One Piece - I'm Gonna Be the Pirate King!

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A lot of the time it felt weirdly low budget while having some really nice sets.
That’s because it was. All of the weapons look fake. For example. I think they spent so much time on the sets to make it look real they ran out for everything else
Once again, normies ruin everything. Modern audiences are so fucked they can't even enjoy a fun swashbuckling adventure with some random(?) one-off(?) villain-of-the-week without feeling like they need "actual stakes" from the get-go to enjoy the characters' adventures.
I mean that has been a complaint about the series for as long as it’s been going, Even from long time fans. ‘It gets good at Arlong Park’ is known for a reason. It’s probably why Oda had Mihawk turn up shortly before it and followed that up with Smoker and Dragon honestly. To keep people reading.
 
Straw Hat crew hauling Zorro in, once again the claims that he is bleeding from everywhere with this relatively shallow wound with no bleeding at all is impossible to believe. Luffy is dispatched to the Baratie to get help
Sanji and Zeff have a short but nice cooking scene that is essentially non-stop criticism. When Luffy comes in asking for help Sanji takes the attitude it's the same as feeding the hungry. Zeff asks for his cooking knives, whiskey and a fresh yellowtail which suggests he might be thinking body disposal than anything useful.
Oh ship Zeff rather than treating the patient starts drinking then stitches Zoro up before sealing over the stitches with fish skin. Turns out that actually is kind of a thing which is so strange to find out. Once he's done Zeff tells the Straw Hats to keep talking to Zoro while he recovers, keeping him aware his crew are there for him.
Marine ship. Mihawk has his feet up on Garp's desk and an unsheathed Yoru on it too. The former is fine but the latter as with last episode's cene of Zoro hitting stuff with his sheathed swords is off. Koby resumes his door listening habits while Mihawk explains he decided he did not feel like bringing in Luffy. It's almost a good scene were it not Garp talking to him. Mihawk mouthing off that even if the World Government did not have him as a warlord e would still do what he felt like is very in character. Garp not attempting to shove a cannonball down his throat is a failure. Mihawk clarifies that he feels like seeing how Luffy entering the Grand Line goes and Garp's going to struggle to stop him. Again Garp's actor does a pretty good job of the wake of Mihawk's departure with a fantastically forced chuckle followed by trashing his own office while laughing. Honestly though it might have worked better with less furniture tossing and an actual view of the actor during this, likely just resting his knuckles on the desk. Instead we just get Koby looking into the ruined room as Garp announces he'll eat in the mess hall.
Back on the Going Merry Sanji is prepping the tuna that Zeff left on the ship after using the skin. Which feels very in character with Zeff knowing Sanji would prep the food for them. Sanji offers a few menu options and when Luffy asks Zoro's favourite and is asked to clarify he ends up spiralling a bit trying to explain what he wants Zoro to do right now. It kind of works for this Luffy depiction, he lacks the same assurance the actual one does and as such cannot decide what he wants to happen. Sanji tells him he knows how rough the captain job is thanks to all the bitching from Zeff and then it's backstory time.
I'm going to be very unkind about a child. Young Sanji is a fine actor but he's a but chubby for someone who's going to need to look famished soon. Points to the decisions to have Zeff carrying spices on him during the raid on the ship, stopping to try the cooking food and young Sanji emerging to try to shank him because "oregano's for savages." I actually really buy young Sanji as the origin of the current actor, he delivers the same mouthy attitude to Zeff very well.
Time for the rock of starvation. Looks pretty close to the original depiction and, as someone already posted, they go with the same outcome. Zeff gives Sanji the food and hacks his own leg off to eat with a rock. They do not go as all in as the manga does, only showing the rock after the revelation rather than Zeff self-amputating with it but it works well that way too. There's a surprising amount of time spent on this, a slow pan as child Sanji moves to his side of the rock along with him carefully divvying up his supplies. It's not perfect but when he is examining a mouldy bit of bread that looks more like a chunk of bone I had to give credit.
Eventually his food runs out and a knife armed Sanji comes over to steal from Zeff, finding that all the supplies he thought Zeff had was inedible treasure and getting the leg revelation. I'd argue it could land poorly since it comes across almost comical but, as with the lack of blood, I don't think they could do it any better while still striving for what I suspect is a fairly low age rating. Zeff confirms he did it for Sanji's dream, since despite the child being a stranger he still wanted to pursue All Blue. Flashback ends with Sanji asking if anyone knows what it's like to have someone sacrifice a limb to save your life and of course Luffy does.
