Red Letter Media

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Favorite recurring character? (Select 4)

  • Jack / AIDSMobdy

    Votes: 257 24.0%
  • Josh / the Wizard

    Votes: 77 7.2%
  • Colin (Canadian #1)

    Votes: 460 42.9%
  • Jim (Canadian #2)

    Votes: 230 21.4%
  • Tim

    Votes: 386 36.0%
  • Len Kabasinski

    Votes: 208 19.4%
  • Freddie Williams

    Votes: 274 25.5%
  • Patton Oswalt

    Votes: 27 2.5%
  • Macaulay Culkin

    Votes: 541 50.4%
  • Max Landis

    Votes: 64 6.0%

  • Total voters
    1,073
Lol now that they're free of covid do you think they're still barricaded over the riots in HitB?
They ended that storyline at the wrong time. No they've probably made their way back to the VCR repair shop which is still fully intact except their Dan Aykroyd Crystal Skull Vodka glass has been looted because its the one thing of value in the shop. Meanwhile the Urban Market has once again stolen Mr. Plinketts TV.

Honestly, me too. That or Suburban Sasquatch. Those are two very special episodes. TUMS FESTIVAL is an epic moment from the Hollywood Cop episode, but that's the only part I actively look forward to.

The Half in the Bags I watch the most would probably be the Things portion, The Black Ninja, or Flyin' Ryan.
Wondering why those two episodes (Vampire and Sasquatch) are so good and people rewatch them multiple times. Personally I like how they're examining these two incompetent filmmakers and going beat by beat to explain why everything they did in the movie was wrong, using their own low budget work as a reference point. In Sasquatch they make a reference or two to Space Cop and how they actually made a basic effort while the director for Sasquatch is on par with a Middle Schooler in AV class where he was filming a car driving at 1 MPH holding the camera instead of mounting it on a rig. Stuff like that is funny and informative to me on how you make a passable movie on a shoestring budget.
 
Wondering why those two episodes (Vampire and Sasquatch) are so good and people rewatch them multiple times.

I like reviews of bad things, and while most movies on BOTW are funny, they aren't really given too much time for EVERYTHING. Those two films were amazing and given just the right about of time for me. So I can't help but want to revisit them constantly.

Same with the "spotlight" episodes on HiTB I mentioned. None of them were the newest turd Hollywood shat out (except maybe A Haunted House, but that was still Fuck You, It's January), but good old fashioned bad movie reviews.
 
I'm just trying to imagine a lawsuit that would actually lead to an obligation of starring in Theodore Rex.
She agreed to do it before seeing the script and tried to back out. Producers were gonna sue for breach of contract to the tune of $20 million.
 
She agreed to do it before seeing the script and tried to back out. Producers were gonna sue for breach of contract to the tune of $20 million.

She signed on before doing Sister Act. After Sister Act was a big hit she thought she was above the material and tried to back out.
 
Another favorite: Theodore Rex / Carnosaur / Tammy and the T-Rex. The mockery of Theodore Rex is spectacular; Carnosaur is a fun little B movie with some really gonzo concepts (ladies birthing hatchling dinosaurs is so weirdly out there I'd think it was someone's fetish if it hadn't been a Roger Corman movie), and Tammy is quite simply one of the most bizarre things they ever watched.

The only thing I regret is that they didn't know Whoopi Goldberg knew exactly what a piece of shit Theodore Rex was and only made it under threat of lawsuit. Just imagine what hay they'd have made of that.
Don't know if you've ever seen Tammy and the T-Rex but I saw it under quarantine and yes it is as bizarre as they described it. Half the scenes are shot like it was a real horror movie then half-way through they realized what they had was so absurd they rewrote it as a tongue in cheek comedy without bothering to reshoot the original scenes to match the tone of the completed film. Not to mention all the times I was asking myself "Is Paul Walker supposed to be a real T-Rex or an animatronic?"
I like reviews of bad things, and while most movies on BOTW are funny, they aren't really given too much time for EVERYTHING. Those two films were amazing and given just the right about of time for me. So I can't help but want to revisit them constantly.

Same with the "spotlight" episodes on HiTB I mentioned. None of them were the newest turd Hollywood shat out (except maybe A Haunted House, but that was still Fuck You, It's January), but good old fashioned bad movie reviews.
Completely agree with you. Sometimes something is so bad you need to perform a humorous autopsy to explain why it died.
 
Don't know if you've ever seen Tammy and the T-Rex but I saw it under quarantine and yes it is as bizarre as they described it. Half the scenes are shot like it was a real horror movie then half-way through they realized what they had was so absurd they rewrote it as a tongue in cheek comedy without bothering to reshoot the original scenes to match the tone of the completed film. Not to mention all the times I was asking myself "Is Paul Walker supposed to be a real T-Rex or an animatronic?"

