Anime/Manga - Discuss Japanese cartoons and comics here; NO CULTURE WAR DOOMPOSTING!

  • Want to keep track of this thread?
    Accounts can bookmark posts, watch threads for updates, and jump back to where you stopped reading.
    Create account
I'm actually in the middle of Fishman Island.

Yeah, thats why I wrote my post.
thought you werent starting actually from zero.

I started it from episode one exactly mid-July and am currently at the Law vs. Doflamingo fight in the Dressrosa arc (fucking hell, Law's backstory was... damn), sooooo about four months' time. However, I've slowed down this past month because (sperg warning):

- 9anime's servers were acting up (I like it because it goes immediately to the next episode). KissAnime is okay and all, but it's slow on my laptop without AdBlock (and downloading is a hassle with One Piece). This is why I got into the habit of watching it on the television through the Xbox, although that habit started because we have some of the DVDs, and I had promised one of my brothers I'd start watching it once we got the first several episodes on DVD.

- My brother keeps bugging me to "Keep watching, you're getting to the good part!" and I'm all "Let me watch at my own pace, dude!" since he just wants to sperg about One Piece with me so bad. Back when I first started watching, I went with the "three episodes a day" rule, which was more-or-less actually four episodes a day, truthfully, which starting around the Arlong Park arc, episode intake increased to the point where I watched 50 episodes in two days just to finish Marineford. I am really ahead of schedule in that regard.

- I watched it dub, and I just fucking love the dub. Even though I watched the films as I went along, midway into the Fisher Tiger flashback I had to switch to subs (though if I had waited a few days, I'd have seen the entirety of the flashback dubbed), so the shock of it being basically "permanent" at this point got to me and I started slowing down, though honestly I kinda needed to start taking breaks anyway (and part of that might be because it's so mentally and emotionally exhausting). Voice-acting really is fantastic, though, but I was just too used to the dub. (Sonny Strait's Usopp gives me so much life.)

- Toei Animation being Toei Animation. I do think people are over-exaggerating things about Toei "ruining" One Piece, but I am noticing things here and there that are starting to bother me. A damn shame, too, since again, the voice-acting and the soundtrack are amazing. It's just the animation has been spread too thin at this point and also the quality in the way it looks seems to have dropped. Really too much of a shame it couldn't have the Water 7-through-Thriller Bark look forever.

- God Usopp has been the highlight of Dressrosa for me, and I'm sad that he's absent after Zou. But at least I'll get more Brook later, I'm missing him way too damn much.

Yeah, I think that covers my journey with One Piece thus far.

Try gogoanime if you havent already. It has all the movies too, but I dont know if they have it dubbed. maybe its jap+sub only.


Anyway, I dont think I would be able to start such a big series, if I already didnt love the shit out of it. It seems too mentally tiring.
The longest series Ive watched 1 or more eps a day is, HxH 2011 probably and it has wayyyyy less episodes than Op and I already knew I liked it, because I watched the 99 version many years ago.
Props for the spergy determination to both.
 
I wonder if people who are foolish enough, to start watching either one piece or detective conan, from ep1, actually exist in this day and age.
LOL I did both. Though I was careful to avoid the filler episodes for both (With the exception of G8 arc for One Piece, that was amazing stuff).

For Conan, you can easily skip over 200-300 episodes by skipping the filler eps. It's very easy to watch because a lot of it is case-of-the-week, and a lot of the early cases are skippable if you want (Though I don't recommend this, those cases are amazing if you're a fan of locked room murder solving, in fact, if you're watching Conan for the Black Organization, then you're doing it wrong IMO, the cases are where it's at, and it's the meat & potatoes of the series. Although we are making some progress now.

Currently, Shinichi & co are on the hunt for the Black Org'a 2nd in command (Who's not Gin), among some other shadowy mysteries

Nowadays it's a bit different, because Aoyama figured out how to add an overarching plot into each case, so each (Canon) case has a little moment that ties into the overall arc, which culminates in a string of episodes completely devoted to Black Org shenanigans, unlike before where you had the Black Org episodes and many, many unrelated cases.

For One Piece you can skip about 100-150 filler episodes, give or take. Nowadays the pacing is extremely slow in the anime, and the production budget has been clearly cut to the bone, so you'll see some of the worst animation in a mainstream anime. Although currently it's benefitting from Oda's hot streak in the manga (current arc is easily top 3 IMO), plus the director change at the beginning of Zou arc has freshened things up from an artistic perspective.

@Kari Kamiya: I don't know how you can take the One Piece dub, some characters are well-cast from what I've heard (For example, Doflamingo is great in both incarnations), but Luffy's English VA is just complete garbage, his Japanese VA is far better at conveying him as the simpleton he is.

It's funny that you started to get hooked at the Arlong arc, that is exactly where I recommend newbies to reach before quitting, and IMO, it is the 1st One Piece arc that's actually good front to back. IMHO, if anyone finishes Loguetown and isn't completely hooked, then One Piece just isn't for them.

As for Brook, he will have his moments in this arc, to the point where I am an even bigger fan of his now. SOUL KING!!!!!
 
Try gogoanime if you havent already. It has all the movies too, but I dont know if they have it dubbed. maybe its jap+sub only.

I haven't used it in a long while since it, too, was acting up on me and I went elsewhere. I should try it again, though.

Although currently it's benefitting from Oda's hot streak in the manga (current arc is easily top 3 IMO), plus the director change at the beginning of Zou arc has freshened things up from an artistic perspective.

Ooh, that sounds nice, actually.

@Kari Kamiya: I don't know how you can take the One Piece dub, some characters are well-cast from what I've heard (For example, Doflamingo is great in both incarnations), but Luffy's English VA is just complete garbage, his Japanese VA is far better at conveying him as the simpleton he is.

I could be the only one who's not a fan of Doflamingo with a deep, menacing voice...

It could be because I hear Gohan more often than not (though I think she was cast as Luffy first before Gohan? But once the two-year time skip happened, she's started sounding less like Gohan...), so I got used to his voice very quickly. I also think another reason is because it was Toei who handpicked her. Yeah, Toei is extremely controlling and has made some really weird and really stupid decisions themselves, but I think there was a reason they wanted her to be Luffy. Far as I know, that was the only time they stepped in with the casting role, so everyone else came more naturally.

Now I can argue that Franky benefited from the dub since there's just really something off about him not having a deep voice in the original Japanese, but there's heart in Yao's performance. (Lmaoooo just found out he's Dark Schneider in Bastard!! XD, too bad I watched that one dubbed but holy crap, the resemblance is uncanny.)

It's funny that you started to get hooked at the Arlong arc, that is exactly where I recommend newbies to reach before quitting, and IMO, it is the 1st One Piece arc that's actually good front to back. IMHO, if anyone finishes Loguetown and isn't completely hooked, then One Piece just isn't for them.

My brothers argue Alabasta should be the clincher that determines whether-or-not it's for you since at the very least, it guarantees you got into the Grand Line, but also got introduced to important (and cool) characters. Loguetown's not entirely a bad place to stop if one's not interested, but it's just right before the Grand Line, the very meat of the story and right as it got good and developed its own identity. (However, that was also around the time the second opening was introduced, and that's my favorite of One Piece's openings--although that's probably because I just love Gol Roger's speech that accompanies it.)

