🎨 Artcow Iconoclast / Jonathan Mack Sweet - The Chris-Chan of Arkansas

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Sweet Bro has, lest we forget, a violent criminal history. He makes frequent references to how he has the home addresses of all his enemies, and writes wish-fulfillment fantasies where characters based on him commit murder and assault against characters based on people who have slighted him. Earlier this year he threatened to taser us Kiwis and then burn us to death in an abandoned warehouse. He's also banned from ASU for making terroristic threats.

So I find it hilarious that this convicted criminal gets all shrill when @AJMLurker makes a comic remark about wanting to slap him through a computer screen. Sweet loves to dish it out but can't take it in return.
 
Sweet said:
I am making my enemies sound like severely mentally handicapped people.
Sweet seems to be impaired in theory of mind - a defining trait of autism spectrum disorders. I think I've kind of said this before, but since he knows something that's pretty much only apparent to himself, he seems to think others should automatically know it as well. This "misunderstanding" over the "Whitewash Jones" speech appears to be the text equivalent of that "lady being dragged down the hall" panel in that comic. To more or less everyone who isn't Sweet, it obviously looks one way. Then when Sweet gets butthurt when called out, he claims it's another way that more or less only he can clearly see, and then he seems to triumphantly assume the critics are "severely mentally handicapped."

Either that, or Sweet is just trying to impotently rationalize.

And as I've often said before, Jon "waiting for a geek from tech support to figure out a CD burner" Sweet should really think twice when questioning other people's intelligence.

Also, if Sweet is indeed showing genuine contempt for the severely mentally handicapped who didn't choose to be born as they are, then Sweet is confirmed for ableist as well as racist. And I mean real ableism here, not "ableism."
 
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I'm not butthurt said:
Blah, blah, blah-blah-blah. Blah, blah, blah-blah-blah.
razz.gif

I suspect that this is all that Sweet sees or hears when other people write or speak.

There is quite a bit of evidence to support this contention, even if you discount his constant use of gibberish when quoting others. For example: his inability to comprehend or correctly use idiomatic expressions; the inability of his fictional characters to speak in any voice other than his own or that of some media cliche like Whitewash Jones; his inability to mimic the style of other writers, even as he churns out endless "homages" to their plots; and his inability to understand that his artwork and his fiction are not "jussst fiiiiine" despite being confronted with reams of cogent criticism of his childish efforts.

These problems are doubtless related to his inability to understand irony or sarcasm and his generally hyperliteral view of what he reads and hears. Claiming that someone's desire to reach their hand through his computer monitor and slap him is a threat of criminal violence is a prime example. From Smithsonian.com: "Children understand and use sarcasm by the time they get to kindergarten. An inability to understand sarcasm may be an early warning sign of brain disease."

Sweet could probably get a full-ride scholarship to a first-rate university if he'd agree to allow the psychology department to examine him for a couple of hours every day during his time on campus.
 
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I suspect that this is all that Sweet sees or hears when other people write or speak.
I suspected something like this as well, albeit jokingly - that the clearly "Whitewash Jones" speak is really how Sweet hears critics talking. No wonder nothing can convince him that critics aren't automatically "stupid liberals."
 
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Since Sweet wants to criticize the writing of others, let's take a look at the masterful prose found in his latest harangue.
__________________________
I Am a Genius wrote:
"Yeah, good use of grammar and syntax here. What are you, monkey number #239 on that works of Shakespeare project? "My experience at college" or "my college experience" would trip off the tongue better, but, yeah, nice going, Slick."
__________________________

What Sweet is ineptly attempting to criticize is neither grammar nor syntax. What he is criticizing is either style or -- in the case of replacing of with at -- diction, a style and a diction that he does not like because they are not his own. Saying "I would have written it differently" is not a legitimate criticism. And someone with a B.A. in English should know the difference between grammar, syntax, diction and style. It's odd that he doesn't.

__________________________
Mr. IQ of 138 wrote:
"If I'm misreading the signals that bad, assknocker, y'know what, maybe you're pretty damn lousy at giving them, you ever stop to consider that? "
__________________________


Nice run-on sentence. And bad should be badly. Egregious blunders like these get marked up in middle school. Not what we expect to see from a towering intellect of Sweet's Brobdingnagian stature.

__________________________
The Greatest Writer of Our Time wrote:
"I encountered a lot of girls during my three years at A-State who, quite frankly, were as ubiquitous as furniture-- moved about from room to room to be used, like a desk or a chair, and not really given a second thought."
__________________________

If we remove most of the gassy swelling -- a trademark of Sweet's prose -- from the first part of this sentence, it says: "I encountered many girls who were as ubiquitous as furniture." It is clear that he does not know the meaning of the word ubiquitous. "Many girls that I know" cannot be "present everywhere at the same time." Whenever he trots out what his kinfolk doubtless refer to as "them thar big ol' college words," he frequently misuses them. Yet he feels free to criticize the error-free prose of others.

__________________________
The Giant Brain of Blytheville wrote:
"But this is getting long by half . . ."
__________________________

The word too is conspicuously missing in front of long. Another example of Sweet's inability to handle idiom, as if one were needed. And even if the too is added, the sentence is remarkably awkward.


meme_by_haggismccrablice-d9biiad.jpg


Here, the word only is misplaced in a sentence that would present no problem for most native speakers of English. "I only" at the beginning of a sentence is always going to be read initially as "I alone and no one else." When the reader realizes that this reading is a mistake, they will read it as either "I merely had to leave early" or "I had to leave early but there were no other consequences." Not until the reader gets to the end of the sentence and stops to puzzle out the writer's intention does the meaning become clear. An educated person determined to preserve Sweet's diction would have written, "I had to leave early only because I was too real to suit them." English majors are supposed to know this before they get to college.

