- Joined
- Oct 27, 2017
Can't wait for the spinoff: Corey in the Big House.Ah, the new upcoming hit Disney Channel show Corey in the Courtroom.
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Can't wait for the spinoff: Corey in the Big House.Ah, the new upcoming hit Disney Channel show Corey in the Courtroom.
It's a pretty big plot point in the movie when we find that the company wants the creature but not the crew, though.It's not a massive part of the movie. It is a part of it for sure and it's why Ash allows the Alien to run amuck.
This is the same as white man bad how?It's a pretty big plot point in the movie when we find that the company wants the creature but not the crew, though.
Holy fucking shit, nothing is sacred anymore.Speaking of Sex offenders https://www.tmz.com/2021/06/29/form...ssey-charged-felony-communication-with-minor/
?? The series was never about racism. It was about unrestrained corporatism and misogyny.This is the same as white man bad how?
Let it blow lol
I live here and I'm tired of the Frozen jokes already.
I can't imagine how bad that must be there.I live here and I'm tired of the Frozen jokes already.
The guy said the new thing will explore "inequalities" but since he was also talking about how we need to spread the wealth... maybe it'll be about unrestrained corporatism too.?? The series was never about racism. It was about unrestrained corporatism and misogyny.
That's why everyone loves when that slimy weasel Burke gets killed.
Can't hold be back anymoreLet it blow lol
Lol Disney's predator it gets funnier of you consider the recent Cory actor debacle.ClownfishTV vlogged about Disney's Predator who sounds like Mulan.
https://youtube.com/watch?v=UqGOrmGm4eo
There was one post dropped by a commenter who was worth to share.
It puts all of Ash's actions into context. When I watched it for the first time I went in almost completely blind and thought Ash was some asshole who thought he knew better than the rest of the crew and endangered everyone via ignorance. Then it's revealed that the company considers the rest of the crew expendable. And then the double reveal that Ash is an android they sent to ensure it would follow orders. Those two scenes completely change the entire context of the film. And "the everyday man vs. greedy corporation that wants to fuck him over" is a variation of classic progressive views. Not to mention the earlier scene where Ripley is talked to in a sexist manner by a subordinate.It's a pretty big plot point in the movie when we find that the company wants the creature but not the crew, though.
That actually goes miles to explain why he always loses anytime it really matters. You can't win if you think your Pokémon are expendable...It puts all of Ash's actions into context. When I watched it for the first time I went in almost completely blind and thought Ash was some asshole who thought he knew better than the rest of the crew and endangered everyone via ignorance. Then it's revealed that the company considers the rest of the crew expendable. And then the double reveal that Ash is an android they sent to ensure it would follow orders. Those two scenes completely change the entire context of the film. And "the everyday man vs. greedy corporation that wants to fuck him over" is a variation of classic progressive views. Not to mention the earlier scene where Ripley is talked to in a sexist manner by a subordinate.
Alien was always progressive in nature. And I'm not even a SJW. I wouldn't support it going full woke, mind you, but it's not like it's coming out of left field.
You could also say that the "bad guy = greedy" is a condemnation of jews who, in the Bible, were willing to condemn the souls of all mankind to an eternity in hell by crucifying the Lord because he trashed their temple marketplace.It puts all of Ash's actions into context. When I watched it for the first time I went in almost completely blind and thought Ash was some asshole who thought he knew better than the rest of the crew and endangered everyone via ignorance. Then it's revealed that the company considers the rest of the crew expendable. And then the double reveal that Ash is an android they sent to ensure it would follow orders. Those two scenes completely change the entire context of the film. And "the everyday man vs. greedy corporation that wants to fuck him over" is a variation of classic progressive views. Not to mention the earlier scene where Ripley is talked to in a sexist manner by a subordinate.
Alien was always progressive in nature. And I'm not even a SJW. I wouldn't support it going full woke, mind you, but it's not like it's coming out of left field.
Any of the big studios could have done that but none of them did. Even a few that did have streaming services never did anything of worth with them such Sony with Crackle which came out around the same time, or HBO Go in 2010. Or in 2015 Disney had another streaming service which was UK only called DisneyLife.I think if Disney's stock crashes within the next 3 years without a general depression it'll be because Disney didn't go into streaming back in ~2010. Netflix went digital in 2007. Disney + was released in late 2019. Netflix had a 12 year head start on them. If you read articles even Netflix is surprised at how fucking long it took for real competition to emerge. They wouldn't have even had to build much of anything, even back then there were probably tons of streaming service startups begging to be snatched up.
Sadly, like a lot of studios, Disney listens to Wall Street analysts and focus groups, who insist they know more about filmmaking than Kubrick and Scorsese.can Disney bring back or make new ips that people would care about?
Well not even about making legit good movies, just movies and shows the masses will eat up, movies such as the Transformers one or many of Disney's own Marvel movies aren't good but do people love to watch them. But it's a sad state of cinema when Scorsese has to go to streaming for his movies to have any budget of note and of the people that made huge hits in the past would struggle to get a new movie made unless it's based on something already of note.Sadly, like a lot of studios, Disney listens to Wall Street analysts and focus groups, who insist they know more about filmmaking than Kubrick and Scorsese.