- Joined
- Mar 7, 2016
I wouldn't know, but that sounds about right. I couldn't really tell you anything about the characters anyway because I couldn't remember names, let alone what their personalities are like. I just only remember the deaf girl wanting to see the fireworks up close or something so she stands on the balcony wall and causes the guy to fall saving her. It was at that moment that I stopped caring for her because she was an idiot. I think even actual deaf people know better than to stand up on a balcony wall like that.
I think what gets me the most is how much MAL is fawning over this film. Everyone loves the manga and scores it high points because "MUH FEELS", but no one's daring to question the quality of the film just because it's KyoAni, and "MUH FEELS". Maybe they're filling in the blanks all by themselves 'cause they read the manga, but they shouldn't have to do that. It makes us non-manga readers look "dumb" or "heartless" for daring to question the quality of these adaptations. Because there is something wrong with it, most of us just can't explain it.
It's the same with other anime like Kimi no Na wa. and ERASED in that everyone fucking loves them, yet there's some of us who just shrug them off or think they're not that good. Because... well, they're really not that good enough to get scored a "10" across the board. Kimi no Na wa. is original and beautifully animated, but it tries too hard to be a Makoto Shinkai film while subverting the status quo. ERASED got fucked up by A-1 Pictures by the halfway point, or even earlier since apparently they weren't really subtle about who the killer was from the start unlike in the manga, supposedly. Same with Your Lie in April.
Wait, wait, wait, they did what?
In the Manga there's a hideously long and slow build up of Nishimiya still feeling like she's a bit of a bother to everyone around her and she even (silently) blames herself for the groups loss in the film competition because of the artistic choices they took so she could also enjoy the movie the same as everyone else.
On top of that is her sheer frustration at being unable to convey her feelings to Ishida because she wants to do it the same way as everyone else (using her voice) and he's blithely ignorant of it.
She's depressed, but like most depressed people she hides it away until something finally snaps.
She then fucking attempts suicide by jumping off of her flat's balcony after going to the fireworks festival with her family and Ishida because she feels her friends and family would have a more "normal" life without her, and Ishida just gets there in time to save her, causing him to fall instead.
While he's unconscious he winds up sharing a dream with Nishimya in which he's still a bit of a shit, but the things he does are more out of curiosity and good fun with Nishimya being more aware and the back and forth is what could have been. It really hits home how depressed she'd actually been and how badly he'd fucked up.
On top of that is her sheer frustration at being unable to convey her feelings to Ishida because she wants to do it the same way as everyone else (using her voice) and he's blithely ignorant of it.
She's depressed, but like most depressed people she hides it away until something finally snaps.
She then fucking attempts suicide by jumping off of her flat's balcony after going to the fireworks festival with her family and Ishida because she feels her friends and family would have a more "normal" life without her, and Ishida just gets there in time to save her, causing him to fall instead.
While he's unconscious he winds up sharing a dream with Nishimya in which he's still a bit of a shit, but the things he does are more out of curiosity and good fun with Nishimya being more aware and the back and forth is what could have been. It really hits home how depressed she'd actually been and how badly he'd fucked up.
Also, I think Kimi no Na wa works so well because it was the author who adapted it into the screenplay, allowing them to properly refine the plot to its core without abject compromise.
But I also realize some of these sorts of stories and anime just aren't always everyone's cup of tea, nor are they held to the same standards as we would with other comparable media. Meaning they do rely a lot on either tired cliches or tropes worn so thin they're barely scraps of cloth.
One I've been enjoying is Tsuki ga Kirei (Tsukigakirei) which, while it still has some worn out tropes reminds me way too much of young, awkward teenage romance. It's also boring. As in, nothing so far particularly dramatic has happened, there's no "Getting lost on a mountain" or what have you, its just a solidly written, slice of life and romance anime with awkward teenagers and appropriate awkward teenage dialogue.
Fair warning though, this anime's been run with a shoestring budget and it's one of the few I've seen where the cracks due to the scale of production in Japan far outstripping its ability to produce proper work.