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I wouldn't know, but that sounds about right. I couldn't really tell you anything about the characters anyway because I couldn't remember names, let alone what their personalities are like. I just only remember the deaf girl wanting to see the fireworks up close or something so she stands on the balcony wall and causes the guy to fall saving her. It was at that moment that I stopped caring for her because she was an idiot. I think even actual deaf people know better than to stand up on a balcony wall like that.

I think what gets me the most is how much MAL is fawning over this film. Everyone loves the manga and scores it high points because "MUH FEELS", but no one's daring to question the quality of the film just because it's KyoAni, and "MUH FEELS". Maybe they're filling in the blanks all by themselves 'cause they read the manga, but they shouldn't have to do that. It makes us non-manga readers look "dumb" or "heartless" for daring to question the quality of these adaptations. Because there is something wrong with it, most of us just can't explain it.

It's the same with other anime like Kimi no Na wa. and ERASED in that everyone fucking loves them, yet there's some of us who just shrug them off or think they're not that good. Because... well, they're really not that good enough to get scored a "10" across the board. Kimi no Na wa. is original and beautifully animated, but it tries too hard to be a Makoto Shinkai film while subverting the status quo. ERASED got fucked up by A-1 Pictures by the halfway point, or even earlier since apparently they weren't really subtle about who the killer was from the start unlike in the manga, supposedly. Same with Your Lie in April.

Wait, wait, wait, they did what?

In the Manga there's a hideously long and slow build up of Nishimiya still feeling like she's a bit of a bother to everyone around her and she even (silently) blames herself for the groups loss in the film competition because of the artistic choices they took so she could also enjoy the movie the same as everyone else.

On top of that is her sheer frustration at being unable to convey her feelings to Ishida because she wants to do it the same way as everyone else (using her voice) and he's blithely ignorant of it.

She's depressed, but like most depressed people she hides it away until something finally snaps.

She then fucking attempts suicide by jumping off of her flat's balcony after going to the fireworks festival with her family and Ishida because she feels her friends and family would have a more "normal" life without her, and Ishida just gets there in time to save her, causing him to fall instead.

While he's unconscious he winds up sharing a dream with Nishimya in which he's still a bit of a shit, but the things he does are more out of curiosity and good fun with Nishimya being more aware and the back and forth is what could have been. It really hits home how depressed she'd actually been and how badly he'd fucked up.

Also, I think Kimi no Na wa works so well because it was the author who adapted it into the screenplay, allowing them to properly refine the plot to its core without abject compromise.

But I also realize some of these sorts of stories and anime just aren't always everyone's cup of tea, nor are they held to the same standards as we would with other comparable media. Meaning they do rely a lot on either tired cliches or tropes worn so thin they're barely scraps of cloth.

One I've been enjoying is Tsuki ga Kirei (Tsukigakirei) which, while it still has some worn out tropes reminds me way too much of young, awkward teenage romance. It's also boring. As in, nothing so far particularly dramatic has happened, there's no "Getting lost on a mountain" or what have you, its just a solidly written, slice of life and romance anime with awkward teenagers and appropriate awkward teenage dialogue.

Fair warning though, this anime's been run with a shoestring budget and it's one of the few I've seen where the cracks due to the scale of production in Japan far outstripping its ability to produce proper work.
 
Wait, wait, wait, they did what?

In the Manga there's a hideously long and slow build up of Nishimiya still feeling like she's a bit of a bother to everyone around her and she even (silently) blames herself for the groups loss in the film competition because of the artistic choices they took so she could also enjoy the movie the same as everyone else.

On top of that is her sheer frustration at being unable to convey her feelings to Ishida because she wants to do it the same way as everyone else (using her voice) and he's blithely ignorant of it.

She's depressed, but like most depressed people she hides it away until something finally snaps.

She then fucking attempts suicide by jumping off of her flat's balcony after going to the fireworks festival with her family and Ishida because she feels her friends and family would have a more "normal" life without her, and Ishida just gets there in time to save her, causing him to fall instead.

While he's unconscious he winds up sharing a dream with Nishimya in which he's still a bit of a shit, but the things he does are more out of curiosity and good fun with Nishimya being more aware and the back and forth is what could have been. It really hits home how depressed she'd actually been and how badly he'd fucked up.

Oh is that what happened? I was zoning out during the film, so if that's indeed what that scene was intended to be, then I guess they did it right. But she was staring up at the fireworks the whole time and we're seeing it through Ishida's point-of-view, and I thought he moved to save her from losing her balance. Because... it looked like she lost her balance to me. I don't really want to bother looking it up for a better look, but even then, I swear to you we didn't get much in terms of Nishimiya's screentime to really get a feel for what's going on through her head. Outside of that one bitch telling her on the Ferris wheel she hates her, I can't think of anything that happened in the movie that would really push her over the edge.

EDIT: I took a quick look, I didn't catch that. Even then, everything was framed in such a way that I honestly believed she just wanted a closer look back at the apartment. I don't know how it went in the manga, but there were some quick cuts here and there that made things rather jittery to me. Also the version I watched had shitty subtitles, so that didn't help in keeping my attention among everything else about it.

Still doesn't change the fact that I don't know a lot about her given that the film was condensed to two hours, and the scene happened around the hour-and-a-half mark.
 
