💰 Grifter Anthony Fantano / TheNeedleDrop - "The Internet's Busiest Music Nerd"™, heelturned since 2017, slowly becoming smug SJW, threw Sam Hyde under the bus

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Did Fantano ever have far right sympathies? He looks like the most stereotypical communist hipster dork imaginable.

He looks like the kind of guy that watches Vaush and Chapo Trap House and then tell to himself "Now i'm politically informed".

I know he livestreamed with leftist streamers to absolved himself of past sins (Like Chrisraygun and others).
 
Did Fantano ever have far right sympathies? He looks like the most stereotypical communist hipster dork imaginable

He had that meme YouTube channel for awhile a few years ago, and then some woke people accused him of being a racist over memes he was talking about, so he sperged and deleted the channel and has been way more insufferable ever since.
 
He looks like the kind of guy that watches Vaush and Chapo Trap House and then tell to himself "Now i'm politically informed".

I know he livestreamed with leftist streamers to absolved himself of past sins (Like Chrisraygun and others).
He did the video with Chris Ray Gun when they were both in their anti sjw, skeptic community™ phases. At that point Anthony was still giving props to Sargon. He didn't fag out completely until the Fader article about him in late 2017.
 
He had that meme YouTube channel for awhile a few years ago, and then some woke people accused him of being a racist over memes he was talking about, so he sperged and deleted the channel and has been way more insufferable ever since.
Honestly, all he had to do is make a disclaimer that he isn't right-leaning and just not address politics. I think he'd garner more respect if he tried to appear apolitical instead of trying to pretend like he never found the right funny and always saw them as evil. I think it's a mistake a lot of these types of internet personalities make where they try to make up for their former content by being incredibly vocal about their current political stance at all times. No offense, Anthony, but I really don't give a shit about the political takes of a YouTube music critic.
 
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Let’s not give Vaush too much credit here. Anthony hasn’t yet argued for pro-pedophilia in an unironic way.
Fantano is basically the average Reddit stereotype leftist, whereas Vaush is taking that to serious lolcow levels which stick out even from that crowd. I remember seeing people on /r/politicalcompassmemes laughing at Vaush, even the ones with left flairs.
 
I like Death Grips and I humbly accept they are not the best. Ride's vocals aren't the greatest and more than anything I like Zach Hill's drumming the most. I grew up in the area they're from so a lot of the lyrics they make about California resonate with me. That being said... when Melon talks about DG I cringe. They're unique definitely, but not influential, and any person I meet that likes Death Grips is mentally unstable, lefty, and cringe (much like Melon himself). Like most people I stopped listening/watching Melon when he took down ThatIsThePlan because that's when he became insufferable. For being as "knowledgeable" as Melon is, it surprises me that he's into trash pop music that's been coming out. Also, why do people give him so much credibility? Is there lore somewhere that he has some great Master's degree in music theory or did he get his fame from trash opinions on /mu/?
 
Also, why do people give him so much credibility?
He's pretty much the only major music reviewer on YouTube. There are other music reviewers on YouTube who talk about specific genres, particularly hip-hop and metal, as well as YouTubers who do more documentary style videos, but if you want reviews of mainstream new album releases, regardless of genre, Fantano's your guy.

Frankly, I don't understand why anyone would watch a Fantano review. In the 80s or 90s people would have to buy magazines to know which albums were worth purchasing, or trade tapes around. Today, if you want to know if you like an album, you just go listen to it on Spotify or YouTube or wherever. You don't need geeks or nerds to help you have an opinion on music. The only reviews I find worthwhile anymore is if the reviewer has some deeper knowledge of the themes or lyrical content of an album and can help guide a listener, but that is not the kind of reviewer Fantano is.
 
He's pretty much the only major music reviewer on YouTube. There are other music reviewers on YouTube who talk about specific genres, particularly hip-hop and metal, as well as YouTubers who do more documentary style videos, but if you want reviews of mainstream new album releases, regardless of genre, Fantano's your guy.

Frankly, I don't understand why anyone would watch a Fantano review. In the 80s or 90s people would have to buy magazines to know which albums were worth purchasing, or trade tapes around. Today, if you want to know if you like an album, you just go listen to it on Spotify or YouTube or wherever. You don't need geeks or nerds to help you have an opinion on music. The only reviews I find worthwhile anymore is if the reviewer has some deeper knowledge of the themes or lyrical content of an album and can help guide a listener, but that is not the kind of reviewer Fantano is.
In an age where the music itself is easily accessible, no one really needs to listen to people like Fantano. He has a strong existing fanbase, but no one else will ever really get big doing what he does.
 
In an age where the music itself is easily accessible, no one really needs to listen to people like Fantano. He has a strong existing fanbase, but no one else will ever really get big doing what he does.