I just might be a weird case, then, as it took me quite a while to come to the conclusion it was all worth watching.
It's true that I got more interested with Arlong Park and wanted to watch more episodes, but I was still going, "Yeah, this isn't too bad. Not entirely special, but not bad." Getting into the Grand Line was pretty fun, though meeting Vivi was a little weird and a bit blurry, but I liked her. Baroque Works I think was just a little too cluttered when it came to its large cast of characters, but I can forgive it since it introduced Bon Clay and you just can't hate the guy. Upon reaching Drum Island, I'm glad we at least got to see Dr. Kureha almost immediately upon the Straw Hats landing 'cause she's fucking awesome.

But that wasn't what perked my attention. Watching Luffy climb the mountain with his bare hands while carrying two people made me go, "Holy shit, Luffy's a badass. What other shounen protagonist would do that?"

But that still didn't yet convince me One Piece was special. Alabasta was cool and all, but I had a bit of a hard time getting into it while they were crossing the desert, and even during a couple of the fights (however, Nami's fight with Miss Doublefinger was brutal and funny and is probably my favorite of the Baroque Works fights). Crocodile's awesome and all, and the introduction of the poneglyphs was great, but I still wasn't yet completely convinced there was really more to the series than first let on.

Then Jaya came along. It was just like the previous arcs, nothing all that special and took me a bit to get into the upcoming saga (I'm not the only one who's noticed that it takes a while for each saga/arc to get good, right?), but still, something about it was different. Bellamy's introduction got my blood boiling a little, so him getting the smack down with a single punch was just fucking awesome. The Knock Up Stream to get to the Sky Islands was a pretty cool idea, and then the Shandorians were introduced, and it slowly revealed their history and customs, but in between all of that came Enel and the arc never looked back (seriously, why do some people not like Enel?). That then all came to a head with the flashback to Noland's journey and friendship with Calgara and his story unfairly getting warped into a lie that tainted his family line forever and holy shit, that's when it hit me:

"This is special."

It literally took me almost 200 episodes to get to that point, but I was so glad I stuck with it. Skypiea just blew my mind with its world-building and history, and I was just so appreciative of it and I almost couldn't fucking believe that it was going to get better and one-up itself from there. I mean yeah, the Long Ring Long Land arc was just really weird but I just can't bring myself to hate the Foxy Pirates, but Water 7 and oh my God Enies Lobby made up for it and aaaaaaahhhhhh that's right, this is what cemented Usopp as my favorite Straw Hat! God, we need Sniper King back!

Got a little carried away there, sorry about that. I haven't been able to really talk about it outside of my brothers.
 
I’d imagine any dub of One Piece would sound great after the whole 4Kids! dub.

I decided to try out an episode of the 4KIDS dub out of some sick curiosity, and the exact moment Sanji spoke, I had to go take a breather. I don't have alcohol anywhere in the house, but I swear that's enough to drive me to start drinking.

I feel bad for David Moo, honestly. He was directed to sound like that and that killed his voice-acting career (unless he still went on to voice Xellos in Slayers, but then decided voice-acting wasn't for him).
 
Just re-watched Witchblade. Come for the sexy chicks and the fanservice, stay for the plot, the likable characters and the feels. It's also one of the few instances I enjoyed the dub. I also love the opening as well.

 
I decided to try out an episode of the 4KIDS dub out of some sick curiosity, and the exact moment Sanji spoke, I had to go take a breather. I don't have alcohol anywhere in the house, but I swear that's enough to drive me to start drinking.

I feel bad for David Moo, honestly. He was directed to sound like that and that killed his voice-acting career (unless he still went on to voice Xellos in Slayers, but then decided voice-acting wasn't for him).
From what I read, he just flat out retired after the fallout from the 4Kids OP dub. Xellos was voiced by another actor for the Funimation/NYAV Post dub of the last two Slayers series.
 
I have a soft spot for 4kids dub of one piece. it's mostly nostalgia talking, since I have fond memories watching Fox Box every Saturday mourning as kid. As for the Funi cast, I don't have much a opinion on since I was deep into watching subbed version by the time it first drop and was like fuck dubs for a while. but I've since dropped the anime during the Dressrosa arc since my patience with the pacing started to run thin. Now I just read the manga. I think my tolerances for long running shonen anime isn't what it use to be. I just want them to get the god dame point without taking ten episodes to finish a fight. Also Conan stopped being good hundreds of episodes and its became creativity bankrupt to boot by reusing murder case scenarios.
 
'Kay, I'm just going to throw this up here as I don't know when I'm going to get the chance to show it, and I meant to do it on the anniversary of Naruto's ending, but I missed it. But anyway, I found this review around this time anyway on the now-closed Naruto forums on Viz's site, and even though it's nothing but :autism: in its purest form, it came from a fanboy who was just so disappointed with what his favorite series had become that I just loved it. When I learned last year the forums were closing, I quickly went back to save it on a Word document (this was just before learning about archiving), so I've been holding on to this for a while now and just want to share it.

If there's a Bleach or Fairy Tail version of this kind of review/reflection out there, I honestly want to read them.

Alright then, I don't normally post in this section, I hang out in the battlegrounds where I belong, usually surrounded by people who can form thoughts. So its exceedingly rare for me to enter any section for any length of time, the debates rage on and I am always needed on the front lines. I have never made a thread in this section and have seldom made threads outside of those hallowed halls of rhetoric and fury. But I find myself compelled to do so, motivated perhaps by the closing of a chapter of the lives of many of you forumers, a close in my "life" as well. Something I guess we can all share? After all, is not the entire moral of this vast and illustrious comic book that we have all come to enjoy that everyone should understand everyone else's pain? How Tolerance and understanding of ones pain? Has not Naruto been twelve plus year long festering ulcer for us all? Are we not here to rejoice that it has finally been lanced? Does this finally mean we can move on to greater things?

No, no it doesn't in fact it's the exact opposite..Naruto is the start of the decline of Shounen manga (pretentious as it is to suggest that comics about people beating the crap out of each other have some standard by which they can fall below I suppose) and its every single Nardo fans fault..what is coming is part of an over all decline in anime that will turn the entire massive genre from something interesting and brave, intense and ground breaking, visually stunning and thematically powerful, into a stunted, repetitive, derivative, "safe" emotionally arrested, morally backwards snooze fest of bland carbon copies, two dimensional characters and boring, generic, amateurish art. Where risks aren't taken and stories meant to inspire teens, to make them gape and shout "DUDE THAT WAS AWESOME!" while also provoking them to think..stories meant to shake the antisocial, resentful oblivious among us into moving beyond their retardation into something more. Stories that were to the well adjusted, a fun and amusing way of blowing five minutes or half an hour while watching something awesome and loving the manly message were to the malformed, misshapen and unwanted a doorway to a world where they could escape, face their own problems and failures and overcome..Now seek to enable those same failings, where Shounen once looked at a character as self absorbed, narcissistic and cruel as Sasuke and responded with loud mocking laughter followed by a violent series of beating until that character came face to face with the horrors of their own flaws and overcame them, stepping into the light and taking personal responsibility..now seek to cast these same selfish cretins as these victims who need love and hugs and who bare no personal responsibility for their actions due to their perceived horrible childhoods. This is a reflection of the vast majority of the fandom, the perception they possess and their attitudes. It shapes how they view fiction and with the advent of the internet, and a global market..it has allowed these fans a platform in numbers far greater..than before to influence how editors and writers move their stories.

Naruto is the used syringe, Fairy Tale the HIV virus, and the new generation of fiction writers, who were the deranged Otaku nutbags who fapped to Sasuke-sama and gave kishimoto the means of making an easy buck are the fully realized form of the disease. The Aids virus that will inside of two decades completely destroy any originality, or quality to shounen (and with the proliferation of self publishing sites, and the thriving Web comic industry..yes this is even more likely).

This has happened before..fifty years ago marvel and DC writers allowed their fans to interact with the writers in Q and A sessions and editorials in all their comics that came out every month. The fanboys and girls clammored and within a decade those same stories began to take heed and change. by the seventies the Bronze age of comics came..and the quality collapsed almost utterly..the eighties and nineties the so called comics dark age saw a brief revival of quality but by the 2000's the fandoms ascended to writers and well..the Western comic industry is now a joke, the stories are terrible, bland, full of fanservice and petty knee jerking writers who join forums to yell at and fight with fans who dare to object. Spiderman briefly dating a girl that was based off the senior editors daughter being one of the most brazen examples of "self insert" like fanfiction..

the same will occur to Shounen and the Naruto fandom has opened the door to that..the crimes of the future lie squarely at your feet. And lie squarely at ours, the old school manly fighting manga guys for not being able to stop it..but enough about the crimes of the fans for now..let us look back at the series itself.

Naruto's original run started around 99 or so but it didn't hit its stride until 2002 or so, but the characters first appearance originates back in the year 1997, a year when most of the userbase here was either a new born baby, not born yet for several years or if you're my age, months away from becoming a fifth grader. A young up and coming artist by the name of Masashi Kishimoto needing some money published a one shot featuring the titular character. Although he thought his writing was rushed and awful, his art quality terrible and that the characters were in his own words "Too Japanese"..the story somehow polled very high among the readers and he got his name out.

Naruto was a story in its beginning that had a great deal of depth compared to most other fighting mangas out there. It had politics, it had diversity of factions, different clans and high ranking warriors who vied for control, competing city states of child warriors who had very different cultures. At its center was the young orphan boy of someone unknown at the time, an ostracized, neglected and hated child who was scorned for a crime he knew nothing about. His only desire being for people to see him, he was a prankster, a loud mouth, a goof ball and an idiot who sought the attention and recognition denied to him for so long. After being duped into stealing a forbidden scroll and learning a technique only high ranking people knew, and only exceptionally strong people had the gas in the tank to pull off he gets roped into an adventure with a team.

That team, contained a young Sasuke Uchiha, the prince and last heir of a legendary clan of great warriors who possessed a powerful blood line that allowed them to wield magical eyeballs. Where Naruto was loud and adventurous, Sasuke was cold and vainglorious. While Naruto sought recognition as a means of human contact Sasuke sought it as a means to address his insecurity and his need for vengeance.

One of these characters, was given undue praise and love both by the fans and the characters of the universe. In a traditional fighting manga he'd be the prissy jerk who eventually gets humbled by the hero and becomes a loyal if a bit aloof team mate. Here he constantly placed high in the popularity polls.

Where his boring, one dimensional nature was a stark contrast to Naruto who laid it all on the line for a city who hated him, fighting a homicidal child possessed by his own grief and rage as well as a demon..and reached that kid. He was loved instead of hated and more air time was demanded of the crazy child.

The fight against Gaara will forever stand as the greatest moment of the Naruto manga, for it embodied everything the original story was all about. Two outcasts and orphans each one treated horribly, each one wielding immense power from inhuman source battled each other in a contest of wills. Naruto who was all about living with a smile and persevering, who never used his misery as an excuse vs the unhinged, vicious killer who hated all around him for his solitude and lack of love.

It embodied everything right about the series, there was personal accountability, Gaara who was a genuine victim still was made to come face to face with the reality that his life's path was the wrong one and that he had no excuse for his despotic antics and when he faced that reality and broke..it was pushed onto him with a solid blow to the face.

The tone of the series notably changed after that, with the appearance of more Uchihas the core of the story seemed to shift away from the main character and his quest for a family..his desire to help others, his belief in himself and the dream of a better life forged by right action into something else. Gone were the days hard work, of dedication, of compassion tempered by a sense of justice and morality...replaced by a warped moral that essentially amounted too "everyone is a victim of influences outside of their control, there is no personal accountability or atonement, no justice no self determination..a treasonous murderer like Itachi is morally comparable to a child who had a monster sealed inside him before he was even born one that threatened to eat his personality if he ever slept"

As this continued, the characters who should have been detested grew more and more popular, sold more and more merchandise and more and more were cries of "but he's just an avenger" or "he is so cool!!" "KAWAI SAWWWSKEEE-KWOOON!!!" filled the air, followed by support for Itachi...Kishi eager for money, eager for fame and likely pressured by the editors the way Toriyama was, much like Toriyama began to compromise his vision and soon the world of naruto was in total discord.

Gone was harmony in the heavens for the theme of the entire universe had begun to contradict itself and Kishimoto plowed ever onward, his story that originally was crafted, albeit rushed and perhaps even unwillingly, though still possessing of care and professionalism soon became a soulless machine designed to cater to the loudest of the loud, the shallowest of the shallow, the most disturbed of the bunch.

The art quality even began to reflect that, while the characters were never life like or very expressive they were drawn in an almost comical way that made them enjoyable. This was gone, replaced by repetition, laziness and blatant fanservice. The story itself degraded a long with the art until Sasuke and Akatsuki began to have more screen time than the main character himself.

Sasuke continued down his reprehensible, immoral path and the story kept attempting to justify it, to swim in money? Or perhaps just because it was the easiest way to publish a series without doing much work..pandering the way he did.

The plot and story line lost all meaning of semblance and thought when brother killed brother and a masked man weaved a fantastic story that strained all credulity. Your brother, a baby killing psychopathic traitor..was really a kind hearted person...A retcon so insulting and distasteful many, many an old time reader quit the series at that point.

That was the deathnell of rhyme and reason in the series. When personal responsibility vanished and in its place was a boring, emo and utterly dishonest message of justification. The world is mean, therefor you have nothing to answer for! Do as you like so long as you know a fraction of that pain!

Pain..the main theme of the third quarter to the finale of this story, pain..conflict, characters uttered the phrase "understanding *insert persons name and pain here*" on and on droned..to the point where the readers of the manga stopped thinking and merely repeat it endlessly without giving thought to what it actually means?

What does it mean? Does understanding somebodies suffering undue the sins they committed? Does knowing what a person went through excuse their horrible conduct or justify the miserable, utterly wrong lives they live?

Part 1 Naruto says HELL NO..and he says that with a titanic fist to your face. Suffering and pain..do not excuse ones actions, a circle of hatred does not give you the right to be a monster..to plunge the world into war, or to attempt to strike down your best friend..then perpetrate an eternity of violence from the shadows so that living souls will turn their hatred towards you (in fact one think understanding pain would provoke the absolute opposite of this line of thinking?) Just because you were abused, hurt or neglected doesn't give you the right to hate others, or to act self destructive or hateful and actions aren't undone by having someone understand your pain either.

This would be why other characters died for their actions, or repented at great personal cost..part 1 taught us that you will always have to answer for what you have done..because the type sob story you have doesn't matter nearly as much as the decisions you make and the actions you take. You can feel anger and hurt all you want but if you choose to do the wrong thing than you become no better than those who caused you pain..while actively seeking to do the opposite..to never give in and never in resentment will not only allow you to heal and move on but to build a life of meaning.

But part 2? Part began and ended on the premise that any type of conduct and behavior can be excused. It completely chanted the rules of the universe, even created new nations and convoluted histories to justify atrocity after atrocity under the auspices that victims can be nothing but victims. It is an absurdly patronizing, morally reprehensible and insulting..stagnating moral that only someone deeply warped and twisted can love. And love they sure as hell did..because the entire second half of the series, seven years has been one long scramble of forced retcons, convoluted insertions and boring fights to stall for time while the author desperately tries to figure out what his next move is.

And as many had predicted, seven years to the day the series ends..and as it ends there is no meaningful resolution. Sasuke apologizes and gets a slap on the wrist, but isn't forced to actually pay for his crimes. Sasuke himself learns nothing and doesn't grow as it seems he immediately walks off alone..away from the bonds that had given his rival everything he needed to change the world while Sasuke spent fifteen years of story time..stagnating.

That is perhaps Naruto's greatest sin..it is a manga that is superficial as hell, it panders and it placates but it doesn't actually answer any questions or resolve any conflicts in a way that actually has any value. It's incoherent, immature, self indulgent and downright warped morality is matched only by the blind, slavish devotion of its fandom..that inspired the man and his editors to walk down a path of artistic and literary prostitution matched only by the creator of Dragon Ball Z and a certain infamous Superman writer and creator of the TV Show Heroes (which itself shared many of its flaws with Nardo) Joeph Leob. In its laziness it encourages other authors to do the same, it inspires the anti social and the emotionally immature in the wrong ways and it catered to the most unhinged group.

It sent a message(and to be fair bleach shares blame here ) that it was okay to write a disjointed, rushed and incredibly lazy story so long as it said the right words to the right group of desperate shut ins..and sold enough merchandise. It said "don't actually bother drawing, the art can be generic as hell with its humans barely looking like anything real because our target audience doesn't even want to interact with real people any more! its okay they'll shill out money" "Slap a pair of tits on a poorly drawn outline of a barbie doll and they'll say its pure quality!" (okay maybe this is something bleach is entirely to blame for) make your men as brooding, emo and androgynous as possible..

Forget the awful plot, the fact that Naruto's probably one of the most sexist mangas out there what with Sakura being the stereotypical battered wife who stands by her roaring douche bag of a husband no matter what..out of some awful and twisted sense of childish lust that long ago was confused for love. Forget how the only other strong female character was a neglectful drunken coward who spent decades in hiding when she could have been saving lives by the tens of thousands. Never mind the insulting dialog that at times was genuinely inferior to friggen porn...forget the fact that kishimoto tries so god damn hard to paint the precious Uchihas as victims and force this..horrifically poor "new moral theme" of the story on us that it comes off as half patronizing, half the crazed efforts of someone desperate...Forget how disturbingly Freudian and sexual (in the wrong ways) some of the fights were, or how truly horribly simplistic and one dimensional the characters were (sorry Crair..Madara wasn't even a character he was a god damn caricature of the Shounen "ancient power" and "braggart" archetypes). Forget the pointless retcons..and blatantly transparent asspulls done simply because the author had painted himself into a corner

Nardo's greatest sin is that it didn't even resolve itself or fulfill either of its main themes! The original? hah screw that..that ship sailed ages ago..we weren't getting anything intelligent, or positive out of this..no vindication or hell even a Call out on the Sauce's BS...but the second? That everyone is a poor thing who needs a shoulder to cry on? That we're all victims of a vicious cycle? Yeah that wasn't even resolved. Sasuke is still a criminal, one whose demise in a just and noble fashion would have finally broken the cycle of hatred. Obito? died forgiven for crimes he never should have been pardoned for, leaving entire villages devastated by his machinations without closure..or justice for the lost. widows, and widowers, dead kings and murdered children, blood line limits annihilated and two generations of ruined lives..now calling out to a world that can offer them no balm for their rage...

Madara? molested to death by his grandmother and died in the arms of his gay lover, given a free pass..and again leaving generations and entire cultures, whole battlefields of grieving people asking "why, why were we used like this! Where is our justice!"

Kaguya?...actually she doesn't fit into either of those themes..I have no idea what the hell she was supposed to be about..half of a rough draft for a potential manga Kishi was probably working on got accidentally sent to the publishers instead of the actual plot and they figured "ehh eff it! Lets just run with it" Cementing Kaguya as the greatest big lipped Alligator moment in the history of the trope..

And moving back to that..Orochimaru? Committed murder so many times its beyond counting, killed babies, adults, kids...assassinated the leader of a village and soul raped and killed the leader of another...created a rogue army and sided with terrorists....he..ran off? Again leaving thousands of enraged souls looking for vengeance.

Sasuke? Again..and to make matters worse, in a blatantly corrupt display of a favoritism Konoha pardons its favorite son, thus openly slighting all of its allies and heaping mockery and fostering malice of all of the Sauces victims..the sheer clueless, pretentiousness of this..both from the characters and the author who I'm convinced thinks his entire fandom is made up of idiots who can't think for themselves...and thus wont object.



There is now a legion, several generations, a quarter of a million souls who forget about justice, they don't even have closure..and worse..on top of such an indignity they are forced to endure watching the sources of their pain become martyred saints...seen in a sympathetic light..a legion of grieving souls bitter, angry and possibly even demanding vengeance

The cycle isn't broken it's back in full force, and worse...its been vindicated.

Over a hundred million copies of Nardo have been sold..fifteen years of the lives of millions wasted on a story with one of the most bleak and tragic endings ever..obliviously conceived and nodded along with a smile by the blind and the biased...all the while sending the message, that that is, okay..And because of that..others will follow his example and quality will die replaced by utter garbage and its all our fault...Kishimoto's and the fans and those of us who weren't loud enough to drown out all the stupidity...

That's Naruto's greatest sin..

What a despicable, pathetic end to a terrible story what a waste. What an utter, waste...
 
I w
LOL I did both. Though I was careful to avoid the filler episodes for both (With the exception of G8 arc for One Piece, that was amazing stuff).

For Conan, you can easily skip over 200-300 episodes by skipping the filler eps. It's very easy to watch because a lot of it is case-of-the-week, and a lot of the early cases are skippable if you want (Though I don't recommend this, those cases are amazing if you're a fan of locked room murder solving, in fact, if you're watching Conan for the Black Organization, then you're doing it wrong IMO, the cases are where it's at, and it's the meat & potatoes of the series. Although we are making some progress now.

Currently, Shinichi & co are on the hunt for the Black Org'a 2nd in command (Who's not Gin), among some other shadowy mysteries

Nowadays it's a bit different, because Aoyama figured out how to add an overarching plot into each case, so each (Canon) case has a little moment that ties into the overall arc, which culminates in a string of episodes completely devoted to Black Org shenanigans, unlike before where you had the Black Org episodes and many, many unrelated cases.

!

How much time has canonically passed since the start of the series? I stopped following it a long time ago, but Is shinichi still a kid or has he grown up a little?



