I get this idea, but it's clear what the intent is. Episodes like it laid the ground work for more LGBT shit. Sadly, we can't go back and act like it was really based that Riker wanted to fuck a woman from a gender neutral race or whatever "based" cope someone can come up with.
I'd get a screenshot from the RLM video where they leave the definition of "allegory" on screen, but I'm too lazy. The point was to push the gender shit we see today plus be a "gay conventions therapy is bad" ep. Mission accomplished.
I find it amazing which people shill for that shitty show. It's more pozzed than 99% of classic ST, yet so many faggots in the FM, that supposedly are "anti-woke", love it and wish it was in ST cannon. Thank fuck RLM doesn't shill it too.
Yeah, I know the intent was to make an Oscar Wilde/Alan Turing kind of story. It was written by Jeri Taylor, after all. I just find it funny her story happens to be the exact opposite of her intention as actual content.
As for Orville being proto-woke, the execution of it does matter, with full awareness that Star Trek was always susceptible to wokeness.
EDIT: To add to execution, the Moclans effectively are trying to fix the J'Nai premise; both are allegedly mono-gender that in reality aren't and both are blunt about the agenda behind them, the difference is in true TNG fashion, they still give the villain a (strawman) rationale. This kind of feminist agenda is also only in Moclan episodes. Most of the time, the running conflict in this show is more about Claire's relationship to Izak or to develop the Krill's character, so audiences get long breaks from proto-wokeness. Kurtzman Trek doesn't even bother with either practice. Even if Kurtzman Trek wasn't agenda-driven, the practice of long form storytelling lock their stories down to a few "epic" plot points and stretches them out.* This new method of television writing has not been all that kind to older TV writers such as Parker & Stone (season 20) or Groening & Cohen (Disenchantment). The Orville as a show in general is intentionally locked into the 90s as a format, which is serialized, so while they have to come up with a lot of stories (with memberberries) they're not locked into a few plot beats stretched over 12 episodes.
MORE EDITING: To add to the strawman rationale, a lot of the strawmanning comes from McFarlane himself and I cite the Astrology episode as an example. Basically, it's First Contact, the TNG episode not movie, but with Krola as the chancellor instead. That episode doesn't work because McFarlane is an atheist and thinks astrology is dumb. Now, while it is true that astrology--and by proxy religion--makes all kinds of leaps in logic, they do have a rationale that's internally consistent, such as in Thine Own Self. The Gillac episode fails because it strawmans its antagonist's motivations. Now, while strawmanning is a fallacious presentation of the other side, it is a presentation at all. Kurtzman Trek doesn't even do that to the point that RLM makes a Trump voter joke at ST

.
*I also mean epic in the poetic sense.