- Joined
- Apr 19, 2019
That's a very fine line according to metrics.China likes thicc too, just not fat.
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That's a very fine line according to metrics.China likes thicc too, just not fat.
Only faggots like Jimmy Carter use the metric system.That's a very fine line according to metrics.
And the British.Only faggots like Jimmy Carter use the metric system.
Yeah, faggots.And the British.
I believe it. They got a flourishing sex slave trade over there.@SiccDicc @Marissa Moira I've heard some cases of neighboring Asian countries having women being abducted and sold as wives in China. Here's an article, but I'm not sure how accurate it is.
https://abcnews.go.com/Internationa...e-raids-rescue-1100-trafficked-women-63856016
Oh yeah kidnappings are very common over in China.@SiccDicc @Marissa Moira I've heard some cases of neighboring Asian countries having women being abducted and sold as wives in China. Here's an article, but I'm not sure how accurate it is.
https://abcnews.go.com/Internationa...e-raids-rescue-1100-trafficked-women-63856016
They're right it's not forced labor, they can either work and then give all their money back to the CCP to pay for their imprisonment/room and board, or they can get shot and have their organs harvested.The outsourcing continues.
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EXCLUSIVE US electronics firm struck deal to transport and hire Uyghu…
archived 8 Oct 2021 23:17:19 UTCarchive.ph
Lmao literal slavery, I'm sure troons will be glad to consoooom.The outsourcing continues.
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EXCLUSIVE US electronics firm struck deal to transport and hire Uyghu…
archived 8 Oct 2021 23:17:19 UTCarchive.ph
Slavery is only wrong when they can directly see it and even then, it may not be slavery depending on skin color.Lmao literal slavery, I'm sure troons will be glad to consoooom.
So, in other words, SJWs believe in a colorblind society after all?Slavery is only wrong when they can directly see it and even then, it may not be slavery depending on skin color.
According to critical race theory, slavery as a form of revenge is justified.So, in other words, SJWs believe in a colorblind society after all?
Mel Kishida Interview: Blue Reflection, Fan Service, And The Importance Of A Creative Vision
“Outside of Japan, especially in North America and Europe, the way younger females are portrayed is starting to change. Attitudes are starting to change. With the first Blue Reflection we weren’t trying to be blatantly sexy, we just wanted the girls to show a little more character, like you’d take a second glance and your heart would flutter when you saw them.”
“I think focusing on fan service and making it the main aspect [of games and anime] is really starting to change. Not just myself, but the dev team are really feeling that. Compared to the first game, we’re taking a different approach in terms of showing how appealing these characters are without having to rely on fan service. For Blue Reflection and other titles I’ve worked on, I’m seeing a change in how things are being perceived and the attitudes towards them. If you asked me, ‘Well, you’ve drawn a lot of sexy illustrations’ I would have to say that it isn’t because I like or dislike them, it’s that I’m creating things that fans and consumers enjoy looking at.”
I don't exactly care about the quality of the game itself, but toning down creative works through the influence of hypocritical "western standards" will remain a shitty thing to me.Kishida-san can see attitudes changing for the better, but I suppose he’s right - there is demand for characters and illustrations like this, so he’d be foolish to ignore these requests and prevent himself from making a living. Games and anime from Japan can be some of the finest pieces of art in the modern world, yet they’re also dragged down by weird, gratuitous experiences that can often feel juvenile. Blue Reflection: Second Light thankfully doesn’t fall into that camp.
These people went off the deep end even for the Japanese, it's why the anime series and game bombed there.![]()
Mel Kishida Interview: Blue Reflection, Fan Service, And The Importan…
archived 13 Oct 2021 21:41:18 UTCarchive.ph
I don't exactly care about the quality of the game itself, but toning down creative works through the influence of hypocritical "western standards" will remain a shitty thing to me.
Dude Japan censors violence from western works all the fucking time due to Japanese losing their shit over a tiny amount of blood and gore, the situation isn't unique nor is it one sided. They too have retarded cultural sensibilities. Blue Reflection bombed in japan so they're turning to the west in the hopes it saves the IP.And Osamu Tezuka had weird fetish sketchbooks he drew. It's a open secret that artists are "degenerates" in their own way (some hide it better than others), and Mel Kishida is not much different on that regard.
It doesn't change the point that japanese creative works shouldn't be compromised by whatever western faux-prudism due of cultural differences, regardless of how much of a contrarian you want to be Marissa Moira. Doesn't matter if the creative work is popular or not either.
Difference is that the censorship you're mentioning happens to japanese localizations of western games whereas censorship of japanese games has been done directly straight to the source (meaning there is no way to bypass by consuming the original media), as it was proven many times by SIE's regulations since 2018. The former example is despicable but the latter is even far more.Dude Japan censors violence from western works all the fucking time due to Japanese losing their shit over a tiny amount of blood and gore, the situation isn't unique nor is it one sided. They too have exceptional cultural sensibilities.
Blue Reflection has the same amount of cringe as Life is Strange. The whole thing was made by tone deaf people.Difference is that the censorship you're mentioning happens to japanese localizations of western games whereas censorship of japanese games has been done directly straight to the source (meaning there is no way to bypass by consuming the original media), as it was proven many times by SIE's regulations since 2018. The former example is despicable but the latter is even far more.
And it's obvious that western woke fags are attacking japanese media entertainment as a whole because it has climbed in popularity due of the western counterpart being such garbage overall these days, as they have the latter under their thumb for the most part. It's just freaks wanting to remotely control how creative works are made.
Not that I expect much of a faggot like you to understand, so I'm conveying my point to other users here.