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BLEAK HOUSE BY CHARLES DICKENS CONT

Mr. Chadband is a large yellow man with a fat smile and a general appearance of having a good deal of train oil in his system. Mrs. Chadband is a stern, severe-looking, silent woman. Mr. Chadband moves softly and cumbrously, not unlike a bear who has been taught to walk upright. He is very much embarrassed about the arms, as if they were inconvenient to him and he wanted to grovel, is very much in a perspiration about the head, and never speaks without first putting up his great hand, as delivering a token to his hearers that he is going to edify them.

“My friends,” says Mr. Chadband, “peace be on this house! On the master thereof, on the mistress thereof, on the young maidens, and on the young men! My friends, why do I wish for peace? What is peace? Is it war? No. Is it strife? No. Is it lovely, and gentle, and beautiful, and pleasant, and serene, and joyful? Oh, yes! Therefore, my friends, I wish for peace, upon you and upon yours.”

In consequence of Mrs. Snagsby looking deeply edified, Mr. Snagsby thinks it expedient on the whole to say amen, which is well received.

“Now, my friends,” proceeds Mr. Chadband, “since I am upon this theme—”

Guster presents herself. Mrs. Snagsby, in a spectral bass voice and without removing her eyes from Chadband, says with dreadful distinctness, “Go away!”

“Now, my friends,” says Chadband, “since I am upon this theme, and in my lowly path improving it—”

Guster is heard unaccountably to murmur “one thousing seven hundred and eighty-two.” The spectral voice repeats more solemnly, “Go away!”

“Now, my friends,” says Mr. Chadband, “we will inquire in a spirit of love—”

Still Guster reiterates “one thousing seven hundred and eighty-two.”

Mr. Chadband, pausing with the resignation of a man accustomed to be persecuted and languidly folding up his chin into his fat smile, says, “Let us hear the maiden! Speak, maiden!”

“One thousing seven hundred and eighty-two, if you please, sir. Which he wish to know what the shilling ware for,” says Guster, breathless.

“For?” returns Mrs. Chadband. “For his fare!”

Guster replied that “he insistes on one and eightpence or on summonsizzing the party.” Mrs. Snagsby and Mrs. Chadband are proceeding to grow shrill in indignation when Mr. Chadband quiets the tumult by lifting up his hand.

“My friends,” says he, “I remember a duty unfulfilled yesterday. It is right that I should be chastened in some penalty. I ought not to murmur. Rachael, pay the eightpence!”

While Mrs. Snagsby, drawing her breath, looks hard at Mr. Snagsby, as who should say, “You hear this apostle!” and while Mr. Chadband glows with humility and train oil, Mrs. Chadband pays the money. It is Mr. Chadband’s habit—it is the head and front of his pretensions indeed—to keep this sort of debtor and creditor account in the smallest items and to post it publicly on the most trivial occasions.

“My friends,” says Chadband, “eightpence is not much; it might justly have been one and fourpence; it might justly have been half a crown. O let us be joyful, joyful! O let us be joyful!”

With which remark, which appears from its sound to be an extract in verse, Mr. Chadband stalks to the table, and before taking a chair, lifts up his admonitory hand.

“My friends,” says he, “what is this which we now behold as being spread before us? Refreshment. Do we need refreshment then, my friends? We do. And why do we need refreshment, my friends? Because we are but mortal, because we are but sinful, because we are but of the earth, because we are not of the air. Can we fly, my friends? We cannot. Why can we not fly, my friends?”

Mr. Snagsby, presuming on the success of his last point, ventures to observe in a cheerful and rather knowing tone, “No wings.” But is immediately frowned down by Mrs. Snagsby.

“I say, my friends,” pursues Mr. Chadband, utterly rejecting and obliterating Mr. Snagsby’s suggestion, “why can we not fly? Is it because we are calculated to walk? It is. Could we walk, my friends, without strength? We could not. What should we do without strength, my friends? Our legs would refuse to bear us, our knees would double up, our ankles would turn over, and we should come to the ground. Then from whence, my friends, in a human point of view, do we derive the strength that is necessary to our limbs? Is it,” says Chadband, glancing over the table, “from bread in various forms, from butter which is churned from the milk which is yielded unto us by the cow, from the eggs which are laid by the fowl, from ham, from tongue, from sausage, and from such like? It is. Then let us partake of the good things which are set before us!”

