- Joined
- Feb 23, 2019
Ah, I see.It’s peak, you wouldn’t understand.
It's that Baki the Grappler, over the top "because why the fuck not" manly stuff.
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Ah, I see.It’s peak, you wouldn’t understand.
I never started it because it looked like I would just grow tired of it after the initial premise wore off ala Shield Hero. SH started really interesting with the "fuck everyone" protag, but it mellows out pretty quick, and it ultimately didn't have enough going for it to keep me around. Frieren's rise might as well be seen as the death knell for all "par" fantasy/isekai anime (which is the vast majority of them). All of their flaws and lack of world building and lack of spirit are made bare by Frieren shitting on them all with sheer quality.Watching the most recent episode of Solo Leveling S2, not looking for spoilers just a general sense of "does the writer know where he's going with this?" or should I brace for Attack on Titan disappointment.
It’s because the framing device is “any time, any place” and Jack just healed up so they’re gonna duke it out in the street like goons.Ah, I see.
It's that Baki the Grappler, over the top "because why the fuck not" manly stuff.
I'm somehow not surprised by this at all, and I know jackshit about Sgt. Frog other than it's kinda like a sister series to Bobobo-bo Bo-bobo in terms of parody and widget series, and some people actually ship Giroro and Natsumi together and you're supposed to roll with it.but then I got to the episode where they literally drill each other in the ass and realized this was more than just a kids' show...it was an experience, man.
You should really give it a try! For some reason, I’ve got a soft spot for dumb, comedic anime like this.I'm somehow not surprised by this at all, and I know jackshit about Sgt. Frog other than it's kinda like a sister series to Bobobo-bo Bo-bobo in terms of parody and widget series, and some people actually ship Giroro and Natsumi together and you're supposed to roll with it.
sad part is frieren's worldbuilding wasn't even anything great or goodFrieren's rise might as well be seen as the death knell for all "par" fantasy/isekai anime (which is the vast majority of them). All of their flaws and lack of world building and lack of spirit are made bare by Frieren shitting on them all with sheer quality.
I love Urasawa works, but I feel like his endings are the weakest part of the story (I read 20th CB, Pluto, Billy Bat and watched Monster). Don't get me wrong, it's not Tokyo Revengers or Jujutsu Kaisen level of bad or something, but still, I don't enjoy them as much, as previous parts of his stories. Old friend of mine who is the biggest Urasawafag I've ever met shares the same opinion.So I finished 20th CB and that ending was a letdown tbh. It was very similar to monster in that as well.
It was one of my very first mangas back in 2015 (also watched the anime back then). I have some level of nostalgia towards Karin, but that's the type of series I couldn't care less about if It came out now.you guys remember Karin: Chibi Vampire? Essentially some fluff ass 2000s romance story about some vampire crybaby chick who gets constant nosebleed from bland male guy who’s essentially Proto-Ryuji from Toradora (kinda ironic since there both made by J.C Staff) I found out about on some Future Diary manga ad by Tokyopop back at like 2018 and I watched the anime recently and overall…it’s just ok?
I can understand having serialized series end very badly, that's one of the downsides of having serialized works cause you're making it up as you go along. I really like urasawa as well but I feel like he's capable of writing better endings. A lot of his setups are good but end up flat and I feel like people say his stories are deep and philosophical when they're really disposable. Some philosophy or poignant thing brought up one moment will end up not mattering 20 chapters later, very disposable storytelling in contrast to the themes building up towards the climax of the arc or the end of the story. Please don't tell me billy bat ends like this as well, I have high expectations for it since it's a time travel thing and deals with real world history.I love Urasawa works, but I feel like his endings are the weakest part of the story (I read 20th CB, Pluto, Billy Bat and watched Monster). Don't get me wrong, it's not Tokyo Revengers or Jujutsu Kaisen level of bad or something, but still, I don't enjoy them as much, as previous parts of his stories. Old friend of mine who is the biggest Urasawafag I've ever met shares the same opinion.
I'm getting the feeling Asadora! is going to have the same problem. Urasawa's strength is really with episodic or short story style content. Anything longer, I feel he needs a co-writer to tighten things up. So many vignettes from Monster alone could be cut out, and sold as a solid thematic anthology of stand alone stories.I can understand having serialized series end very badly, that's one of the downsides of having serialized works cause you're making it up as you go along. I really like urasawa as well but I feel like he's capable of writing better endings. A lot of his setups are good but end up flat and I feel like people say his stories are deep and philosophical when they're really disposable. Some philosophy or poignant thing brought up one moment will end up not mattering 20 chapters later, very disposable storytelling in contrast to the themes building up towards the climax of the arc or the end of the story. Please don't tell me billy bat ends like this as well, I have high expectations for it since it's a time travel thing and deals with real world history.
I do understand your sentiment but I think the characters and their relations to each other were more the point of the series than the setting.sad part is frieren's worldbuilding wasn't even anything great or good
just average
99% of all Anime/Manga Thread Posters Stop Giving Null Anime Recommendations Right Before He Finally Watches An AnimeIf I could recommend ONE anime that I think Null would enjoy, it's Kaiji: Ultimate Survivor.
It's a shame that anime has such a bad reputation that he will never watch this but I think he would genuinely enjoy it. It's completely grounded in reality and the main character is not some superhero, he's literally a loser with a deadend job and a crippling gambling addiction who gets into so much debt that he's forced into increasingly dangerous games in order to try and pay off his debt.
1. There is no loli shit whatsoever.
2. There aren't even any major female characters, there is no degenerate sex shit at all.
3. The art style is very unique, it's very distinct from the usual uwu anime moe style.
The first 9 episodes are just Kaiji playing rock paper scissors for money against other gamblers and it's some of the most riveting drama I've ever watched, not kidding. The entire focus of the story is Kaiji trying to outsmart his opponents and avoid losing everything, you pity him for his stupidity and lack of self control but you also root for him since he's one of the only people in the show that has any kind of moral scruples at all. Kinda like a more sympathetic Bossmanjack.
You could easily watch it with a crunchyroll free trial.
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https://www.crunchyroll.com/series/G6GGV5WW6/kaiji