May 12, 2024
When fiction turns into leftist propaganda
By
Greg Moo
Civil War is
a movie in the same way a grenade is a source of light. Whatever else
Civil War might be — a dystopian work of fiction, for one — it is foremost a psy-op exercise masked as a brave work of creative storytelling. Its bombastic violence is the shiny thing that distracts attention from the deeper purpose of the movie: to dissuade and demoralize any who would support Trump in 2024.
As with any psychological operation exercise, the movie’s mission is to change enemy behavior, shape the battlefield, and reduce the adversaries’ will to fight. For Alex Garland, the movie’s writer and director, Donald Trump and his right-wing supporters are the enemy. The battlefield is the 2024 election.
Garland, in his own words, is a man of the left — as in “I’m left-wing” and “[I’m] picking a fight.” He explains he is willing “to lie to get to what I think is truth.” (These quotes are from Canadian Tom Power’s
interview with Briton Alex Garland, key to understanding Garland’s motivations and the movie’s psy-op methods.)
The movie is a shot over the bow of the right; it promises that
if you elect Trump, civil war will happen. It is also a call to arms for the left; it promises that
if Trump is elected, we will wash him away. (Know that neither Garland nor his movie has timid goals.) Woven within the shock and awe of the visual and audio assault on viewers’ senses are the many practiced ways Garland uses the subliminal and visual to embed his political message deep in the moviegoers’ emotions.
To make Garland’s psy-op techniques more concrete, consider this partial list of subliminal messages he inserts in the flow of the movie to influence viewers: