Sonichu-choo trainwreck
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- Joined
- Oct 16, 2019
I never put the marine biologist thing together, but makes sens, Clarke was a big scuba diver and Meeting with Medusa is just a thinly skinned over scuba dive. The whole vampire as vampire thing I just take a window dressing. I mean I guess there the whole superstitious porphyria misidentification part as being an outsider. The crucifix part was funny.butting in but crap, I liked the vampire thing, esp the orthoganal epilepsy thing for lack of a better term. Not that it was some grand epiphany or anything, but a fun way to slip in the limit and the cross thing
I thought it was a fun stand in for a form of sociopathy which made for that type of outlier they were sending .
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I don't pay too much mind to little fetishes or pet themes in hard SF, the concept is really the show - it's what I think separates SF/hard SF from "literature" . It's about the concept and half the time I think it's probably editors needing plot (like the terrorists in R with Rama, or even the whole HAL thing to make 2001 feature length) . The recurring device thing lot of times in SF there are these wind-ups to a main work like short , novella, THEN novel - Ender's game and The Sentinel and The Bicentennial Man just as example. so I think of them more of 'verse extensions in that
It's unlike, say Benjanun Sriduangkaew, who TRIES to be literary and inexorably muddles the concept with the literary devices...it's just lesbian lesbian lesbian, there isn't any exploration of the alien (concept, environment, character or whatever) it's hjust "I'm a Lez" self celebration. It's gay chick lit, not SF
for me it's "it was a good concept.." is where SF lives, the but is a lot of times just a matter of taste.
I'll have to look the the whole vamp thing being a parasite encountering a race that sees conciousness as a parasite though - that's an interesting angle
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