Nami is reading the story of Noland to Zorro, not that that will be relevant because there is no way we are getting to Skypeia. Nami's actress does a a decent job here, getting incredibly uncomfortable every time she gets to bits about dying in the tale. Luffy sticks his head in and she takes the opportunity to chew him out as a shoddy boss because he could have talked Zo out of it. It's another point where while the cast are trying with decent dialogue they lack the same build up as the anime had. If anything Luffy asking Nami what she wants most in the world is works best because since we're not yet up to that bit I have only the anime and manga to fill in the blanks and know why that question hits home on her.
Koby's cleaning Garp's office and Garp shows up to apologise for the mess and talk about the whole Luffy being his grandson thing. Annoyingly Garp makes the claim that he could just have cracked down on him harder and that would have helped which after both Dragon and Ace is hard to believe he'd still be carrying that delusion third time is the charm. Luckily Koby is here to give him a pep talk about Luffy being a pirate no matter what. This again is where this stuff fails. Garp knows what the actual ability of the World Government is as well as the current upper echelons of what waits before Luffy. Him showing up in the manga to talk to the Straw Hats was after Luffy took on CP9. Unlike then at this point he has no reason to assume the first time Luffy is even vaguely ready for this stuff. But he agrees with Koby, clearly he has been going the wrong way about it and plans to address the crew about it.
Oh no. Don Kreig is dead and we still need a villain at this point. Whose fin is that I see in the water? Here's Arlong. And he's wearing bling. As others have confirmed earlier him and his lieutenants are a a three man band, Hachi has been dumped in the "no easy way to costume you pal" pit. My biggest problem with the look of the fishmen is less the costumes, though they are not great, and more the scale. Chu probably works best because he was not as massive as the others were.
And now the fishman on the Baratie staff makes sense. Because we're making a poorly forced slavery in American comparison we're going to in this live action pretend only fishmen were ever slaves. So Arlong can made an insinuation that this fishman is still one by working around humans and so next episode it can be done even less subtly. Quite literally all they needed to do was make slavery a general thing but no, we have to be modern America. Fucking Netflix.
Credit to the Arlong role, there is a charm here. Him walking into Baratie and telling those with instincts for trouble to sit down before selecting his table and hurling the current occupant across the room works well. "Let's all enjoy our last meal together" is a nice touch. Zeff heading out within minutes of them entering as well as Arlong's arrogant claim to ownership of East Blue works as well. The fishmen are here for Luffy, or more accurately the map. Zeff tries to cover for him but Arlong makes it clear that when he is done with the prior diners meal he's moving to the customers. He also tries to do the laugh, it's almost there but the original voice actor does it better. Later on the English actor gets more time to try to do it and comes pretty damn close to getting the laugh right but it's too brief here. Also, because I did not get chance to post it elsewhere, Zeff's enormous moustache is great.
Nami's been listening in and heads out. Back on the Going Merry Usopp sticks a head in on Luffy, sitting in silence with Zor and tells him to speak from the gut. Luffy, of all characters, does not have faith in his instincts right not. He does however have three false starts at talking to Zoro all of which fit to this character if not the anime. Luckily Nami interrupts things to announce the trouble on the Baratie. Sanji and Luffy are straight on for handling that shit, Usopp's favour the option that doesn't get his ass in line of fire and Nami is on full blown avoidance mode. Problem is this kind of ruins things later since she is fairly obviously trying to protect the Straw Hats at this point which makes buying her as a traitor trickier. You could argue she knows at this point what Luffy will do but it's hard to say that for certain, though him telling her to stay on ship and protect the map works.
Arlong is going at the meal like an animal and honestly we should have had shots like this of both Luffy and Garp too. But don't worry, it's time for Arlong to talk about how humans only know the fishmen who repair their ships or clean their houses because that was a thing in One Piece, fishmen staff. If anything the setting was at the segregation stage at this point, especially in the more sheltered East Blue. Some dumbass is foolish enough to take the bait and say he has no problems with fishmen and again, credit to Arlong's actor, he sells his fishman supremacy rant here. I like it, he comes across as threatening while also fascinating with his rant. Naturally a monkey needs to head in at this point.
Arlong: "I was expecting someone bigger."
Luffy: "So was I."
Stop highlighting your effects failures Netflix.