Also talking about one piece and fox kids: how the fuck can you watch this and still not burst out laughing?
https://i.imgur.com/Y65na8X.jpg
I remember I did the first time I saw thiz on the internet.
 
Any of you guys know Houseki no Kuni\Land of the Lustrous? It's premise is very similar to Steven Universe (genderless but mostly feminine space gems fighting mood dwellers), only its source manga predates the cartoon by roughly a year. Looks like SU is even less original than I thought.
 
I could be the only one who's not a fan of Doflamingo with a deep, menacing voice...

It could be because I hear Gohan more often than not (though I think she was cast as Luffy first before Gohan? But once the two-year time skip happened, she's started sounding less like Gohan...), so I got used to his voice very quickly. I also think another reason is because it was Toei who handpicked her. Yeah, Toei is extremely controlling and has made some really weird and really stupid decisions themselves, but I think there was a reason they wanted her to be Luffy. Far as I know, that was the only time they stepped in with the casting role, so everyone else came more naturally.

Now I can argue that Franky benefited from the dub since there's just really something off about him not having a deep voice in the original Japanese, but there's heart in Yao's performance. (Lmaoooo just found out he's Dark Schneider in Bastard!! XD, too bad I watched that one dubbed but holy crap, the resemblance is uncanny.)
The weird thing about Franky is that Oda created him with that voice actor in mind after he was impressed by his performance as Bon Clay. I think the Japanese VA pulls off the weirdo vibe quite well, but then again, I didn't hear the English one.
My brothers argue Alabasta should be the clincher that determines whether-or-not it's for you since at the very least, it guarantees you got into the Grand Line, but also got introduced to important (and cool) characters. Loguetown's not entirely a bad place to stop if one's not interested, but it's just right before the Grand Line, the very meat of the story and right as it got good and developed its own identity. (However, that was also around the time the second opening was introduced, and that's my favorite of One Piece's openings--although that's probably because I just love Gol Roger's speech that accompanies it.)

I just might be a weird case, then, as it took me quite a while to come to the conclusion it was all worth watching.
My reasoning as to why Loguetown is the arc that decides whether you want to continue is because it's the 1st arc that promises that the OP world is about more than what Luffy is doing, and that there are stories in the past that warrant the viewer to continue in order to find them.

Alabasta is also a good point for a more final opinion, personally I enjoyed it a lot. Maybe a bit more than Skypeia (That arc was fantastic, but Enel got on my nerves for some reason lol, and I LOVE Crocodile).

IMO, OP's roughest arc so far was Thriller Bark. That arc was almost entirely saved by its final 3rd: Zoro vs Ryuuma, Oars vs the strawhats and Kuma's appearance were all epic moments, but it's all in the final 3rd of the arc. The stuff with Absalom, Lola etc. was hit or miss for me.

Amazingly enough, the Jaya arc is one of my favorite ones, short, but fully packed with character moments, and it gave us Blackbeard, who is one of my fave villains in Anime.

I have a soft spot for 4kids dub of one piece. it's mostly nostalgia talking, since I have fond memories watching Fox Box every Saturday mourning as kid. As for the Funi cast, I don't have much a opinion on since I was deep into watching subbed version by the time it first drop and was like fuck dubs for a while. but I've since dropped the anime during the Dressrosa arc since my patience with the pacing started to run thin. Now I just read the manga. I think my tolerances for long running shonen anime isn't what it use to be. I just want them to get the god dame point without taking ten episodes to finish a fight. Also Conan stopped being good hundreds of episodes and its became creativity bankrupt to boot by reusing murder case scenarios.
Mostly agreed. Except on Conan.

While I acknowledge that I am a fanboy of Conan (And detective fiction in general), I think the manga has been improving in the past 2-3 years after a relative slump. Mainly because the plot started getting interesting again, and Aoyama's decision to add more detectives (with their own motives) that are capable of matching Shinichi and figuring out his identity.

The Bourbon arc in particular is a highlight of Conan so far. At least IMHO.

'Kay, I'm just going to throw this up here as I don't know when I'm going to get the chance to show it, and I meant to do it on the anniversary of Naruto's ending, but I missed it. But anyway, I found this review around this time anyway on the now-closed Naruto forums on Viz's site, and even though it's nothing but :autism: in its purest form, it came from a fanboy who was just so disappointed with what his favorite series had become that I just loved it. When I learned last year the forums were closing, I quickly went back to save it on a Word document (this was just before learning about archiving), so I've been holding on to this for a while now and just want to share it.

If there's a Bleach or Fairy Tail version of this kind of review/reflection out there, I honestly want to read them.

Alright then, I don't normally post in this section, I hang out in the battlegrounds where I belong, usually surrounded by people who can form thoughts. So its exceedingly rare for me to enter any section for any length of time, the debates rage on and I am always needed on the front lines. I have never made a thread in this section and have seldom made threads outside of those hallowed halls of rhetoric and fury. But I find myself compelled to do so, motivated perhaps by the closing of a chapter of the lives of many of you forumers, a close in my "life" as well. Something I guess we can all share? After all, is not the entire moral of this vast and illustrious comic book that we have all come to enjoy that everyone should understand everyone else's pain? How Tolerance and understanding of ones pain? Has not Naruto been twelve plus year long festering ulcer for us all? Are we not here to rejoice that it has finally been lanced? Does this finally mean we can move on to greater things?

No, no it doesn't in fact it's the exact opposite..Naruto is the start of the decline of Shounen manga (pretentious as it is to suggest that comics about people beating the crap out of each other have some standard by which they can fall below I suppose) and its every single Nardo fans fault..what is coming is part of an over all decline in anime that will turn the entire massive genre from something interesting and brave, intense and ground breaking, visually stunning and thematically powerful, into a stunted, repetitive, derivative, "safe" emotionally arrested, morally backwards snooze fest of bland carbon copies, two dimensional characters and boring, generic, amateurish art. Where risks aren't taken and stories meant to inspire teens, to make them gape and shout "DUDE THAT WAS AWESOME!" while also provoking them to think..stories meant to shake the antisocial, resentful oblivious among us into moving beyond their exceptionalism into something more. Stories that were to the well adjusted, a fun and amusing way of blowing five minutes or half an hour while watching something awesome and loving the manly message were to the malformed, misshapen and unwanted a doorway to a world where they could escape, face their own problems and failures and overcome..Now seek to enable those same failings, where Shounen once looked at a character as self absorbed, narcissistic and cruel as Sasuke and responded with loud mocking laughter followed by a violent series of beating until that character came face to face with the horrors of their own flaws and overcame them, stepping into the light and taking personal responsibility..now seek to cast these same selfish cretins as these victims who need love and hugs and who bare no personal responsibility for their actions due to their perceived horrible childhoods. This is a reflection of the vast majority of the fandom, the perception they possess and their attitudes. It shapes how they view fiction and with the advent of the internet, and a global market..it has allowed these fans a platform in numbers far greater..than before to influence how editors and writers move their stories.

Naruto is the used syringe, Fairy Tale the HIV virus, and the new generation of fiction writers, who were the deranged Otaku nutbags who fapped to Sasuke-sama and gave kishimoto the means of making an easy buck are the fully realized form of the disease. The Aids virus that will inside of two decades completely destroy any originality, or quality to shounen (and with the proliferation of self publishing sites, and the thriving Web comic industry..yes this is even more likely).

