Brianna Wu / John Walker Flynt - "Biggest Victim of Gamergate," Failed Game Developer, Failed Congressional Candidate

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Here's an actual list of the Top 10. Notice that TNG isn't on it, but Capt. Kirk is. Also, all of the top games were from the '70s and '80s with one exception from '92. Your hobby is dating you, John.

1. The Addams Family (20,270 produced plus 1000 gold editions later on, Midway Manufacturing Company - trade name: Bally 1992)
2. Eight Ball (20,230 produced, Bally Manufacturing Corporation 1977)
3. Flash (19,505 produced, Williams Electronics 1979)
4. Playboy (18,250 produced, Bally Manufacturing Corporation 1978)
5. Firepower (17,410 produced, Williams Electronics 1980)
6. High Speed (17,080 produced, Williams Electronics Games 1986)
7. KISS (17,000 produced, Bally Manufacturing Corporation 1979)
8. Star Trek (16,842 produced, Bally Manufacturing Corporation 1979)
9. Mata Hari (16,260 produced, Bally Manufacturing Corporation 1978)
10. Capt. Fantastic and the Dirt Brown Cowboy (16,155 produced, Bally Manufacturing Corporation 1976)
 
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The congress must filibuster that pinball Monopoly!
Specifically the House of Representatives, where cockless male John Walker Flynt believes he could filibuster, because that term is associated with that half of our bicameral legislature of which John is a huge expert, having grown up as a spacefaring Negro girl child in Mississippi so poor he could only afford the newest computer equipment, sports cars to restore, and trips to Space Camp to relax from the stress.
 
Don't get any ideas, though - disagreeing with John online is still rape.

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"19 dead children are involved. I see this as fair game."

-- Dark Triad John emphasizing his inability to understand human idioms. Using a phrase that originally described something that can legally be hunted and killed in a reference to murdered children is more than tone deaf; it's imbecilic.
 
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Adding onto John not knowing anything, at an admittedly quick glance, the initial reviews, both critical and audience, seem overwhelmingly positive. Literally, the first result I got when I put in Obi-wan review is "Possibly the Best Star Wars Series Yet." And, to the surprise of nobody, all the images are of Obi-wan, who I assume is the main character because, y'know, name of the show and all, so not sure where the hatred of a black driven show comes from. As someone who hasn't seen the episode(s) but did get bombarded with ads for it the last few days, I think there's maybe one scene with a black character?

And as far as Last Jedi goes, yeah, a fair amount of people disliked it. But I think Rise of Skywalker is more universally panned. And even with Awakens, a lot of people who didn't like the trilogy tend to highlight Finn as being the best part, or at least having a lot of potential.

I'm sure there are some Starwars fans that dislike Obi-wan because no show pleases everyone, but I wouldn't be surprised if John did hear any complaints, it was probably generic ones from people who are burnt out on Star Wars/got annoyed with the ad blitz but haven't seen the show.
John probably gets his news from left-wing outrage mills that see the Alt-Right behind every tree.
 
Amusingly, John like normal has the social justice angle on Obi-Wan wrong. You're supposed to be complaining that the black woman was cast as the villain along with an asian dude as another villain while all the heroes are white with the lead as a white male. But he can't resist his need to enjoy all Disney products so he has to make up people angry at the series who don't exist.
 
Hmm I wonder what kind and pleasant things John might have said about his perception of a "rural majority"? Certainly not that they are unbred Neanderthals who should have their political rights stripped from them for the benefit of the cultured elite.

rural.jpg
 
Guns don't kill people, cyberbullying kills people.

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Absolutely heartbroken at the state of America, until the next Star Wars product comes out.

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nobody cares because since Disney bought the IP they've been tricking it out like a crackwhore for quick money and everyone can see it

'hey theres new starwars stuff' doesn't really work when its the third time this week and none of it has any internal consistency, but is clearly made by throwing things at focus groups and seeing what sticks
 
Hmm I wonder what kind and pleasant things John might have said about his perception of a "rural majority"? Certainly not that they are unbred Neanderthals who should have their political rights stripped from them for the benefit of the cultured elite.

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This is so full of gold that it deserves further dissection.

1.) John complaining about literal mansplaining. That is already a veritable punchline in and of itself.

2.) Even if you accept mansplaining as being a thing, it is about amateur men awkwardly explaining things to women who are already experts on that field. Even if we were to accept that John is a womyn, an expert on sociology and demography he is not.

3.) The goalposts in John's reply are not just being moved, they are being propelled by atomic rockets. But if you are losing an internet argument, better to keep changing definitions and desperately try to come out as the winner than to shut your trap on social media for once.
 
"How do I make a school shooting about Twitter jannies and Musk"- John Walker Flynt:
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Tweet | Archive
That Yubo musk is a threat to twitter trannies for sure.

Reading articles it seems like all these girls and women kept being his friends and continued to chat with him despite all of that. It seems like his other friends was the ones mansplaining to the police.
 
Hmm I wonder what kind and pleasant things John might have said about his perception of a "rural majority"? Certainly not that they are unbred Neanderthals who should have their political rights stripped from them for the benefit of the cultured elite.

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"Please don't mansplain to me, by substantial public transportation systems I mean ones that travel 600 mph between destinations, have stops at every street corner and have no fees at the point of service for travelers"
 
Also make sure you come over to my house alone so I can rub my crotch stump against your inner thigh. 😂

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I'd be willing to bet that Adolf Hitler played video games too.

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Will any journalists be investigating and informing the public about white man John Walker Flynt running an illegal scampaign?

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"but when most people seem unswayable by new information, how does that not demoralize you?"

