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So I took a break from the Legion and blew through irredeemable and incorruptible by Mark Waid.

Irredeemable serves as an interesting enough stab at the edgy superhero comics genre by Waid. Its about a superman Pastiche named the Plutonian who snaps and destroys the city he once protected. Compared to say the comics of Ennis and Millar the story keeps the violence, cursing, sex, and overall disturbing content to a minimum (at least in comparison to other "edgy superhero" books like Millar and Ennis or the Ultimatum or Heroes in Crisis and ect), but still manages to have one shocking thing per issue relying more on high concept ideas and psychologically disturbing moments (my fav comes in issue #5 where the Plutonian threatens everyone live on air and attempts to sow chaos in the population). Unlike other evil Superman stories like The Boys where Homelander was always evil or Injustice where one single moment causes Superman to Snap the Plutonian starts about as truly good and honest superhero who slowly looses it over time until something pushes him over the edge. When the comic diverges from constructing Superman's mythology it isn't as good imo, but the book moves at a steady pace with nearly each of the 37 issues having some major reveal, new plot point, or disturbing relation to make the story always move at a swift pace. It really fleshes out the idea of "what if Superman went mad" to its logical conclusion and pretty much does all it can with plot on its own. Its not perfect and I find the latter part of the series relies to much on byzantine gambits and characters endlessly one upping each other, but I still think its worth a read.

Incorruptible is the spin off of Irredeemable focusing on Max Damage, a villain of the Plutonian who reforms after seeing the Plutonian's rampage. The concept here is okay, the idea of a Super Villain wanting to go good but having no idea how, but in execution its pretty mediocre with some weird plot points. The first big flaw here is that this book is trapped in the shadow of Irredeemable, while Irredeemable is free to have all sorts of major reveals Max damage is stuck just fighting two bit villains in Incorruptible. There is two separate moments where characters in Incorruptible come up with plans to solve problems with the world only for the problems to be solved spontaneously and there is some narration going ("Oh yeah this issue was solved in Irredeemable"). Really the only important thing that happens in Incorruptible is the few issue arc which outlines the origins of Max Damage and the Plutonian. Otherwise the book can be summed up as: Max acts overly strict, characters tell him he doesn't know how to be a hero, Max acts like a hypocrite, characters call him a hypocrite, Max says he doesn't want to be a hero, and then at the end he decides to be a hero anyway with a less strict moral code. The villains he fights are dumb political allegories like a white nationalist gang run by a rich randian senator who created the gang to distract from his power and a libertarian super villain who has gangs attack people who work for free in the apocalypse, derogatively called "hangers". There is also the werid detail of Max being a pedo with an underage sidekick named Jailbait he bangs. At the start of the series he gets his sidekick and is like "I'm sorry I cant sex you anymore I am a good guy I can't be a pedo", but by the end he tells her he's counting down the days till she's 18 so he can fuck her legally and everyone laughs it off. Like Max is a murderer and a pedo yet we are just expected to accept him as a true good guy because he says he is in the last issue. The only positive here is the art by Marcio Takara from like issue 11 onwards its really stylized and kinetic and makes the action scenes pop even when the story is bad.
 
What's something by Neil Gaiman that is good and has pictures and isn't that long so I can get it in like one or two volumes that don't weigh 50 lbs a piece? Trying to shop for a borderline illiterate person who got hooked on the audio drama version of Sandman.

When the comic diverges from constructing Superman's mythology it isn't as good imo,
gotta agree with that... towards the end you have to stop and remind yourself what it was supposed to be about
 
What's something by Neil Gaiman that is good and has pictures and isn't that long so I can get it in like one or two volumes that don't weigh 50 lbs a piece? Trying to shop for a borderline illiterate person who got hooked on the audio drama version of Sandman.
Black Orchid, Signal to Noise, Violent Cases, and the Books of Magic. Stardust is a novel, but some versions are heavily illustrated. There are also various comic adaptations his short stories, but I've never read any of those.
 
What's something by Neil Gaiman that is good and has pictures and isn't that long so I can get it in like one or two volumes that don't weigh 50 lbs a piece? Trying to shop for a borderline illiterate person who got hooked on the audio drama version of Sandman.
Black Orchid, Signal to Noise, Violent Cases, and the Books of Magic. Stardust is a novel, but some versions are heavily illustrated. There are also various comic adaptations his short stories, but I've never read any of those.
Books of Magic is one of my favorites, but may induce some confusion with its connections with DC heroes and villains, especially since it's so old.