This has happened before..fifty years ago marvel and DC writers allowed their fans to interact with the writers in Q and A sessions and editorials in all their comics that came out every month. The fanboys and girls clammored and within a decade those same stories began to take heed and change. by the seventies the Bronze age of comics came..and the quality collapsed almost utterly..the eighties and nineties the so called comics dark age saw a brief revival of quality but by the 2000's the fandoms ascended to writers and well..the Western comic industry is now a joke, the stories are terrible, bland, full of fanservice and petty knee jerking writers who join forums to yell at and fight with fans who dare to object. Spiderman briefly dating a girl that was based off the senior editors daughter being one of the most brazen examples of "self insert" like fanfiction..

the same will occur to Shounen and the Naruto fandom has opened the door to that..the crimes of the future lie squarely at your feet. And lie squarely at ours, the old school manly fighting manga guys for not being able to stop it..but enough about the crimes of the fans for now..let us look back at the series itself.

Naruto's original run started around 99 or so but it didn't hit its stride until 2002 or so, but the characters first appearance originates back in the year 1997, a year when most of the userbase here was either a new born baby, not born yet for several years or if you're my age, months away from becoming a fifth grader. A young up and coming artist by the name of Masashi Kishimoto needing some money published a one shot featuring the titular character. Although he thought his writing was rushed and awful, his art quality terrible and that the characters were in his own words "Too Japanese"..the story somehow polled very high among the readers and he got his name out.

Naruto was a story in its beginning that had a great deal of depth compared to most other fighting mangas out there. It had politics, it had diversity of factions, different clans and high ranking warriors who vied for control, competing city states of child warriors who had very different cultures. At its center was the young orphan boy of someone unknown at the time, an ostracized, neglected and hated child who was scorned for a crime he knew nothing about. His only desire being for people to see him, he was a prankster, a loud mouth, a goof ball and an idiot who sought the attention and recognition denied to him for so long. After being duped into stealing a forbidden scroll and learning a technique only high ranking people knew, and only exceptionally strong people had the gas in the tank to pull off he gets roped into an adventure with a team.

That team, contained a young Sasuke Uchiha, the prince and last heir of a legendary clan of great warriors who possessed a powerful blood line that allowed them to wield magical eyeballs. Where Naruto was loud and adventurous, Sasuke was cold and vainglorious. While Naruto sought recognition as a means of human contact Sasuke sought it as a means to address his insecurity and his need for vengeance.

One of these characters, was given undue praise and love both by the fans and the characters of the universe. In a traditional fighting manga he'd be the prissy jerk who eventually gets humbled by the hero and becomes a loyal if a bit aloof team mate. Here he constantly placed high in the popularity polls.

Where his boring, one dimensional nature was a stark contrast to Naruto who laid it all on the line for a city who hated him, fighting a homicidal child possessed by his own grief and rage as well as a demon..and reached that kid. He was loved instead of hated and more air time was demanded of the crazy child.

The fight against Gaara will forever stand as the greatest moment of the Naruto manga, for it embodied everything the original story was all about. Two outcasts and orphans each one treated horribly, each one wielding immense power from inhuman source battled each other in a contest of wills. Naruto who was all about living with a smile and persevering, who never used his misery as an excuse vs the unhinged, vicious killer who hated all around him for his solitude and lack of love.

It embodied everything right about the series, there was personal accountability, Gaara who was a genuine victim still was made to come face to face with the reality that his life's path was the wrong one and that he had no excuse for his despotic antics and when he faced that reality and broke..it was pushed onto him with a solid blow to the face.

The tone of the series notably changed after that, with the appearance of more Uchihas the core of the story seemed to shift away from the main character and his quest for a family..his desire to help others, his belief in himself and the dream of a better life forged by right action into something else. Gone were the days hard work, of dedication, of compassion tempered by a sense of justice and morality...replaced by a warped moral that essentially amounted too "everyone is a victim of influences outside of their control, there is no personal accountability or atonement, no justice no self determination..a treasonous murderer like Itachi is morally comparable to a child who had a monster sealed inside him before he was even born one that threatened to eat his personality if he ever slept"

As this continued, the characters who should have been detested grew more and more popular, sold more and more merchandise and more and more were cries of "but he's just an avenger" or "he is so cool!!" "KAWAI SAWWWSKEEE-KWOOON!!!" filled the air, followed by support for Itachi...Kishi eager for money, eager for fame and likely pressured by the editors the way Toriyama was, much like Toriyama began to compromise his vision and soon the world of naruto was in total discord.

Gone was harmony in the heavens for the theme of the entire universe had begun to contradict itself and Kishimoto plowed ever onward, his story that originally was crafted, albeit rushed and perhaps even unwillingly, though still possessing of care and professionalism soon became a soulless machine designed to cater to the loudest of the loud, the shallowest of the shallow, the most disturbed of the bunch.

The art quality even began to reflect that, while the characters were never life like or very expressive they were drawn in an almost comical way that made them enjoyable. This was gone, replaced by repetition, laziness and blatant fanservice. The story itself degraded a long with the art until Sasuke and Akatsuki began to have more screen time than the main character himself.

Sasuke continued down his reprehensible, immoral path and the story kept attempting to justify it, to swim in money? Or perhaps just because it was the easiest way to publish a series without doing much work..pandering the way he did.

The plot and story line lost all meaning of semblance and thought when brother killed brother and a masked man weaved a fantastic story that strained all credulity. Your brother, a baby killing psychopathic traitor..was really a kind hearted person...A retcon so insulting and distasteful many, many an old time reader quit the series at that point.

That was the deathnell of rhyme and reason in the series. When personal responsibility vanished and in its place was a boring, emo and utterly dishonest message of justification. The world is mean, therefor you have nothing to answer for! Do as you like so long as you know a fraction of that pain!

Pain..the main theme of the third quarter to the finale of this story, pain..conflict, characters uttered the phrase "understanding *insert persons name and pain here*" on and on droned..to the point where the readers of the manga stopped thinking and merely repeat it endlessly without giving thought to what it actually means?

What does it mean? Does understanding somebodies suffering undue the sins they committed? Does knowing what a person went through excuse their horrible conduct or justify the miserable, utterly wrong lives they live?

Part 1 Naruto says HELL NO..and he says that with a titanic fist to your face. Suffering and pain..do not excuse ones actions, a circle of hatred does not give you the right to be a monster..to plunge the world into war, or to attempt to strike down your best friend..then perpetrate an eternity of violence from the shadows so that living souls will turn their hatred towards you (in fact one think understanding pain would provoke the absolute opposite of this line of thinking?) Just because you were abused, hurt or neglected doesn't give you the right to hate others, or to act self destructive or hateful and actions aren't undone by having someone understand your pain either.

This would be why other characters died for their actions, or repented at great personal cost..part 1 taught us that you will always have to answer for what you have done..because the type sob story you have doesn't matter nearly as much as the decisions you make and the actions you take. You can feel anger and hurt all you want but if you choose to do the wrong thing than you become no better than those who caused you pain..while actively seeking to do the opposite..to never give in and never in resentment will not only allow you to heal and move on but to build a life of meaning.