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I'm still gonna watch the Silent Voice movie because that manga fucked me up but it's interesting to hear about the quirks of its adaptation. I figured there were going to be large parts missing and it was gonna be kind of crunched, but I still look forward to watching it. I just wish it could've gotten a full adaptation, an anime would've been perfect.
 
I agree, a TV series would've been better for it (though it probably would've ended up one-cour, in which case the salt would've been hilarious). I think people originally were expecting a TV series when it was first announced for an adaptation, but then it was like it became a movie at the last minute.

Honestly, the movie didn't feel like a movie to me, which was probably why I got bored of it after the timeskip. Something about slice-of-life just doesn't work all that well in movies with some exceptions (mostly Studio Ghibli films, and Wolf Children best come to mind) since movies are meant to be grandeur and large while still telling a cohesive story (what Makoto Shinkai does, though your-mileage-may-vary about their cohesiveness). Anime movies I've noticed tend to be about two hours long on average, and that's supposed to reflect its larger-than-life status, but then they have weird, abrupt endings that don't feel like anything was resolved. It was like that with Koe no Katachi, and it makes me think there just wasn't enough time for it to be an emotional resolution like it probably should've been.
 
Miss Kobayashi's Dragon Maid was the antithesis of the typical KyoAni show, and that was one of the top-sellers last season, so perhaps they'll start expanding a bit more. (And hopefully not just to shows about massive dragon tits.)
I love the manga and hated the show for adding shit it shouldn't (lucoa gags) and making episodes longer based on a chapter that had 5 pages or so. I also REALLY hated how they did this to not show another girl dragon. 6/10 kyoani ruins everything. At least it was properly animated and the music was neat.
 
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I agree, a TV series would've been better for it (though it probably would've ended up one-cour, in which case the salt would've been hilarious). I think people originally were expecting a TV series when it was first announced for an adaptation, but then it was like it became a movie at the last minute.

Honestly, the movie didn't feel like a movie to me, which was probably why I got bored of it after the timeskip. Something about slice-of-life just doesn't work all that well in movies with some exceptions (mostly Studio Ghibli films, and Wolf Children best come to mind) since movies are meant to be grandeur and large while still telling a cohesive story (what Makoto Shinkai does, though your-mileage-may-vary about their cohesiveness). Anime movies I've noticed tend to be about two hours long on average, and that's supposed to reflect its larger-than-life status, but then they have weird, abrupt endings that don't feel like anything was resolved. It was like that with Koe no Katachi, and it makes me think there just wasn't enough time for it to be an emotional resolution like it probably should've been.

The thing is the ending's so stupidly simple (They enter a reunion side by side) and yet works to a point because of the wider emotional journey. While it would've been nice for them to finally state their feelings to each other, sometimes not having that works just as well.

TBH even at one-cour it would've worked nicely, giving you some 5 and a bit hours of storytelling time which doubles the run of the movie. It also pans out at around the same pacing that was afforded to Is it wrong to pick up girls in a dungeon? which managed to run 13 episodes from 65 manga issues without losing a single plot point or character development removed.
 
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^lol

Just got caught up with Shuumatsu Nani Shitemasu ka? Goddamn it man I just now this is gonna have a horrible gruesome ending.
 
Just got caught up with Shuumatsu Nani Shitemasu ka? Goddamn it man I just now this is gonna have a horrible gruesome ending.

You can kind of feel how much they're rushing the animu though. Which is a shame as its such a well built world for a change.
 
Yeah they skipped him training her. I bet they skipped a fucking volume worth of info as well.
 
So since Spring 2017's going to come to a close in a month, anyone have any favorites from this season so far? I honestly haven't been watching much, but I think Tsugumomo is underrated. It's pretty good for what it is.
 
I finally got around to finishing Ore Monogatari yesterday. What an adorable series. Glad they didn't force Suna's stalker on him and just left him as the single good-looking best friend.
 
So since Spring 2017's going to come to a close in a month, anyone have any favorites from this season so far? I honestly haven't been watching much, but I think Tsugumomo is underrated. It's pretty good for what it is.
Boku no hero season 2 is my favourite.
Also im marathoning hajime no ippo now and its so good
 
So since Spring 2017's going to come to a close in a month, anyone have any favorites from this season so far? I honestly haven't been watching much, but I think Tsugumomo is underrated. It's pretty good for what it is.

Mmm, of my favourites... probably Akastic Records because of the magic system used being awesome so that sits at the very top.

Slice of life would have to be Sakura's Quest but that is due to continue into the Summer season anyway, and its by PA Works who've rapidly become a favourite studio of mine. Good cast, gorgeously drawn setting, and they don't seem to skimp anywhere on the animation.

Trash Watch would be... Eromanga Sensei, Twi Angels Break (Aka GENERIC: The Anime) and Love Tyrant.
 
So since Spring 2017's going to come to a close in a month, anyone have any favorites from this season so far? I honestly haven't been watching much, but I think Tsugumomo is underrated. It's pretty good for what it is.
It is a severely censored p standard battle shonen. I'd recommend reading the manga tbh but since you are enjoying it reading the manga might make you hate the anime. That being said you would prob like Hero Academia if anything and maybe Renai Boukon.

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also this is me rn^
 
It's like if Speed Racer and The Jetsons had a baby whose winning ticket for the genetic lottery became null and void once cashed in.
And yet the studio didn't fall from grace with this, they later gave us an adaptation of The Little Prince that used to run on Nickelodeon in the 80's!
 
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