At best, people like Fantano are only good for spotlight artists you might not have heard over. Because music is easier to access and there's a fuckton of it, you run into the issue of overchoice. There are acts that I enjoy that I probably would never know existed had no one told me about them. Even if they don't like it, I might. It's the over inflated sense of importance placed on reviewers.
 
At best, people like Fantano are only good for spotlight artists you might not have heard over. Because music is easier to access and there's a fuckton of it, you run into the issue of overchoice. There are acts that I enjoy that I probably would never know existed had no one told me about them. Even if they don't like it, I might. It's the over inflated sense of importance placed on reviewers.
This is the way to go. Anthony is a good curator, but not an authority. I'll give him credit that he tends to articulate his own opinions well enough for me to get a general idea of something before I listen to it, but I'd never consider him the end all of music criticism.
 
This is the way to go. Anthony is a good curator, but not an authority. I'll give him credit that he tends to articulate his own opinions well enough for me to get a general idea of something before I listen to it, but I'd never consider him the end all of music criticism.

It's one of the reasons he's gained that fanbase imo. The Needledrop began in 2009, at the height of the angry internet reviewer trend. Having someone discuss their thoughts on something without acting like an obnoxious spaz was a refreshing change of pace.
 
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It's one of the reasons he's gained that fanbase imo. The Needledrop begin in 2009, at the height of the angry internet reviewer trend. Having someone discuss their thoughts on something without acting like an obnoxious spaz was a refreshing change of pace.
Yeah as much as it's easy to snipe at where he is now and what he says, it's interesting to look back at what he did right and why it all worked at the time. It's ironic he grew into the anger
 
It's one of the reasons he's gained that fanbase imo. The Needledrop began in 2009, at the height of the angry internet reviewer trend. Having someone discuss their thoughts on something without acting like an obnoxious spaz was a refreshing change of pace.
True, and while he acts like a spaz on Twitter now he deserved his success early on compared to speds like Doug Walker. I could at least watch his early reviews without cringing sometimes.
 
He's pretty much the only major music reviewer on YouTube. There are other music reviewers on YouTube who talk about specific genres, particularly hip-hop and metal, as well as YouTubers who do more documentary style videos, but if you want reviews of mainstream new album releases, regardless of genre, Fantano's your guy.

Frankly, I don't understand why anyone would watch a Fantano review. In the 80s or 90s people would have to buy magazines to know which albums were worth purchasing, or trade tapes around. Today, if you want to know if you like an album, you just go listen to it on Spotify or YouTube or wherever. You don't need geeks or nerds to help you have an opinion on music. The only reviews I find worthwhile anymore is if the reviewer has some deeper knowledge of the themes or lyrical content of an album and can help guide a listener, but that is not the kind of reviewer Fantano is.
There's this guy I stumbled upon after a serious binge of Louis Rossmann videos, Rick Beato.
However, his videos are about technical things, music theory, music education, and stuff like this:

Pretty much everything Ol' Melon is not. Reviews coming from such person would be infintely better, however, I don't think he'd be interested in making Fantano's kind of content.
His "What Makes This Song Great?" videos come closest to being reviews, but again, those too are mostly about technique and theory:
 
I'm very surprised there hasn't been a thread about him in the past.

To his credit, he is knowledgable about music, but it's such a waste when he's now spending most of his screen time pretending to fawn over corporate pop music in a blatant attempt to "absolve" himself after that Fader article. Anything by a woman, especially a non-white woman gets rave reviews. When he's doing things like naming WAP the best song of 2020, it feels like someone off camera is pointing a gun at him.

Hyping up mainstream pop like Ariana Grande and Cardi B while giving AOTD-level albums like Fear Inoculum a 4. Yeah I know opinions are opinions, but it's strange that someone who has clearly listened to a wide variety of music in his time, and a lot of it, would have such opinions.
 
Rick Beato
I used to avoid watching Rick Beato's stuff because he age, appearance, and shooting choices made me assume he'd somehow be like a musical version of Coach Red Pill. His stuff is pretty alright though and I think he deserves the popularity he's received. His sub count will soon overtake Anthony's and the guy has only been making videos regularly for like three years.
 
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At best, people like Fantano are only good for spotlight artists you might not have heard over. Because music is easier to access and there's a fuckton of it, you run into the issue of overchoice. There are acts that I enjoy that I probably would never know existed had no one told me about them. Even if they don't like it, I might. It's the over inflated sense of importance placed on reviewers.

As it should be repeated, Beavis and Butt-Head were the original /mu/ reviewers before Fantano came along:

 
I used to avoid watching Rick Beato's stuff because he age, appearance, and shooting choices made me assume he'd somehow be like a musical version of Coach Red Pill. His stuff is pretty alright though and I think he deserves the popularity he's received. His sub count will soon overtake Anthony's and the guy has only been making videos regularly for like three years.
Not if he continues being a dick on livestreams. You're not a real musican until you drop $200 on my special ear training program, the same one I forced my son to do.
 
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