But I am certain people, including Luffy, are curious how Arlong hunted down the Strawhats here. Nami's spy snail was (deliberately?) destroyed a bit back so it's not that. Turns out the Arlong Pirates have a clown head in the bag. Buggy's back and it turns out he left an ear in Luffy's Straw Hat since their encounter.
When the DVD release comes out we need the Buggy commentary for the episodes he was tagging along. Just non-stop bitching and cheering for people like Kuro to kill them.
Things I enjoyed about the return of Buggy;
Shidiots is a great word
Calling Chu "lips" is a quick descriptor that I also feel will somehow offend someone out there
He gets about a minute of standup before being shoved back in the bag
Trying to move on quickly from that Arlong presents what I suspect are his standard terms. Half of what they earn and bow down. Luffy clarifies his unwillingness to do so for man, fish and as we know from later in the series god but as it turns out the person who's going to kick things off is Zeff putting a bullet into Arlong's back. Shame it does less than his peg leg would have but Kuroobi smashing that wooden leg apart in reaction is very apt.
Naturally Sanji is a tad perturbed by this, heading on him, bouncing off Chuu to ride a table in to begin kicking a manta-ray fishman. The problems here are twofold. Firstly stop saying how great a fighter he is Luffy. Secondly we know he does not win here and if seeing his father figure attacked does not get Sanji maximum levels of riled anything else is going to feel empty. As is on dry land Kuroobi reacts like he's bored and shrugs off the attacks before punting the cook across the room, destroying the cover Usopp was using and causing him to seek more.
Speaking of people being effortlessly man-handled, though at least this is closer to the source, it's time for Arlong to catch a Gum-Gum Pistol and toss Luffy across the room. He then tanks three punches head on, catches the next two to drag Luffy in and sends him through the front door.
On the ship Nami is taking advantage of Zoro being in a comma (not like that you degenerates) and admitting that the reason she had no friends is because she could not have them since she always ends up ending the people closest to her. Delivered with map in hand once again, we are undermining any plausibility of her being a real traitor well before we should and I am honestly tied who gets done dirtiest in this version, Nami or Usopp.
Back to Arlong and Luffy and Straw Hat has finally started landing some clean punches. Why? Fuck knows. Most likely a writer went "er the fishmen have been man-handling them, there will not be a training arc before them winning. Maybe we should make this look less one-sided?" Doesn't last long before Arlong is now slapping him around with basic bludgeoning attacks though Luffy rallies to deliver a few more clean punches. For a second Arlong's underlings look concerned but he splashes Luffy (actual splash, no Fishman Karate) and the seawater does the job. Hauling rubber boy up before he can dig into the meal Nami interrupts the snack.
We get a focus on her tattoo as she admits her intent in joining his crew with Arlong confirming she suggests Arlong turn Luffy over to the sea, problem is unlike the manga at this point killing Luffy is easy. This isn't Arlong doing it because the rest of the crew are there and it's a tool to crush both them and the villagers watching, he literally does it because Nami suggests it. Sanji gets a shirtless lifeguard scene out of it though so someone will be happy.
Marine ship. Okay Garp, you're going to treat him like a pirate. You have one job here. Say the Straw Hat crew will be treated like pirates.
"We will capture them."
Garp, I never thought this could be said to you. NUT UP.
Sigh. Back to Zeff, Sanji begins clean up in the wake of the fights but his dad makes it real clear. He tells Sanji that Baratie is not what he wanted for Sanji, that staying is giving up. It works well. Meanwhile Luffy goes to have a heart to heart with a comatose person. Again, it works for this version of Luffy but is terrible for the proper one. He's having a crisis of faith about all that he has lost and now is basically begging the better actor to get back up and redeem this episode
Zoro regains consciousness and immediately bitches this is making us hard to sleep. Save us you marvellous bastard. Luffy's screamed joy that he is not dead is excellently done and joking aside this honestly feels like the actor is literally reviving to save this episode. Usopp's happy realisation he is awake and pretending he scared off the fishmen with Zoro playing along, Luffy almost dislocating his arm celebrating his survival, the decision to get their navigator back it all works well.
Going Merry is being loaded for departure, complete with excess meat being loaded. The at this point very out of touch Zoro is very confused when the waiter turns up to join the crew though Usopp pointing pout they cannot boil water is accurate. Patty and Zeff show up to say goodbye and Patty needs his buddy. Without him it feels sad. But the Sanji/Zeff goodbye scene works well. Even advising him to keep his feet dry from Red Leg Zeff is very apt.
How will the crew find Nami? Luckily Luffy is on that. He nabbed a bag from the fishman. Buggy is on board.

