Consoomers / Consoomer Culture - Because if it has a recogniseable brand on it, I’d buy it!

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Those comics also launched century old franchises. It'd be like assuming a Mighty Mouse VHS is worth the same as a Steamboat Willie film reel. The absurd prices of old games has its origins in stuff like actually rare NES cartridges going for a lot. No, your copy of Madden 2001 is not worth even one cent. Half a cent is still pushing it.
Don't get me started on people that think any old card from the gen 1 release of Pokémon cards are valuable.
They sold like bloody crazy so there's millions out there still and some still in good nick.

I did a price check on my old collection from childhood and at time (the retro boom might have changed things now), only 3 or 4 cards are worth more than £5. Unfortunately, my brother, the original owner of the cards, didn't treat them very well and absolutely annihilated any value out of them. That's fine because it means no one would want to steal them.
 
Wasn't the idea that comics would become valuable over time due to Action Comics #1 going for a lot?
Yes. Walking dead #1 went for like 10k I bleieve but that's because it was an indie book an no one saw being the cultural juggernaut it was. 99% of comics won't be worth much especially from the big 2. a few exceptions might exist like Batman: Damned #1 (with first issues showing Bruce's outline of his penis and which I own). Invincible #1 might be worth something if the shows popularity continues but that's indie as well.

Re: Superbowl
for a truly consumerist show look at the 91 half-time show
Disney produced it and it was fresh off our invasion of the Persian Gulf. It has everything: using the children of the deployed, Disney propaganda, and probably the first big name act at the superbowl featuring New Kids on the Block. Truly a consumerist dream.
 
Those comics also launched century old franchises. It'd be like assuming a Mighty Mouse VHS is worth the same as a Steamboat Willie film reel. The absurd prices of old games has its origins in stuff like actually rare NES cartridges going for a lot. No, your copy of Madden 2001 is not worth even one cent. Half a cent is still pushing it.
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Some people are insane about their favorite console of choice, and will burn cash for garbage, as long as it's sealed.

Then again, all but the rarest NES cartridges rarely exceed like $200, and even especially rare stuff like Zombie Nation is worth about as much as a midrange laptop. The games that are worth the fuck you bucks are like, mostly promotional things like Nintendo World Championships; internal Nintendo test cartridges; and bizarre oddities like the mail-order porn games.

The most valuable retail game on that list is "Family Fun Fitness: Stadium Events", which was quickly rebranded to World Class Track Meet. Basically, it got a single run under the "Stadium Events" name, and was later rebranded when Nintendo bought it. Stadium Events and World Class Track Meet are the exact same games, with the only difference being the logo on the title screen. That's it. But, collectors are an insane bunch, so there's a whole pyramid scheme sort of thing going on where they pretend like you won't ACKSHUALLY ever have a complete NES collection if you don't have Stadium Events.

Oh, and World Class Track Meet is currently going for... $4.78. It's also on a multicart alongside Super Mario Bros. and Duck Hunt for a couple of bucks more. (ironically, Super Mario Bros. by itself goes for $35.56 right now. There's no difference between it and the multicart versions)

Here's the guide everyone goes by: https://www.pricecharting.com/conso...exclude-variants=false&exclude-hardware=false
 
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I mean, it's stupid to begin with, but even stupider if someone thinks it'd be worth anything as a learning tool.
Is... is his costume part of his anatomy? What the fuck? Why? This just reminds me of those shitty halloween decorations of skeletal bats where their ears have bones for some reason.
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Wait. Bats... Batman... OH FOR FUCKS SAKE!!
 
Is... is his costume part of his anatomy? What the fuck? Why? This just reminds me of those shitty halloween decorations of skeletal bats where their ears have bones for some reason.
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Wait. Bats... Batman... OH FOR FUCKS SAKE!!
Yeah I had no idea there was a major otological artery protected by his balaclava there. Someone tell the Joker.

I used to complain about those shitty Halloween decorations and was told to lighten the fuck up. I mean okay, not the worst thing in the world, but if someone can look at a spider with an endoskeleton and be cool with it, then I don't think they should be allowed to drive or vote.
 