I wonder which half brought about the idea of Paul Walker's disembodied brain shooting electric cum.
 
Another favorite: Theodore Rex / Carnosaur / Tammy and the T-Rex. The mockery of Theodore Rex is spectacular; Carnosaur is a fun little B movie with some really gonzo concepts (ladies birthing hatchling dinosaurs is so weirdly out there I'd think it was someone's fetish if it hadn't been a Roger Corman movie), and Tammy is quite simply one of the most bizarre things they ever watched.

The only thing I regret is that they didn't know Whoopi Goldberg knew exactly what a piece of shit Theodore Rex was and only made it under threat of lawsuit. Just imagine what hay they'd have made of that.
Besides Dinosaurs making everything better because of some obscure internet drama.

With the sad puppies, one story objected to was a nebula winner called "if you were a dinosaur, my love." Just absolute drek.

The revelation that the short story just straight up rips off Tammy and the TRex without being half as entertaining NEVER stops being funny to me.
 
Wondering why those two episodes (Vampire and Sasquatch) are so good and people rewatch them multiple times. Personally I like how they're examining these two incompetent filmmakers and going beat by beat to explain why everything they did in the movie was wrong, using their own low budget work as a reference point. In Sasquatch they make a reference or two to Space Cop and how they actually made a basic effort while the director for Sasquatch is on par with a Middle Schooler in AV class where he was filming a car driving at 1 MPH holding the camera instead of mounting it on a rig. Stuff like that is funny and informative to me on how you make a passable movie on a shoestring budget.
That's why i like the Partners episode so much.
 
With the sad puppies, one story objected to was a nebula winner called "if you were a dinosaur, my love." Just absolute drek.

The revelation that the short story just straight up rips off Tammy and the TRex without being half as entertaining NEVER stops being funny to me.

I was familiar with "If You Were a Dinosaur, My Love" (though I thought it was a Hugo it won, whatever it won is a baffling, awful win). I never made the connection between it and Tammy, and now, oh, god almighty damn. This is a very very stupid world we live in.

That's why i like the Partners episode so much.

Partners was filmed near me! I was about as excited to see familiar places and familiar degenerate Italian actors as they were to see Surviving Edged Weapons was filmed in Milwaukee.
 
I was familiar with "If You Were a Dinosaur, My Love" (though I thought it was a Hugo it won, whatever it won is a baffling, awful win). I never made the connection between it and Tammy, and now, oh, god almighty damn. This is a very very stupid world we live in.



Partners was filmed near me! I was about as excited to see familiar places and familiar degenerate Italian actors as they were to see Surviving Edged Weapons was filmed in Milwaukee.

Now I imagine all of your posts with a Joey Butafuco accent.
 
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I think their best BOTW review is either the one where they watch every video on the wheel, or the action movie one where Rich Evans is Defeatable. The latter is so good because Rich is trying to act like he's being bullied but he's just so flat out wrong and not paying attention to something said 10 seconds earlier that he reached this new level of sad. And bonus points for Mike hitting that drunk bottle toss.
 
I was familiar with "If You Were a Dinosaur, My Love" (though I thought it was a Hugo it won, whatever it won is a baffling, awful win). I never made the connection between it and Tammy, and now, oh, god almighty damn. This is a very very stupid world we live in.
I only remember it because that was a meme on the puppy kicker side ("It didn't win a Hugo, it won a Nebula.") that you'd see often. It was nominated for a Hugo though.

I still can't decide which is funnier - whether the story is a deliberate or subconscious rip off of Tammy, or if we just live in a world where two artists came up with the same idea independently. Both make me laugh endlessly.

BTW, here's the story for the rest of you jerkwads who want to witness the madness.
If you were a dinosaur, my love, then you would be a T-Rex. You’d be a small one, only five feet, ten inches, the same height as human-you. You’d be fragile-boned and you’d walk with as delicate and polite a gait as you could manage on massive talons. Your eyes would gaze gently from beneath your bony brow-ridge.

If you were a T-Rex, then I would become a zookeeper so that I could spend all my time with you. I’d bring you raw chickens and live goats. I’d watch the gore shining on your teeth. I’d make my bed on the floor of your cage, in the moist dirt, cushioned by leaves. When you couldn’t sleep, I’d sing you lullabies.

If I sang you lullabies, I’d soon notice how quickly you picked up music. You’d harmonize with me, your rough, vibrating voice a strange counterpoint to mine. When you thought I was asleep, you’d cry unrequited love songs into the night.

If you sang unrequited love songs, I’d take you on tour. We’d go to Broadway. You’d stand onstage, talons digging into the floorboards. Audiences would weep at the melancholic beauty of your singing.

