/horror/ general megathread - Let's talk about movies and shit.

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The Hitcher (original): John Ryder (Rutger Hauer's character) is a force of nature and despite some moments that made it hard for me to suspend my disbelief (such as how is he always one step ahead of the protagonist, Jim Halsey, when did he not only steal the protagonist's information but slipped in his switchblade for the frame-up, and how could he shoot down a police helicopter while taking part in a highspeed chase), I saw the conclusion as not a victory for Jim but for John. Jim basically had his innocence look on life shattered by John. John saying, "I want you to stop me," showed that a psychopath like him can only be stopped if someone has the guts to kill him. Jim's attempt to reason with John resulted in the death of the female character, Nash, and broke Jim. So seeing Jim have a smoke against the setting sun as the credits roll reminds of how Sally from the original Texas Chainsaw Massacre just survived and will never be the same again.
It's funny how I discovered The Hitcher. My parents had a small stack of blank tapes, some were family videos and some were things they recorded off TV and one of those tapes had an HBO airing of The Hitcher (with a hand-written label calling it The Hitchhiker) that I discovered. I saw it when I was 9 and absolutely LOVED it.
 
Kwaidan: Japan has been making "arthouse horror" long before A24 was a thing. What little score each story had along with the studio-painted backgrounds really added to the surrealness. The last story stuck with me more than the others because of the ending. It reminded me of the Japanese horror film, House, where you ask yourself what you just watched.
House was really great shit.
I ran into it at random one night on TCM just before it started and it totally sucked me in.
 
I saw V/H/S 99 and it was pretty good. Not my favorite of the films but I did like it more than 1 and Viral. The segments were mostly good with the worst complaint is how one of them had a rather abrupt ending. But the Medusa and Hell segments were great.

Ranking would probably be

94 > 2 > 99 > 1 >>>>> Viral
 
Looking more into Shot On Video horror, the new company Visual Vengeance has been bringing some SOV rarities to Blu-Ray, including ones that never really got a release in the first place (and I'm sure some of these would be better off obscure).

Like this release that intrigues me in spite of any misgivings on my part, from Todd Sheets, a horror filmmaker who is behind films with titles like *Clownado* and has been cranking out z-grade movies since the 80s when he'd advertise them in Fangoria - his list of obvious cinematic masterpieces includes titles like Prehistoric Bimbos in Armageddon City and Zombie Bloodbath 2 - and in 1994 released this oddity, a barebones action/sci-fi/horror flick about a fugitive from a dystopic future government on the run with wolf genes spliced into his makeup and a bomb in his guts. Apparently, they actually attempted action sequences and car chases in this film, which is always worrisome with SOV films where it looks like shooting scenes of people opening a door or walking down a hallway would strain the microbudget.


Another release of theirs I'd heard of was Bloody Muscle Body Builder in Hell a.k.a. it's international title The Japanese Evil Dead which is sort of deliberate because the director admits his shot-on-Super 8 film was an homage to the Evil Dead trilogy. Shinichi Fukazawa was the writer, director, producer, editor, special effects artist, and star of this effort, originally lensed in 1994 but only picked up for domestic distribution in 2014. It's a direct homage to Evil Dead as filtered through a Japanese ghost story.

 
I enjoyed Terrifier 2, some of the character/dialog scenes are a bit rough with kind of awkward line deliveries and it's weird that the kid still calls his mom "mommy".

Most of the gore looks really fake, but it kind of works in the movies favor in making it enjoyable and light even when over-the-top in its violence, at least for me.

I liked the weird lore/mythology they are hinting at (magic sword given to her by her father, who saw visions of her defeating art the clown), I wonder if there is any actual plan behind it that the writers have or if it will be kept random. I'd kind of like to see it expanded on and gets some level of explanation but I also enjoyed the lack of exposition here.

Overall, pretty solid movie, big step up from Terrifier
 
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I saw V/H/S 99 and it was pretty good. Not my favorite of the films but I did like it more than 1 and Viral. The segments were mostly good with the worst complaint is how one of them had a rather abrupt ending. But the Medusa and Hell segments were great.

