- Joined
- Nov 3, 2016
So, here is my write-up about TGM. I decided to write up my point of view here and see what you guys think, and also because I think I'd get banned on TVT for daring to criticize wokeness anyway. The points are from @LightDragonman1's post, I'll use quotes instead of the screencaps for easier reading.
The unnamed country's nuclear program is established as a threat to the United States and its allies near the beginning of the movie. Since Western countries, including the US, usually try to solve such problems diplomatically, one can just assume that all attempts at this have failed, leaving force as the only remaining option. It is a perfectly legitimate action to take against a rogue state that poses a threat to the lives of your country's citizens. The primary task of a nation is to protect the lives and interests of its citizens, and it is generally accepted in international politics that states can and will do this at the expense of other countries' citizens. In fact, one could argue that the US is trying to limit collateral damage as much as possible here by choosing a surgical strike over a full-blown invasion.
"Do we have a right to do this?" In spite of the pacifistic rhetoric of organizations like the United Nations, the US de facto has a right to do this because it is acting in the interest of its citizens. In real life, countries do this all the time, but usually in more subtle ways. In fact, a country risks looking like a joke on the international stage if it doesn't act in such a manner. Germany is good example of this.
Concerning "US supremacy": I don't live in the US and I am not an American myself, but I thank my lucky stars that we live under US supremacy rather than Russian or Chinese supremacy. US supremacy is integral to the survival of democracy, human rights, and free trade all over the world, and this is also in the interest of American citizens who can reap the benefits of this supremacy, mostly from the trade it enables with other countries. A free, democratic country like the US defending its interests can only be considered bad under lofty, pacifist standards.
Additionally it has to be said that a trope being "right-wing" does not automatically make it bad. Right-wing does not equal nazi.
Fighteer was clearly wrong.
Now for Fighteer's parrot Redmess:
I won't adress the rest, at that point it's just Fighteer ignoring arguments of other topers and sticking to his excuses for being angry at the movie.
Like the first Top Gun, the film is just as much about the characters as it is about planes. Just look at Maverick's interactions with Rooster. As far as Rooster is concerned, I would consider Maverick's role in that relationship to be similar to that of Viper (who was played by Tom Skerritt) in the first film. While Maverick in the first film was a hotshot who had to learn to be a bit more level-headed, Rooster here has the inverse problem in that he plays everything a tad too safe. It strikes a perfect balance with the first movie and seems well thought-out to me."The film has an Excuse Plot so Maverick can fly planes around while looking cool."
Sorry, I have to get into the politisperging to counter Fighteer's politisperging."More broadly speaking, however apolitical a work strives to be, it cannot avoid inspection with a microscope, and Top Gun: Maverick has gung-ho US Navy fighter pilots bombing a foreign country without a declaration of war. No matter how hard the writers work to turn that into a "generic" scenario, it still exalts the use of our military to enforce our geopolitical goals.
At no point does anybody ask, "Do we have the right to do this?" Everyone just assumes so. And here is a place that the right-wing latches on: the uncritical approbation of US supremacy."
The unnamed country's nuclear program is established as a threat to the United States and its allies near the beginning of the movie. Since Western countries, including the US, usually try to solve such problems diplomatically, one can just assume that all attempts at this have failed, leaving force as the only remaining option. It is a perfectly legitimate action to take against a rogue state that poses a threat to the lives of your country's citizens. The primary task of a nation is to protect the lives and interests of its citizens, and it is generally accepted in international politics that states can and will do this at the expense of other countries' citizens. In fact, one could argue that the US is trying to limit collateral damage as much as possible here by choosing a surgical strike over a full-blown invasion.
"Do we have a right to do this?" In spite of the pacifistic rhetoric of organizations like the United Nations, the US de facto has a right to do this because it is acting in the interest of its citizens. In real life, countries do this all the time, but usually in more subtle ways. In fact, a country risks looking like a joke on the international stage if it doesn't act in such a manner. Germany is good example of this.
