The Amazing Digital Circus - Western Isekai that probably will become Hazbin Hotel killer

  • Want to keep track of this thread?
    Accounts can bookmark posts, watch threads for updates, and jump back to where you stopped reading.
    Create account
As someone who's been following The Amazing Digital Circus as a "guilty pleasure" and observer of fandom drama, these leaks are nothing short of a godsend for such things as trolling, as well as proving yet again that Tumblrites and those downstream of Tumblr cannot write for shit.
 
Those shows all had an episodic structure with an overarching narrative, "deep" lore that fans could speculate on
These things were standard for a lot of TV, not just recent stuff. Like there's shit as far back as the 50s-60s that do this shit. The issue comes when it's done shittily and just done because other people did it well.

Also lmao imagine thinking the people that are getting professional degrees now aren't the same cancer as this shit
 
Prank idea:

Print out large, professional-looking standees of the characters and place them outside a theater before a showing.

Have the standees include speech bubbles that spoil the ending. Jax says "I abstract and don't come back", Kinger says "we're all brain scans and stay in the circus!", Caine says "I come back as a good guy!", etc.
 
This is a natural consequence of the death of cable TV as a medium. With cable TV you kind of HAVE to make your shows episodic because there was no easy way for viewers to watch all prior episodes in order. They have to write the show with the expectation that every episode can be somebody’s first in order to pick up new viewers who are just randomly channel surfing for something new to watch. Making your show too overarching-plot-centric would make it unwatchable for new/casual viewers who haven’t tuned in for every episode since the start of the season. AKA the majority of your audience, so episodic writing is something you just had to do.

The incentives that drove episodic writing for cable TV shows simply do not exist in the streaming age where it is expected that new viewers will watch the show starting from Season 1 Episode 1 because they have the entire backlog easily accessible on demand.
I don't think you could blame the death of TV for this as it was going to happen reguardless if TV lived or died. The mega success of GoT and Breaking Bad marked a shift from status quo episodic to a continuous story with character development and arcs to hook the viewers and keep them invested. Even kid shows like Avatar the last Airbender shifted away from episodic and tells a continuous story that kind of needs to be seen in order. Streaming definitely helped because it made it easy for people to start and catch up on shows, but episodic shows like friends and the office are still massively popular on streaming too.
 
"Zooble, look at this cool meme I drew!"
Bee meme.jpg
 
I just keep thinking about how caine being "nice now" just is this joke joe did in several animations a few years ago.

Also linking this one specifically because it's a "sequel" to literally hitler where it ends with hitler making disgusting fetish art
 
Last edited:
Prank idea:

Print out large, professional standees of the characters and place them outside a theater before a showing.

Have the standees include speech bubbles that spoil the ending. Jax says "I abstract and don't come back", Kinger says "we're all brain scans and stay in the circus!", Caine says "I come back as a good guy!", etc.
Pomni says "I show my clussy!"

Just throw that in there and see if the parents second guess about taking their kids to see it.
 
IMG_6134.jpeg
Link
Goose might be a tranny, but it’s pretty fucked up to see other disgusting, mouth breathing faggots single handedly kill off any and all hope for a single project.
 
View attachment 9037689
Link
Goose might be a tranny, but it’s pretty fucked up to see other disgusting, mouth breathing faggots single handedly kill off any and all hope for a single project.
It probably didn't help that as the story advanced it got increasingly difficult to ignore logical conclusions that run counter to her beliefs, such as how Zooble should've been able to change the body she hated and how them being soma uploads means that they were far less restricted on what they could do.

Heck she probably meant for them to be Sword Art'd and not Soma'd, but couldn't explain why Longer and everyone didn't starve to death and die.
 
couldn't explain why Longer and everyone didn't starve to death and die.
Cryostasis and this is deep sleep shit
Feeding tubes to the comatose people
People live for a while but die eventually and only Pomni can return to her body due to that

5 mins brainstorming and I'm retarded
Getting SAed would definitely open up more options to take the story
images (28).jpeg
 
Jax is literally Vriska

-character from web media
-creator semi implies theyre mtf at some point
-just a big horrible emotionally constipated jerk all the time that mentally and physically assaults their friends, sometimes to death, while also wanting to fuck them
-larping as a defense mechanism
-constantly kidnapping the story to turn it into the jax/vriska show instead
-multiple characters mainly exist to be their punching bag or meatrider and barely have anything important going on outside of that
-the author has a sexual obession with them
-their author is a male genderspecial
-killed someone before the story even started
-clownfucker

1000115969.jpg
 
I know that I will regret asking, but how do you "accidentally" rape somebody?

In the confinement leaked episode, the main guy ends up in numerous "wacky" situations while naked, including sliding on a scp slime monster straight into a woman's pussy with his dick
 
(Better Call Saul spoilers ahead - it's a series worth watching, unlike TADC)

Looking back at the finale, I can't help but compare the narrative arc of Jax with the narrative arc of Chuck from Better Call Saul. Both follow roughly the same trajectory (person with severe mental health issues kills himself after a long struggle), but Better Call Saul just does it a thousand times better. Contrasting these two makes TADC look so much worse, it's insane.