Ranking would probably be

94 > 2 > 99 > 1 >>>>> Viral
I actually liked the first two. The third one was defenitly the weakest one in the series. But, 94/99 have made the series really good again. I think 99 is my favorite so far in the series.
 


I saw Terrifier 2 for the 2nd time about 2 weeks ago. 2 2 2 2 2 2 2. I would upgrade my score from a 7.5 to an 8.5. This time I saw it the theater was much more crowded (with fuckheads coming in late and missing the first 2 kills) and I even saw a family with a little kid watching it and it warmed the cockles of my heart.

I also found this for the Hellraiser reboot:


That design looks way better than in the film. The funny thing is that the rest of the concept art is 1-1 with the film but with Tranny Pinhead they changed the flesh dress into something more like the original film.
 
So, I watched Dead Rising Watchtower. Capcom is no stranger to movies, but this one slipped under the radar for me. I actually really enjoyed it. There's a fucking scene where a zombie dad is eating a baby from a sling that he's carrying and it's the funniest part of the movie. Frank isn't in the movie for too long, which is alright. It's honestly a fun movie, if you're into that thing. Survivors act like retards, get eaten, good kills and a few neat shots.
 
Looking more into Shot On Video horror, the new company Visual Vengeance has been bringing some SOV rarities to Blu-Ray, including ones that never really got a release in the first place (and I'm sure some of these would be better off obscure).

Like this release that intrigues me in spite of any misgivings on my part, from Todd Sheets, a horror filmmaker who is behind films with titles like *Clownado*
Well I'm glad you brought all that up. Apparently Visual Vengeance is the sister label of Wild Eye Releasing, who specialize in whatever you'd call the modern equivalent of SOV, including the modern works of Mr. Todd Sheets. I don't know if there's a word for it... still digital only really really REALLY cheap? So my autistic list of stuff I've watched continues with four Wild Eye films.

18 ) Bonehill Road (2017) - From Todd Sheets. I have to admit I enjoyed this. For one thing, the lead actress, playing a teenage girl, is surprisingly very good, and the rest of the cast isn't bad, considering. Linnea Quigley has a bit part. It's all VERY cheap and the werewolves are guys in masks, but they're pretty good masks. The gore is standard animal intestines but it succeeds in being gross. Well, no accounting for taste, and yeah I was drunkwatching, but I can't say I was bored. There are a lot of oddly zoomed-in shots that make me suspect this was filmed in 4:3 for a gimmicky VHS release, and the widescreen version is actually cropped vertically. If not that, I dunno... it's pretty conspicuous and the same goes for Clownado (see below).

19) Creature from Cannibal Creek (2019) - This is more like what I expect from a modern zero-budget feature. The monster looks like a goofy high school football mascot and the whole thing could've been filmed in a wooded area about the size of a grocery store parking lot, if that. There's barely anything like a story, no real main character, a tiny cast of non-actors, and a lot of jokey references to other horror movies. The sole black character tries to rape his white girlfriend. You won't find that in one of your daring, rule-breaking A24 indie slowburners. If you pay into a kickstarter to get some kind of baloney "producer" credit on a horror movie, it's probably going to turn out like this.

20) In Furs (2016) - A guy takes some bad drugs and goes on a murder spree while hallucinating, and that's kind of it for plot. Maybe seven speaking characters? At the climax, our hero tears the fetus out a pregnant woman... normally I wouldn't reveal that kind of shocking twist, except it's spoiled by the DVD's front cover, and the back cover, and the interior art, and the art on the disc itself, and I think even the DVD menu, so I guess it's an open secret. That's not even the most disgusting moment... it's only like an hour long, so it's got that going for it.

21) Clownado (2018 ) - Here Todd Sheets reunites a lot of the Bonehill Road cast, excepting that one actress I was impressed with. Linnea Quigley has another bit part as "Spider", which was her character's name in Sorority Babes in the Slimeball Bowl-O-Rama. Considering the budget limitations, the movie boasts a pretty large scale, in terms of the size of the cast, the number of different locations, and overall scope. The digital shots of an airplane flying into a storm are not really bad... not so long ago they'd have had to do that with mismatched stock footage or something. Having said that, I was ready for this to be over after the first five minutes.

