- Joined
- Jan 30, 2018
Probably thinking of ASM 83 - 85 by Lee, 163 & 164 by Len Wein and then 194 - 200 by Marv Wolfman, although her role in those story arcs is pretty minor. She popped up in a handful of other appearances but they were usually fairly inconsequential.The only good stuff with Vanessa Fisk would be her appearances in Amazing Spider-Man (I don't know the issues off the top of my head) in the late 60s and 70s as she was Kingpin's no-nonsense normie wife that wanted her husband to stop being a gangster that had Kingpin henpecked in those Kingpin/Spidey stories.
Speaking of Daredevil, I'm about 25 issues into v2 now. The first Echo story arc from #9 - 15 is okayish, better than Kevin Smith's drek but it goes on for far too long. Echo is also... weird. She's written as if she suffers from arrested development, with her inner thoughts portrayed via children's crayon drawings and in general comes off as very childlike... but also Matt's love interest, which makes it kinda creepy. I liked Bendis' first story arc from #16 - 19 a lot, with it being more of a story focusing on Ben Urich, who investigates the death of a supervillain* and the child he left behind. Around this time Bendis also did a mini-series called Daredevil: Ninja which was godawful. It felt like an unused Ultimate Spider-Man script given how everyone talks like a teenager. Between that and the lazy, vaguely manga-ish art there's just nothing good about it. Going from the serious and mature story arc with Ben to that crap gave me whiplash.
From #20 - 25 is a story arc by Bob Gale, screenwriter of Back to the Future. For some reason it seems to have never been reprinted (or if it did, it was ages ago; all modern collections of v2 of Daredevil seem to skip it). The story probably could've been told in three issues and been better for it because it feels like it just drags on and on. The ending is also kinda anti-climatic and not very satisfying. Still, on the whole I enjoyed it because it largely focuses on a legal case (someone suing Daredevil for property damage that he swears he didn't do) and Daredevil stories up to this point that focus on the legal side of the character are pretty rare, plus even with the length problem Gale manages to keep the writing pretty snappy and engaging.
Right now I'm in the middle of #26, where Bendis' Daredevil run truly begins.
(*It being Leapfrog made no sense. The real Leapfrog had a different civilian name and his kid was much older. I wonder if Bendis meant for it to be the real Leapfrog, an editor read the script and went "this makes no sense" and had him change the name)
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