- Joined
- Sep 7, 2019
This actually made me curious (at least curious enough to check out the first google result) and according to my exhaustive research roughly 45% of a ticket sale go to the production/distribution companies which is less than in the US where around 60%. The ticket prices also seem to be around half of what the US prices are. It has to be a "quantity has a quality of it's own" thing because per capita it deosnt seem to be worth it.
foreign share is always lower, I think 45% is around average. china is attractive because they apparently have huge amounts of screens, so a lot of possible ticket sales. the question is how much a peasant is gonna pay and if they even buy your stuff. iirc there's also a limit on number of movies that are allowed in per year (to not smother the local industry or something, although the government started to gut them last year or so when it became to independent and/or "western"). plus the usual limitations of operating in china - so all that pandering might be for naught if your movie doesn't get picked or your local "partner" rips you off.
the other thing is how many people are not gonna see your movie when you pander to china too hard (there's probably a fancy economics term for it) and how much that pandering costs in itself - extra shoots, recuts etc.
there's probably money in it, else companies wouldn't do it, I'm just wondering if it's feasible and not just chasing "emergent markets" and possible some high-level laundering scheme etc.