But part 2? Part began and ended on the premise that any type of conduct and behavior can be excused. It completely chanted the rules of the universe, even created new nations and convoluted histories to justify atrocity after atrocity under the auspices that victims can be nothing but victims. It is an absurdly patronizing, morally reprehensible and insulting..stagnating moral that only someone deeply warped and twisted can love. And love they sure as hell did..because the entire second half of the series, seven years has been one long scramble of forced retcons, convoluted insertions and boring fights to stall for time while the author desperately tries to figure out what his next move is.

And as many had predicted, seven years to the day the series ends..and as it ends there is no meaningful resolution. Sasuke apologizes and gets a slap on the wrist, but isn't forced to actually pay for his crimes. Sasuke himself learns nothing and doesn't grow as it seems he immediately walks off alone..away from the bonds that had given his rival everything he needed to change the world while Sasuke spent fifteen years of story time..stagnating.

That is perhaps Naruto's greatest sin..it is a manga that is superficial as hell, it panders and it placates but it doesn't actually answer any questions or resolve any conflicts in a way that actually has any value. It's incoherent, immature, self indulgent and downright warped morality is matched only by the blind, slavish devotion of its fandom..that inspired the man and his editors to walk down a path of artistic and literary prostitution matched only by the creator of Dragon Ball Z and a certain infamous Superman writer and creator of the TV Show Heroes (which itself shared many of its flaws with Nardo) Joeph Leob. In its laziness it encourages other authors to do the same, it inspires the anti social and the emotionally immature in the wrong ways and it catered to the most unhinged group.

It sent a message(and to be fair bleach shares blame here ) that it was okay to write a disjointed, rushed and incredibly lazy story so long as it said the right words to the right group of desperate shut ins..and sold enough merchandise. It said "don't actually bother drawing, the art can be generic as hell with its humans barely looking like anything real because our target audience doesn't even want to interact with real people any more! its okay they'll shill out money" "Slap a pair of tits on a poorly drawn outline of a barbie doll and they'll say its pure quality!" (okay maybe this is something bleach is entirely to blame for) make your men as brooding, emo and androgynous as possible..

Forget the awful plot, the fact that Naruto's probably one of the most sexist mangas out there what with Sakura being the stereotypical battered wife who stands by her roaring douche bag of a husband no matter what..out of some awful and twisted sense of childish lust that long ago was confused for love. Forget how the only other strong female character was a neglectful drunken coward who spent decades in hiding when she could have been saving lives by the tens of thousands. Never mind the insulting dialog that at times was genuinely inferior to friggen porn...forget the fact that kishimoto tries so god damn hard to paint the precious Uchihas as victims and force this..horrifically poor "new moral theme" of the story on us that it comes off as half patronizing, half the crazed efforts of someone desperate...Forget how disturbingly Freudian and sexual (in the wrong ways) some of the fights were, or how truly horribly simplistic and one dimensional the characters were (sorry Crair..Madara wasn't even a character he was a god damn caricature of the Shounen "ancient power" and "braggart" archetypes). Forget the pointless retcons..and blatantly transparent asspulls done simply because the author had painted himself into a corner

Nardo's greatest sin is that it didn't even resolve itself or fulfill either of its main themes! The original? hah screw that..that ship sailed ages ago..we weren't getting anything intelligent, or positive out of this..no vindication or hell even a Call out on the Sauce's BS...but the second? That everyone is a poor thing who needs a shoulder to cry on? That we're all victims of a vicious cycle? Yeah that wasn't even resolved. Sasuke is still a criminal, one whose demise in a just and noble fashion would have finally broken the cycle of hatred. Obito? died forgiven for crimes he never should have been pardoned for, leaving entire villages devastated by his machinations without closure..or justice for the lost. widows, and widowers, dead kings and murdered children, blood line limits annihilated and two generations of ruined lives..now calling out to a world that can offer them no balm for their rage...

Madara? molested to death by his grandmother and died in the arms of his gay lover, given a free pass..and again leaving generations and entire cultures, whole battlefields of grieving people asking "why, why were we used like this! Where is our justice!"

Kaguya?...actually she doesn't fit into either of those themes..I have no idea what the hell she was supposed to be about..half of a rough draft for a potential manga Kishi was probably working on got accidentally sent to the publishers instead of the actual plot and they figured "ehh eff it! Lets just run with it" Cementing Kaguya as the greatest big lipped Alligator moment in the history of the trope..

And moving back to that..Orochimaru? Committed murder so many times its beyond counting, killed babies, adults, kids...assassinated the leader of a village and soul raped and killed the leader of another...created a rogue army and sided with terrorists....he..ran off? Again leaving thousands of enraged souls looking for vengeance.

Sasuke? Again..and to make matters worse, in a blatantly corrupt display of a favoritism Konoha pardons its favorite son, thus openly slighting all of its allies and heaping mockery and fostering malice of all of the Sauces victims..the sheer clueless, pretentiousness of this..both from the characters and the author who I'm convinced thinks his entire fandom is made up of idiots who can't think for themselves...and thus wont object.



There is now a legion, several generations, a quarter of a million souls who forget about justice, they don't even have closure..and worse..on top of such an indignity they are forced to endure watching the sources of their pain become martyred saints...seen in a sympathetic light..a legion of grieving souls bitter, angry and possibly even demanding vengeance

The cycle isn't broken it's back in full force, and worse...its been vindicated.

Over a hundred million copies of Nardo have been sold..fifteen years of the lives of millions wasted on a story with one of the most bleak and tragic endings ever..obliviously conceived and nodded along with a smile by the blind and the biased...all the while sending the message, that that is, okay..And because of that..others will follow his example and quality will die replaced by utter garbage and its all our fault...Kishimoto's and the fans and those of us who weren't loud enough to drown out all the stupidity...

That's Naruto's greatest sin..

What a despicable, pathetic end to a terrible story what a waste. What an utter, waste...
So much autism I couldn't finish it all, my head hurt by the end of the 1st paragraph.

I think the point where Kishimoto fucked up was the ending of the Pain Invasion Arc.. Simply resetting everything and bringing things back to life nullified a lot of character possibilities:
  • Sasuke's status becomes interesting because now there would be no village to destroy, and complete revenge becomes almost completely impossible.
  • Naruto (And the Konoha 11) get an elevated status with heavy responsibilities due to necessity and go into conflict with Danzo around how to rebuild the village, basically Idealism vs Realism, Youth vs Old-Mentality. Plus Naruto could have gotten a lot of character growth from such a move.

    Kishi had a major opportunity after the Pain arc to challenge each character's defining trait: Naruto's Naivety & Sasuke's Desire for revenge. And he fucked it up majorly.
How much time has canonically passed since the start of the series? I stopped following it a long time ago, but Is shinichi still a kid or has he grown up a little?
This is a difficult question to answer, because it isn't specified that Conan is growing, nor is he visually growing, but at the same time, there are side characters who get promoted in rank and couples that are officially together now (The series loves its ships, that's for sure).

Even the Shinichi/Ran thing had some good movement as well. There have been moments where grown Shinichi appears under some circumstances, but I don't want to spoil it because it is tied to bigger moments.

Also, Conan is far more trusted by the LEOs like Takagi etc. at this point. But he is treated more like a kid who's beyond his age rather than a trustworthy detective. The addition of other capable detectives also helps with suspension of disbelief because they can be more prominent than Conan in solving some cases.

Basically, as long as Aoyama still has ideas for murder tricks, the series will continue, because that's what the series is essentially about. But we ARE closer to the end than the beginning, that's all I can definitively say.

