- Joined
- Aug 22, 2013
Chapter 1: The basils of righting
(aka I HAD TO FUCKING TAKE NOTES ON THIS SHIT. NOTES.)
I need alcohol.
(aka I HAD TO FUCKING TAKE NOTES ON THIS SHIT. NOTES.)
We begin, as always, with the framing device (or 'Framing Device' as Glo and Daddy would put it) of Professor Epstein telling some beleaguered fifth grade children the story of Maradonia. They give a pretty unhelpful recap that Joey and Maya found the Key to the Underworld, then the slightly more relevant information that Maya and Joey have been summoned to a place called Tyronia.
Tyronia seems like a pretty apt name for the place once we find out that tyrannical Joey and Maya are being summoned by the dragon king Perganon because he's old and wants them to succeed him. The three dragons that deliver this information are named Tarakann, Dasha and fucking Emoogie.
By the way, something that's always nettled me about the framing device (apart from clumsiness, lack of sensitivity, incredible repetitiveness) is that this guy is a professor who substitute teaches art classes in elementary school. I went to an extremely fancy private primary school and even there we didn't have any professors teaching us, let alone as subs. Also, it's not even a private school.
We move onto the story proper, where a 'Mysterious Rider' is riding around all skree in a dark cloak upon an equally skree dark steed. It is in no way ripped off from Fellowship of the Ring.
It's actually very difficult to tell whose perspective the passage is from at the start. There's talk of the rider's thoughts, but also of Apollyon's. The rider smells rotten eggs and thinks that he needs to avoid the 'Tanika Monsters' and Professor I-teach-fifth-graders interrupts for a second to let us know the kids are all giggling about Tanika monsters being stinky.
The rider tells someone to move, I guess the horse? He thinks 'we' need to avoid the Tanika monsters but it's hard to tell if he means him and the horse, him and an as-yet-unmentioned companion, or if he just talks like the Queen. Someone's shooting arrows at him, at any rate. The rider thinks he needs to cross the D ua ne River
to lose his pursuer, which again is nothing at all like Fellowship of the Ring.
He arrives at King Apollyon's palace, where he's ushered through to meet with the King and his sons. Then we find out he is not a he, but a she, and she's Gertrude the Fairy. Whatever. Their spies have told them Maya gets messages straight from the King of Light and like a dumbass writes them in her journal. Apollyon desperately wants to read Maya's journal.
We get this gem:
'The king was pretty good informed by his Border Patrol.'
Good to know. Sounds like Gloria was channeling Chris there for a moment.
Apollyon finds out about Maya being literally impervious to harm. Gloria's massive ego shines through here as this entire part is all about Maya and it doesn't once mention Joey. Glo is so pleased about the line 'the failure to prepare is preparation to fail' that she uses it twice in two pages, despite having also used it in the first book. Such is the wisdom of Apollyon.
Then we get one of the best lines in the original Maradonia movie trailer: "Go... For the kill!"
Like all the lines Gloria thinks are clever or poignant, it's repeated to make sure we appreciate its brilliance.
Then it's back to Professor Art Class. 'Go for the kill' is repeated one more time. I guess third time's the charm.
The professor gives backstory for Maya and Joey and it's basically the events of the first book (flattering herself by having the professor repeatedly refer to it as a saga) and then mercifully, the chapter ends...
Only for us to discover that wasn't even the first fucking chapter. That wasn't even the Prologue - that comes next. It was just words and words and words.
Tyronia seems like a pretty apt name for the place once we find out that tyrannical Joey and Maya are being summoned by the dragon king Perganon because he's old and wants them to succeed him. The three dragons that deliver this information are named Tarakann, Dasha and fucking Emoogie.
By the way, something that's always nettled me about the framing device (apart from clumsiness, lack of sensitivity, incredible repetitiveness) is that this guy is a professor who substitute teaches art classes in elementary school. I went to an extremely fancy private primary school and even there we didn't have any professors teaching us, let alone as subs. Also, it's not even a private school.
We move onto the story proper, where a 'Mysterious Rider' is riding around all skree in a dark cloak upon an equally skree dark steed. It is in no way ripped off from Fellowship of the Ring.
It's actually very difficult to tell whose perspective the passage is from at the start. There's talk of the rider's thoughts, but also of Apollyon's. The rider smells rotten eggs and thinks that he needs to avoid the 'Tanika Monsters' and Professor I-teach-fifth-graders interrupts for a second to let us know the kids are all giggling about Tanika monsters being stinky.
The rider tells someone to move, I guess the horse? He thinks 'we' need to avoid the Tanika monsters but it's hard to tell if he means him and the horse, him and an as-yet-unmentioned companion, or if he just talks like the Queen. Someone's shooting arrows at him, at any rate. The rider thinks he needs to cross the D ua ne River
to lose his pursuer, which again is nothing at all like Fellowship of the Ring.
He arrives at King Apollyon's palace, where he's ushered through to meet with the King and his sons. Then we find out he is not a he, but a she, and she's Gertrude the Fairy. Whatever. Their spies have told them Maya gets messages straight from the King of Light and like a dumbass writes them in her journal. Apollyon desperately wants to read Maya's journal.
We get this gem:
'The king was pretty good informed by his Border Patrol.'
Good to know. Sounds like Gloria was channeling Chris there for a moment.
Apollyon finds out about Maya being literally impervious to harm. Gloria's massive ego shines through here as this entire part is all about Maya and it doesn't once mention Joey. Glo is so pleased about the line 'the failure to prepare is preparation to fail' that she uses it twice in two pages, despite having also used it in the first book. Such is the wisdom of Apollyon.
Then we get one of the best lines in the original Maradonia movie trailer: "Go... For the kill!"
Like all the lines Gloria thinks are clever or poignant, it's repeated to make sure we appreciate its brilliance.
Then it's back to Professor Art Class. 'Go for the kill' is repeated one more time. I guess third time's the charm.
The professor gives backstory for Maya and Joey and it's basically the events of the first book (flattering herself by having the professor repeatedly refer to it as a saga) and then mercifully, the chapter ends...
Only for us to discover that wasn't even the first fucking chapter. That wasn't even the Prologue - that comes next. It was just words and words and words.
I need alcohol.
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