🐱 Why aren’t we talking about Cardcaptor Sakura?

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In a macho-centric world that releases countless high-octane shōnen animes every season, one would think that a show about a magical girl with a pink staff is just a Sunday morning kid’s show. In classic weeb fashion, it’s just too “kawaii.”

But don’t be fooled by its cute exterior and ruffled costumes. The universe of Cardcaptor Sakura is more than that—it’s a fun Magical Girl adventure that’s got lots of heart, a strong set of characters, and an amazing soundtrack. From Clow Cards to costumes and characters that turn beet red because of their crushes, Cardcaptor Sakura is a hell of an iconic show. Not to forget: the show is also very much inclusive.

Running for three seasons with a total of 70 episodes (excluding 2017’s Clear Card Arc) and two movies, the show follows wand-wielding heroine, Sakura Kinomoto, through her journey in retrieving the mystical Clow Cards to prevent a calamity that might break the world. Never one to go out without her trusty rollerblades, she takes on each of the cards’ challenges to “return them to their true form.” She is accompanied by some lovable characters in the form of her best friend Tomoyo, rival-turned-love interest Syaoran, and the guardian of the Clow Cards slash show’s mascot Kero.

Like its cards, the show has an apparent cuteness—but do not be fooled. Other things make Cardcaptor Sakura such a timeless show. It (and the whole magical girl genre) empowers not just girls, but also the queer. It shows that they are not weak, and erases the notion of them needing help all the time. They can be and are as powerful, and as amazing as the male heroes that dominate the vast world of anime. It does all these without letting go of its feminine aspect. More important, it massively helped people in expressing their true selves. Nothing like a mahou shoujo to save the day, and instill in its watchers that there is nothing wrong with who they are.

Aside from the obvious nostalgia-fuel, it never shied away from breaking gender stereotypes, which helped establish itself as an all-around LGBTQ+ icon for the young and old.
Love knows no boundaries in this CLAMP gem (save for that weird teacher-student relationship). Aside from the obvious nostalgia-fuel, it never shied away from breaking gender stereotypes, which helped establish itself as an all-around LGBTQ+ icon for the young and old. Nostalgia is what made people come back to this show time and again, but inclusivity and representation are what gave it special significance.

Aside from the show being ahead of its time, it sure can bring back its viewers, old and new, to a time when playing outside and getting bruises were part of daily life. A time so simple you wished you were young again, getting excited over Sakura and Syaoran blushing because of the lovely Yukito and, eventually, because of each other.


For a lot of ’90s kids, Cardcaptor Sakura was the introduction to the Magical Girl genre, and to anime in general. There were some alternating between wanting to be Sakura and wanting to be friends with her and Tomoyo. A remarkable volume of people also found themselves rooting for Touya (Sakura’s older brother) and Yukito’s discreet yet unconcealed love for each other.

Tons of future cosplayers and ordinary fans loved Sakura’s everchanging closet of costumes—a game-changing feat considering that most anime characters only wear the same outfit throughout the whole series. And for some, it was just a huge part of their lives growing up.

Much like Yu-Gi-Oh! and the myriad card games out there, it was the cards that drew some people in. The collecting of such, to say the least, was exciting, albeit having only less than a hundred—19 in the manga, and 53 in the anime. Having those was like keeping a fond memory of an old friend. Meanwhile, it was the music for the others. “Tobira wo Akete” is that warm feeling in song-form, and it’s impossible not to join in on the chorus when “it’s alright daijoubu daijoubu daijoubu” kicks in. Meanwhile, “Catch Me, Catch You” is just a perpetual bop.

Differences aside, Cardcaptor Sakura is as iconic and enduring as Cowboy Bebop and Akira. A devilish curiosity sometimes lingers as to why it isn’t talked about as much as those two are.

Warm, nostalgic, and progressive, Cardcaptor Sakura’s magic cuts across generations—and she does it in style.
 
maybe because the anime is almost 25 years old and not good enough to be a real classic. also woman dont care about classics, they want the new hot shit and dont care about stuff made 20 years ago.


It's a different type of anime for a different demographic than Shonen. Why is this an article?
Well the demographics arent so different. one is 10 year old boys and the other 10 year old girls.
Shonen is super stupid....
 
Cardcaptor Sakura is a hell of an iconic show. Not to forget: the show is also very much inclusive.

No, fuck off with this shit. It's just a cute girls' show about a little girl with magical powers undoing what she had done to keep her happy world happy and maintaining her relationships along the way. I don't care that it has a canonical gay couple, the characters are endearing enough that it doesn't fucking matter who they're going to hop in the sack with at a later given date. (The age gaps with some of the couplings are creepy, though, even with one of those couplings being of literal magical beings. But the author can ignore those ones because they're hetero and that's gross, apparently.)

Just keep Cardcaptor Sakura pure is all I'm asking. Stop raping my childhood like this.
 
Because the only people who watched it were anime nerds so desperate for any anime they would watch whatever they could get their hands on. Also it's been 20 years.

It wasn't that good. Just generic cute girl anime cliche stuff. Nothing ground breaking.
 
It was alright. I've this weird idea that they might have done some sequel stuff or maybe another movie recently which might be part of why this was written aside from the author clearly needing to be kept away from children.
 
And now I have the theme song stuck in my head. Great.

I completed the original series a few months back and I thought it was ok. It does it's job and then you move on, like any other kids show. To say that it deserves to be talked about all these years later because of anything past nostalgia or cute bullshit is just wishful thinking. Just fucking leave shit in the past and create something new if you're so concern about da gæs.
 
"Remember (insert pop culture property from the 80s or 90s here)? here's how it does and doesn't fit into contemporary idpol" The repetition is just mind-numbing at this point
 
Alot of people talk about Cardcaptor. Mostly because it came on toonami a long time ago and its kinda nostalgic.

