TheMysteriousMrEnter

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Optimus Prime said:
But if he really wants cartoons to tear apart? Blitz Wolf, Bugs Bunny Nips the Nips, and basically every old Speedy Gonzales cartoon ever. The latter is of special note because, while Speedy himself is potentially the result of inspiration via a joke about Mexicans having poor snu-snu stamina (and he's "good friends" with literally every sister of every mouse in every time he has to go save their asses), he's not nearly as offensive as the actual common mice who are always seen as being lazy, can't-fend-for-themselves beggars. There's a reason why Speedy is the fastest mouse in Mexico these days - he's now the only mouse in Mexico.
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Speedy Gonzales is actually very popular in Latin America, and they were furious when Speedy Gonzales cartoons were taken off Cartoon Network because of the crybaby bitching of a bunch of white SJWs. LULAC, a Latin American rights group, actually lobbied on Speedy's behalf.
 
I made a sidebar for our friend MrEnter, which sports an incredible brown paint job. Any additions to it would be welcome.

Also, the idea of the Atrocity Notebook is a cool one, but holy fuck did he botch that one.
 
Steamboat I tried, but there are all blocked. So it must be graphic

I bet Enter would hate classic cartoons sorely because how "un PC some of them are. He doesn't like slapstick, suicide gags, or stereotypes so he wouldn't like many of them.
 
Teddy said:
Steamboat I tried, but there are all blocked. So it must be graphic

I bet Enter would hate classic cartoons sorely because how "un PC some of them are. He doesn't like slapstick, suicide gags, or stereotypes so he wouldn't like many of them.
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And the hypocritical thing is that the characters in Growing Around usually have one trait and nothing else defines them!
 
Growing_around_family_redesign.png
I've always found it quite intriguing how even when Growing Around attempts to be original, it still finds ways to almost or outright copy other peoples' works. Case in point: Little Timmy bears quite an interesting resemblance to a character from a rather popular webcomic.
 
NZDROW said:
Growing_around_family_redesign.png
I've always found it quite intriguing how even when Growing Around attempts to be original, it still finds ways to almost or outright copy other peoples' works. Case in point: Little Timmy bears quite an interesting resemblance to a character from a rather popular webcomic.
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And by "interesting" resemblance you mean barely any at all?
 
Nayolfa said:
I would love to hear why. Please inform me.
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Well let's see.
Similar color pallete, similar age, similar outfit, to name a few. I mean shit, even the hair style has a distinctly John-Egbert vibe to it. Also, a sign that your character looks way too much like another is when the first thing I can think of upon seeing their design is "Hey, this reminds me an awful lot of John Egbert!"
 
NZDROW said:
Well let's see.
Similar color pallete, similar age, similar outfit, to name a few. I mean shit, even the hair style has a distinctly John-Egbert vibe to it. Also, a sign that your character looks way too much like another is when the first thing I can think of upon seeing their design is "Hey, this reminds me an awful lot of John Egbert!"
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From what I've seen Johns color pallete it resembles nothing towards the ocean pallete I used for Timmy's color scheme. Being a shade of blue doesn't necessarily mean it's the same color pallete. Also Timmy and John's outfits are pretty standard so they of course would look similar. But hey, if you think they look similar that's alright.

geekboy400 said:
speaking of which dude why didn't you respond when we all welcomed you back earlier in the thread
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The only greeting I recall was "Why are you back here?". But if you guys did greet me, I'm sorry I did not reply.
 
Dear Nayofla,

You have talent that you could use to actually make a living, but instead you chose to work with Mr. Enter a braindead hack with no original ideas. I hope you would finally realize how fucking stupid Mr. Enter's scripts are because no matter how good your art is, no production company would look at those scripts with anything other than pure, unbridled boredom.
 
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