DirtbagDeluxe
kiwifarms.net
- Joined
- Jun 17, 2014
I noticed he also uses 'we' more often than not. MULTIPLE SYSTEM WATCH FORCE ASSEMBLE
called it
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I noticed he also uses 'we' more often than not. MULTIPLE SYSTEM WATCH FORCE ASSEMBLE
Make yourself. Don't fake yourself.
I only draw sex stuff when it suits me but i'll condemn anyone else that does it because they get more attention for it.Pardon me for double-posting, but I found this on their art blog.
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I was scrolling down and I was like "WHOA, HELLO!"
Today I decided to take a visit to the Cultural Arts Center downtown. I used to take their summer activities as a kid. I liked it there, and I suppose I still do. But it seems to suffer the same issue that a large amount of other art facilities tend to. I browsed around the many galleries they had open and found myself to be mostly disappointed.
Granted there were a certain few pieces that I did like, but much of what I saw was the stuff of sellouts. It seemed as if every other piece hung on the wall was unimaginative, rushed, and overpriced. A lot of it felt more like a showcase of “look what I did” rather than art that was meant to be pondered upon or require the imagination of the viewer. Five thousand dollars for a solid orange run hung on the wall seemed quite off-putting to me.
It has always puzzled me how thoughtless blotches of random colors framed on a wall earned acclaim despite the obvious lack of imagination put into it. Nothing could be gathered from these sorts of pieces. They serve no purpose other than to occupy space on a wall. Then I started noticing that certain pieces were grouped together under the artist’s name.
Evidently, it doesn’t matter what the artist themselves came up with. If their name is attached to the piece, it must be valuable. For example, if some random child were to make a mediocre in a notebook, it would be deemed worthless. However, if it was, say, Kandinsky who was the child, it’d be worth millions. This worries me as an artist. It seems the art community is more interested in the artist, not so much in the art itself.
This is why I admire people like Albert C. Barnes. He didn’t care about who the artist was. He only cared about the piece itself and how valuable he deemed the piece. Not how valuable the price tag says. He even went so far as to refer to many museum collections as “a house of artistic and intellectual prostitution.”
So many modern artists are so focused on this idea of making money off their artwork that the first opportunity they get to make thousands off a single piece has them forcing themselves to create lackluster pieces in a rush in order to make their next dollar. This exemplifies how little they care about the potential they have and how little respect they have for their artistic capabilities.
Then there are the artists who earn fame and fortune despite their lack of imagination. Artists who earn acclaim from landscapes or portraits. Yes, landscapes and whatnot do require artistic skill, but there’s pretty much zero thought put into them. It’s simplistic cut and paste from nature. Sure, they can serve as good practice but they shouldn’t be the type of thing that gets in a museum.
The idea of visual art is to express your unique perceptions and thoughts to those who view the piece. This is why I admire artists such as Picasso, Escher, and Alex Grey. They don’t rely on the laws of reality. They defy them by twisting the common man’s perspective through imaginative paintings of that which cannot simply be seen in the world.
So again, it boggles my mind how a traditional painting of a field with a few tress here and there is hung in a museum and coveted by the art community, while a digital painting of a fantastical landscape is left to be critiqued by Internet geeks. More often than not, whenever I visit a museum, I’m never artistically or imaginatively motivated. All I see are bland and random pieces done by pretentious brush strokers working only for money.
They say art is subjective, but I feel that if people truly believed this, we’d have more variety in our museums. I honestly do feel kind of depressed when I remember that I have better luck finding pieces I like on the Internet than the museums. Especially given the fact that a large amount of the online art community is corrupted by possible basement dwellers uploading drawings of porn for a living.
As a cartoonist, it’s very difficult for me to find a fit environment that my art, added on with my potentially radical views on the medium, can feel it belongs. Cartoonists have a decent time on the web, but most communities on the web are mindless and objectifying, even. Museums see cartooning as “low art” despite most comic strips having more creativity put into them than a bland self-portrait. So, I’m kind of stuck in between here.
If we started focusing more on the individual pieces rather than focus on how big the artist’s name is, we may find our galleries to be far more colorful. Art isn’t about fame or setting a high price on your name. It’s about expressing your thoughts, your emotions, your mind in a way that can be communicated through to the viewer. It’s one the most effective ways of two minds directly communicating their exact thoughts. But it’s sad to see these sorts of things stapled to a price tag and reduced to decorations on a wall. I want visits to the museum to be fuel for the imagination. Not a shopping spree for home decor.
Update: Turned this in for my college art class. Got me a 98. Did not expect that. Figured this outta piss any art professor off. Guess the webheads really are mentally degraded. Go fig.
So basically he just dismissed the whole abstract Expressionism movement that consumed the 50's and 60's. If he had even and ounce of the life experience of Rothko he would know that even though no picture was made in this series it was normally to inspire an emotion. Rothko during his last series was trying to make people uncomfortable so he would use darker shades (specifically red). This goes to show that he doesn't have any respect for artist who aren't him.Also found this pompous screed:
This drivel was an assignment.
Good Lord.
Apparently he also plays a lot of TF2 on Steam. HeyConnorCondor, what's your favorite class? Is it Sniper? I bet it's Sniper.
"My superior eye for artistry will give me a keen edge on this battlefield!"Suddenly I want him to meet Jace and see what happens.
Omfg. Well, I suppose my sympathy has fizzled out.Don't waste your breath on this guy, @Kittentits. He's got everything figured out.
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...orrrr he's just another pretentious twatwaffle that's read V for Vendetta one too many times. Y'know, same diff.
Granted there were a certain few pieces that I did like, but much of what I saw was the stuff of sellouts. It seemed as if every other piece hung on the wall was unimaginative, rushed, and overpriced.
Forgive me for this, but you sound a little overthinky and worry warty here.
I'm just not quite fond of having my sexuality or my gender pried into. Not everyone can be easily explained.
I go and take a nap after a day of classes and come back to all these journals. I wanted to give the kid another chance but the attitude that he has. Fuck that.
By the way. I realized his avatar of himself is a complete rip off of The Observer from TribeTwelve, a Slenderman series on YouTube. http://theslenderman.wikia.com/wiki/The_Observer
EDIT found this "self portrait" he did. I wonder what this is possibly based on... http://thecunningcondor.deviantart.com/art/Self-Portrait-504516108