Two more. The end is in sight.

Episode 7 - The Girl With the Sawfish Tattoo.

I am honestly on the fence here. On one hand that may be a dated reference. But on the other Oda did say Nami's nationality would be Swedish. I cannot decide if it is clever or not.
 
I really don't like how they handled Nami and Usopp in Netflix Piece. Both feel watered down and the Arlong arc doesn't work because of how much they changed story events/Nami's greed. Nami having 0 sex appeal was sad, but also expected.
The other main issue is they forgot that OP had moments where it knew it was silly and ridiculous. Jango, Usopp's rubber band of doom, Luffy's stretchiness, etc. There's barely any slapstick in it. The only times it stops taking itself seriously are the quips, and a lot miss the mark.

Good: Luffy, Zoro, Kuro, Zeff, Sanji

Meh: Marines, Arlong, Mihawk

Disappointing: Nami, Usopp, Fishmen

Awful: Buggy, Kreig (lol jobber)
 
I really don't like how they handled Nami and Usopp in Netflix Piece. Both feel watered down and the Arlong arc doesn't work because of how much they changed story events/Nami's greed. Nami having 0 sex appeal was sad, but also expected.
The other main issue is they forgot that OP had moments where it knew it was silly and ridiculous. Jango, Usopp's rubber band of doom, Luffy's stretchiness, etc. There's barely any slapstick in it. The only times it stops taking itself seriously are the quips, and a lot miss the mark.

Good: Luffy, Zoro, Kuro, Zeff, Sanji

Meh: Marines, Arlong, Mihawk

Disappointing: Nami, Usopp, Fishmen

Awful: Buggy, Kreig (lol jobber)
Buggy is very bad, which is a shame since I think the actor definitely has the range to play Buggy. There were even bits where he felt very much like Buggy should; breaking his hand on the drowning tank was a great bit.
 
It actually made me interested to read the manga.
Do it. It’s real fun.
Now tell me, do we get to see this Nami in a bikini or did Netflix just keep her in the T shirt all 8 episodes
If there is one thing Oda likes doing it’s putting his wife is more revealing clothing as the series goes on. And the show seems like it’s going to be as faithful as it can be.

You will get your horny in this show I assure you.
The only project like that I know is called One Pace. It’s supposed to cut the anime down to be more like the manga. I’ve never watched it myself though.
One Pace is just real good. It just takes ages to do.
The black cat pirates being the stand out shittiest designs).
In fairness, most of characters that look fugly in live action looked fugly in the anime and manga as well. Oda has some real shit designs in his series.
The other main issue is they forgot that OP had moments where it knew it was silly and ridiculous. Jango, Usopp's rubber band of doom, Luffy's stretchiness, etc. There's barely any slapstick in it. The only times it stops taking itself seriously are the quips, and a lot miss the mark.
It’s not taking itself serious most of the tim.
 
there is one thing Oda likes doing it’s putting his wife is more revealing clothing as the series goes on. And the show seems like it’s going to be as faithful as it can be.

You will get your horny in this show I assure you.
Oh yeah he married a woman that looked a lot like her lol. Life has been busy, but I'm on the last 2 episodes of the live action. Honestly refreshing to see a true adventure that knows what it wants to be. Can't wait to see the source
 
One Pace is just real good. It just takes ages to do.
Lol no offense but are you a non-English speaker? I know One Piece is good, no it’s better than that it’s fantastic, I’ve been watching since the 4kids days lol. That post was about One Pace, not Piece. One Pace is a thing fans online are doing to trim the anime down to be more accurate to the manga.
 
