GW: Okay, so we start with a character, I wanna do a story about an old west gunslinger who gets transported to modern day, but I'm having trouble coming up with an opening scene...
BW: Okay, maybe he happens on a bank robbery? That's a classic western scenario.
GW: You know what? That actually works. It would also be a sort of "some things don't change" thing. So okay, he sees bank robbers come out, they don't look like the kind from his day but the scenario is close enough that he knows what's going on....
BW: He steps out in front of them and twirls his guns!
GW: Huh? Why would he do that?
BW: Because that's how you establish your hero is a cool kick-ass no-nonsense kinda guy, he goes out and acts all smirky and does impractical twirling and makes a one-liner...
GW: But then the bad guys would just shoot him and he'd die and the story is over.
BW: No, see, because bad guys always just stand there like idiots!
GW: No, dude, that's retarded. Besides, people in the west didn't act like that, that's how someone raised on anime would act.
BW: ... So?
GW: To me it makes more sense that he would shoot from cover while he has the element of surprise.
BW: .... Huh.... okay....
GW: Okay, so he shoots from cover, hits one but misses the other. The other knows where our gunman is now.
BW: Huh? Why?
GW: Dude, if your friend gets hit by a bullet coming from the left, obviously the shooter must be to the left.
BW: How can he tell though?
GW: ... Dude, the impact. The bullet hitting his friend would cause his friend to jerk in the opposite direction. Just like if you punched me right now.
BW: ... Oh, cool, I did not know that.
GW: Okay, so.... I feel like the remaining bad guy just hiding isn't dramatic enough...
BW: What if suddenly ten unmarked cars pull up?
GW: What?
BW: And then guys in suits with tommyguns start firing on our western gunman, but then he jumps a hundred feet into the air and headshots them all--
GW: Okay, wait, dude. First, where are all these unmarked cars from?
BW: Does it matter? Stories always have just random bad guys come out of nowhere. They're called mooks.
GW: That makes no sense tho, why would some random ass bank robber have a bunch of goons working for him? If he has these goons why weren't they already here helping him rob the bank?
BW: Dude, you're overthinking this. Just let go and have fun.
GW: No, you're underthinking this. If we can't come up with a story justification, then no goons. Besides, I wanted the gunslinger having to deal with ammo be an element of the story and that's defeated if he's able to waste an army in his first outing. We've already drawn six-shooters.
BW: Fine, no goons.
GW: Okay, but also, why can he jump a hundred feet into the air? This is an old west gunslinger, not Superman.
BW: Dude, everyone in anime can do that. Even normal college students.
GW: This isn't an anime.
BW: Dude, TV Tropes says there's a thing called "Acceptable Breaks From Reality." This is one of those.
GW: Its very conditional. That trope doesn't mean you can just go Looney Tunes whenever you want. I want this to be a grounded story.
BW: I don't see what the problem is. If other people can do it, so can we!
GW: Dude...
BW: Speaking of, we should introduce a hostage, like a buxom young lady to be the love interest.
GW: ... You know what? Every once in awhile you latch onto something. We do need to introduce the lead lady. Might as well do it here. Bank robber guy uses her as a hostage and cowboy saves her.
BW: So why were you okay with that trope but not the others?
GW: Because that trope made sense within the context of the story I want to tell and could be organically incorporated. The others were just you saying "other stories did this, therefore we should too!"