We won't even get into the frequent punctuation errors in his badly written, badly reasoned and badly conceived screed. If he ever intends to become a legitimately published author, it's long past time for him to turn off the children's cartoons and devote his time to mastering Edited American English, something he somehow managed to avoid accomplishing during his time at college. When he's finished with that chore, he'll want to fill in the vast gaps that are obvious in his knowledge of basic science, history, politics, geography, linguistics, religion, philosophy (with an emphasis on logic), psychology and, well, pretty much everything. He is about 0.5 percent as smart as he thinks he is. He is about 0.5 percent as talented as he thinks he is.
 
Sweet totally isn't sexist and only hates modern feminism said:
I encountered a lot of girls during my three years at A-State who, quite frankly, were as ubiquitous as furniture
What a lovely* apparent implication there.

When he's finished with that chore, he'll want to fill in the vast gaps that are obvious in his knowledge of basic science, history, politics, geography, linguistics, religion, philosophy (with an emphasis on logic), psychology and, well, pretty much everything. He is about 0.5 percent as smart as he thinks he is. He is about 0.5 percent as talented as he thinks he is.
Sweet may think you (read: and all progressives by extension) want him to become an expert in all those fields, when you meant at least basic knowledge. Sweet may also now be thinking that "the liberals want to turn off the cartoons! No wonder the converter box ObamaCable can't get good reception in the middle of nowhere blocks out channels!"

That is of course, assuming he can actually read that as it is and not some racist mockery of the speech of black people still discriminatory mockery of the speech of severely mentally handicapped people strawman of that. Or just "blah blah..."

*(this is what we call "sarcasm" here)
 
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I'm sure we've already touched on the fact that Thumbkin's resorting to blim-blim speech when confronted with things he doesn't like speaks volumes about his own intelligence, maturity and skills in the art of debate, but I also found this contrast humorous:
The only way he can stick it to people smarter than him said:
This is not a mockery of black dialect. I am making my enemies sound like severely mentally handicapped people. However, they seem to be too dumb to comprehend this.
Tragically born with no sense of self-awareness said:
If I'm misreading the signals that bad, assknocker, y'know what, maybe you're pretty damn lousy at giving them, you ever stop to consider that?
 
As a person who mangles commas, I can safely say that Jon Sweet is a terrible man and probably only got his degree due to him having special needs and accommodations.

And yes Sweets, your mocking speech is Whitewash Jones talk. Case in point:

qp3v2q.jpg


Compare with:

Blim-Blim Talk said:
"Nuh nuh nuh! You is not good enough to has that! You is not has nuh bid'ness trying to is get what we is say you not can is has! You is should quit now and die!"

By the by, skimming through the earlier parts of the thread is a definite must for newbies. His posts are that amazingly bad.
 
I'm sure we've already touched on the fact that Thumbkin's resorting to blim-blim speech when confronted with things he doesn't like speaks volumes about his own intelligence, maturity and skills in the art of debate, but I also found this contrast humorous:

I think he's actually so autistic and retarded that if people are saying things he doesn't understand, it literally sounds like that to him.
 
I love how one of Sweet's counters is that WE'RE the close-minded ones.

Yes, coming from Sweets, who continually portrays blacks as unintelligent and brutish.

Who continually construes all his enemies, including us, as unflinchingly liberal.

Who refuses to learn anything or follow any innovation he is not explicitly taught.

Who believes his ridiculous stories even after we have explained how they were all fake or misinterpreted.

Who continually replies to a forum when only about eight fucking people even follow this goddamn thread anymore.

Irony police, arrest this man!
 
The Sweet Cycle:

1: Sweet posts pot shots at the Farms from dA, along with samples of more or less illegible comics.
2: Said post gets utterly scorched by far more intelligent and rational posts here on the Farms.
3: About a week later (often far later though), Sweet more or less impotently tries to counter posts of step 2, in a repeat of step 1, whilst hurt of butt.
 
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And yes Sweets, your mocking speech is Whitewash Jones talk.
Side note for dearest Sweet: as someone who speaks English as secondary language, I can say the eye-har-har speech is annoying as fuck to read. It serves no other purpose than making the whole text more difficult to read. In fiction, it might arguably be a stylistic choice, but (*ahem*) dialectual colouring serves no purpose in non-fiction text. A newspapesman of his calibre should know this stuff.

This small fact might blow your mind, Sweety: the whole point of eye-har-har speech is to say that a) it is a truth worldwide acknowledged that in itself English language orthography makes no goddamn sense and b) it's impossible to figure it out on your own and you need to be educated and sophisticated (and, by implication, white) enough to spell properly. And c) since the person speaking this way is not educated and sophisticated (and white), whatever is said this manner should be dismissed as dumb babblings.
All of which unsurprisingly amounts to a logical fallacy. By making his critics talk in eye-har-har speech instead of directly quoting them (inconveniently for him, his critics seem to generally have a pretty good grasp of language), he's making a personal attack and constructing a strawman.
 
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