The persecutors denied that there was any particular gift in Mr. Chadband’s piling verbose flights of stairs, one upon another, after this fashion. But this can only be received as a proof of their determination to persecute, since it must be within everybody’s experience that the Chadband style of oratory is widely received and much admired.

Mr. Chadband, however, having concluded for the present, sits down at Mr. Snagsby’s table and lays about him prodigiously. The conversion of nutriment of any sort into oil of the quality already mentioned appears to be a process so inseparable from the constitution of this exemplary vessel that in beginning to eat and drink, he may be described as always becoming a kind of considerable oil mills or other large factory for the production of that article on a wholesale scale. On the present evening of the long vacation, in Cook’s Court, Cursitor Street, he does such a powerful stroke of business that the warehouse appears to be quite full when the works cease.

At this period of the entertainment, Guster, who has never recovered her first failure, but has neglected no possible or impossible means of bringing the establishment and herself into contempt—among which may be briefly enumerated her unexpectedly performing clashing military music on Mr. Chadband’s head with plates, and afterwards crowning that gentleman with muffins—at which period of the entertainment, Guster whispers Mr. Snagsby that he is wanted.

“And being wanted in the—not to put too fine a point upon it—in the shop,” says Mr. Snagsby, rising, “perhaps this good company will excuse me for half a minute.”

Mr. Snagsby descends and finds the two ’prentices intently contemplating a police constable, who holds a ragged boy by the arm.

“Why, bless my heart,” says Mr. Snagsby, “what’s the matter!”

“This boy,” says the constable, “although he’s repeatedly told to, won’t move on—”

“I’m always a-moving on, sar,” cries the boy, wiping away his grimy tears with his arm. “I’ve always been a-moving and a-moving on, ever since I was born. Where can I possibly move to, sir, more nor I do move!”

“He won’t move on,” says the constable calmly, with a slight professional hitch of his neck involving its better settlement in his stiff stock, “although he has been repeatedly cautioned, and therefore I am obliged to take him into custody. He’s as obstinate a young gonoph as I know. He WON’T move on.”

“Oh, my eye! Where can I move to!” cries the boy, clutching quite desperately at his hair and beating his bare feet upon the floor of Mr. Snagsby’s passage.

“Don’t you come none of that or I shall make blessed short work of you!” says the constable, giving him a passionless shake. “My instructions are that you are to move on. I have told you so five hundred times.”

“But where?” cries the boy.

“Well! Really, constable, you know,” says Mr. Snagsby wistfully, and coughing behind his hand his cough of great perplexity and doubt, “really, that does seem a question. Where, you know?”

“My instructions don’t go to that,” replies the constable. “My instructions are that this boy is to move on.”

Do you hear, Jo? It is nothing to you or to any one else that the great lights of the parliamentary sky have failed for some few years in this business to set you the example of moving on. The one grand recipe remains for you—the profound philosophical prescription—the be-all and the end-all of your strange existence upon earth. Move on! You are by no means to move off, Jo, for the great lights can’t at all agree about that. Move on!

Mr. Snagsby says nothing to this effect, says nothing at all indeed, but coughs his forlornest cough, expressive of no thoroughfare in any direction. By this time Mr. and Mrs. Chadband and Mrs. Snagsby, hearing the altercation, have appeared upon the stairs. Guster having never left the end of the passage, the whole household are assembled.
 
A Study in Scarlet, Chapter 2, cont'd.

It was upon the 4th of March, as I have good reason to remember, that I rose somewhat earlier than usual, and found that Sherlock Holmes had not yet finished his breakfast. The landlady had become so accustomed to my late habits that my place had not been laid nor my coffee prepared. With the unreasonable petulance of mankind I rang the bell and gave a curt intimation that I was ready. Then I picked up a magazine from the table and attempted to while away the time with it, while my companion munched silently at his toast. One of the articles had a pencil mark at the heading, and I naturally began to run my eye through it.

Its somewhat ambitious title was “The Book of Life,” and it attempted to show how much an observant man might learn by an accurate and systematic examination of all that came in his way. It struck me as being a remarkable mixture of shrewdness and of absurdity. The reasoning was close and intense, but the deductions appeared to me to be far-fetched and exaggerated. The writer claimed by a momentary expression, a twitch of a muscle or a glance of an eye, to fathom a man’s inmost thoughts. Deceit, according to him, was an impossibility in the case of one trained to observation and analysis. His conclusions were as infallible as so many propositions of Euclid. So startling would his results appear to the uninitiated that until they learned the processes by which he had arrived at them they might well consider him as a necromancer.

“From a drop of water,” said the writer, “a logician could infer the possibility of an Atlantic or a Niagara without having seen or heard of one or the other. So all life is a great chain, the nature of which is known whenever we are shown a single link of it. Like all other arts, the Science of Deduction and Analysis is one which can only be acquired by long and patient study, nor is life long enough to allow any mortal to attain the highest possible perfection in it. Before turning to those moral and mental aspects of the matter which present the greatest difficulties, let the enquirer begin by mastering more elementary problems. Let him, on meeting a fellow-mortal, learn at a glance to distinguish the history of the man, and the trade or profession to which he belongs. Puerile as such an exercise may seem, it sharpens the faculties of observation, and teaches one where to look and what to look for. By a man’s finger nails, by his coat-sleeve, by his boot, by his trouser knees, by the callosities of his forefinger and thumb, by his expression, by his shirt cuffs—by each of these things a man’s calling is plainly revealed. That all united should fail to enlighten the competent enquirer in any case is almost inconceivable.”

“What ineffable twaddle!” I cried, slapping the magazine down on the table, “I never read such rubbish in my life.”

“What is it?” asked Sherlock Holmes.

“Why, this article,” I said, pointing at it with my egg spoon as I sat down to my breakfast. “I see that you have read it since you have marked it. I don’t deny that it is smartly written. It irritates me though. It is evidently the theory of some arm-chair lounger who evolves all these neat little paradoxes in the seclusion of his own study. It is not practical. I should like to see him clapped down in a third class carriage on the Underground, and asked to give the trades of all his fellow-travellers. I would lay a thousand to one against him.”

“You would lose your money,” Sherlock Holmes remarked calmly. “As for the article, I wrote it myself.”

“You!”

“Yes, I have a turn both for observation and for deduction. The theories which I have expressed there, and which appear to you to be so chimerical are really extremely practical—so practical that I depend upon them for my bread and cheese.”

“And how?” I asked involuntarily.

“Well, I have a trade of my own. I suppose I am the only one in the world. I’m a consulting detective, if you can understand what that is. Here in London we have lots of Government detectives and lots of private ones. When these fellows are at fault they come to me, and I manage to put them on the right scent. They lay all the evidence before me, and I am generally able, by the help of my knowledge of the history of crime, to set them straight. There is a strong family resemblance about misdeeds, and if you have all the details of a thousand at your finger ends, it is odd if you can’t unravel the thousand and first. Lestrade is a well-known detective. He got himself into a fog recently over a forgery case, and that was what brought him here.”

“And these other people?”

“They are mostly sent on by private inquiry agencies. They are all people who are in trouble about something, and want a little enlightening. I listen to their story, they listen to my comments, and then I pocket my fee.”

“But do you mean to say,” I said, “that without leaving your room you can unravel some knot which other men can make nothing of, although they have seen every detail for themselves?”

“Quite so. I have a kind of intuition that way. Now and again a case turns up which is a little more complex. Then I have to bustle about and see things with my own eyes. You see I have a lot of special knowledge which I apply to the problem, and which facilitates matters wonderfully. Those rules of deduction laid down in that article which aroused your scorn, are invaluable to me in practical work. Observation with me is second nature. You appeared to be surprised when I told you, on our first meeting, that you had come from Afghanistan.”

“You were told, no doubt.”

“Nothing of the sort. I knew you came from Afghanistan. From long habit the train of thoughts ran so swiftly through my mind, that I arrived at the conclusion without being conscious of intermediate steps. There were such steps, however. The train of reasoning ran, ‘Here is a gentleman of a medical type, but with the air of a military man. Clearly an army doctor, then. He has just come from the tropics, for his face is dark, and that is not the natural tint of his skin, for his wrists are fair. He has undergone hardship and sickness, as his haggard face says clearly. His left arm has been injured. He holds it in a stiff and unnatural manner. Where in the tropics could an English army doctor have seen much hardship and got his arm wounded? Clearly in Afghanistan.’ The whole train of thought did not occupy a second. I then remarked that you came from Afghanistan, and you were astonished.”

“It is simple enough as you explain it,” I said, smiling. “You remind me of Edgar Allen Poe’s Dupin. I had no idea that such individuals did exist outside of stories.”

Sherlock Holmes rose and lit his pipe. “No doubt you think that you are complimenting me in comparing me to Dupin,” he observed. “Now, in my opinion, Dupin was a very inferior fellow. That trick of his of breaking in on his friends’ thoughts with an apropos remark after a quarter of an hour’s silence is really very showy and superficial. He had some analytical genius, no doubt; but he was by no means such a phenomenon as Poe appeared to imagine.”

“Have you read Gaboriau’s works?” I asked. “Does Lecoq come up to your idea of a detective?”

Sherlock Holmes sniffed sardonically. “Lecoq was a miserable bungler,” he said, in an angry voice; “he had only one thing to recommend him, and that was his energy. That book made me positively ill. The question was how to identify an unknown prisoner. I could have done it in twenty-four hours. Lecoq took six months or so. It might be made a text-book for detectives to teach them what to avoid.”

I felt rather indignant at having two characters whom I had admired treated in this cavalier style. I walked over to the window, and stood looking out into the busy street. “This fellow may be very clever,” I said to myself, “but he is certainly very conceited.”

“There are no crimes and no criminals in these days,” he said, querulously. “What is the use of having brains in our profession. I know well that I have it in me to make my name famous. No man lives or has ever lived who has brought the same amount of study and of natural talent to the detection of crime which I have done. And what is the result? There is no crime to detect, or, at most, some bungling villainy with a motive so transparent that even a Scotland Yard official can see through it.”

I was still annoyed at his bumptious style of conversation. I thought it best to change the topic.

“I wonder what that fellow is looking for?” I asked, pointing to a stalwart, plainly-dressed individual who was walking slowly down the other side of the street, looking anxiously at the numbers. He had a large blue envelope in his hand, and was evidently the bearer of a message.

“You mean the retired sergeant of Marines,” said Sherlock Holmes.

“Brag and bounce!” thought I to myself. “He knows that I cannot verify his guess.”

The thought had hardly passed through my mind when the man whom we were watching caught sight of the number on our door, and ran rapidly across the roadway. We heard a loud knock, a deep voice below, and heavy steps ascending the stair.

“For Mr. Sherlock Holmes,” he said, stepping into the room and handing my friend the letter.

Here was an opportunity of taking the conceit out of him. He little thought of this when he made that random shot. “May I ask, my lad,” I said, in the blandest voice, “what your trade may be?”

“Commissionaire, sir,” he said, gruffly. “Uniform away for repairs.”

“And you were?” I asked, with a slightly malicious glance at my companion.

“A sergeant, sir, Royal Marine Light Infantry, sir. No answer? Right, sir.”

He clicked his heels together, raised his hand in a salute, and was gone.
 
BLEAK HOUSE BY CHARLES DICKENS CONT
“The simple question is, sir,” says the constable, “whether you know this boy. He says you do.”

Mrs. Snagsby, from her elevation, instantly cries out, “No he don’t!”

“My lit-tle woman!” says Mr. Snagsby, looking up the staircase. “My love, permit me! Pray have a moment’s patience, my dear. I do know something of this lad, and in what I know of him, I can’t say that there’s any harm; perhaps on the contrary, constable.” To whom the law-stationer relates his Joful and woeful experience, suppressing the half-crown fact.

