.

The Lodge, Better Watch Out and Hosts were all worth watching, but mainly just because they have strong premises, and play out ok; once you know what happens, they're not executed well enough or have enough interesting stuff happening to make you want to watch them again. Still, there's something to be said for one time viewings that don't actually fucking suck.

I guess I also have to say Silent Night, Deadly Night just because it does exactly what it says on the tin. It's a little slow (even at <90 minutes), it's a lot goofy, it's got Linnea Quigley's titties in it. You really can't go wrong just having it on in the background on X-mas eve.
 
Gremlins is probably the only really good one. I mean it's one Phoebe Cates titty shot away from being a perfect movie (I get that it'd be hard to do in a Christmas movie, but, you know, showers, tanning beds, dream sequences (a tip of the cap to Fast times) all exist).

Krampus' biggest fault is its trope-y proto-wokeness, but it's just such an efficient movie that even those scenes go by so fast they're only mildly irritating. It's one of the few horror movies that is almost over edited. Plus it pulls no punches on victims. It really deserves a bit more credit, because it's pretty rare that a horror movie can start the killings at like the 15-20 minute mark, and still communicate the kind of desolate timelessness that the "protagonists" are in.

Black Christmas 74 isn't really that good of a horror movie - I mean it probably scared people shitless when it came out, but it doesn't hold up anywhere nearly as well as a lot of its contemporaries. But that being said, it's still fun to watch because of all the wierdness - Margot Kidder's drunken profanity laced speeches, Andrea Martin in a non-intentional comedy, Olivia Hussey, some of the worst policemen ever put on screen, and the guy trying to get into the music conservatory red herring.

The Lodge, Better Watch Out and Hosts were all worth watching, but mainly just because they have strong premises, and play out ok; once you know what happens, they're not executed well enough or have enough interesting stuff happening to make you want to watch them again. Still, there's something to be said for one time viewings that don't actually fucking suck.

I guess I also have to say Silent Night, Deadly Night just because it does exactly what it says on the tin. It's a little slow (even at <90 minutes), it's a lot goofy, it's got Linnea Quigley's titties in it. You really can't go wrong just having it on in the background on X-mas eve.
What about Santa Slays or Silent Night, Deadly Night?
 
Silent Night Deadly Night is my favorite. Cheesy elements be dammed, I think it's an interesting character study and what separates it from the other slashers is that we follow this kid through adulthood and witness him becoming this monster. It has more to do with a serial killer movie ala Maniac or Henry rather than a traditional slasher.

Tarantino agrees with me:


The sequels are really fun except for part 3.
 
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Christmas Evil came out years before Silent Night, Deadly Night yet both films go the same route of building to the main character snapping. Also, a number of theories can be made about the final scene.

Thanks to GoodBadFlicks again, I checked out Await Further Instructions and the tension is all too real in a post-Covid world.
 
I always love the Tales from the Crypt story with the killer Santa. I personally love the 70s UK version more then the TV show one. I couldn't really tell you why, it just feels more gritty.
The look of the killer Santa was more effective in the 74 movie because he looked like an actual crazy you might stumble upon.
 
I mean it's one Phoebe Cates titty shot away from being a perfect movie (I get that it'd be hard to do in a Christmas movie, but, you know, showers, tanning beds, dream sequences (a tip of the cap to Fast times) all exist).
The elevator scene in Gremlins 2 really could've gone somewhere but I guess they didn't have the guts

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The look of the killer Santa was more effective in the 74 movie because he looked like an actual crazy you might stumble upon.
You've got a good point. Which of these do you all think a little girl would believe is Santa.

Movie version
and-all-through-the-house-03.jpg

TV version
and-all-through-the-house-12.jpg

Yeah the TV version looks like a killer Santa but that's the problem. You know he's a killer Santa.
 
Update: Arrow is now coming out with a 4K UHD.


The double dipping on these movies is getting pretty absurd now. It's like endless re-releases of Evil Dead. Well, at least Arrow can't fuck up the color to the ending like Cauldron Films.
I spoke too soon and it appears Arrow is using the same transfer as the Cauldron Films release... Hopefully they didn't fuck up the color again.
 
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