(And with that, I'm done with WildEye, for now.)

22) Dr. Jekyll and Mr. Hyde (1920) - Very impressive CGI that holds up to this day.

23) Let the Right One In (2008 ) - Having avoided spoilers this long, I finally decided to see what the deal with this is. It's very Swedish and probably not a horror movie. I wasn't disappointed. They had me worried it was going to be a triumphant and heartwarming coming-of-age story for a while there.

24) Nosferatu in Venice (1988 ) - The Exorcist is to Exorcist 2 as Nosferatu the Vampyre is to Nosferatu in Venice. "The boom man on set, Luciano Muratori, stated that during a scene where Nosferatu was to turn Barbara De Rossi's character Helietta into a vampire which was supposed to be Kinski pretending to lean over and bite her neck led to Kinski inserting his fingers into the woman's vagina, which had her run from the set in tears.[6] Cozzi stated that Kinski went as far as slamming her to the floor and psychically and sexually assaulting her by biting her vagina.[7]" Now that's method acting. Some great photography, loved the Vangelis soundtrack. Doesn't follow from Herzog's Nosferatu at all and can barely be passed off as a sequel. Also features Donald Pleasence and Christopher Plummer, an unhappy fate for both, even if they didn't get raped by Klaus Kinski, which is far from certain.

25) ParaNorman (2012) - There's a brief shot of a gas station called "Gunnar's Gas Stop", ha, well-played.

26) Prey for the Devil (2022) - Is it absolutely mandatory for every modern horror movie to have a scene with a VHS tape? Also featuring: jump scares, flickering lights, conspicuous CGI, and a white woman who learns to forgive and trust herself after the patriarchy underestimates her. This is what passes for nunsploitation in 2022. It was okay.

27) Mausoleum (1983) - I liked the black maid character who spouts authentic negro dialog like "GREAT GOOGLY MOOGLY". This is like an episode of a 1980s primetime soap opera except a large-breasted blonde woman keeps making people explode with her mind after inheriting the Nomed family curse. NOMED is ofc DEMON backwards, literally Troll 2-tier writing.

28 ) Phantom from 10,000 Leagues (1955) - Cheap Black Lagoon knockoff with a lot more time spent on a spy plot than the monster, who is a cute muppet. Ends with a soliloquy about man tampering in God's domain, blah blah blah. 10,000 leagues is further than the entire diameter of Earth btw, so it can't have come from THAT deep.

29) Häxan: Witchcraft Through the Ages (1922/1968 ) - The cut-down American version, with the ill-fitting William Burroughs narration and semi-fitting jazz soundtrack. It's a downgrade from the original, but worth a watch.

30) Slumber Party Massacre (1982) - Better than I remembered... straight to the point without much time wasted, a great sleazy slasher. That synth pipe organ soundtrack is pulling a lot of weight. The villain gets a really glorious death too. Yeah, skipping the remake.

31) Viy (1967) - The first horror movie made in the USSR, based on a Gogol story. A people's film, much more frightening than western decadent formalist capitalist horror movies. Some pretty wild costuming and special effects at the climax.

So yeah up to 31 one day ahead of schedule, now I can go back to watching romantic comedies.
 
While KF was down again, I watched Barbarian on HBO Max. I went into it blind that I didn't even know if was written and directed one of the WKUK comedy troupe. I applaud the movie for subverting the horror tropes it set up in the first act. Also how the big reveal was presented was unique. However reading up on Barbarian's inspiration and themes may have soured my overall view on it.
 
While KF was down again, I watched Barbarian on HBO Max. I went into it blind that I didn't even know if was written and directed one of the WKUK comedy troupe. I applaud the movie for subverting the horror tropes it set up in the first act. Also how the big reveal was presented was unique. However reading up on Barbarian's inspiration and themes may have soured my overall view on it.
I liked it a lot better than Halloween ends. I actually felt engaged with its story unlike the boring piece of shit that is Halloween growing pains.
 