There's a recent (still coming out? not sure) comic adaptation of Gaiman's Norse Mythology book. It's illustrated by Craig Russell, so it looks nice.

There's a comic adaptation of Neverwhere, which I quite liked, but it's drawn by Glen Fabry, whose style may not be for everyone. There's also one of American Gods, but I never read it (meaning the comic; I did read the book and I think its the best of his novels).
 


Previous issues of Bishop: War College has seen the time travelling mutant, skip across parallel dimensions instead. And discover an entirely Black X-Men. This is not just a race-swapped universe, he is also there – without his powers, as well as Storm and others. And they even have a Quiet Council of Krakoa too. There is a very different history at play here.

Because, as we discover, there are white people in this world. Just none of them are the Quiet Council, the X-Men, the mutants of Krakoa and this world. And they find the Marvel Universe, or our Earth far more perplexing.

Because in this world, the only mutants are Black mutants. Only Black people can be mutants.

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And introducing Homo negrus superior. Which raises all sorts of questions, issues and many implications. Something that has gone down this route was the superhero comic Black with sequels Black AF and White. War College may not have the time to get into these issues… but Black has. There's also Malorie Blackman's Noughts And Crosses, especially the BBC television adaptation with Paterson Joseph which aged everyone up a decade or two.


And obviously, in this world, Tony Stark: Iron Man is on the side of the white supremacists. He always ends up on the wrong side of history…

Bishop War College #3 by J Holtham, Duarte, Alberto Foche and Sean Hill is published today from Marvel Comics
 
What's something by Neil Gaiman that is good and has pictures and isn't that long so I can get it in like one or two volumes that don't weigh 50 lbs a piece? Trying to shop for a borderline illiterate person who got hooked on the audio drama version of Sandman.


gotta agree with that... towards the end you have to stop and remind yourself what it was supposed to be about
Black Orchid, Signal to Noise, Violent Cases, and the Books of Magic. Stardust is a novel, but some versions are heavily illustrated. There are also various comic adaptations his short stories, but I've never read any of those.
Books of Magic is one of my favorites, but may induce some confusion with its connections with DC heroes and villains, especially since it's so old.

There's a recent (still coming out? not sure) comic adaptation of Gaiman's Norse Mythology book. It's illustrated by Craig Russell, so it looks nice.

There's a comic adaptation of Neverwhere, which I quite liked, but it's drawn by Glen Fabry, whose style may not be for everyone. There's also one of American Gods, but I never read it (meaning the comic; I did read the book and I think its the best of his novels).

Good discussion all.

Neil Gaiman's work is well collected.

DC Comics has collected Sandman and the above Vertigo books, Obre didn't post the Children's Crusade, which was recently redone and is also Vertigo Gaiman. In addition, they've collected his short Vertigo stories in Midnight Days. These include Hellblazer, Swamp Thing, and Golden age Sandman. On the flip side none of you mentioned his DC Universe by Gaiman, which is a collection of his works in the mainstream comic universe. Some good stuff such as Superman/Green Lantern with a who's who of guest artists.

Over at Marvel, the house of Stan and Jack and Steve has collected Gaiman's work for them. Neil wrote to minis; Eternals and 1602. This was largely to pursue his beef with Todd McFarlane. Gaiman's Miracleman, which I think is better than Moore's from what I remember; is currently being published as well.

Gaiman has also done some indy odds and ends, but you're talking about a nice GN for your buddy that's self contained and not too wordy. Given length concerns I'd recommend one of the DC collections Midnight Days or DCU by Gaiman. The stories are on the smaller side, you can pick up and put it down, and the words aren't too big. If your buying for a minor, I'd say DCU as it's a little less mature.
 
The new wildcats is interesting but I kinda hate how Fairchild is a little kid. Even if she has superpowers, wtf is she doing on the team?
 
