- Joined
- Aug 7, 2018
Swamp Thing has always been a cape book. Moore and Weins runs had super heroes in it, Veitch had an Invasion Xover and Lex Luther rape scene, and Emerald Twilight got name checked at the end of the Millar run.
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Swamp Thing has always been a cape book. Moore and Weins runs had super heroes in it, Veitch had an Invasion Xover and Lex Luther rape scene, and Emerald Twilight got name checked at the end of the Millar run.
I’d argue that Conan and Swamp Thing are flash in the pan.
Comics do not attract new audiences, Vertigo and Image were just the result of people getting annoyed by Capeshit and burning out good will at an astonishing rate.
Conan was one of the books that had the most requests to be filled for me at the store. It blew my mind as well, because I thought the same, but its audience is pretty strong.I’d argue that Conan and Swamp Thing are flash in the pan
Isn’t it a published by a French company now? The rights are held by an American company, but outside of rereleases and crossovers it’s not an American company.Conan was one of the books that had the most requests to be filled for me at the store. It blew my mind as well, because I thought the same, but its audience is pretty strong.
No, it's under Titan Publishing, which is UK.Isn’t it a published by a French company now? The rights are held by an American company, but outside of rereleases and crossovers it’s not an American company.
Yes, he wrote an article about it on CBR.Does anyone know anything about the rumors that Erik Larsen burned his own home down in tbe 90's for insurance and never lost all his old comics? Has anyone else ever heard about this?
That site is so clickbaity it will give you AIDsFuck CBR, btw.
Absofuckinglutely. It's like Kotaku for Comics.That site is so clickbaity it will give you AIDs
Isn’t it a published by a French company now? The rights are held by an American company, but outside of rereleases and crossovers it’s not an American company.
Conan's IP situation is complicated. In Europe, Conan entered public domain in 2006. Glenat started it's adaptation line of Conan stories in 2018. They are getting released on the American market as Cimmerian by Ablaze.No, it's under Titan Publishing, which is UK.
There's this YouTuber girl called Casually Comics who talks about comics (duh), she's probably on the woke side but she always tiptoes very carefully around controversial topics of the kind, and when she talks about these things she's surprisingly careful and balanced in the points of view she explores (at least in what I've seen, which is not everything).You have Powergirl, in pants. She's had an insane breast reduction, like I'd be surprised if she's an B cup? And then there's it being written by some stupid bitch no name. They screw up her history.
There's this YouTuber girl called Casually Comics who talks about comics (duh), she's probably on the woke side but she always tiptoes very carefully around controversial topics of the kind, and when she talks about these things she's surprisingly careful and balanced in the points of view she explores (at least in what I've seen, which is not everything).
But get her talking about current Power Girl, and while she keeps her composed demeanor, you can sense the underlying seethe because she loves classic big titty PG with all of her weird story and personality. She's very critical of what they've been doing with her, and actually makes very good points about how they're trying to distinguish her from Supergirl BUT ALSO making them both follow essentially the same story beats, making both even more redundant.
Aside from that, I've noticed something I call Woman Comics: comics written by women or for women, in which the same structure always happens, there's a conflict, the woman is on the back foot, then overcomes it for no reason beyond "believing in herself", and then there's ALWAYS a moment where she's with another female character telling each other that they're like, so valid over a cup of tea or some other hot beverage, often watching over a sunset.
It's in Power Girl, it's in Scarlet Witch, it's in some recent-ish issues of X-Men, it's ALL OVER those Identity/Voices/Pride comics they keep putting out, etc.
Yeah, Moore really disappoints if you graph his career out in a way other contemporaries like Frank Miller or Walt Simonson.Imagine my joy when I discovered there was a comic about H.P.Lovecraft by the same guy who did Watchmen and V for Vendetta.
Imagine my disappointment when I read the blurb about "explores the themes of racism and sexuality". And that FBI agents go undercover to infiltrate orgies and Alan Moore states his goal is to detail the "unspeakable rituals" that Lovecraft didn't describe because of his "sexual squeamishness". Right, because the 1920's was a time well receptive to writing detailed pornography featuring beastiality in mainstream magazines. Or maybe - just possibly - Lovecraft didn't think it appropriate to write detailed fish-on-woman sex scenes in the first place!
Think these were a few years but I follow comics a lot less than I do literature (*gasp* he said it!) and just came across his Lovecraft comics the other day.
*shudder*
I have both volumes. They're excellent. Truly remarkable work. I only wish they were in a larger format so I could appreciate the intricacy of his work better.I recommend giving Gou tanabe's adaptation of Mountains of madness a try.
First issue of the The Sentry book I talked about recently just came out.
It's exactly what I said it would be.
Disabled POC woman as the obviously "good" Sentry candidate, racist blond white guy as the villain Sentry candidate (not even a twist, the first thing he does is show up and kill a black guy who's also a mutant).