I rewatched Night of the Living Dead today and it was kind of a sad experience. This is my first viewing after a long time and while I used to really enjoy it a lot of it fell flat to me. The entire opening sequence is still excellent and there are some great shots with the black and white look, but I found a lot more dead air and felt irritated by the characters. I don't know if it's the hype around it being a socio-political masterpiece getting to me (I don't see a lot of Vietnam/Civil Rights stuff in the movie, and honestly have always found Romero's social commentary attempts to be his weak link) or just tastes changing as I get older. It got me bummed out, and while I've never been crazy about Dawn of the Dead, I've always liked Day the most, and hope I haven't soured on that one too.
 
Among other films, here's a short one found browsing Tubi: Pines, aka The Gnashing. A hospice care nurse attempts to find her boyfriend in what starts out as a vague rural noir, and turns into something else along the way. It's somewhat nonlinear, as we progress from sketchy backwoods locations and seedy hotels to strange altars set up in the ruins of abandoned industrial facilities and forest floors covered with human teeth.

 
While KF was down again, I watched Barbarian on HBO Max. I went into it blind that I didn't even know if was written and directed one of the WKUK comedy troupe. I applaud the movie for subverting the horror tropes it set up in the first act. Also how the big reveal was presented was unique. However reading up on Barbarian's inspiration and themes may have soured my overall view on it.
I also watched it while KF was down, I was meta gaming the movie and was totally expecting
Bill Skarsgard
to be the horror of the movie, was pleasantly surprised, really weird movie, couldn't tell where it was going, really loved the tone shift half way through. Had some decently good humour too, got a few good laughs from me.

I also watched Pearl, I haven't seen X yet, but I quite liked it, again, weird but in a good and fun way.

Last night I watched Fresh, it was okay, the main character was quite frustrating to me, but I would say it was a pretty decent brain off movie, disappointed about the lack of gore though? I was expecting way more considering what the premise of the movie was.
 
I skipped out for most of Guillermo del Toro's Cabinet of Curiosities except for episode 7 directed by Panos Cosmatos the director of Beyond the Black Rainbow and Mandy.

This was a disappointment. Panos' films are very slow burn but typically SOMETHING happens in the first 20 minutes or so. You get some lead up to something big about to happen. This episode? 40 minutes of nothing. Just talking and dudes getting high. It's beautifully shot but it takes such a long time to finally get started and by the time it's over. We got 10 minutes left of some great carnage. What happened? Did Netflix cut his budget and he had to pad things out? Did they spend most of the money getting Eric Andre? The last 10 minutes are great and it's worth a watch but oh man.

It would have been better as a 20-30 minute film instead.
 
Watched Terrifier 2, and I didn't like it. I really hated the first movie, just found it dull and Art the Clown to be extremely annoying. 2 however is a big step up in quality over the first movie even if I still didn't like it overall.

I do have to praise the use of their budget, the effects are good and for half million budget they really do have a lot of very different sets, way more than you would expect for a movie like this. However main area budget does come up lacking is how the movie looks, it a very digital looking movie where they have tried the mimic the look of a 70s low budget movie shot on film, however like most movies that try to mimic that look after the fact it just ends up not working.

Movie for sure has more of a story than the first movie, and that is a good improvement. None of the new characters are really awful outside the little brother but at the same time they do all feel very generic, which normally would be fine for a movie like this but at 140 minutes really does need more to them.

Main issue is the movie should have been 90 to 100 minutes, but is painfully dragged out to 140 minutes. So while I found myself some what liking the first part of the movie, that slowly turned to boredom, and by the time I got to the end I even found for the gore to be tiresome. I feel like every edit could have been done sooner, with many reaction shots in the movie being totally pointless. I really do wonder how much footage they left on the cutting room floor because it felt like they used everything.

They are planning a 3rd movie, if it is much of an improvement over the second as the second was over the first, I may just like it. But I kind of hope to see this team do a movie anyway from Art the Clown, as personally he just doesn't work for me at all.
 
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