Some of that stuff makes sense. I feel like that it could be like The Joker: no real grand goals other than just having their own brand of "a good time" As for theatrical, it could be like a heel in wrestling: there's a lot more fun in playing the villain because you can get away with more things, and you don't have to worry as much about breaking the rules. What's the saying? "It feels so good being bad" ?
Which would be fine, except the Cell Saga was famously mishandled by several different editors, one of whom was infamous for butting in and telling people to change things he didn't like, even when he wasn't editor anymore.
First it WAS Gero and 19. "No!" Said the former editor, "it can't be a geezer and a clown." Then it was 17 and 18. "No!" said the editor, "it can't be a pair of teenage brats!" Then Cell came along. "No!" Said the editor "It can't be a bug, he looks disgusting!" And then 2nd form Cell was "ugly" before settling on Perfect Cell.
Anyone who follows Toriyama in his work behind the scenes might know that he hates being told what to do, and pretty much does the opposite of what he's asked if he can get away with it, like merking Vegeta near the end of the Namek chapter. Is it any wonder then, that Cell has showed up the
least (barely) out of any other villain across the entire Dragon Ball mythos? He gets treated as some perfect villain, when he starts throwing tantrums when things don't go his way, completely losing his shit when he's oneupped.
He enjoys pulse-pounding fights and deliberately stupid gag twists. He actively enjoys fucking with expectations! Which is why I don't consider Kaiser to be as big of a fan as he says he is, especially when you've got him or any other fan going "TORIYAMA MADE A MISTAKE, it should have been LIKE THIS". Like, how egotistical can you be? Take it or leave it, jesus. (whch is only one reason why Buu Saga Gohan got clowned on so hard lol) Actually, a lot of what's wrong with TFS can be pointed right back at Kaiser, which is a shame because everyone else, from Lani to Taka to Megumi all have shown their love for the series in one way or another. Even Masako, who, while cringe, does have a rather intensive knowledge on obscure lore and has his own side projects. Kaiser is a drama queen that put the project in a stranglehold and deflected blame when rightly criticized.