Consider the way Chuck's collapse is depicted. He makes one final effort to better himself, making it surprisingly far, but he eventually falters - and due to him having pushed away every single person in his life, there's no one left to catch him during his month-long decline into insanity. When Jimmy visits him, he puts on an immaculate facade and convinces him he's fine. He makes an effort to reject help, cancelling his appointment with his therapist, but he's also aware of the fact that no one cares enough to show up at his home. When he finally kills himself, he's in a borderline catonic state, and the method used (kicking a gas lamp into a pile of flammable junk) is both strangely detached and intensely painful. The other characters don't find out until the next day, being informed by the police, and his death ends up being one of the defining moments of both Jimmy's and Howard's life. The show is structured around it.

Now, compare that with Jax abstracting. He tries to push people away, but it doesn't work & everyone is both aware of him wanting to die and really wants to prevent it, until they randomly stop for whatever reason. Abstraction is depicted as a process lasting about twenty minutes (implied via his near-death experience & Kaufmo being gone for a short amount of time), and just before that, he's essentially the exact same character he was in Episode 1. It's also depicted as something that sorta just peacefully happens to you, with Jax doing nothing more than isolating himself and just kinda not caring about it. After abstracting, he has one final heart-to-heart conversation with Pomni, which both makes little sense and ends up being entirely irrevant to his story, Pomni's story, and the plot as a whole. Everyone moves on quickly, and the ending of the show as a whole would happen either way with or without his involvement. Jax dying makes little sense in both his character development and how other characters treat him, it happens quickly and entirely off-screen, and ends up being near entirely irrelevant to how the show actually ends.

Imagine if Gooseworx wrote Better Call Saul. Jimmy would be very aware of Chuck trying to kill himself, making daily visits, and both Ernesto and Howard would be trying to keep in touch with him. On a random Tuesday, Chuck (offscreen) sets his house on fire with essentially no prior warning. Jimmy arrives just at the right time and runs into the burning building, where Chuck (acutely dying of smoke inhalation) has a tearful conversation with him about how Jimmy was actually right about everything. Jimmy then proceeds to try to drag Chuck out of the building to save him, but he stumbles over a loose rock or something & Chuck ends up dying. He gets a funeral scene, and that would be it, with no other relationships or character arcs changing as a result of what happened.
Oh, and Jimmy keeps his charred skull as a memorial / paperweight.

That is the difference between a competent writer and a hack.
 
These things were standard for a lot of TV, not just recent stuff. Like there's shit as far back as the 50s-60s that do this shit. The issue comes when it's done shittily and just done because other people did it well.

Also lmao imagine thinking the people that are getting professional degrees now aren't the same cancer as this shit
True but I'm explaining the reason why the current crop of indie animators are like this. They all watched kids' animation that had a relatively coherent overarching plot and "maturity" and wanted to replicate and surpass it, not realizing all that stuff is just window dressing on top of a competently written show. Also, I put quotation marks around "deep" for a reason, there's no real depth, just concepts from better media being inserted, maybe wrapped together with an ARG and cartoon characters ugly crying from a realistic panic attack.

About the part on animation degrees, I agree for the most part on the politicization and therapy-talk being cancerous, but there is something to be gained from learning simple things like character writing at an actual school. Maybe CalArts won't produce any exceptional shows but at least its indoctrinated graduates know Aristotle's three-act structure.
 
Last edited:
How come the ending feels like it's missing half the ending?

How come most of the subplots are left completely unresolved?

How come barely anything is explained in any greater detail than what we've already seen?

How come the one vaguely trans character in the show made by a trans person immediately kills themselves after we find out they're probably some kind of trans? That's kind of concerning.

Is this like a fakeout rough cut they leaked on purpose as a market ploy? It doesn't seem very likely but this all feels so incomplete I can't help but wonder a little bit.
 
Maybe CalArts won't produce any exceptional shows but at least its indoctrinated graduates know Aristotle's three-act structure.
Lmao you learn about three act structure in fucking elementary school... or at least you used to!
How come the one vaguely trans character in the show made by a trans person immediately kills themselves
Zooble doesn't die what the fuck are you smoking
 
How come the ending feels like it's missing half the ending?

How come most of the subplots are left completely unresolved?

How come barely anything is explained in any greater detail than what we've already seen?

How come the one vaguely trans character in the show made by a trans person immediately kills themselves after we find out they're probably some kind of trans? That's kind of concerning.

Is this like a fakeout rough cut they leaked on purpose as a market ploy? It doesn't seem very likely but this all feels so incomplete I can't help but wonder a little bit.
If this is a fake cut and the final product is completely different I will fucking kneel because this is a tremendous amount of animation and production work to not be real
 
Back
Top Bottom