- Joined
- May 7, 2014
He shows a high degree of commitment. He's been making monthly issues of his comic for years, as well as updating his website with detailed plot summaries and references for pretty much all of his puns.
I'm not to sure he's actually drawn out all those comics. I'm sure that he's written them, but I'm positive that he is several months behind getting them drawn. I can't remember where I read it, but in a blog post he was talking about working on 3 issues simultaneously, issues that if you looked else where on his site had supposedly come out months prior. He was also talking once about getting behind and how 2 to 3 issues needed to come out in a certain month to stay on track. I think there's a reason we only see 3 - 5 pages of the comic from recent years, yet we can see completed issues for the first 2 years of the comics "publication." I'm pretty sure that what we can see is all that he has finished.
His biggest problem is that he has no sense of timing in comic form. I don't think he's read enough comics to develop and internalize it into his drawings. I find "Sonichu" easier to read than Sweet's comic work. He could really benefit from reading a few more comics as well as "Understanding Comics" but I think he refused someone's offer to get him a copy of it earlier in the thread. None of his jokes ever land because he doesn't know how to tell them. It's a simple failure of story telling that he can't grasp and will refuse to entertain. His line work, while scratchy, sometimes can reach acceptable levels, but it cannot overcome his inability to tell a comic story and get across what he wants. This is because he'll never study how to truly make a comic page work.
The second problem in his comics is that it doesn't draw the eye from panel to panel so that you have figure out what order to read the speech bubbles in. More than the scratchy and cluttered art and horrid coloring, this is what makes his comics unreadable for me. If from panel to panel I need to do a guessing game, I'm just going to get frustrated and give up. (Note: this isn't just a problem with Sweet, this ran rampant in early '90s comics from Image. They got by on their art, and art alone in the early days.)
In the end, I really think that Sweet would rather be an animator, or rather, one that makes a few rough story boards to go with an overly detailed story he has written and then tells his team to make it work. He makes comics, but still sees them as a low form of art, so he never saw why we were telling him that there is a wrong way to draw them.
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