Got around to reading "Red Team" by Ennis and liked it a lot. Well-written with very little edge compared to other Ennis stuff, great pencils and the Chaykin covers on the first run were a treat, the covers by Panosian on the second arc i liked even more. The story in Vol.1 is infinitly more stronger than the second one but both were a fun read. 5/5 breddy gud, all in all.
Also read the first three TPB's of "68" by Kidwell, it's alright. Some nice art and the idea of combining zombies with the Vietnam War-era is cool, but i started to lose interest halfway through the third TPB. The gore almost reaches "Crossed" levels and i was bored with that already when i was reading "Crossed", the whole comic has that "Crossed" vibe that i am not too fond of.

Currently reading "Starve" by Wood (from "DMZ" fame, which is currently my favourite comic and has been for years), amazing artwork by Zezelj, i'm a sucker for that Euro stuff. Interesting story and characters so far, though the protagonist being a fag screams of "I have better chances of getting this published with homos in it". Still liking it a lot so far.
 
Found my old copy of v for vendetta (it's dated 05 and still has the vertigo logo on it) while rooting through my collection. Still a great book as I Remember it but reading it here and now in current year? One must remember unlike many modern writers Moore in his prime never intended to "tell people how to think." Just that extreme schools of thought can go both ways. The horseshoe theory as it where. Then again Moore seems to flip flop between loving the medium that made him who he is and hating it with a flaming passion...not that I can't get behind some of the criticism he's lobbied at it in recent years.
very little edge compared to other Ennis stuff


Honestly given how most comics have lost their "edge" in recent years to be as bland and dull as possible so as not to "trigger" anyone's "sensitivities and anxiety." I Kinda long for the days of Mark Millar, Ennis, and the mad lads behind works like Judge Dredd and Heavy Metal drawing and writing whatever fucked shit their warped minds could come up with.



Addendum

Poor Peter Parker, a decade and change ago they killed your relationship to Mary Jane and they do it all over again arguably worse.

At least the first time it was done because Joey and Danny where going thru mid life crises and wanted to relive their days of being "cool swinging hip cats. In college vicariously through you.'' Now it was done because they hate you for being a straight white guy and want to push the mulatto spiderman who hangs a protect troons flag in his bedroom..or Gwen ''why didn't I just stay dead'' Stacey as the new spiderman...Ohio sorry not sorry soider person? That what they hope to call you someday?
 
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Found my old copy of v for vendetta (it's dated 05 and still has the vertigo logo on it) while rooting through my collection. Still a great book as I Remember it but reading it here and now in current year? One must remember unlike many modern writers Moore in his prime never intended to "tell people how to think." Just that extreme schools of thought can go both ways. The horseshoe theory as it where. Then again Moore seems to flip flop between loving the medium that made him who he is and hating it with a flaming passion...not that I can't get behind some of the criticism he's lobbied at it in recent years.



Honestly given how most comics have lost their "edge" in recent years to be as bland and dull as possible so as not to "trigger" anyone's "sensitivities and anxiety." I Kinda long for the days of Mark Millar, Ennis, and the mad lads behind works like Judge Dredd and Heavy Metal drawing and writing whatever fucked shit their warped minds could come up with.



Addendum

Poor Peter Parker, a decade and change ago they killed your relationship to Mary Jane and they do it all over again arguably worse.

At least the first time it was done because Joey and Danny where going thru mid life crises and wanted to relive their days of being "cool swinging hip cats. In college vicariously through you.'' Now it was done because they hate you for being a straight white guy and want to push the mulatto spiderman who hangs a protect troons flag in his bedroom..or Gwen ''why didn't I just stay dead'' Stacey as the new spiderman...Ohio sorry not sorry soider person? That what they hope to call you someday?
did they finally kill off MJ again?
 
did they finally kill off MJ again?
Might as well have

She was trapped in some other dimension, and when Peter rescued her shortly after, it turned out years had passed in that dimension and she had kids with some guy who was also trapped there.
There's probably gonna be another twist and or retcon later, maybe they're not really her kids (tho one looks just like her), but having her form a whole ass family with someone else is about as close to killing for good the Peter/MJ relationship as they can come.
 
did they finally kill off MJ again?

Honestly they should, but won't because they're afraid.

The effect of killing Gwen was making her a saint with the fans. The last thing they want is to Gwen Mary Jane Watson.

After that, creators who never really liked OMD can romanticize her instead of the deeply flawed, wonderful wife and heroine she grew to become. Then it's only a matter of when, not if, some disrespectful, fat cunt will bring her back, just like Gwen. Spider-Gwen, Gwenpool (Not her but still), Gwen clones and Jesus knows what else.

