/horror/ general megathread - Let's talk about movies and shit.

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Black Death
Sean Bean yelling like an absolute lunatic at the pagans was great but the rest of the movie is such a slog.

Confusingly, there's a movie called Black Plague (originally released with the incomprehensible title "Anazapta") that was release a few year earlier, is also on Tubi, and is also very mediocre.

I didn't realize Christopher Smith also wrote and directed Severance, which is an enjoyable, mean-spirited dark comedy.
 
Sean Bean yelling like an absolute lunatic at the pagans was great but the rest of the movie is such a slog.

Confusingly, there's a movie called Black Plague (originally released with the incomprehensible title "Anazapta") that was release a few year earlier, is also on Tubi, and is also very mediocre.

I didn't realize Christopher Smith also wrote and directed Severance, which is an enjoyable, mean-spirited dark comedy.
I really hated the cinematography as well. It's one of those things that really piss me off when I notice it when they're doing shot reverse shot and the camera is shaky. Hold the fucking camera still. It's not hard.
 
I haven't seen it in years but the film kept making me think of Shadow of the Vampire, which I remember enjoying a lot more.
One of Willem Dafoes most underrated roles.
Mild irrational disappointment from discovering that Max Schreck was just some normal actor guy who had been in other movies and not an eerie mystery man.

Here he is, sans makeup:

 
Re-watching Student Bodies (1981) which has the distinction of being the first slasher parody. It's still one of the better parodies of the genre but it's a to each his own situation because the humor is supremely dumb. That's the best way to describe the comedy. It's very Kindergarten level most of the time but the pacing is very rapid fire machine gun level of joke after joke after joke. This is still one of the funniest skits:


I recommend it. The humor is dumb but cozy and it's obvious that everyone was trying. The Breather may have been voiced by the late great Richard Belzer but I can't find confirmation of this.

Only other slasher parodies worth a god damn are (the big one) Scary Movie and Dudebro Party Massacre 3.


If you can connect to the humor then it's great. It also has some genuinely original deaths too. The B plot is a definite weak link and keeps interfering with the main plot but it has moments. Patton Oswalt has a good cameo and it's Patton when he was still funny (before his wife died).

Edit: it appears that there's two different versions of Dude Bro Party Massacre 3. Yes, really. The whole point is to make something that could pass as a straight to video 80's slasher. I have a non Blu version that does this and has the VHS filter with scanlines and warps and it looks great in a purposely crappy way. The Blu removes the filter completely and part of the joke is lost. I'm wondering if this was intended by the filmmakers or someone fucked up? It wouldn't be the first time a weird-looking version of a movie popped up. I remember downloading an HD version of World's Greatest Dad starring Robin Williams and the color temperature was completely fucked and everything looked overlit.
 
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I watched Men (2022) last night and it was good, probably a 6.5 for me. The movie looks great and has a great atmosphere. The way the atmosphere shifts during the tunnel scene in particular, going from childish fun with the echo to dealing with a sudden presence the main character was unsure of was great. The film loses something in the last act and kind of ends feeling hollow. I didn’t really understand what the point was, maybe I’m just tarded though.
 
Alex Garland is way too hit or miss imo.
Which of his films don't work for you? Imo based on his writing credits he hits more than he misses but there's three (Annihilation, Sunshine and Men) which I think just have either weak endings or weak third acts. He's been writing for a long time so you'd think he would have ironed that out by now but there's always next time.
 
Which of his films don't work for you? Imo based on his writing credits he hits more than he misses but there's three (Annihilation, Sunshine and Men) which I think just have either weak endings or weak third acts. He's been writing for a long time so you'd think he would have ironed that out by now but there's always next time.
Specifically Men, His Videogame work IE DmC, The Beach.

I liked Annihilation alot.
 
Specifically Men, His Videogame work IE DmC, The Beach.

I liked Annihilation alot.
Idek Garland worked on DmC, I couldn't even point out a moment in that game that felt close to anything else Garland has ever done. Crazy. It's been so long since I saw The Beach but I remember enjoying it. Annihilation has a very similar feel to Men for me. It looks great, it's got some interesting creepy horror but the ending just felt whatever to me.
 
All right I re-watched Christopher Smith's Triangle (2009) and it reminded me why I didn't really care for it. Smith is, apparently, the kind of director that doesn't really care about delivery or dialogue or acting. Interaction between characters isn't really his forte, or concern even. He reminds me a lot of Ken Russell in that way; must be a branch of the British film school that pushes it - probably honestly stems from Fellini or another Italian, and it puts me off a lot of films that other people think are amazing. Seriously, watch Triangle, and then watch the interactions (listen to the dialogue) between Melissa George and Michael Dornan (two GOOD actors) or Liam Hemsworth (a terrible actor, but, here, doing much, much worse than usual). It's utterly terrible, it doesn't make any sense for the situation, and it's not how anyone would act or speak. Now some movies you could get away with that, especially if there's a lot of plot or action going on; you could even try to get away with it here, by pushing the 'otherworldly, inhuman atmosphere,' but that's not what's happening. It's just bad. And it's bad in the part that is supposed to be luring you into thinking things are normal, so that you can be spooked and creeped out about it later.

