I watched Unwelcome from the guy that did Grabbers (2012) and it was a complete pile of shit. I mean it's seriously hard to believe that the same guy wrote those same movies, and it's an extremely depressing illustration of what has happened to films, especially horror, but really any genre in the past 10 years. Grabbers was fun, with a very likeable cast, some tropey but well done 'scares' and a super satisfying ending. Unwelcome was exactly the opposite of that.
It's set up as Straw Dogs meets Gremlins, which, I guess, technically it is. The couple is extremely unlikeable from the off, the chick I guess isn't really supposed to be, but she just is (it's the annoying charisma vortex from Ant-man 2), and the guy is a craven little faggot who can't even get up and brain a guy who is about to literally murder his pregnant wife. Ok, fair enough, he's English, so fine, but the whole fucking entire point of Straw Dogs is that the guy eventually gets mad enough to fight back. But this guy just keeps on getting more and more cowardly, until WELL past the time you give any kind of shit about him at all, I mean he seems like a joke or a pastiche more than a character by about the mid-point of the movie. And when he finally does find his manhood or whatever it's played off in a little joke (which, all right, granted, I did chuckle, because by that point his redemption was utterly impossible).
The gremlins part is they have redcaps around the house the guy inherits, and I guess they can either be protectors or nightmares depending on how you treat them. But instead of making the chick like lovingly or mystically taking care of them and growing close to them, she is browbeaten into feeding them ONCE by the friend of the old lady that used to live there. She doesn't earn their protection at all. It's just really shitty typical modern writing.
I guess the one good thing is there's never a really girlboss moment where she saves the day or whatever. She'd have to have agency for that, so no, shit just happens. She stops some fights by calming people down, I guess, is the most she ever does.
Hodor is in it. The fat, but not the fat one, chick from Derry Girls is in it. And it's ANOTHER in the long line of movies that (to me) laughably tries to make Colm Meaney into a convincing tough guy. Sorry, British film industry, I'M STILL NOT FUCKING BUYING IT. Although in this one it's almost believable because the people he's picking on are so fucking pathetic, and he wants to be called "Daddy."
They do forced perspective with the redcaps, so they actually look pretty good for the 5 minutes they're in it. There's a tiny bit of gore, but nothing interesting, funny, or original.
Just a really disappointing piece of shit from the guy that did Grabbers. I haven't seen Robot Overlords or Tormented, but based on this, unless someone tells me otherwise, I'm just going to assume Grabbers was a one-off; a film that turned out good in spite of the people making it.
Sperging: If anyone sees this, is there ANY plausible reason why the baby the redcaps stole wound up looking like 100? I guess magic or some shit? But if she was stolen as a baby something like 30-40 years before the movie starts, shouldn't she be, you know, 30-40 years old? Anyway, pinnacle of modern story telling, how the main chick is totes fine killing an innocent woman who was kidnapped by elves as a baby and kept isolated, but can't bring herself to even injure murderous thugs who break into her house and try and kill her. Who is the villain again?