If you keep her alive, you can flanderize her. humiliate her. Create a situation where the character is like Hank Pym, stained irreparably.

The ONE good thing to come out of Disney Marvel may be that the company writ large cares little for Joe Q, Dan Slott, or their legacy. They want money and Woke points. Nostalgia=money.
 
Might as well have

She was trapped in some other dimension, and when Peter rescued her shortly after, it turned out years had passed in that dimension and she had kids with some guy who was also trapped there.
There's probably gonna be another twist and or retcon later, maybe they're not really her kids (tho one looks just like her), but having her form a whole ass family with someone else is about as close to killing for good the Peter/MJ relationship as they can come.
Honestly they should, but won't because they're afraid.

The effect of killing Gwen was making her a saint with the fans. The last thing they want is to Gwen Mary Jane Watson.

After that, creators who never really liked OMD can romanticize her instead of the deeply flawed, wonderful wife and heroine she grew to become. Then it's only a matter of when, not if, some disrespectful, fat cunt will bring her back, just like Gwen. Spider-Gwen, Gwenpool (Not her but still), Gwen clones and Jesus knows what else.

If you keep her alive, you can flanderize her. humiliate her. Create a situation where the character is like Hank Pym, stained irreparably.

The ONE good thing to come out of Disney Marvel may be that the company writ large cares little for Joe Q, Dan Slott, or their legacy. They want money and Woke points. Nostalgia=money.
Gwen wasn't even that good of a waifu. Half of her arc was a thinly veiled anti-tough on crime where the Irish candidate was using her as a prop. It's also where Jonah gets called a racist by Robbie's Son because he wants a functional police force rather than some college student in a mask deciding what is justice. MJ was the best part of that era because MJ actually called Peter out and radiated raw Stacy energy. Gwen Stacy, despite her name, was basically Aunt May with a Bachelors in Biology and a police captain father. God even Aunt May was insufferable then, they made her a fucking protestor for more fucking Social Security.

MJ literally called Peter a faggot for mooching off his Aunt and Harry despite all his friends calling him a genius. It's why you liked her, she liked Peter, but wasn't getting on his dick like Gwen,

You know they retconned both Gwen and MJ to be Black'd prior to Peter, right?

Easiest way out of this is the old Mysterio pretending to be the girl you wanna fuck trick. Technically old Norman plowed Mysterio rather than Gwen and the kids are weird clones that Harry made in some weird revenge thing (they should've just made them Gwen/ Peter Clones, but they really want Norman to have fucked Gwen.)
 
Found my old copy of v for vendetta (it's dated 05 and still has the vertigo logo on it) while rooting through my collection. Still a great book as I Remember it but reading it here and now in current year? One must remember unlike many modern writers Moore in his prime never intended to "tell people how to think." Just that extreme schools of thought can go both ways. The horseshoe theory as it where. Then again Moore seems to flip flop between loving the medium that made him who he is and hating it with a flaming passion...not that I can't get behind some of the criticism he's lobbied at it in recent years.

The funniest thing about V For Vendetta is the opening introduction where Alan Moore basically admits that the series was both reactionary towards the Thatcher regime which he despised but also Alan Moore admitting, point blank, that writing the book made him basically admit to himself that Labor circa 1983 under Michael Foot was so fucked up and so dangerous in terms of being worse than Thatcher, that the only way that Moore could create a plausible explanation for why Britain would elect openly fascist racists to power would be that Michael Foot and his platform would so utterly fuck up Britain that the people would rather have Nazis 2.0 running the country than allow Labor to keep power.

did they finally kill off MJ again?
Not yet, though it's heavily rumored that they will be killing her off again in two months time in Amazing Spider-Man #26.

During the gap between the Spencer/Beyond volume and the current Wells run, MJ and a stranger named Paul got stuck in the future by a literal who villain Wells created during Brand New Day Spider-Man (who has ties to Paul) and that when Peter had to steal tech from the Fantastic Four so Green Goblin can send Peter into the future to rescue her, he found MJ and Paul with a pair of 6-8 year old kids who MJ claims to be her and Paul's kids.

Oh and circa the two issue Joe Kelly fill-on from a couple of months back, Kelly shitted on fans who were holding out hope that MJ and Paul were just shacking up and confirmed that they did get legally married at some point.