So basically rather than being engrossed and involved in the beginning, I'm already annoyed. Honestly, the same thing goes on in Consecration (to a much lesser degree - possibly because Jena Malone is the only one doing a horrible accent, instead of EVERYONE), but there's enough other mystery and stuff going on that it's less offputting; and it doesn't require you to give a shit about the characters to enjoy the movie.

After it kicks off (when the second round of characters gets on board the ship), it gets a lot better. There's some really good scenes, probably my favorite being when the other chick finds all the corpses of herself. I do like the cyclic nature of the movie, it's neat and well done, although having TWO car wrecks at the end is weak as fuck. It's such a cop out. Also I like how the protagonist keeps becoming more and more of an unlikeable cunt the more the movie goes on. Like you're rooting for her in the beginning, then by the end, you're like fuck this retarded bitch, she deserves worse than she's getting.

Anyway, there's a lot to like about Triangle, but there's too many hurdles for me to enjoy it; maybe I dislike it more because in the hands of a good director, with maybe a couple more dialogue passes, it could've been an all time great; while Consecration just is what it is, a mid, but enjoyable, little horror movie.

Also, if you have the ability in real life, see if you can find a 110 lbs girl and have her throw a 12 gauge at you from about 15 feet away and see what happens. Fucking movie guns, man.
 
Anyway, there's a lot to like about Triangle, but there's too many hurdles for me to enjoy it; maybe I dislike it more because in the hands of a good director, with maybe a couple more dialogue passes, it could've been an all time great; while Consecration just is what it is, a mid, but enjoyable, little horror movie.
Fair enough. Like I said, it's a divisive film.
 
Smith is, apparently, the kind of director that doesn't really care about delivery or dialogue or acting. Interaction between characters isn't really his forte, or concern even.
I remember in the making of Alien Ridley Scott took this approach; he trusted the actors to play their roles only occassionally giving pointers when he felt it was warranted and he focused on everything else around them. While it worked for Alien it's obvious this isn't the sort of method every director can use on every production.
Anyway, there's a lot to like about Triangle, but there's too many hurdles for me to enjoy it; maybe I dislike it more because in the hands of a good director, with maybe a couple more dialogue passes, it could've been an all time great
Personally I didn't find the acting in Triangle as stifling as you did but it could be that the concept of the movie and some of the visual pieces just hard carried the film.
Something I will say is I watched this and Coherence (2013) as a double bill and I liked Coherence much more. They're both films that heavily rely on their concept and while Coherence is clearly a smaller film it definitely nails it's execution a lot better than Triangle does.
Don't forget Dredd, which he wrote and produced.
Man Dredd is so fun and like I said about DmC it really doesn't feel like a product of Garlands mind and this time I mean it is a compliment maybe he has more potential range as a writer than I realized.
I just finished Devs and that was kind of fun a bit fart sniffy and the lead actress is not lead actress material imo.
 

I really hope this sonofabitch doesn't fuck this up. I love Blood Rage but we (the horror community) deserve a Thanksgiving slasher that goes balls out with the idea instead of just having to be set on Thanksgiving and including one or two things referencing it ala Blood Rage.

I still really enjoy Blood Rage and would recommend that one.

Trailer does hint at some wokeness with a black lead most likely going to survive until the end. I don't think you could get away with the blowjob gore gag from the trailer in CURRENT YEAR! Sadly.
 
https://youtube.com/watch?v=OHWiTwH53lU
I really hope this sonofabitch doesn't fuck this up. I love Blood Rage but we (the horror community) deserve a Thanksgiving slasher that goes balls out with the idea instead of just having to be set on Thanksgiving and including one or two things referencing it ala Blood Rage.

I still really enjoy Blood Rage and would recommend that one.

Trailer does hint at some wokeness with a black lead most likely going to survive until the end. I don't think you could get away with the blowjob gore gag from the trailer in CURRENT YEAR! Sadly.
Holy shit, has it really been 16 years since the Grindhouse trailer came out? It has that modern horror movie polish and none of the Roth "humor" that you'd get from his early flicks. I hope there's some gallows humor, but we'll see.
 
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Holy shit, has it really been 16 years since the Grindhouse trailer came out? It has that modern horror movie polish and none of the Roth "humor" that you'd get from his early flicks. I hope there's some gallows humor, but we'll see.
Like I said, the blowjob gore gag couldn't be done today. The trailer hinted at the trampoline cunt stab so that might still be in the movie but -I hate to curse the movie like this- I would expect a subversion where you think the girl is going to be cunt stabbed but they subvert expectations and she dies another way.

I just thought of a "what if" where Damien 'Terrifier" Leone directs a Thanksgiving sequel and has multiple cunt stab sequences.

Keep in mind: I want this to be a good movie. I enjoy Hostel 1 and 2. If given the chance then yes, I would hang out with Roth and talk movies. But holy fuck the guy's track record is mostly very poor. I want to be wrong god dammit. I want the planets to align and a crap director somehow makes a good movie like Uwe Boll and Rampage or Amando De Ossario and Tombs of the Blind Dead, or even Ed Wood's I Woke Up Early The Day I Died (which he did not direct but did write so I'm going to say close enough on this one).
 
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