Lol no offense but are you a non-English speaker? I know One Piece is good, no it’s better than that it’s fantastic, I’ve been watching since the 4kids days lol. That post was about One Pace, not Piece. One Pace is a thing fans online are doing to trim the anime down to be more accurate to the manga.
Yes. I know we were talking about One Pace. That’s why I said it was good and just takes ages to actually do. As in, cutting the anime to the manga takes time. So there might be random parts missing at points.
 
Screenshot_20230909_213658_Tumblr.jpg
I think I discovered a new strain of mental illness while browsing my tumblr feed.
👁️👄👁️

I instantly unfollowed the person who reblogged it because I was unaware of this side of the fandom and wish I could erase it now (share in my pain).
 
Your first mistake was being on Tumblr.
nah I've been on tumblr off and on for years. It's cozy for me to just reblog pretty things and talk with fellow enthusiasts. Only problem is it's lonely too sometimes so the occasional mental case appears because I didn't vet properly.

mainline tumblr is insane and hell, but there are some small sections that are nice.
 
I'm not the biggest One Piece fan but i bought the first eight tankobons when they got translated into my language and dig Oda's style in general. The live-action show is unwatchable to me, maybe it's because it's all in english, maybe because anime live-action adaptions just don't work for me but i had to turn this shit off 15 minutes in. Had a distinct feel of second-hand embarrassment while watching it. Terrible.
The only live action animu I ever even slightly enjoyed was Akagi.
I thought Zeni Geba and MPD Psycho were both okay, the Arisu in Wonderland Netflix adaption, at least the first season, wasn't half bad, either. Certainly better than this One Piece adaption.
 
