Anime/Manga - Discuss Japanese cartoons and comics here; NO CULTURE WAR DOOMPOSTING!

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Oh yeah the galaxy brains takes about it is abysmal thankfully i only observe anitwitter like a curiosity because holy crap, i still found hilarious the system even has to approve political candidates and even religions, if they are not approved by Sybil they get lazerjammed



Yeah the flaws are more obvious when they were discussing eugenics, one of the new enforcers was tailor made to be kickass but his psycho pass was flagged as latent criminal and his life was ruined even before he could even walk

There's something to be said about Sibyl beginning to judge minority groups and what not, but I think that story is a living fucking nightmare in 2019. You need to use fantasy or sci-fi or aliens for that shit. Or just make up a people. The problem is you need an allegory for it. Insert AI crime statistics meme here.

But yeah, Sibyl basically determines if you'd be a successful bureaucrat which is hilarious because it would always tailor that to people that kept it on power and doing its job.

I mean obviously it's going to be a problem. It's not really explicitly said but implied that the Japs moved to drone warfare because normal soldiers would have their Psychopasses fucked up and unable to return to life. That and the Japan in Psychopass is basically equivalent to North Korea, cutting itself off from the world and being a hermit state. So it'd really only need military drones.

I'm not surprised to hear that season three of Psycho-Pass isn't particularly good considering that season two was complete baboon ass (the plot was all over the place and that new junior inspector mini antagonist was absolutely insufferable) and the movie being bad as well. They should just have ended it after season one, but the possibility of getting to taste more ¥ was probably too much for the studio to resist.

A large part is that the main force responsible for Season 1 has decided he wanted to play with Godzilla and doesn't much care about the IP. I kind of got the feeling he was done after season 1, because he told everything he needed to tell. I mean, there's nothing to go back to. Not everything needs to be a franchise or sequel. It's just this insane fear of risk that has gripped entertainment so if something is successful, can't leave it alone.

The huge problem I mentioned is that, with Season 1, its basically a completed story. There's no hooks for sequels because the entirety of it is resolved. It also presents itself as a closed story loop, meaning we end where we began, which is one of the hallmarks of a good story, a completed journey.

So to basically continue it you have to look for something in season 1 you can break. You can't. There's just nothing there. So for season 2, you have to break apart season 1, which means it will be shit no matter what unless you shift focus.

The mistake was focusing on the same characters. Akane, Ginro and the others all had completed arcs. Even with the focus on different characters, you're sort of boxed in by the plot and setting. The setting isn't as expansive as GitS because you can constantly reinvent Mokoto and we'll always be drawn to her and that world.

Now the problem is they've basically established the cast for seven years and feel like they can soft reboot it when they set up conflicts that they never resolved and just sideline what was keeping the series alive. You can't just fucking do that. People are only still watching this because they're hoping the magic of Season 1 will return. It won't.

Season 1 was a nice lightning in the bottle that captured Neo-Noir, Blade Runner and the violence and animation of 1980s anime along with a solid story. It felt like something from that era. It's weird but I felt like ever since season 1 the atmosphere has been way too clean. It was good in the sense that even when you were in a clean environment in season 1 it felt like it had this atmosphere of darkness over it, representing the omnipotence of Sibyl and the system itself. The way that season 1 and season 2 are lit, colored and shaded are like night and day. It lost something unique there.
 
Captain Harlock, Space Battleship Yamato, and Galaxy Express 999 creator Leiji Matsumoto is out of hospital in Italy and people close to him are denying that he had a stroke, contrary to what was initially reported.

I wonder if Matsumoto will be back in Japan in time to attend the funeral of Makio Inoue, the voice of Captain Harlock who died last week?
 
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Anyone ever read this masterpiece?
 
View attachment 1037343

Anyone ever read this masterpiece?

I might or might not have seen one of the OVA's at an anime club in the 1990s.

Gotta love those Iron Virgin Jun Wikipedia episode summaries which I'm just going to go ahead and assume were written by someone for whom English is not a first language and which then were never edited by anyone else.

Spoilers, I guess?

IronVirginJun-episode-summary.png
 
I've seen the OVA, which was pretty wild. If the entire series is available to read, I'll check it out, but it seems like a lot of Go Nagai's works aren't fully translated. Didn't think Iron Virgin Jun was any different.

It's just a one issue manga it's been translated online it's better than the anime.
 
I just spent 50 bucks to buy used individual DVDs of Ping Pong Club. I suppose that's the weighted average of my soul or something, and I regret nothing.

Come on, it was either that or Now and Then, Here and There, but that goes for much more and I'm not ready to bum myself out again with it. I'm honestly just upset a lot of Central Park Media titles have remained in limbo since their collapse. For all their faults, they had some real gems in their library, and yet they're just rotting away into obscurity. How cruel.
 
So who else was butt-hurt about a waifu in Solo Leveling getting killed?

sololev.PNG
 
I just spent 50 bucks to buy used individual DVDs of Ping Pong Club. I suppose that's the weighted average of my soul or something, and I regret nothing.

Come on, it was either that or Now and Then, Here and There, but that goes for much more and I'm not ready to bum myself out again with it. I'm honestly just upset a lot of Central Park Media titles have remained in limbo since their collapse. For all their faults, they had some real gems in their library, and yet they're just rotting away into obscurity. How cruel.
You made the right choice here! Ping Pong Club is pretty much required viewing for a lot of us "old-timers", though I used to call it the anime equivalent to Porky's, which isn't a bad way to put it.
 
Flying Witch's Chihiro Ishizuka has put out a one-shot manga called Star Children that doesn't seem to have anything to do with that other Star Children manga by Masashi Kida.

Chihiro Ishizuka announced in the previous chapter of Flying Witch that she'd be doing a one-shot for December but I was really hoping it would be a second chapter of her original Flying Witch one-shot, featuring a witch girl hunting a non-magical male classmate (for reasons more innocent than it seems at first), which has no characters in common with the main Flying Witch manga.
 
Gen Urobuchi's Next Work is About 'Hardcore Mecha'

Nitroplus president and executive producer Digitarou revealed on his Twitter account on Wednesday that writer Gen Urobuchi is working on the scenario for a new "hardcore mecha" work tentatively titled "Project O." The post did not reveal the format of the new work.

Digitarou also revealed that a "new generation" of younger developers at Nitroplus is working on a 3D shooting action game for the PC tentatively titled "Project D." He added that the company's Full Metal Daemon Muramasa is getting a spinoff work, as well as a collaboration with the Tokyo Necro game. DRAMAtical Murder will also have a stage play adaptation. The announcements for these projects came during the "Nitro Super Sonic 20th Anniversary" concert on Tuesday.

Urobuchi is a member of the creative group Nitroplus. Under the Nitroplus label, Urobuchi has written visual novels such as Phantom of Inferno, Kikokugai: The Cyber Slayer, and Saya no Uta. He wrote the Fate/Zero novel series, a prequel to Kinoko Nasu and Type-Moon's Fate/stay night visual novel. Phantom of Inferno was adapted into the Phantom ~Requiem for the Phantom~ television anime, and Fate/Zero was similarly adapted into a television anime. He has written anime including Puella Magi Madoka Magica, Psycho-Pass, Expelled from Paradise, and some episodes of the second season of Concrete Revolutio. His latest work is the Thunderbolt Fantasy puppet series, and he also wrote the Godzilla anime film trilogy by POLYGON PICTURES.
 
Oh, so Aldnoah.Zero, Gargantia, and recently Obsolete aren't "hardcore" mecha enough?

Yeah, okay.
 
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