Secret Asshole
Expert in things that never, ever happened
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- Jan 18, 2017
Full Metal Alchemist is interesting because you get two views, one where the fucking anime goes batshit with an alternate WWII style plot and is just crazy and then you have the manga ending. I was never over the moon with FMA, but that's probably because I got into it late. I never really fell in love with it as a lot of people did.@Secret Asshole The best examples of where expanding the manga / diverging can go great and terrible is Full Metal Alchemist. 2005 anime is a great intro and really does make you like the cast more, however as it goes on it loses idea of where it's going and the cool ideas rot on the vine. Brotherhood has the manga ending and I don't hate the manga ending where Ed basically gives up a huge part of himself to bring back Al (who isn't dead, but more or less existing with Truth.)
Demon Slayer isn't bad, but it's nothing new or inventive. Pig Nigga is the only one who really gets development and his bullshit asspulls are entertaining. I feel like that's my main issue with asspulls, if they're entertaining and explained in a way that fits a character I likely will not care.
Demon Slayer has its asspulls too much 'in the moment', not really just finding your footing through training or experience. I don't know, but I contrast it with Black Clover (which is probably my favorite Shonen) and it seems the asspulls are a lot more inventive than 'oh shit, now i get this breathing technique', its using their already given powers/abilities in clever and creative ways. Or its just something hinted at previously (Black Clover foreshadowing is pretty fucking crazy, as a lot of the stuff is foreshadowed very early on and set-up well, which you don't see in Demon Slayer all that much) that gets its time in the sun. Though Black Clover fights are just fucking knock out and drag out and go on for a good long while. I guess its another reason I like it better, because its a long battle and its got a good back and forth.
I think the problem is that in Demon Slayer, the Demons are just fucking OP as shit, and there's no time to learn, analyze or do anything tactically. Its all revealed in the fight, and the cast is already typically going all out, but the demon isn't, so you've basically written yourself into a situation where either everyone fucking dies or you have to have an asspull. Though at first it was just powering through with sheer willpower and team-work, but when the demons get batshit abilities like instant kill poison or splitting into 4,000 different demons, what are you supposed to do?
Though I guess that's where its basic appeal comes from. There's not much set-up to read into, there's not much foreshadowing. Its all condensed right there in that fight. You can just pick it up at any spot and there's really not much background to get.
Its honestly the basic premise and carried by the animation. I mean, like if anime were candy, Demon Slayer is a Hershey Chocolate Bar. There's nothing wrong with it, but its extraordinarily basic. Add to that wide appeal with amazing animation and you've got something with legs. I mean, its the base incarnation of the genre with expensive animation (yes, paid for through tax evasion, lol ufotable).Demon slayer isn't my favorite series by far but I don't really buy that the animation budget (probably funded through tax evasion btw) is the sole reason why it took off. A main factor yes, but the only no.
The art in the manga is kind of shit, yet it somehow the sold over 150 million volumes in japan alone and iirc the final volume sold like 5-6 million in its first 4 weeks on sale (you can blame it on japs having shit taste depending on how you view the series).
Compared that with other recent WSJ manga that surged in popularity from successful anime
SxF is still growing but at a much slower rate
JJK slowed down a few months after the anime and movie aired and is selling a little over half of what it did at its peak
CSM sales fell of a cliff after part 1 in the manga and the small anime boost it got only made things worse
You can argue that a popular anime will make the manga popular as a result, but I can name a few older shows where the adaptation is so popular the original manga is all but forgotten. I'd argue lupin III is an example since it's rare to come across someone that has read monkey punch's original series and maybe some series like Conan and DB since while I know their manga are still popular, most of their relevance comes form their anime series and newest movies,
Also CSM is a bit of a different beast because when you swap out the main cast, you're going to crater. People wanted more of Denji/Control/Devil Hunter shit, and instead they end up with an autistic girl as a protagonist. It almost felt like a troll and it took a LONG time for part 2 of the manga to get going (IE: just continue what everyone wanted from part fucking one). I've dropped it at least 3 times, whereas I basically read CSM Part 1 all the way through until I caught up with publication and then read it monthly, and then read through it another time again.
I'm really honestly tired of creators getting a sequel and then swapping out the original cast because they're bored. It never fucking works. Its always fucking disappointing and they always go back to the original cast anyway. Which is what CSM Part 2 fucking did. Just fucking stop. Its even worse with CSM because a lot of other story shit was set up, but you have to slog through an entirely different story you're not even interested in to get there. Its not clever, its not fun. I get you've written these characters a lot and want something new, but you can do that without this dumb sleight of hand bullshit. And if you're that tired of writing them, maybe don't take the fucking check.
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