For those who don't know that's a reference to The Girl With The Dragon Tattoo, Swedish novel. Worth a read but after they kept the series going past the author's death due to an explosion of popularity it became unabashed shit.
Buggy's providing navigation for the Straw Hats, somewhat poorly given he apparently meant the other starboard. With this depiction that could be being deliberately difficult rather than stupid, I'm going to give him the benefit of the doubt.
Usopp lets himself be intimidated by a severed head and Zoro comes up to threaten the clown. Apparently Buggy's been reading the thread but he opts to give a shanty concluding in a review of Nami's ass rather than her tits. Given the age gap there should be there it comes off a bit creepy. I smell a Netflix decision.
Sanji's teaching Luffy fishing as a poor metaphor. Sanji at least is consistent with basically assuming a woman can do no wrong and Zoro continues to treat him as the waiter while telling him to belt up. Sanji works in the "mosshead" insult and the subs leave it out because no matter how well some people are trying others need shouting at. Luffy at least is in character with the attitude that whatever her choices are he needs to know that for himself.
Title card this week is Nami themed and we get to see young Nai and Nojiko. It's okayish. They make pinwheels out of tangerine skin and...oh no. Bell-mère is on screen and this does not look like the source material. I can't put my finger on it but it feels low energy, though this of course is whimsical slow-mo flashback land. We cut from a family game of cards to Nami in the current time gambling with the fishmen. She's accused of cheating after winning a hand, which of course she is later confirmed to have. Nice scene, Nami around them with the confident attitude works and it's a humanising element to them thus far.
And Arlong Park is a park. Hence the swimming pool, various attractions including shooting galley stands, Shark Attack" and similar. Having it be an abandoned resort could work as a change if it is worked into the plot but unless I have blocked it from my mind that never is mentioned. Buggy's body is one of the prizes hanging on the wall alongside cuddly toy and that is funny at least.
Inside the main building is the map room, complete with child sized manacles. Nami traces the charts and we get a flashback to child her leafing through a book of them, the rest of her family come home and her mother catches her with the book and confirms it was stolen. We get a bit of character building here and with Bell-mère bragging about having day old biscuits about the financial situation and bless them, they keep up the stuff about Nami being bitter about being poor and throwing the "not a real family" line. I don't like the fact that Nojiko here is basically a non-entity, in the manga she gave as good as she got in those arguments and felt a lot more real. They also ditched Genzo being the one trying to rein both her and the rest of the family in as well as the fact that he paid for the book, he's not even in the scene.
We now fit in the flashback of Bell-mère finding the two girls while still a Marine. Again rather than go with what the original had, her turning up at the island still in Marine attire and passing the children off to Genzo to get a doctor while refusing medical treatment we're just largely told she was injured as she finds them. Large amounts of blood even on clothing is apparently a no-no.
Back to present day Arlong interrupts Nami's reminiscence and praises her work documenting Marine locations in East Blue. It's a decent scene, especially so when you know he's screwing her over. Arlong waxes about how he's going to lead a fishman takeover of the seas, crushing the Marines as he goes which in the manga would have seemed possible because we still knew little about them at the time but here seems plausible because they come across as not especially threatening. Garp's early introduction makes them seem weak and ineffectual.
Arlong waxes on about humans as animals that have grow wild and need to be brought under control, with a not at all subtle hint that he includes Nami in that. The actress does sell a very Nami like attitude in this and Arlong's actor comes closer than ever in his laugh to that one. He then really doubles down the asshole behaviour by telling her to go get the tribute from Coco village, ignoring her objections. It's a short but good scene for both.
Garp at the Baratie. Okay. Fishman maitre de is just having the worst few days. Helmeppo drops in another nice reminder that Morgan was a shoddy parent, apparently he dined at this place all the time but never took his son. Garp and Zeff have an exchange where he fails to make a convincing sell that he knows nothing about Luffy but does offer some steak to Garp which he accepts as the stalling tactic it is.
Straw Hat crew make it to Coco village, completely with reasonably good flipped house. Buggy's commentary is not wanted here, kills some decent tension. The villagers are gathered collecting the funds, we finally get Genzo on screen and Nami rocks up to collect. Having the crew here at this point is going to hurt everyone's depiction I am sure. A lot of this part is out of order, has characters present at events they were not previously and is skipping some great scenes of the original. It's hard to say who got screwed the worst in the adaptation, Usopp or Nami.
In this version at least in this episode Nojiko either does not know or is playing along with Nami's plan given she's just as unhappy to see her as the rest. And she has a broad accent (South African I believe) which no-one else in the village has and is really off-putting. I know as an orphan she could have acquired it before being taken in but it feels wrong.
Finally a flashback to Genzo. He's benevolently taking the book from Nami and asking her never to steal again while saying she's not a bad kid. I miss the man who yelled at everyone involved in that family but no time for that, the Arlong pirates are here. While Arlong flipping the house is a decent scene all the fight in the village happens here, not later on in the exchange. Back in current time Nami takes the cash off Genzo while telling him if they lack the money they need to find it.