People didnt talk about it with you because you'd ruin it with gay shit. And lo and behold....
The article is from the Philippines, they had a different Toonami.

Anyways, my best "talking about Cardcaptor Sakura" memory is when Something Awful's anime and comic book subforums tried to have some crossover. The first attempt was someone from ADTWR foolishly making a thread about CCS in BSS and being relentlessly mocked as a pedophile over multiple pages. There was no second attempt.
 
  1. CCS is not current season anymore
  2. New CCS is some shounen bitch who will go "Huh, all my friends vanished. Well let's not think about that too hard and instead go on an adventure and capture new friends!". Contrast that to her nearly killing herself trying to transform all the cards in time when Clow Reed's magic ran out.
  3. The romance is creepy basically everyone important is related to Clow Reed so it's all incest except Nadeshiko x Fujitaka and Rika x Terada
E: oh and I think there was a non-incest couple of students, the boy who tells tall tales and the girl who keeps him under control. But they're so peripheral I don't even remember their names.

God forbid some things cater more to boys and some things cater more to girls.
Remember the localization started at Episode 8 because they had shounenize it to localize it.

Some things are just better off when they're allowed to be what they are, naturally.
 
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How I envision @Syaoran Li reacting to this article after reading it:

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By law, any fandom should be permitted to summarily execute johnny-come-latleys who act like a 20 year old thing that waspopular in its time was just recently "discovered."
 
I liked this show as a kid but even if I didn't, the person that wrote this should take a deep breath and touch grass.

It was a kid's show from the late 90's and aside from the occasional nostalgia bait like merchandising, hasn't been relevant in a very long time. There's no hidden meaning or allegory.

Part of me wonder just how badly wokesters feel like they have to go out of the way to tie what they enjoy into their political views to the point of autistic mental gynmastics.

The other part of me wonders if the clickbait mill journalists are just trying to crank these kinds of articles out to reach some kind of quota to get their paycheck.
 
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By law, any fandom should be permitted to summarily execute johnny-come-latleys who act like a 20 year old thing that waspopular in its time was just recently "discovered."
I'm pretty sure everyone who does this is a fujo.

...even if they're not all fujos, we should make a law that permits the indefinite swirly-ing of avowed fujos, anyways.

I show no love to fujo thugs.
 
I'm pretty sure everyone who does this is a fujo.

...even if they're not all fujos, we should make a law that permits the indefinite swirly-ing of avowed fujos, anyways.

I show no love to fujo thugs.
Summary execution Commisar style is the only way. These are serious problems that require serious solutions. Swirling take too much time, energy, and they're still alive afterwards.

This is a joke, by the way. I know I need to spell that out to the glownigger fujoshis among us.
 
Why aren't we? fuck you that's why.

Differences aside, Cardcaptor Sakura is as iconic and enduring as Cowboy Bebop and Akira.
Comparing iconic shonen to iconic shojo like they're the same things. Tell me you only enjoy anime for gay fap material without telling me. 🚬

Because it, more than any other anime from the 90s, was a kids show. The characters in CCS were very young, like 11 or 12. The main character might be iconic but her outfit lacks any form of sex appeal, so it never developed a strong cosplay following, which is what female centric shows require to maintain a long standing fanbase after the show ends. The card collection aspect has a lot of overlap with Pokemon, and Pokemon captured more interest.
You're telling me you've never seen this outfit in passing before??
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The few anime cons I've been to always had two or more of these spotted.

Sakura was the first (and still only I think) magical girl who didn't wear the same tacky battle costume every time shit happened. All she needed was her bird wand, her cards, Kero's (annoying) guidance and her best friend supplying the costume. I'd argue that added to her appeal, not subtracted. If anything all of those relationships and crushes with HUGE age gapped characters could have done that.
 
Why aren’t more folks talking about Tsubasa Chronicles instead? That combined a lot of CLAMP works. Well I hope this writer doesn’t look deeper into that since:

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https://youtube.com/watch?v=VealsOAvceI
https://youtube.com/watch?v=4X2ITToyjHc
Or the journalist will just say “oh that means she’s bi” or something
Didn't that dude end up being a gay vampire anyways?
Just keep Cardcaptor Sakura pure is all I'm asking. Stop raping my childhood like this.
Should have picked a better hill to die on than a CLAMP work. Their stuff is baked in this kinda faggotry.
 
Sakura was the first (and still only I think) magical girl who didn't wear the same tacky battle costume every time shit happened.
I think there have been other magical girl shows that featured different outfits, but those were typically civilian costumes while battle still reverted to the same few outfits. I can't think of it being done in the same way as CCS.

I think Cutie Honey used different costumes regularly, but did always revert to her battle outfit when things got physical.

I've heard of Magical Princess Milky Momo, never watched it but it sounds like it was entirely her taking on different civilian roles without actually requiring fighting?

Magical Witch Punie-chan was odd, she like Sakura only ever transformed her necklace-wand, but she didn't have a friend who could sew, so she effectively did everything in her normal clothes. Unfortunately she always wore the same outfit so that didn't give us any eye candy, it's just that she was not magically forced into the same outfit every day. (I think she had a proper battle outfit too but only used it in a flashback).

Why aren’t more folks talking about Tsubasa Chronicles instead? That combined a lot of CLAMP works.
Basically the meme about how you need the biggest brain to understand Rick and Morty.

I didn't start the series the same reason I never started Bleach or Naruto - too much "stuff" had already been put out and I didn't want to start in the middle, so the cost of catching up was too high. I don't want to do that much research just to enjoy one series.

Then one day I cane across the wiki and uhm... Yeah I'm thinking you actually need to have your brain turned on to enjoy that. Can't just casually skim it or else you'll get lost.
 
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