Fans are holding out the slimmest of hope that the overall hatred for the Wells run (and the book's piss poor sales) will make Marvel declare that at the very least, the kids are adopted orphans; especially since MJ hasn't seemed to age from where she was stuck in the future.

But at this point, Marvel's hyping Amazing Spider-Man #26 as "the most controversial Spider-Man story of all time" and the implication is that MJ's going to be killed off in it because editorial and Brevoort are pissed the fuck off that fans have rejected their attempt to bring back the Brand New Day status quo.
 
The funniest thing about V For Vendetta is the opening introduction where Alan Moore basically admits that the series was both reactionary towards the Thatcher regime which he despised but also Alan Moore admitting, point blank, that writing the book made him basically admit to himself that Labor circa 1983 under Michael Foot was so fucked up and so dangerous in terms of being worse than Thatcher, that the only way that Moore could create a plausible explanation for why Britain would elect openly fascist racists to power would be that Michael Foot and his platform would so utterly fuck up Britain that the people would rather have Nazis 2.0 running the country than allow Labor to keep power.
That and the nuclear war. Post nukes it's either rovining gangs of savages or fascists. At least under fascists everyone showers regularly and there's some semblance of order.


Speaking of V, the story is surprisingly very...repetitive at times. I get why though it was originally published monthly in an anthology magazine with other stories akin to judge dredd in 2000 ad. (Also a great brit comic mag)


Also as much as I enjoy the punisher max Steve Fillion run towards the end got..a little try hard edge lordy even for me. I mean kingpins son getting his throat cut in full gory detail, bullseye shitting a Derringer out to kill with it, amd this line from frank.


"There is no God no souls all we are is meat and bone."

Like damn Steve you dig that one out of the same composition notebook you did your 5th grade math homework in?

I ahve every comic under the sun at my hands thanks to read comic online...so why do i still bother buying physical copies of them? maybe its cause of what stan the man lee once (allegedly) said may he rest in peace.

"comics are like boobs great to look at...even better to hold in your hands."

Allegedly said after the launch of marvel's digital comics in the days when the e reader and kindle where brand new.
 
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The funniest thing about V For Vendetta is the opening introduction where Alan Moore basically admits that the series was both reactionary towards the Thatcher regime which he despised but also Alan Moore admitting, point blank, that writing the book made him basically admit to himself that Labor circa 1983 under Michael Foot was so fucked up and so dangerous in terms of being worse than Thatcher, that the only way that Moore could create a plausible explanation for why Britain would elect openly fascist racists to power would be that Michael Foot and his platform would so utterly fuck up Britain that the people would rather have Nazis 2.0 running the country than allow Labor to keep power.
Alan Moore has the distinction, to me, that in a world of crappy book-to-movie adaptations in which the adaptation bastardises the book and outrages the fans, both of Moore's most noteworthy works are actually improved in significant ways from the original. Fans still outraged by the changes either way, though.

Separately, I recently read the Gwenpool. Nice art, well-written and for all that it's silly and kind of but kind of not fourth wall breaking, seems to be one of the few modern Marvel comics that actually has a moral arc for its central character. I enjoyed it a surprising amount as silly fare with a heart.
 
Alan Moore has the distinction, to me, that in a world of crappy book-to-movie adaptations in which the adaptation bastardises the book and outrages the fans, both of Moore's most noteworthy works are actually improved in significant ways from the original. Fans still outraged by the changes either way, though.

Separately, I recently read the Gwenpool. Nice art, well-written and for all that it's silly and kind of but kind of not fourth wall breaking, seems to be one of the few modern Marvel comics that actually has a moral arc for its central character. I enjoyed it a surprising amount as silly fare with a heart.
I still call League LXG purely to like subtly cast a hex on Moore to give him a lil headache in the morning. Fight autism with autism
 
I still call League LXG purely to like subtly cast a hex on Moore to give him a lil headache in the morning. Fight autism with autism
I love League. LXG, whatever you may call it. I kinda wish for some studio to tackle it again, in TV show form.

As soon as I mention to someone on social media that I genuinely enjoy Alan Moore or Frank Miller's work, I either get blocked or called racist / fascist / anarchist / whatever the fuck.
Sorry can't fucking hear you over this awesomeness.
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