She goes to tell the Straw Hats to shove off, admitting she stole the map for Arlong and Luffy does not believe the answer. Actress does okay as she left, managing the look of someone holding it together but getting close to her limit at this point. Problem is unlike the manga where she goes home and trashes the house she never gets as good a release in this.
Sanji: "You don't know women, they never say what they mean." I give the writers some credit, Sanji's double standards are done very well. Usopp however has swallowed the lie and is sold that Nami is the villain. Luffy has his doubts and calls out to...scar guy. I missed this up till now but Genzo's pin wheel is completely gone. I know they shifted it to be a thing Nami's family made from tangerine peel but given that was the first thing Luffy noted about him in the manga hearing him call Genzo scar-guy sucks. Though not as much as Zoro claiming they're pirate hunters and Luffy not correcting him, though insistent they want to talk with Nami. Genzo's not impressed with them but sends them the way of Nojiko's home so that suggests he's still got hope these are people that could help.
Oh look, Nojiko's come out with a rifle. Remember how it was a big thing in the manga that the villagers were not allowed weapons because Arlong treated it as a sign of rebellious intent? Fuck that, just wave them in the face of anyone who knocks on your door. At least Nojiko provides a review of her sister as a shameless crook and dear Lord, Sanji is going to talk their way in. Sorry Usopp, Nami got your scenes with Kaya and looks like blondie is going to get the crew this plot dump. At least Sanji plays to his strengths by offering food.
Speaking off back to Garp going through some T-Bones while Koby and Helmeppo look on with horror. Bogard (the name was anime only but he's in the manga and has been here the whole time, he's just done very little) remarks that this sight is worse in a curry house. Problem is we then got a wider shot as Zeff joins him at the table with a bottle and it's nowhere near as bad as it could be. Quite literally all they needed were some mostly empty plates with bones on to sell the scene but no, just one plate. Effort, you lazy swine. Zeff bitches about the food on Marine vessels (brig of course) and Garp indicates for the cadets to fuck off while he talks shop for real. Bogard actually gets an exchange here noting Zeff's on the right side of the law to which Zeff dismisses the side debate instead saying it was time to stop and he instead he has chosen to accept the rise of the new generation. Garp dismisses that while Zeff makes an aging metaphor using the wine, sipping lightly to which the Vice Admiral replies by downing his and saying he could just serve whiskey instead. It's a good scene, I could have bought it in the manga though I'd have wanted it to feel more over the top on Garp's dining habits.
Arlong Park at night, shitty music playing, someone's in the pool with a rubber ring and I wish they had said something about it being like an abandoned tourist resort or something. Choo shows off his spitting skills with a torch and a bottle of spirits while Nami rocks up to a cheerful Arlong to try to talk about Coco village but they are interrupted by Captain Nezumi, silly ears on his hat and all. He's here to talk about recent reports of fishmen causing trouble to which Nami opens the box of taxes she's gotten from the villagers and Arlong passes forwards a handful of notes at the Marine. Nezumi's pushing for more this time though. Unsurprisingly Arlong is not pleased and invites them inside to discuss business, asking Nami to join them.
Back at Nojiko's dinner is served and Sanji is smug to have a satisfied customer even as he presses for information. Flashback time as the children are hidden while Bell-mère bursts through the door as Arlong knocks on it and shoves the rifle down his throat waits for him to force his way in as he absently shoves the rifle up and away from him. You didn't think we'd actually get an impressive scene for a woman kept in this did you, progressive Netflix is not into that shit. Turning over the 100,000 Berry for an adult to Arlong at this point the extra places at the table are noted. Unsurprisingly Genzo does not play a role here trying to help cover but at least they keep Bell-mère admitting to the existence of her daughters. There's also a weird scene clip where Arlong seizes her throat then as the children emerge from their hiding place between cuts he lets her go.
Child Nojiko gets next to no dialogue. I bet the actress lacks the accent of the adult actress so was told not to talk because it would seem weird.
Parental death without even showing the bullet into the skull. What rating is this?
Back in the present the Straw Hats are processing this story. Usopp states the obvious surprise that Nami would work for the fellow that killed her mother while Luffy goes for a sulk on the roof while Zoro follows to sit with him. Pretty cute set, the tangerine grove is neat. Zoro points out Nami told them to leave to which Luffy's response is the swordsman told him the same while hanging from a cross. The captain's attitude is he has made the right call with every crew member (Zoro continues to doubt the choice of the waiter) and believes he is still right with Nami.
At the Arlong/Nezumi price negotiation continue and it's time for an overly wrought attempt by Arlong to act the victim because of his species. Now while Arlong is the person claiming that enslavement of the fishmen is a World Government policy here and he is a biased source Nezumi confirms it. So either he has no clue that slavery was not a fishman only issue (possible, East Blue is a less informed section of the world) or they made a shitty change to pretend that only fishmen were enslaved because they're trying to make a shit metaphor about American history. Given this is Netflix I know where my money goes. The dialogue only supports it but at least we get a Jinbe name drop, much to Arlong's annoyance.
Arlong basically guilts Nezumi into accepting the usual price because "racism." I do love Arlong throwing the "you're smarter than people give you credit for" line Nezumi used on him back in his face. As the Marines leave Nami asks about the village again and Arlong confirms as long as he has full payment no problems. As Nami heads out Arlong sends Kuroobi to call Nezumi back, with anime/manga fans already knowing why.
