- Joined
- Aug 7, 2018
Ewing's Hulk run was less about Hulk's strength level and more offering a magic-themed answer to the question of Hulk's healing factor in relations to how Marvel brought Banner back after killing him off in a way that was super hard to undo (arrow in the head causing instant death) as well as how other gamma characters keep coming back (IE the Leader). It's super retcon heavy, especially the Leader shit since some stories involving him already gave a reason why he survived death (IE teleportation devices).Hulk is weird. Ewing tried to explain it with some weird mystic shit, but I feel like that's not gonna be concretely referenced because it took a fuckton of liberties.
Evil Havok? I uh. . . don't remember anything. I think AXIS was just a hamfisted attempt at showing how much disunity there was with the heroes prior to the Secret Wars event, highlighting how fucked up everything became. I get it, division was drawn between the Avengers/X-Men. But could we have them actually carefully develop stuff for a good payoff.
In X-Men Blue, Inverted Havok formed a new Hellfire Club group with White Queen, Miss Sinister, and Bastian (who was helping mutants when he realized that his life would have no meaning if there were no mutants left to kill) that utilized Ultimate Marvel tech that ended up in the regular Marvel Universe after Secret Wars 5, to turn innocent people into mutants against their will, further mutate other mutants like Wildside and Wolfsbane, and forcibly repower mutants like Beak from the Morrison New X-Men run against his will.
In the end, when writers caved to fan demand that Emma go back to being a goody goody, Emma grabbed Polaris (who was fighting to stop the new Hellfire Club with a random roster of F-List mutants introduced in the 00s and 10s while the timelost O5 X-Men were busy in a crossover with Venom) instead of Scarlet Witch to "fix" Havok. Rather than get Wanda to cast a spell to de-invert Alex, Emma pulled a Byrne/Donna Troy and copy-pasted a new "real Alex" personality on to of Inverted Alex's personality using Polaris's memories of Alex as the basis for "the fix" to "reset Alex. The only comfort being, that both Alex and Lorna were a bit pissed that Emma chose the lazy option to restore Alex and the fact that Emma only did this thinking that it would keep her from being arrested by Lorna for destroying so many lives via turning people into mutants against their will.
This later continued into Hellions, where it was implied strongly that Emma's "fix" was wearing off and Alex was slowly reverting back to his inverted self. And that Emma was explicitly weaponizing Alex in such a fragile state with help of Empath, so that she could use him a a pawn against Sinister for her own political game......
Also, some rumored spoilers for Dead X-Men and X-Men resurrection in general:
The White Room/Phoenix Force may be becoming the new excuse plot for mutant resurrection as it's going to be how Cannonball, Jubilee, Dazzler, Frenzy, and Prodigy come back to life.
Captain America was very popular in the 1940s and I think generally respected in the 1960s, but yeah after that his fortunes waned. I think he was always respected at the very least, sort of like Superman--people love him as a symbol but don't care for the actual stories.
..................
Sooo... I actually came to this topic to micro-sperg.
Lots of people tell me Neil Gaiman's The Sandman is an example of actual intelligent comic writing. Now, I've read a few of the graphic novels and while there are interesting ideas.... intelligent? Come on! The very first storyline has a part where there's a convention meet-up for Serial Killers, with a booked hotel room and everything.
Like... that's just a fundamentally retarded idea even on its face, I don't know where to begin poking holes in it.
(I do like Neil's portrayal of Death though).
Also, since a lot of 1990s comic writers turned out to be loonies, I'm wondering if there's ever been any sauce on Neil Gaiman?
Neil has a pathological obsession with Tori Amos. They met while Neil was a writer of hastily written cash grab biography books of famous rock musicians in the late 80s and Neil developed an intense obsession with her, going so far as to have Delirium be based visually off of Tori. Tori was so flattered that someone so avant-garde loved her that she stuck in explicit shout outs to him on her first three albums as a solo artist and referenced characters from one of his non-comic works in her fourth album.
However, Neil's obsession with Tori turned a bit too clingy for Tori's taste after Tori broke up with her longtime boyfriend and married another guy after a whirlwind/rebound courtship. Neil started becoming the creepy guy who kept asking Tori to hang out with him (and only Tori not Tori and her husband) and party with him when Tori was sliding into domestic life as a married woman and dealing with a miscarriage early in her marriage and later, finally gave birth to a child with her husband after the previous failed attempt. Neil eventually married another musician who looked a lot like Tori and continued to pressure Tori to leave her kid and husband at home to party with the two and finally Tori had to just cut Neil out of her life entirely because of this, since Tori values her marriage and family life way more than Neil and his hedonistic party lifestyle.