Concerning "US supremacy": I don't live in the US and I am not an American myself, but I thank my lucky stars that we live under US supremacy rather than Russian or Chinese supremacy. US supremacy is integral to the survival of democracy, human rights, and free trade all over the world, and this is also in the interest of American citizens who can reap the benefits of this supremacy, mostly from the trade it enables with other countries. A free, democratic country like the US defending its interests can only be considered bad under lofty, pacifist standards.
Military discipline in Western countries, especially the US, is not as strict as you may believe as combat situations require a certain flexibility in order to adequately respond to rapidly changing circumstances. "Getting results" is more important at the end of the day than rigidly following protocol, procedure and regualtion to the letter. If you did the latter and lost the battle, you should rethink your approach. Also, "endangering personnel"? When Rooster pulled that stunt with Maverick during the training flight, when they would spiral closer and closer to the ground, Maverick desperately tried to get him to stop."Separate but also problematic is the idea of Maverick as a character who achieves his goals by flaunting military discipline, committing insubordination, and endangering personnel. He's justified because he "gets results". This is another right-wing trope."
Additionally it has to be said that a trope being "right-wing" does not automatically make it bad. Right-wing does not equal nazi.
Where does Maverick do this? Granted, following Charlie to the ladies' room in the first movie wasn't the best possible action, but all he wanted was talk, not to grab tittis. Apart from that, there was no scene where he did something similar. In TGM, I see no instance of Maverick acting in such a manner with Penny. This is actually the one question I want to log onto the TVT forums for and ask Fighteer what the hell he means."Lastly, he is shown as a serial sexual harasser who gaslights women into falling in love with him, for a third check mark on the "how toxic men would like to be treated in media" list."
Point already adressed: Flexibility in military operations."It may or may not technically be an excuse plot, but the details of the bombing mission don't matter at all. It just needs a very difficult target that requires "seat-of-the-pants" flying and ends in a dogfight, all so Maverick can show off how much cooler he is than everyone else. All of these "by the book" pilots and officers need to learn to appreciate the value of someone who flaunts all of the rules and gets away with it, or at least put up with him long enough to get the critical mission done."
Point already adressed: International relations. Yes, it is officially frowned upon, but a necessary evil and your nation would actually look like a clown if it didn't do it."As for the legality of the mission, I find it strange to have to point out that bombing countries that we are not at war with is generally frowned upon in international relations. Sure, the US does it all the time, but that doesn't make it right."
This actually got adressed by another troper:"Notably, he left her (pregnant!) to continue his crazy cowboy antics, and now he randomly hooks back up with her at her bar at the air base, at which point his charming nature brings him back into her arms because she never really stopped loving him. This is not the behavior of an "officer and a gentleman"."
Fighteer was clearly wrong.
Now that's rich. At which point did woke "entertainment" ask for critical thinking from its audience? The whole time, people who have criticized woke entertainment for destroying old characters and forgoing good cinematography and writing in favor of the message, they were shouted down and called istaphobes. The entire problem with woke entertainment is that it fails to entertain: most people don't want to exit the theater feeling worse than they did when they went in.Lastly, I think I've figured out why people are calling it "anti-woke", and that's because it asks for precisely zero critical thinking from its audience. That does seem to be the hallmark of this movement: "Don't make us think about anything, regret anything, or feel bad about anything. Just shovel entertainment into our orifices."
Now for Fighteer's parrot Redmess:
Yes, it is anti-woke, and its success proves that moviegoers prefer anti-woke over woke. The average moviegoer is not a film critic and does not want to be bothered by woke narratives. Going back to Fighteer's "hallmark of the movement": Wokeness is a toxic ideology that wants people (most often white, heterosexual and/or male) to feel bad about who they are, often about things they were born with and have no control over, while extolling other groups who similarly had no such control. It should come as no surprise that people are angry or resentful about what basically constitutes an attack on the very core of their being."Yeah, it's pretty anti-woke in that regard, in that it asks you, and even encourages you, to just turn your brain off and enjoy the movie uncritically. To be woke is to be critical of the media you consume, and for a work to be woke, it needs to critically examine what it is depicting. So if a movie refuses to do so, it can be said to be anti-woke."
I won't adress the rest, at that point it's just Fighteer ignoring arguments of other topers and sticking to his excuses for being angry at the movie.