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Main difference is that the PS3 was still a japanese console with japanese games even if it was nowhere as amazing as what the PS1 and the PS2 managed to be. The PS5 is pretty much a console designed to be mainly for "western gaming" with all the related sensibilities approved by the californian rating board. The idea that every game has to be a global AAA blockbuster is also retarded.I really had a bad feeling the PS5 was going to be the PS3 part deux, but it's still sad to see it happening.
Switch for example filled the hole that was the Vita so now you see visual novels selling the most on the Nintendo system over the PS4 in Japan (such as the Quintuplets VN charting 20k on Switch versus 10k on PS4), and there are similar cases for multiplatform releases in general as of late.I worry about the impact it could have on the Japanese gaming scene, but it looks they've moved past Sony anyway and multiplat, Nintendo and PC will pick up the slack, whereas they had basically had all their eggs in one basket when it came to the PS3, so that's good.
Like I said, Japan has already jumped ship from Sony and now Nintendo is the main focus, the irony is even the PC has almost equal focus to Sony now and will probably have even more focus in the future, which once upon a time Japanese games on the PC were very rare (and I'm talking the IBM PC, not Japanese PCs like the MSX or FM Towns Marty or whatever)Main difference is that the PS3 was still a japanese console with japanese games even if it was nowhere as amazing as what the PS1 and the PS2 managed to be. The PS5 is pretty much a console designed to be mainly for "western gaming" with all the related sensibilities approved by the californian rating board. The idea that every game has to be a global AAA blockbuster is also retarded.
Switch is filling the hole not just for the Vita but also the 3DS.Switch for example filled the hole that was the Vita so now you see visual novels selling the most on the Nintendo system over the PS4 in Japan (such as the Quintuplets VN charting 20k on Switch versus 10k on PS4), and there are similar cases for multiplatform releases in general as of late.
No doubt a few japanese studios will continue to be stubborn and refuse to adapt themselves to the market, like Tamsoft making that Neptunia+SK crossover game on Playstation 4. Although in this particular case, I think what may have happened here is that game was greenlit alongside of Senran Kagura Se7en and with Takaki's insistence that the future of his games belonged on PS. You can see how well that turned out in the end.
I dunno what you're remembering but the biggest hits the PS3 had with japanese games was Demons' Souls and Dark Souls, good JRPgs like Tales of Xillia 1 and 2 didn't come out till the end. I've got every JRPG on the console released in North America. It's only the PS3 Tales of series that are desired really desired as for as collectors go.Main difference is that the PS3 was still a japanese console with japanese games even if it was nowhere as amazing as what the PS1 and the PS2 managed to be. The PS5 is pretty much a console designed to be mainly for "western gaming" with all the related sensibilities approved by the californian rating board. The idea that every game has to be a global AAA blockbuster is also retarded.
They're remaking The Last of Us? Already? Did TLoU2 underperform that they have to start over?I'm pretty sure they stated it was supposed to be a full on remake of TLOU, not a remaster. That shit is stupid. The fact that they have Bluepoint as a partner and are greenlighting a TLOU remake only brings light to how stupid they are being, wasting resources and losing talent by having on of their support studios and a main studio working on it instead of just handing it off to Bluepoint to do shitty work as they have almost always done.
The TV series is coming out, this is how they're going to get more people to want the non-existent PS5's.They're remaking The Last of Us? Already? Did TLoU2 underperform that they have to start over?
Playstation Home was full of furries and waiting in line at arcade machines. 5/10.You know what I just fucking remembered out of nowhere while out of it as hell right now? Playstation Home.
For those that have no clue what the fuck I'm talking about, Playstion home was essentially a weird glorified chatroom f2p game thing Sony made that also advertised other companies games via worlds you could go to, but there were cool built in minigames in some of the worlds, and sometimes shit like a replica of the cantina from star wars as the lucasarts world. No idea if there's any surviving footage of these worlds or pirated backups but there was a hudsonsoft one that had a bomberman game where it was literally just bomberman multiplayer with your weird player avatar as the character instead of bomberman. People would probably still be exploring that weird little game if it wasn't killed when the ps4 came out.
The game also had dlc and micro-transactions which is like a double burn of sorts now that the things just no longer accessible. Some of the shit was like 100 fucking dollars. As in, Sony was charging 100 dollars for some fucking DLC for a game they killed off when the next console came. No refunds.
Such dark fucking days for the Japanese gaming scene, it was a nightmare living through that.I dunno what you're remembering but the biggest hits the PS3 had with japanese games was Demons' Souls and Dark Souls, good JRPgs like Tales of Xillia 1 and 2 didn't come out till the end. I've got every JRPG on the console released in North America. It's only the PS3 Tales of series that are desired really desired as for as collectors go.
You had liquid ass like the 3 PS3 Final Fantasy 13 games, even worse liquid ass like the three Hyper Dimension Neptunia games, and shitfuck load of garbage like Eternal Sonata, Disgaea 3 which was bad, Star Ocean which was also bad, White Knight Chronicles which was about as fun as jamming nails under your scrotum. Nier and Tokyo Jungle were the only stand out titles for a long long ass time.