Disney has opened up their Galactic Star Cruiser for media previews.

Enjoy such space-themed activities as "the Electric Slide."

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And "Space Bingo"

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And once you are done acting like you are in an Intergalactic retirement home, you can watch you favorite Star War hero Rey Skywalker clumsily fight Kylo Ren!

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My favorite consoomer couple are aboard. She chose to cosplay as an bloated trash bag to get into the experience:
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I love the "We Were Invited Press, Not Sponsored, Opinions are my own" bit. It's super well known in the Disney travel blog sphere that you must praise Disney as much as possible or you don't get free invites and vacations anymore. They make sure you're using everything from the correct hashtags to the lighting on your food photos. You always wait until the public is allowed to enter to see the real reviews.

From what I've seen of ACTUAL reviews starting to trickle in about the Starcruiser, it's an insanely tacky, cheap experience, but with an exceptionally high price tag.
 
Those comics also launched century old franchises. It'd be like assuming a Mighty Mouse VHS is worth the same as a Steamboat Willie film reel. The absurd prices of old games has its origins in stuff like actually rare NES cartridges going for a lot. No, your copy of Madden 2001 is not worth even one cent. Half a cent is still pushing it.
Speculators fucked up the western comic industry pretty badly and caused it to crash when it was at a very high point in the 80s-90s. That will always upset me because western comics used to be really fun.

Of course companies were retarded as fuck and knowingly pandered to that mentality by making multiple editions, alternate covers, etc and hyping the collectivity meme. Companies were printing in large quantities based on an unsustainable level of demand, when interest waned it all went bust and there were more numbers in circulation that they could possible sell.

The tipical people who never even read comics thought that their buying the same number 10 times was a good idea and would make them rich in the future. Spawn was the biggest name in the 90s but i am sure you could get early numbers for cheap on ebay, most comics from that time are barely worth a little more than they cost originally plus inflation.

I see it happening with retro games now and it pisses me off, when people are treating a hobby like it only exists to play stonks is like inoculating cancer.
 
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Yes. Walking dead #1 went for like 10k I bleieve but that's because it was an indie book an no one saw being the cultural juggernaut it was. 99% of comics won't be worth much especially from the big 2. a few exceptions might exist like Batman: Damned #1 (with first issues showing Bruce's outline of his penis and which I own). Invincible #1 might be worth something if the shows popularity continues but that's indie as well.

Re: Superbowl
for a truly consumerist show look at the 91 half-time show
Disney produced it and it was fresh off our invasion of the Persian Gulf. It has everything: using the children of the deployed, Disney propaganda, and probably the first big name act at the superbowl featuring New Kids on the Block. Truly a consumerist dream.
I don't know. Do we lump this shit in if it's explicitly for kids? It's not anywhere near as innocent as we used to assume but it's still catering to a demographic that can stand to spend time with cheap toys.
 
A lot of old Madden games jumped in price big time when John Madden himself died and the original Madden on SNES/Genesis was going for a fuckton of money even though there's a bunch of other NFL games on those consoles.
They tried doing that when Kobe Bryant died too. All of a sudden people were buying stacks of his N64 game out of bargain bins for less than $5 and trying to sell on eBay for like $50.

I'm sure it's found its way back into the bins by now.

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Eater Travel
The Unhinged Dinner Theater of Disney’s New ‘Star Wars’ Hotel
Why is so much space food blue?
by Carlye Wisel Feb 25, 2022, 9:00am EST

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Welcome aboard Galactic Starcruiser, a windowless Star Wars space yacht forever moored in a galaxy far, far away alongside Florida’s Interstate 4 highway. It’s not quite Westworld by way of Naboo, but it’s the closest to playing pretend padawan that Disney’s offered to date.

Walt Disney World’s ambitious new project — officially titled Star Wars: Galactic Starcruiser — isn’t just a place to stay; it’s a performance. When it opens to the public on March 1, 2022, each two-night journey will be jam-packed with Resistance challenges and First Order shenanigans unfurling into varied storylines that involve you, the guest, and culminate in a face-off between Kylo Ren and Rey. (Bunking with Luke Skywalker and C-3PO is a non-starter. As goes for Disney’s modern galactic build outs, we’re squarely set between Episode 8 and 9 in the timeline, so they’re nowhere to be seen.)