If audiences wept at the melancholic beauty of your singing, they’d rally to fund new research into reviving extinct species. Money would flood into scientific institutions. Biologists would reverse engineer chickens until they could discover how to give them jaws with teeth. Paleontologists would mine ancient fossils for traces of collagen. Geneticists would figure out how to build a dinosaur from nothing by discovering exactly what DNA sequences code everything about a creature, from the size of its pupils to what enables a brain to contemplate a sunset. They’d work until they’d built you a mate.

If they built you a mate, I’d stand as the best woman at your wedding. I’d watch awkwardly in green chiffon that made me look sallow, as I listened to your vows. I’d be jealous, of course, and also sad, because I want to marry you. Still, I’d know that it was for the best that you marry another creature like yourself, one that shares your body and bone and genetic template. I’d stare at the two of you standing together by the altar and I’d love you even more than I do now. My soul would feel light because I’d know that you and I had made something new in the world and at the same time revived something very old. I would be borrowed, too, because I’d be borrowing your happiness. All I’d need would be something blue.

If all I needed was something blue, I’d run across the church, heels clicking on the marble, until I reached a vase by the front pew. I’d pull out a hydrangea the shade of the sky and press it against my heart and my heart would beat like a flower. I’d bloom. My happiness would become petals. Green chiffon would turn into leaves. My legs would be pale stems, my hair delicate pistils. From my throat, bees would drink exotic nectars. I would astonish everyone assembled, the biologists and the paleontologists and the geneticists, the reporters and the rubberneckers and the music aficionados, all those people who—deceived by the helix-and-fossil trappings of cloned dinosaurs– believed that they lived in a science fictional world when really they lived in a world of magic where anything was possible.

If we lived in a world of magic where anything was possible, then you would be a dinosaur, my love. You’d be a creature of courage and strength but also gentleness. Your claws and fangs would intimidate your foes effortlessly. Whereas you—fragile, lovely, human you—must rely on wits and charm.

A T-Rex, even a small one, would never have to stand against five blustering men soaked in gin and malice. A T-Rex would bare its fangs and they would cower. They’d hide beneath the tables instead of knocking them over. They’d grasp each other for comfort instead of seizing the pool cues with which they beat you, calling you a fag, a towel-head, a shemale, a sissy, a spic, every epithet they could think of, regardless of whether it had anything to do with you or not, shouting and shouting as you slid to the floor in the slick of your own blood.

If you were a dinosaur, my love, I’d teach you the scents of those men. I’d lead you to them quietly, oh so quietly. Still, they would see you. They’d run. Your nostrils would flare as you inhaled the night and then, with the suddenness of a predator, you’d strike. I’d watch as you decanted their lives—the flood of red; the spill of glistening, coiled things—and I’d laugh, laugh, laugh.

If I laughed, laughed, laughed, I’d eventually feel guilty. I’d promise never to do something like that again. I’d avert my eyes from the newspapers when they showed photographs of the men’s tearful widows and fatherless children, just as they must avert their eyes from the newspapers that show my face. How reporters adore my face, the face of the paleontologist’s fiancée with her half-planned wedding, bouquets of hydrangeas already ordered, green chiffon bridesmaid dresses already picked out. The paleontologist’s fiancée who waits by the bedside of a man who will probably never wake.

If you were a dinosaur, my love, then nothing could break you, and if nothing could break you, then nothing could break me. I would bloom into the most beautiful flower. I would stretch joyfully toward the sun. I’d trust in your teeth and talons to keep you/me/us safe now and forever from the scratch of chalk on pool cues, and the scuff of the nurses’ shoes in the hospital corridor, and the stuttering of my broken heart.
 
Mike's haggard face startled me now that he's shaved. Gonna take time to get used to fam

but on a serious note, death to movie theaters for reals. I only go because I'm a weak willed sheep that can't wait until somethings on video or streaming and when I leave the theater it's usually in anger that I spent most of the time flicking candy at kids on their phone or people talking and not watching the movie
 
"If you're gonna watch this kind of movie, then you're gonna watch this kind of movie"

high praise
 
Woah they spoiled who is going to be in the Willy Wonka ReView. Looks like Mike got drunk and mixed up the release order.

i know its pretty hypocrytical of me saying this but i loved how they came up with a better plot and jokes than whoever wrote The Wrong Missy. A pair of alcoholic hackfrauds can write a better comedy than a big Hollywood studio, nice anal-iss on Happy Madison and Adam Sandler.


And Mr. Plinkett shows up AND he falls over which automatically makes this episode a winner.
 
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Half in the Bag episodes were better when they didn't have several minutes of unfunny rambling at the beginning.
People don't go to theaters any more and film studios like money, only boomers use paper we get it.
 
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