I’m glad to hear it honestly provided they stay close to the original game and don’t retroactively Wokeafy it with story retcons or whatever.They're remastering The Last of Us? Already? Did TLoU2 underperform that they have to start over?
They're making their first party titles their primary draw like Nintendo. Any weak series get cut down and vaulted just like Nintendo.I am not understanding the rundown with Sony's exclusives and The Last of Us I'm hearing.
Are they abandoning other franchises like Days Gone to focus on The Last of Us? Somebody explain or link.
I think at this point we're going to get to take our pick of TLOU1 and 2 continuities. Like how you get to pick between Anime, manga, and Light Novel continuities.As incredible as it is to think about, TLOU is almost a decade old and looks like it, a remaster ten years later isn't too absurd an idea.
But like I said I hope they don't retcon it to make it Woke and make 2 look better or fuck it up in some other weird way like what they did to Peter Parker's face in Spider-Man, but they probably will, I'm just saying as a basic idea it's sound.
I do think TLOU is a great game and it's message of how when the chips are down life is more about survival than right and wrong and how just because a group says they are the "good guys" doesn't actually make them the good guys is more relevant in now than in 2013.
But that's a message they're probably going to purposely water down now in this wild, Woke world.
What's funny is there's similarities to Bioshock Infinite, also came out in 2013, also about a Troy Baker voiced character protecting a girl from shifting alliance bad guys, I remember seeing a Woke person online back in 2016 or so talk about how dated those "both sides" narratives are now in a world post Trump, lol.
Ten years this far into the development of games isn't as large as the gap would've been before the late x360/ps3 era. The point of a remaster becomes less and less as you go forward in the console generations.As incredible as it is to think about, TLOU is almost a decade old and looks like it, a remaster ten years later isn't too absurd an idea.
The one thing you can say about the games coming to the PS5 is at least they're of quality.
Maybe the modern game industry shouldn't give me reasons to focus on japanese games for the most part thenif you're just buying games because you think them being Japanese makes them superior in some form, holy hell are you wrong.
Heh, that's a good way to put it.I think at this point we're going to get to take our pick of TLOU1 and 2 continuities. Like how you get to pick between Anime, manga, and Light Novel continuities.
It's not a HUGE gap, but there is a gap, go back and actually look at the original game, memory can fool you and make you think a game looks better than it really does, that happened to me with Tomb Raider 2013, remembered it looking amazing on PC at the time, replayed it 5 years later in 2018 and was quite surprised at how dated it now looked, the gap between it and it's sequel, Rise of The Tomb Raider, is huge, even though Rise came out just under 3 years later and only 1 generation leap ahead (now granted, I was playing that on PC as well, can't speak about the console versions)Ten years this far into the development of games isn't as large as the gap would've been before the late x360/ps3 era. The point of a remaster becomes less and less as you go forward in the console generations.
I'd argue that the Playstation 5 is more like PS3 part 3. The only reason PS4 is seen as a return to form is the massive headstart that Microsoft gifted them with their early xbone PR blunders.I really had a bad feeling the PS5 was going to be the PS3 part deux, but it's still sad to see it happening.
I worry about the impact it could have on the Japanese gaming scene, but it looks they've moved past Sony anyway and multiplat, Nintendo and PC will pick up the slack, whereas they had basically had all their eggs in one basket when it came to the PS3, so that's good.
You're not entirely wrong, I went 4 whole years without touching my PS4 until enough exclusives had built up that I was able to marathon them and even then it only took me less than 6 months to play catch up (not saying I played every single exclusive or even Sony first party exclusive, just the main ones that caught my interest)I'd argue that the Playstation 5 is more like PS3 part 3. The only reason PS4 is seen as a return to form is the massive headstart that Microsoft gifted them with their early xbone PR blunders.
Sony charging for PS4's online multiplayer went completely ignored because of Microsoft's massive fuck up. Only a few people back then were pointing out that the market and journalists were basically applauding Sony taking a step backward simply because they were less shit.
The PS4 was also completely dry of exclusive content for an ungodly amount if time. This same lack of exclusive content at launch is something we've seen for 3 generations in a row since PS3.
If Microsoft didn't fuck up so badly, people would have scrutinized the paid multiplayer, noticed the lack of exclusives on the PS4 and everybody would have recognized the the Sony and Microsoft platforms were virtually identical much sooner.
Sony has been embracing shittiness with the PlayStation platform for almost 20 years now.
That and the PS4 was the dominant console of that generation. It doesn't help that PS3 online was shit. You could argue that their infrastructure improved since incorporating that fee.Sony charging for PS4's online multiplayer went completely ignored because of Microsoft's massive fuck up. Only a few people back then were pointing out that the market and journalists were basically applauding Sony taking a step backward simply because they were less shit.