The hotel might mimic a starship but it operates like an earthbound cruise: Each stay is two consecutive nights with all food, activities, and entertainment included. With a price tag upward of nearly $6,000 for a family of four (almost $5,000 for two), it’s the priciest Disney World experience on offer, one that’s left its most dedicated fans reeling. The ambitious project has been in the works for years, developed in tandem with Disney’s Star Wars: Galaxy’s Edge theme park land, offering what Disney hopes is the next level of immersive entertainment for Star Wars fans, gaming buffs, and anyone who’d throw down a few grand to spot Chewbacca from across the bar.

I was among the first passengers to launch into orbit on a recent preview stay aboard the Halcyon — the gem in Chandrila Star Line’s fleet of imaginary spaceships. Here I slept in a capsule bunk bed large enough for most adults, completed odd missions for random characters aboard the ship, and peered out of my viewport into the wonders of “space.” Like Las Vegas for cosplayers, you won’t see sunlight for two 17-hour stretches while aboard the Halcyon, but I found it only added to the effect.

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Of course like any good cruise, so much of the experience’s overall success rides on the food, which for captive passengers is equal parts sustenance and activity. Eating aboard the Galactic Starcruiser is not unlike eating aboard your average luxury liner, and the modernist tricks (Blue stuff! Smoke! Ice spheres!) might seem old hat to anyone who ordered from a high-end tasting menu in the early 2000s. Still, within the parameters of an intellectual property cruiser erected in Mickey Mouse’s Floridian backyard, the culinary program is, overall, a feat. (Just look at the Bantha blue milk and green milk on tap beside a Coca-Cola fountain soda machine.)

Disney isn’t new to creating robust theme menus for galaxies far far away — Satu’li Canteen, a fast-casual Avatar eatery, offers earthy grain bowls*, while Docking Bay 7 in Disney’s Star Wars theme park land splits ribs horizontally** to a prehistoric likeness and fashions cubic, child-friendly chicken nuggets. During my preview stay aboard the Halcyon, breakfast offered some predictables, like buttermilk waffles imprinted with the ship’s insignia, but also yielded two of the trip’s best dishes: a satisfyingly cheesy, eggy potato stack and a corn dog-esque cake batter-dipped Scotch egg atop a turmeric aioli.

The lunch buffet (because what’s a cruise without a buffet?) featured more intriguing bites than I could cram on my single segmented cafeteria tray. A lot of them were familiar, kid-friendly tastes dressed up in space-age packaging — a grilled cheese bubble waffle with tomato cream dipping sauce; a cosmic Uncrustable with PB&J hiding inside a crusted green orb — but others, like a savory granola bar with a curry sauce for dunking, were inventive, tasty, and decidedly un-Disney.

Dinners stuck to the usual cruise script with assigned seating and a repeat server, but the format changed each night. The first was akin to a space bar mitzvah, with Twi’lek diva popstar Gaya performing her hits and leading a short dance party between courses of colorful bao stuffed with “tip-yip” chicken and a mirror-glazed “jogan” passionfruit tart. The second evening had a more on-the-nose “Taste Around the Galaxy” theme, with Mustafarian bread service with whipped cheese dip and Bantha beef short rib. Few dishes were groundbreakers — this is, after all, a pretend ship in the distant parking lot of a theme park — but the kitchen’s wackiest and buzziest creation was also maybe its best: Felucian blue shrimp, served on a platter of dry ice. (In actuality, it’s tiger shrimp soaked in butterfly pea powder, but the otherworldly effect was potent.)

