🐱 Why aren’t we talking about Cardcaptor Sakura?

  • 🏰 The Fediverse is up. If you know, you know.
  • Want to keep track of this thread?
    Accounts can bookmark posts, watch threads for updates, and jump back to where you stopped reading.
    Create account
CatParty


In a macho-centric world that releases countless high-octane shōnen animes every season, one would think that a show about a magical girl with a pink staff is just a Sunday morning kid’s show. In classic weeb fashion, it’s just too “kawaii.”

But don’t be fooled by its cute exterior and ruffled costumes. The universe of Cardcaptor Sakura is more than that—it’s a fun Magical Girl adventure that’s got lots of heart, a strong set of characters, and an amazing soundtrack. From Clow Cards to costumes and characters that turn beet red because of their crushes, Cardcaptor Sakura is a hell of an iconic show. Not to forget: the show is also very much inclusive.

Running for three seasons with a total of 70 episodes (excluding 2017’s Clear Card Arc) and two movies, the show follows wand-wielding heroine, Sakura Kinomoto, through her journey in retrieving the mystical Clow Cards to prevent a calamity that might break the world. Never one to go out without her trusty rollerblades, she takes on each of the cards’ challenges to “return them to their true form.” She is accompanied by some lovable characters in the form of her best friend Tomoyo, rival-turned-love interest Syaoran, and the guardian of the Clow Cards slash show’s mascot Kero.

Like its cards, the show has an apparent cuteness—but do not be fooled. Other things make Cardcaptor Sakura such a timeless show. It (and the whole magical girl genre) empowers not just girls, but also the queer. It shows that they are not weak, and erases the notion of them needing help all the time. They can be and are as powerful, and as amazing as the male heroes that dominate the vast world of anime. It does all these without letting go of its feminine aspect. More important, it massively helped people in expressing their true selves. Nothing like a mahou shoujo to save the day, and instill in its watchers that there is nothing wrong with who they are.

Aside from the obvious nostalgia-fuel, it never shied away from breaking gender stereotypes, which helped establish itself as an all-around LGBTQ+ icon for the young and old.
Love knows no boundaries in this CLAMP gem (save for that weird teacher-student relationship). Aside from the obvious nostalgia-fuel, it never shied away from breaking gender stereotypes, which helped establish itself as an all-around LGBTQ+ icon for the young and old. Nostalgia is what made people come back to this show time and again, but inclusivity and representation are what gave it special significance.

Aside from the show being ahead of its time, it sure can bring back its viewers, old and new, to a time when playing outside and getting bruises were part of daily life. A time so simple you wished you were young again, getting excited over Sakura and Syaoran blushing because of the lovely Yukito and, eventually, because of each other.


For a lot of ’90s kids, Cardcaptor Sakura was the introduction to the Magical Girl genre, and to anime in general. There were some alternating between wanting to be Sakura and wanting to be friends with her and Tomoyo. A remarkable volume of people also found themselves rooting for Touya (Sakura’s older brother) and Yukito’s discreet yet unconcealed love for each other.

Tons of future cosplayers and ordinary fans loved Sakura’s everchanging closet of costumes—a game-changing feat considering that most anime characters only wear the same outfit throughout the whole series. And for some, it was just a huge part of their lives growing up.

Much like Yu-Gi-Oh! and the myriad card games out there, it was the cards that drew some people in. The collecting of such, to say the least, was exciting, albeit having only less than a hundred—19 in the manga, and 53 in the anime. Having those was like keeping a fond memory of an old friend. Meanwhile, it was the music for the others. “Tobira wo Akete” is that warm feeling in song-form, and it’s impossible not to join in on the chorus when “it’s alright daijoubu daijoubu daijoubu” kicks in. Meanwhile, “Catch Me, Catch You” is just a perpetual bop.

Differences aside, Cardcaptor Sakura is as iconic and enduring as Cowboy Bebop and Akira. A devilish curiosity sometimes lingers as to why it isn’t talked about as much as those two are.

Warm, nostalgic, and progressive, Cardcaptor Sakura’s magic cuts across generations—and she does it in style.
 
Why do all modern articles read like this?

Here is my essay about The Grapes of Wrath. In this essay, I will talk about the hardships everyone faced. The dust bowl made everyone go to California to pick oranges. The characters were very sad. In conclusion, I think it was a good book that made me think.

Journalists write like sixth graders. "Cardcaptor Sakura is empowering. It has cool outfits! It has representation". Yes, I noticed you distinctly didn't say anything about it being.....a good show.
 
Journalists write like sixth graders. "Cardcaptor Sakura is empowering. It has cool outfits! It has representation". Yes, I noticed you distinctly didn't say anything about it being.....a good show.
Because that isn't an important fact, or they're implying it I guess.
 
Why do all modern articles read like this?

Here is my essay about The Grapes of Wrath. In this essay, I will talk about the hardships everyone faced. The dust bowl made everyone go to California to pick oranges. The characters were very sad. In conclusion, I think it was a good book that made me think.

Journalists write like sixth graders. "Cardcaptor Sakura is empowering. It has cool outfits! It has representation". Yes, I noticed you distinctly didn't say anything about it being.....a good show.
Its not a merit based industry.
 
I've heard of Magical Princess Milky Momo, never watched it but it sounds like it was entirely her taking on different civilian roles without actually requiring fighting?
Minky Momo had the same attire as a girl, but she used her magic to solve problems as an adult so she had different outfits and styles depending on the situation.

images (21).jpg
 
In a macho-centric world that releases countless high-octane shōnen animes every season
There's so many romcoms out nowadays that it's just plain ridiculous and at least two magical girl shows are going on at any season.

People never stopped talking about CCS anyway, its one of the series people bring up when jerking off about how anime is never good anymore, which is most anime discussion on any site, including this one.
 
