Phil Spector dead at 81 - Rest in piss

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Phil Spector, the revolutionary music producer who transformed rock 'n' roll with his "Wall of Sound" method and who later was convicted of murder, has died. He was 81.

California state prison officials said he died Saturday of natural causes at a hospital.

Spector was convicted of murdering actress Lana Clarkson in 2003 at his castle-like mansion on the edge of Los Angeles. After a trial in 2009, he was sentenced to 19 years to life in prison.

Clarkson, star of Barbarian Queen and other B-movies, was found shot to death in the foyer of Spector's mansion in the hills overlooking Alhambra, a modest suburban town on the edge of Los Angeles.

Until her death, which Spector maintained was an "accidental suicide," few residents even knew the mansion belonged to the reclusive producer, who spent his remaining years in a prison hospital east of Stockton, Calif.

Decades before, Spector had been hailed as a visionary for channelling Wagnerian ambition into the three-minute song, creating the "Wall of Sound" that merged spirited vocal harmonies with lavish orchestral arrangements to produce such pop monuments as Da Doo Ron Ron, Be My Baby and He's a Rebel.

He was the rare self-conscious artist in rock's early years and cultivated an image of mystery and power with his dark shades and impassive expression.

Tom Wolfe declared him the "first tycoon of teen." Bruce Springsteen and Brian Wilson openly replicated his grandiose recording techniques and wide-eyed romanticism, and John Lennon called him "the greatest record producer ever."

The secret to his sound: an overdubbed onslaught of instruments, vocals and sound effects that changed the way pop records were recorded. He called the result "Little symphonies for the kids."
 

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Never forget.

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Leaving aside his sordid history, which was full of insanity before the murder, his musical legacy really doesn't stand the test of time very well. Sure, the girl groups he produced sounded great and their songs were big hits, but how many people really want to listen to "Da-Doo-Ron-Ron" now? Pop music became more sophisticated, and no wall of sound could make them compete with mid-60's rock music. He had his moment in time, and was done.

That said, he didn't really go off his rocker until 1966. It was in 1966 when he put his all into his most complex arrangement and production ever. He was working with veteran soul duo Ike and Tina Turner, and came up with his masterpiece, "River Deep, Mountain High". This really is a great record, and the production is spine-tingling. It has a maturity his earlier records lacked, and it stands as one of the most magnificent pop singles of the 1960's, which was a crowded decade for great singles.

Unfortunately, the single reached a very tepid #88 on the charts. This massive failure really sent him over the edge; he became a recluse after it flopped, only seldom working again. His legendary freak outs (which often involved a dangerous combination of drugs, paranoia, and guns) began and continued until his was finally locked away for murder.

Still, I'll give him props for his failed single; it still gives me goosebumps.

 
Leaving aside his sordid history, which was full of insanity before the murder, his musical legacy really doesn't stand the test of time very well. Sure, the girl groups he produced sounded great and their songs were big hits, but how many people really want to listen to "Da-Doo-Ron-Ron" now? Pop music became more sophisticated, and no wall of sound could make them compete with mid-60's rock music. He had his moment in time, and was done.

That said, he didn't really go off his rocker until 1966. It was in 1966 when he put his all into his most complex arrangement and production ever. He was working with veteran soul duo Ike and Tina Turner, and came up with his masterpiece, "River Deep, Mountain High". This really is a great record, and the production is spine-tingling. It has a maturity his earlier records lacked, and it stands as one of the most magnificent pop singles of the 1960's, which was a crowded decade for great singles.

Unfortunately, the single reached a very tepid #88 on the charts. This massive failure really sent him over the edge; he became a recluse after it flopped, only seldom working again. His legendary freak outs (which often involved a dangerous combination of drugs, paranoia, and guns) began and continued until his was finally locked away for murder.

Still, I'll give him props for his failed single; it still gives me goosebumps.

https://youtube.com/watch?v=pWK7v0gIHLo
Do you like Huey Lewis and The News?
 
Definitely want to separate the art from the artist here, but his role and influence in pop and rock music for a couple of decades can't be undersold. Every magnificent, orchestral song you know and love from the 70s and onward owe a bit to Spector's legacy. Producers like Phil Spector and more recently Rick Rubin, while their names might not be as well-known as their collaborators, illustrate just how deeply the tentacles of the jew menace extend into our cultural institutions.
 
I thought he died a while back.
Also that movie they made about him was goofy. They sorta started like a vampire castle
 
There's no denying his creativity and influence as a record producer. But Phil "I think I killed someone" Spector got his just deserts by spending his final years in prison or a prison infirmary after years of threatening people with violence.
 
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Spector produced an album with the Ramones, and and he wanted to work with Blondie, but after Debby Harry and Chris Stein heard how bad Spector was, they said " thanks, but we'll pass."
 
Leaving aside his sordid history, which was full of insanity before the murder, his musical legacy really doesn't stand the test of time very well. Sure, the girl groups he produced sounded great and their songs were big hits, but how many people really want to listen to "Da-Doo-Ron-Ron" now? Pop music became more sophisticated, and no wall of sound could make them compete with mid-60's rock music. He had his moment in time, and was done.

That said, he didn't really go off his rocker until 1966. It was in 1966 when he put his all into his most complex arrangement and production ever. He was working with veteran soul duo Ike and Tina Turner, and came up with his masterpiece, "River Deep, Mountain High". This really is a great record, and the production is spine-tingling. It has a maturity his earlier records lacked, and it stands as one of the most magnificent pop singles of the 1960's, which was a crowded decade for great singles.

Unfortunately, the single reached a very tepid #88 on the charts. This massive failure really sent him over the edge; he became a recluse after it flopped, only seldom working again. His legendary freak outs (which often involved a dangerous combination of drugs, paranoia, and guns) began and continued until his was finally locked away for murder.

Still, I'll give him props for his failed single; it still gives me goosebumps.

https://youtube.com/watch?v=pWK7v0gIHLo
Ever try listening to "Let It Be...Naked"? It SUUUUUUCKS.
 
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