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Everything is included in the overall price except for cocktails, mocktails, beer, and wine. If you weren’t able to squeeze into Oga’s Cantina, the overwhelmingly packed watering hole inside Disney’s Star Wars-themed Galaxy’s Edge theme park, it’s nothing in comparison to the ship’s Sublight Lounge, a real party-starter whose revelry spills out into an atrium with crimson benches. Like at Oga’s, drinks here are pre-batched, but the menu is split between location-specific concoctions like the Fiery Mustafarian — a mezcal margarita served with a test tube of “lava extract” for increased heat — and more standard options like an Old Fashioned, Negroni, or even your choice of preferred spirit, something the park’s cantina never provided. (Cocktails are also offered tableside at all meals, including a bloody mary with “Carbonite-dipped Bloody Rancor cubes” at breakfast.) There is no cantina band — one of a handful of true misses that feel nonsensical — but complimentary late-night eats, like a smoking cloche with cheese balls, and actually fun digital gambling at the Holo-Sabacc table, nearly make up for it.

The waitstaff exist entirely in story, substituting phrases like “you’re welcome” and “good morning” for “my honor” and “good passage,” while menus use non earth-centric space speak, like calling carbonation “sparkling bubbles,” potatoes “tubers,” and vegetables “flora.” You’re free to come dressed in intergalactic finery, whether that’s Jedi garb, a velveteen senate robe or, like one guest aboard, your flesh tinted a shade shy of International Klein Blue. (My great hope to putz around in the likeness of Emperor Palpatine was squashed by Earth bureaucracy, as adults are not permitted to wear costume masks.)

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The bulk of Star Wars experiences on board, however, come from interactive game play with the ship’s characters, both in-person and by way of the Play Disney Parks phone app. Here, a “choose your own adventure” narrative unfolds plotlines and unlocks surprises over the two main days. Follow the Resistance both in person and in your “datapad” and you’ll find yourself summoned to the engineering room of the Halcyon, uncovering codes to break Chewbacca out of the onboard jail; hang back with the First Order and you’ll hatch a plan to sabotage the ship from the inside.

The more you lean in and complete digital odd jobs for these characters, the more action you’ll become privy to. When the story works, it’s magic, but when it doesn’t, it’s exhausting. I felt permanently pressed to do more, and the intertwining plotlines are overwritten, particularly for guests who adore but don’t bleed Star Wars — or even those who may want to vacation while on vacation.

There is also no gym, pool, hot tub and, rather confoundingly, no space spa, despite how welcoming an Endorian seaweed wrap and Hoth plunge pool would have been after a day jam-packed with meetings, tasks, and chores. The two-night stay, both criminally short and overwhelmingly fast paced, needed to be three, but even a few extra hours aboard would help with the feeling of being rushed: multicourse meals are churned through in under 90 minutes and guests are unceremoniously booted off the ship by 11 a.m. on check-out day. Despite covering theme parks full-time, I emerged from the experience exhausted and serotonin-socked — like the culmination of three simultaneous New Year’s Eves.

And even still, with all that, I can safely say Disney’s new, slightly deranged hotel experience is the most fun you’ll have at Disney World. After disembarking, I made up for the vitamin D I’d sacrificed onboard by visiting the Magic Kingdom, where Cinderella Castle and Fantasyland felt banal and pedestrian compared to the ship’s intricately designed interiors; even Dole Whip was bland and uninspired after days of biting into sweet orbs with surprise centers. There’s some kind of magic in a bottle happening within that cruise-hotel’s walls and I, a middling Star Wars fan, somehow left inexplicably changed by it. It’s nothing if not aggressively inventive, which is remarkable for a franchise with this many corporate cooks in the kitchen. Despite some necessary story retooling that could streamline the experience, Star Wars: Galactic Starcruiser is delightfully unhinged — the highest compliment I can give the biggest entertainment corporation in the galaxy.

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Gonna be honest, the food sounds really good. Nowhere near six thousand dollars worth of good, but good. The rest of the cruise sounds like a sham though.
 
@NoReturn Thanks for posting this -- like most of you, I'm highly unlikely to fly to Florida and pay $5,000 to stay at this place, but I am morbidly curious about it. Most of it sounds stupid, but there are some things that are so audaciously weird and silly that they are kind of appealing on that basis alone. (e.g., the bloody mary with "Carbonite-dipped Bloody Rancor cubes")
 
The Star Wars hotel sounds 100 times worse than the one and only time I went to Outback Steakhouse, where they made the employees speak with a fake Australian accent.
 
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