But... But people do talk about Cardcaptor Sakura, it was incredibly popular when it first came over to the States and is known for being a more 'girly' piece that still has a lot of appeal to people interested in more shonen stories.

What the author means is that people don't talk about Cardcaptor Sakura out of love for misanthropic transgressive ideology.
It wasn't THAT popular.

Cardcaptor Sakura was like Saint Seiya in that it was so horribly butcherer for US that it killed it's ability to get big in the US AND led to a rights issue kerfluffal where they had to rush out a subbed release on home video to salvage the release/make their money back.

The butchered dub (which cut out entire plotlines and characters to make it more male friendly) was a disaster and was akin to the One Piece debacle we got with 4Kids. Except that unlike One Piece, the flopping was so bad that it killed the franchise in the US dead ala Saint Seiya's dub Knights of the Zodiac.

This article is fucking trash. It's just DAE CCS GAY?

Also, why do they diss the 4th grade x teacher romance, but not the multiple lines of incest?

I bet their faggot ass didn't even watch the show.

Also the gay guy who isn't the brother will literally die/stop existing if he doesn't bond or whatever gay allegory they use to the brother. It was supposed to be to Sakura. Poor gorl got cucked out of her sparkle boyfriend and is stuck with a chinaboy.
Is this article by the same person who did a recent article ranting and ranting about Revolutionary Girl Utena's queerness and shit that got posed here a month ago?
 
Last edited:
I think there have been other magical girl shows that featured different outfits, but those were typically civilian costumes while battle still reverted to the same few outfits. I can't think of it being done in the same way as CCS.

I think Cutie Honey used different costumes regularly, but did always revert to her battle outfit when things got physical.

I've heard of Magical Princess Milky Momo, never watched it but it sounds like it was entirely her taking on different civilian roles without actually requiring fighting?

Magical Witch Punie-chan was odd, she like Sakura only ever transformed her necklace-wand, but she didn't have a friend who could sew, so she effectively did everything in her normal clothes. Unfortunately she always wore the same outfit so that didn't give us any eye candy, it's just that she was not magically forced into the same outfit every day. (I think she had a proper battle outfit too but only used it in a flashback).


Basically the meme about how you need the biggest brain to understand Rick and Morty.

I didn't start the series the same reason I never started Bleach or Naruto - too much "stuff" had already been put out and I didn't want to start in the middle, so the cost of catching up was too high. I don't want to do that much research just to enjoy one series.

Then one day I cane across the wiki and uhm... Yeah I'm thinking you actually need to have your brain turned on to enjoy that. Can't just casually skim it or else you'll get lost.
I will give TRC credit for not having the entire middle third of the manga feel like filler because they finished one major arc but then didn’t know how to close it the way Bleach and Naruto both do.
That said, I also don’t remember if I ever actually finished TRC because it did have a similar level of bullshit reveals to some of the worst stuff in Bleach.

TRC also has the stupid crossover aspect with the other series whose name I forget where they expect you to keep up with both series to get everything.

also, Pretear had the different outfits. Crappy show, though.
 
I mean do we need to? I thought people talked about it a ton. There's not really more to talk about
 
This newfag wants us to talk about Card Captor Sakura, a popular manga from the '90s, in 2021? What new grounds can we cover in our discussion?
Since when /a/ OPs are allowed as article titles?

Okay, I have my answer. Lurk moar, watch/read moar and stop embarrassing yourself, newfriend.
 
Last edited:
isn't Cardcaptor Sakura pretty notably relevant? It's just not big in the USA because they kinda fucked it up and strangled it in the adaptation womb faster than you can say "One Piece 4Kids Rap".

I mean, I don't read shojo manga at all and even I've heard of Cardcaptor Sakura and the CLAMP mangaka/studio/whatever you call it.


Hell, magical girl anime is a massive genre comparable to tokusatsu, isn't it? You could feasibly shill Sailor Moon or Precure to an audience in the west, but the entire problem is that Magical Girl anime/manga as a genre has been kinda co-opted by a certain audience in the West.

By uh, troons and nutjobs.

I don't think you'd be able to give a straightforward magical girl show in America these days without it getting tainted by all sorts of weird shit. You'd probably hear the dubbed scripts break into rants on trans rights.
 
Why aren’t more folks talking about Tsubasa Chronicles instead? That combined a lot of CLAMP works.
Because the majority of it was never adapted from the manga and most of these journalists are not even capable of the literary understanding to read those. And their target audience needs pretty images from the anime to watch, the immobile manga ones are too confusing.
 
It wasn't THAT popular.

Cardcaptor Sakura was like Saint Seiya in that it was so horribly butcherer for US that it killed it's ability to get big in the US AND led to a rights issue kerfluffal where they had to rush out a subbed release on home video to salvage the release/make their money back.

The butchered dub (which cut out entire plotlines and characters to make it more male friendly) was a disaster and was akin to the One Piece debacle we got with 4Kids. Except that unlike One Piece, the flopping was so bad that it killed the franchise in the US dead ala Saint Seiya's dub Knights of the Zodiac.
Maybe I read the manga then, because I don't remember this. I probably was too young to ascertain the quality of the dub when it was first on, I only really went through it properly later, as a faggy weeb teen.

Either way, by now there's no arguing that CCS isn't a canon property for that genre by the standards of current fandom. There's plenty of talk about it, the only thing missing from the conversation is what this mushmouth urinalist wants to hear.
 
Last edited:
The only time I talk about it is with other south americans whenever it comes up and we share a laugh over how we enjoyed a girly anime.
Of course the coom brained american only mentions it because of muh gays which, as usual, is total nonsensical. All I remember about relationships in the show was sakura having a crush on her brother's friend and the chinese guy having a crush on sakura or something.
 
Back
Top Bottom