- Joined
- Oct 9, 2024
How the fuck i have 40 hours in this game and just finished the first axion
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The real tragedy is the writer adding this retarded real world shit.That's the real tragedy though isn't it. There is a happy ending just sitting there, the characters would just have to reach out and grab it. They can't though. Maelle is going to kill herself staying in the painting, god knows what would happen to Aline after losing 2 children, and Renoir probably destroys the painting after.
I was really surprised how bug free the game is. Other than getting stuck on some environmental geography especially in the flying waters i havent encountered much.New patch just dropped, boyz.
Maelle getting nerfed and some ultrawide fixes mostly.
I honestly didn't have technical issues or bugs in this game. I didn't think about it, at first, but a modern game that's not absolute dogshit broken on release, it's a very rare occurrence. Almost a unicorn.
They fixed this in today's patch apparently.I saw one bug in my playthrough. In act 3, if you do Lunas friendship quest then Monocos without returning to camp between, Line's scene will have Monoco standing in front of her while she talks
Consider this from a larger perspective. The members of the Dessandre family are three-dimensional beings in a two-dimensional world. This world is essentially the same to them as any sort of entertainment media is to us. You can empathize with the characters, you can even mourn the characters, but ultimately they are not "real." The Canvas is, for all intents and purposes, a picture book created by Verso. The characters contained within at the time of Expedition Zero and Old Lumiere were either directly created by him, or are just a convenient result of the magic that creates the world when you paint a city or a general population of said city. This may even be a well-documented feature of this Canvas magic they use. All that is to say, that while Renoir completely understands the motivation of the characters in the Canvas and even empathizes with their reasoning. As a being from a higher dimension (so to speak), his concern is for his people and not these "fake" people.If everyone was just a puppet for alicia and the mom to play with to escape reality, I can accept Verso's ending. But Lune and Sciele and others are far beyond what. Renior doesn't even try to counter their arguments and agrees they have a point. It's one thing to want to blow up an illusion and face reality, it's another when the painting world is an actual living breathing world.
They could've made it that the maelle ending has her keep her promise and leave the painting, while also keeping it alive for the people inside. Eventually as she grows up she gets over the loss of verso and returns less and less until she eventually becomes an absentee god that only a few remember. The painting is kept alive for the people that fought for it in the expeditions, but it is just a memory hidden in the attic for everyone in the real world.
You can understand this being the in-universe opinion of the Dessandres since they hold no reverence to playing God and treat their creations as disposable toys for their amusement, but this does not mean either you as a player or the wider non-Painter public in the "real" world would agree with this. Reductively handwaving the sapient inhabitants of the Canvas as "fake" and equating that to having no right to their existence is a cop out, handwaving Renoir's trolley problem with his family on one end and an entire world on the other, by simply declaring the other track empty. He is completely aware and willing to embark on a cosmic scale genocide for the sake of a few individuals that personally matter to him, it's the driving force of his actions and shouldn't be pushed away. If you're meant to overcome your material attachment to Lumiere and its people and let it be erased, why is his attachment to his own close people be more valuable? Simply because they occupy a reality where the whims of a petty God aren't as pervasive?This world is essentially the same to them as any sort of entertainment media is to us. You can empathize with the characters, you can even mourn the characters, but ultimately they are not "real." The Canvas is, for all intents and purposes, a picture book created by Verso.
That isn't even his worst mechanic either. You haven't been neglecting any members of your party have you?Fuck Simon!
That light speed combo in second phase deletes my entire nigger squad.
Yeah, I got to that stage.That isn't even his worst mechanic either. You haven't been neglecting any members of your party have you?
I read it as Alicia already knowing what is going on in painted Alicia's mind and letting her go. She is affected, but she also knows it is for the best and is at peace with that, while Verso "fuck everyone the kid has to stop painting" Dessendre wants to convince her to live even as he's planning to betray everyone. And it doesn't matter if Alicia plays pretend or not, the lumiere people are still real.When she erases the Painted Alicia, you can see she does it without emotion even as Verso mourns. She can no longer empathize on that level because she knows none of it is "real." Her ending is just her playing pretend so she can escape reality, and you can see she knows it while she sits and forces Verso to play along.
FUCKING FINALLY!That isn't even his worst mechanic either. You haven't been neglecting any members of your party have you?
After the first time I got to his gay gimmick I just hit him with Stendhal the next fight, this was pre-nerf of course.FUCKING FINALLY!
FUCK YOU SIMON, YOU FRENCH FAGGOT!
3 FUCKING HOURS OF MY FUCKING LIFE.
YOU THOUGHT YOU WERE A NIGGER FAGGOT WITH YOUR FAGGOT SKILLS? WELL, I AM THE KING OF NIGGER FAGGOTS IN THIS FUCKING GAME!
EAT SHIT!
fuck you simon!.mp4