- Joined
- Jun 18, 2019
Haven't played that one yet, you're telling me it's only set in one city? Talk about missing the point.Or at least finish the cliffhanger of a plot from Mankind Divided. The Czech Rep. setting was cool and immersive but it didn't feel like the globe trotting conspiracy you find yourself in Human Revolution.
The Helios ending is creepier in Invisible War, the Illuminati ending seems more well rounded but is creepy it's own way and the other two endings are full on nightmarish, it's interesting how the games don't give you a clear cut "good ending"When I first played it, I went with the Tong ending, but whenever I replay it, I now choose Helios. I guess I became more cynical.
The Tong ending has its heart in the right place, but the inevitable result would be global famines, insurgencies and murder. Anarchy breeds brutal oppression, since the guy with the biggest stick ends up ruling over everyone else.
The Illuminati ending is kind of cool, but on one hand, you just know JC would get Eppsteined eventually and even if he didn't, at some point someone else would take over anyway and the kind of power you created would allow them to do whatever they like.
Helios ending at least leaves you in charge, so you can safeguard humanity against all these other fuckers. It's a dictatorship in a way, but at least it's not a dictatorship run by some asshole with a big stick who crept on top of the cinder pile of the Tong ending or a dictatorship by old men playing at ruling the world in the Illuminati ending.
Also, as an omniscient AI god, you can manipulate every vending machine to sell only lemon lime.
People in the entertainment industry have stopped trying to produce entertainment or art, their only mission is to spite their enemies, the only thing they have to say is "I'm better than you", it's a weapon to demoralize us, they know we hate that shit and they get off on our misery.FTFY.
It's not just games, new movies in old franchises deliberately go out of their way to screw over old fans and to make a product as chokeful with toxic ideology that has no reason to be there as possible. You oftentimes feel like these movies aren't even pretend to attempt to be entertaining. They are outright garbage start to finish. Same with games, books and so on.
What's next is the death of story and art, entertainment in the future will be stuff like Fortnite, Minecraft, Roblox, meaningless distractions no different than the centrifugal bumble puppy in Brave New World, art and storytelling might make people think and we can't have that.I'm really wondering what Hollywood will do once they have fucked up every single franchise of the 80s and 90s with terrible reboots. Will they go back further and fuck over franchises of the 60s and 70s? I doubt it, those can't be milked for millenial nostalgia. Maybe some smallscale attempts (like "Little House in the Prairie - Woke Edition"), will they instead turn towards original stuff? Ha. Fuck me. Can't even write that with a straight face. Nah, come 2030, everything will be rebooted again. Look forward to wokefied Marvel remakes.
To paraphrase a book as relevant today as ever:
If you want a vision of the future, imagine reboots regurgitating Hollywood stinkers -- forever.
That's what comes next after the dare I say purposeful ruination of our culture.
I really don't understand why HR had to be a 2011 game and not a 2012 game so they could add more to it, same deal with why Mankind Divided had to be 2016 instead of 2017.Seems to be the theme of Eidos' Deus Ex games. HR was also blatantly unfinished when it came out. The game was still a blast and I think it holds up even to the likes of the original DE in places, but it's one of gaming's biggest "what if"s. Just imagine an Upper Hengsha hub... now that would have been amazing, the contrast between the shitty, dystopian Lower Hengsha and the super-clean iPod-design of Upper Hengsha (which would be undeniably equally as dystopian, just in different ways).
Man...
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