Koby and Helmeppo are drinking and purple hair spills the truth about Luffy and Garp's relationship. We see some element of how Helmeppo thinks Garp is, believing his is more of an absolute justice type with no acceptance of anyone breaking the laws. While they talk about Luffy the bartender spills the beans for a price about him and where he is going. Meanwhile Zeff is telling Garp stories about his pirating days including a Jaya name drop while discussing fighting a wild boar. Naturally the conclusion is "and then I ate it" because he knows his audience. While Garp looks like he's falling for it he then brings it back around to a hunting metaphor. Zeff goes for the big guns and compares Luffy to Gold Roger (yes, this show is call him Gold not Gol D. )Luckily they are interrupted by the cadets with their news. While the exchange between Zeff and Garp has been and remains good it still suffers from this terrible attempt to make this seem like Garp's main concern is keeping his grandson in the safe confines of East Blue. It's not, at this point of the plot at least he doesn't want Luffy out and about because, as demonstrated by Smoker, as soon as he crosses paths with a serious member of the Marines he'll lose and likely get executed. Which the live action fails to really make clear despite Garp mentioning how Roger went.
Buggy is fucking with Usopp as he prepares his smoke stars. Credit to him, messing with Usopp while noting he poses no threat to fishmen is suitable. Sanji gags him a tangerine.
Elsewhere Nami is digging up Bell-mère's grave and yep, Nojiko is not in on the truth because we get the reveal now. For those who forgot child Nami got Arlong to agree she could buy the village. Flashback there shows off her ability to draw charts and Arlong acknowledging her worth. Present day Nami confirms she has the cash and I really dislike them changing it to craw in Nojiko finding out about it just now. It weakens her relationship with someone who should have known her well enough to have picked up on this over the years. Luckily here comes Nezumi to interrupt things and confiscate the loot. The reveal and theft of her money is crammed into less than five minutes and Nami sprints for Arlong Park where the current owner is giving a "fishmen are the rightful owners of the seas" address. It's delivered well honestly though I do wonder if he does this every night. Also as a fine source material refence he blames this on their leaders, even specifically mentioning efforts towards peace and unity. My main objection is he is talking about leading them to the Grand Line proper which is not in the manga unless I misremember. Seizing East Blue should have been stakes high enough and, given Arlong knows about Jinbe and others, should never have been on the agenda. Any of the current run of Warlords could handle his entire crew as an annoyance and while I could see Arlong pretending they were going further it feels more like Netflix trying to do the same thing as with Garp. Make things feel bigger than they need to be, he's already planning to do the equivalent of seizing a country (like the next big villain Crocodile in that regard) and going further plays down the scale of what is to come.
Nami halts her sprint before reaching Arlong Park...damnit. I already mentioned this up thread but I hate this a lot so will repeat it. They do a massive amount of things out of order and so they lose their impact. At this point she is meant to be running to stop the attack on the village but she stops part way. I think this is supposed to be her unable to run any further but apparently neither the actress nor the script were told.
Most of the last few scenes have happened at night by the way unlike the manga. I don't know if it's a set saving thing making it harder to see but it's distracting.
Nami picks now to have her breakdown where she stabs at her Arlong tattoo. I've said "unlike the manga" too much at this point so fuck it, here's the relevant chapter.
This is not occurring in the village. It is not after any of the revelations in the manga. Let's go.
She stabs at her arm, whatever rating their are currently on means blood is bad so it's pathetic but at least Luffy grabs her hand to stop her.
Looking up to him she turns away at first, eventually dropping the knife as she tells him to leave. They add a musical sting because neither of the two performers is good enough to sell this but honestly I think Nami does better as she asks "help me" finally.
"Of course I will" he says after giving her his hat. Still sucks because he says it/ As the chapter shows he gives her the hat, walks away and then bellows agreement. This live action version has him agree, delay, repeat that he will, delay again and then finally then yell it. You do not write better than Oda, you do not storyboard better than the anime lot Netflix. Get sacked.
I wish I knew which musical sting they were trying to use as he walks to the rest of the crew. It feels like another Netflix one, as though it's something I should know. It does not feel like One Piece especially since they had an excellent choice of music for this point. Of course given their dramatic advance to Arlong is immediately stopped because the village is being attacked is the cherry atop this sundae of fail.
Despite claiming they are going to wipe out the village the fishmen do not do so. Spoiler for next episode but given the current one tried to make a big deal out of it I might as well note that now.
 
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Let's get one thing straight. I know nothing about One Piece. I have never read it, or watched the anime, and I have no plans to do so either. My only experience with it is the 4kids OP, and the Netflix series which as others have said, appears to be an exceptionally faithful adaptation. I have no personal stake in this whatsoever.

Having said that though, I have one question that the more I try to find the answer to, the more confused I get, and fall deeper down the rabbit hole of batshit insane fan theories.

Simply put, if everyone in the Gold Roger execution scene is supposed to be same people that were there in the manga, then is the bitch in the bottom right corner really who spergs are saying it is, and if not, just who the fuck is she supposed to be?
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