That's a simple one, they journalist's job isnt to sway...that's PROPAGANDA and ADVERTISING

so a journalist can carry on in the knowledge that they supplied the INFORMATION and that INFORMED people make their own decisions - even when it doesn't align with the JOURNALIST'S views
 
All your friends are laughing so hard, John. Except you have none.

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I realize Twitter isn't exactly the best place for nuanced reviews because of the character limit, but wow, those points really summarize John in a nutshell.

The first three are all purely visual. And if you want to play angry feminist like John does, seems kinda problematic to say something is good solely because there are women in it. Feels like it's playing into the male gaze. It'd be one thing if he was saying something about their characters/acting performance, which even with Twitter's limit wouldn't be hard to clarify.

Then the last two show how much John loves victimization. I don't want to sperg too much, especially since I imagine most people are familiar with the early Terminator franchise, but a big problem people have with the third movie is the ending. The second movie was largely about the concept of fighting fate/the future can change if you're willing to fight for said change. Not exactly a new concept or anything, but I also wouldn't say the movie is all sunshine and rainbows, I mean, Arnold still has to sacrifice himself at the end to give humans a chance.

But the third movie ends with them doing everything they can to avert disaster only for it not to matter because it turns out, fate is a thing and you can't actually change the future. Again, not a new concept by any means and while there's nothing inherently wrong with that as an ending in a standalone piece, it's kinda questionable to do when, granted this is with a fair amount of hindsight, this is like, what the halfway point of the Terminator franchise? Again, they clearly didn't know how many Terminator movies there would be after this, but if you want to get across that fate can't be changed in a movie that's largely about traveling to the past to change the future, well, you're kinda setting those movies up for failure.

To get a little more nitpicky, I think both T1 and T2 have plenty of fairly iconic lines. So much so that the Terminator movies today are still referencing them. And it isn't just the dialogue, there's some pretty iconic scenes that, again, still exist in the pop culture sphere. Despite "having better CGI" I can't think of anything iconic about T3's scenes or any memorable lines. I haven't seen the later Terminator movies, but do the new characters they introduce in T3 even show up or get mentioned in the later movies?
 
I realize Twitter isn't exactly the best place for nuanced reviews because of the character limit, but wow, those points really summarize John in a nutshell.

The first three are all purely visual. And if you want to play angry feminist like John does, seems kinda problematic to say something is good solely because there are women in it. Feels like it's playing into the male gaze. It'd be one thing if he was saying something about their characters/acting performance, which even with Twitter's limit wouldn't be hard to clarify.

Then the last two show how much John loves victimization. I don't want to sperg too much, especially since I imagine most people are familiar with the early Terminator franchise, but a big problem people have with the third movie is the ending. The second movie was largely about the concept of fighting fate/the future can change if you're willing to fight for said change. Not exactly a new concept or anything, but I also wouldn't say the movie is all sunshine and rainbows, I mean, Arnold still has to sacrifice himself at the end to give humans a chance.

But the third movie ends with them doing everything they can to avert disaster only for it not to matter because it turns out, fate is a thing and you can't actually change the future. Again, not a new concept by any means and while there's nothing inherently wrong with that as an ending in a standalone piece, it's kinda questionable to do when, granted this is with a fair amount of hindsight, this is like, what the halfway point of the Terminator franchise? Again, they clearly didn't know how many Terminator movies there would be after this, but if you want to get across that fate can't be changed in a movie that's largely about traveling to the past to change the future, well, you're kinda setting those movies up for failure.

To get a little more nitpicky, I think both T1 and T2 have plenty of fairly iconic lines. So much so that the Terminator movies today are still referencing them. And it isn't just the dialogue, there's some pretty iconic scenes that, again, still exist in the pop culture sphere. Despite "having better CGI" I can't think of anything iconic about T3's scenes or any memorable lines. I haven't seen the later Terminator movies, but do the new characters they introduce in T3 even show up or get mentioned in the later movies?
Nope, not once to my recollection, and I've seen them all (except Dark Fate because lolno). The biggest issue with the Terminator franchise is that every time they try to reboot the franchise, it doesn't go as well as the studio wants, they chicken out of any sequels, and then they reboot it again with a completely different continuity.

Terminator Salvation was probably the best path forward for the franchise, and the only post-T3 sequel I would consider passable in any way. It was a direct sequel to T3, and showed a part of the Terminator timeline we had only really glimpsed before, the actual war against the machines. It was originally going to be the start of a new trilogy, which I'm guessing would have ended with the final battle and Kyle Reese being sent back to stop the first Terminator, closing the loop on the series. Sadly, it didn't do too great at the box office, then the production company filed for bankruptcy and that was the end of that.

Terminator Genisys comes along a few years later and tries to restart the timeline completely by going all the way back to the first movie and saying "lol this didn't happen anymore because we sent ANOTHER Terminator but a good one to stop ANOTHER Terminator from killing Sarah Connor even earlier and now he's good guys." And then there's more time travel and John Connor is a robot zombie and...fuck it, I'll just let Scientist Man explain.
It was also going to be the start of a trilogy in its new rebooted continuity, but it was also not as much of a success as the studio wanted, so those plans got axed.

Then along comes Terminator: Dark Fate, which also tried to restart the timeline. This time, it ignored Genisys, kept the first two movies intact, but then fucking killed John Connor in the first couple minutes. Then it sets up effectively the same storyline as the first movie, just with all the names replaced (it's a different AI, it's different Terminators, etc.). And you can probably guess the rest: planned trilogy, poor performance, plans scrapped.

As you said, T3's plot and ending might have worked in a standalone movie, but it really wasn't satisfying for fans of the first two movies as it undercut the crux of their plots completely. It certainly wasn't good just because it had an "unhappy ending" like John claims. And besides, we all know why John really liked it, he was probably masturbating to the thought of being a sexy killbot in the theater.
 
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