Hope this answers your question.
 
Any of you guys know Houseki no Kuni\Land of the Lustrous? It's premise is very similar to Steven Universe (genderless but mostly feminine space gems fighting mood dwellers), only its source manga predates the cartoon by roughly a year. Looks like SU is even less original than I thought.

So it's another Kimba situation?
 
So it's another Kimba situation?

Seems like that to me! While I'm not saying this should ruin SU for people, I'd love to see some of the more cancerous fans of the show REE in outrage over their holy cow being criticized for plagiarism again. Oh, and I just watched the first episode of Houseki no Kuni, it seems pretty neat! It seems to be using a mixture of hand drawn 2d art and CGi, which makes the movements a bit choppy and jarring here and there, but for the most part it's a good looking show with competent voice acting and (so far) compelling characters. Might have to check out the manga as well later.
 
Any of you guys know Houseki no Kuni\Land of the Lustrous? It's premise is very similar to Steven Universe (genderless but mostly feminine space gems fighting mood dwellers), only its source manga predates the cartoon by roughly a year. Looks like SU is even less original than I thought.

I want to give Rebecca Sugar the benefit of the doubt with that if it was only a year in between releases. I don't know when it was she came up with the idea of Steven Universe, but I don't see it being like how it was with Kimba and Lion King.

The weird thing about Franky is that Oda created him with that voice actor in mind after he was impressed by his performance as Bon Clay. I think the Japanese VA pulls off the weirdo vibe quite well, but then again, I didn't hear the English one.

Yeah, that's true. I believe that was also the same reason behind Ivankov.

IMO, OP's roughest arc so far was Thriller Bark. That arc was almost entirely saved by its final 3rd: Zoro vs Ryuuma, Oars vs the strawhats and Kuma's appearance were all epic moments, but it's all in the final 3rd of the arc. The stuff with Absalom, Lola etc. was hit or miss for me.

I'm thinking Thriller Bark's actually one of my favorite arcs the more I think about it. Probably helps one several of my favorite Usopp moments come from Thriller Bark, Perona is one of my favorite non-Straw Hats aesthetically and character-wise, Brook got to prove himself worthy to be a Straw Hat and is just so much fun to watch (and his backstory broke me, hadn't cried that hard since CLANNAD), Sanji's dream of invisibility being broken upon encountering Absalom is hilarious, and then there's the fact it foreshadowed New World arcs, I think more-so than the previous arcs. I also have this honest suspicion Moriah's coming back with a vengeance in the future, maybe in the battle with Kaido, and that'll just be so fucking awesome. And I don't know why, but I'm personally hoping he's forming an alliance with ex-Warlord members on top of that. I think that'd be really cool.
 
I'm thinking Thriller Bark's actually one of my favorite arcs the more I think about it. Probably helps one several of my favorite Usopp moments come from Thriller Bark, Perona is one of my favorite non-Straw Hats aesthetically and character-wise, Brook got to prove himself worthy to be a Straw Hat and is just so much fun to watch (and his backstory broke me, hadn't cried that hard since CLANNAD), Sanji's dream of invisibility being broken upon encountering Absalom is hilarious, and then there's the fact it foreshadowed New World arcs, I think more-so than the previous arcs. I also have this honest suspicion Moriah's coming back with a vengeance in the future, maybe in the battle with Kaido, and that'll just be so fucking awesome. And I don't know why, but I'm personally hoping he's forming an alliance with ex-Warlord members on top of that. I think that'd be really cool.

Yeah, I dig Thriller Bark quite a bit myself. I want Brook to reunite with Laboon sooo much! While I haven't been keepingup with the show after Fishman Island arc, so far I have to say I liked Foxy's debut the least. Sometimes I still can't believe it's canon, while the excellent G8 arc is just filler.
 
While I haven't been keepingup with the show after Fishman Island arc, so far I have to say I liked Foxy's debut the least. Sometimes I still can't believe it's canon, while the excellent G8 arc is just filler.

I can't bring myself to hate him for some reason, and I don't know why. Could be partially because my brothers find him funny, but I feel like he brought up an interesting challenge when it comes to the kinds of Devil Fruit there are. Like the Slow-Slow Fruit sounds fucking stupid, and everyone in-and-meta-verse never took him seriously for it, but then he was fucking with Luffy during their fight and was proving himself to be threatening. Didn't last too long, but I think he was one of the better strategists in One Piece at the time because of it. And so far, I think he's one of the more interesting "Stupid Devil Fruit Abilities" user, and I think he could benefit from returning to the story at least one other time.
 
Mostly agreed. Except on Conan.

While I acknowledge that I am a fanboy of Conan (And detective fiction in general), I think the manga has been improving in the past 2-3 years after a relative slump. Mainly because the plot started getting interesting again, and Aoyama's decision to add more detectives (with their own motives) that are capable of matching Shinichi and figuring out his identity.

The Bourbon arc in particular is a highlight of Conan so far. At least IMHO.
I use to be a fan of conan myself. I stopped watching mostly cause wasn't on TV anymore. Which happened a lot now that I think about. roughly about started to watch it again around episode 754 and let's just that case rubbed me the wrong way. it honestly felt like I saw this type of scenario before in conan and it didn't help that it was kinda of crap. I kept following it for a while, but lord almighty did lot of case just straight up suck. Like the two parter The Love Novel With Unexpected Results(I am cheating a bit by using wikipedia and crunchyroll for info) is just uninspired and bland murder case. I might give the old dub seasons another watch.

Any of you guys know Houseki no Kuni\Land of the Lustrous? It's premise is very similar to Steven Universe (genderless but mostly feminine space gems fighting mood dwellers), only its source manga predates the cartoon by roughly a year. Looks like SU is even less original than I thought.
eh I think it's just a continence hacks think a like, Space lesbians aren't the most original idea around rock or another wise.

, Brook got to prove himself worthy to be a Straw Hat and is just so much fun to watch (and his backstory broke me, hadn't cried that hard since CLANNAD)
I cried like a bitch when I first watched that episode.

As for Naruto's greatest "sin"? Well its not a very good in its long term story telling and its only good in short moments. The whole Naurto and Sasuke plot line is a utter garbage, but their fight towards the end of part 1 had cool parts to it.
 
Last edited:
Naruto, as flawed as it ended up being, is something I still really enjoy. Yeah, it’s got some glaring issues, but I don’t regret the time I put into it. Plus Naruto ended up with Hinata, which is something I’m autisticly thankful for. It was the first anime I’d seen at the time where the main girl wasn’t the de facto end girl. The Last is still my favorite of the movies.
 
Naruto, as flawed as it ended up being, is something I still really enjoy. Yeah, it’s got some glaring issues, but I don’t regret the time I put into it. Plus Naruto ended up with Hinata, which is something I’m autisticly thankful for. It was the first anime I’d seen at the time where the main girl wasn’t the de facto end girl. The Last is still my favorite of the movies.
Personally, I didn't like the Last that much, but the wedding montage was simply amazing and easily worth watching.

I think Naruto gets shit on way too much, it isn't as badly executed as Bleach or Fairy Tail IMO.

Bleach was a real kick in the teeth for me, given how much I loved its general art style, particularly its character designs. It's a shame that the series' world just wasn't built correctly, and the it eventually collapsed under its own weight.
 
Back
Top Bottom