“Well!” says the constable, “so far, it seems, he had grounds for what he said. When I took him into custody up in Holborn, he said you knew him. Upon that, a young man who was in the crowd said he was acquainted with you, and you were a respectable housekeeper, and if I’d call and make the inquiry, he’d appear. The young man don’t seem inclined to keep his word, but—Oh! Here IS the young man!”

Enter Mr. Guppy, who nods to Mr. Snagsby and touches his hat with the chivalry of clerkship to the ladies on the stairs.

“I was strolling away from the office just now when I found this row going on,” says Mr. Guppy to the law-stationer, “and as your name was mentioned, I thought it was right the thing should be looked into.”

“It was very good-natured of you, sir,” says Mr. Snagsby, “and I am obliged to you.” And Mr. Snagsby again relates his experience, again suppressing the half-crown fact.

“Now, I know where you live,” says the constable, then, to Jo. “You live down in Tom-all-Alone’s. That’s a nice innocent place to live in, ain’t it?”

“I can’t go and live in no nicer place, sir,” replies Jo. “They wouldn’t have nothink to say to me if I wos to go to a nice innocent place fur to live. Who ud go and let a nice innocent lodging to such a reg’lar one as me!”

“You are very poor, ain’t you?” says the constable.

“Yes, I am indeed, sir, wery poor in gin’ral,” replies Jo. “I leave you to judge now! I shook these two half-crowns out of him,” says the constable, producing them to the company, “in only putting my hand upon him!”

“They’re wot’s left, Mr. Snagsby,” says Jo, “out of a sov-ring as wos give me by a lady in a wale as sed she wos a servant and as come to my crossin one night and asked to be showd this ’ere ouse and the ouse wot him as you giv the writin to died at, and the berrin-ground wot he’s berrid in. She ses to me she ses ’‘are you the boy at the inkwhich?’ she ses. I ses ‘yes’ I ses. She ses to me she ses ‘can you show me all them places?’ I ses ‘yes I can’ I ses. And she ses to me ‘do it’ and I dun it and she giv me a sov’ring and hooked it. And I an’t had much of the sov’ring neither,” says Jo, with dirty tears, “fur I had to pay five bob, down in Tom-all-Alone’s, afore they’d square it fur to give me change, and then a young man he thieved another five while I was asleep and another boy he thieved ninepence and the landlord he stood drains round with a lot more on it.”

“You don’t expect anybody to believe this, about the lady and the sovereign, do you?” says the constable, eyeing him aside with ineffable disdain.

“I don’t know as I do, sir,” replies Jo. “I don’t expect nothink at all, sir, much, but that’s the true hist’ry on it.”

“You see what he is!” the constable observes to the audience. “Well, Mr. Snagsby, if I don’t lock him up this time, will you engage for his moving on?”

“No!” cries Mrs. Snagsby from the stairs.

“My little woman!” pleads her husband. “Constable, I have no doubt he’ll move on. You know you really must do it,” says Mr. Snagsby.

“I’m everyways agreeable, sir,” says the hapless Jo.

“Do it, then,” observes the constable. “You know what you have got to do. Do it! And recollect you won’t get off so easy next time. Catch hold of your money. Now, the sooner you’re five mile off, the better for all parties.”

With this farewell hint and pointing generally to the setting sun as a likely place to move on to, the constable bids his auditors good afternoon and makes the echoes of Cook’s Court perform slow music for him as he walks away on the shady side, carrying his iron-bound hat in his hand for a little ventilation.

Now, Jo’s improbable story concerning the lady and the sovereign has awakened more or less the curiosity of all the company. Mr. Guppy, who has an inquiring mind in matters of evidence and who has been suffering severely from the lassitude of the long vacation, takes that interest in the case that he enters on a regular cross-examination of the witness, which is found so interesting by the ladies that Mrs. Snagsby politely invites him to step upstairs and drink a cup of tea, if he will excuse the disarranged state of the tea-table, consequent on their previous exertions. Mr. Guppy yielding his assent to this proposal, Jo is requested to follow into the drawing-room doorway, where Mr. Guppy takes him in hand as a witness, patting him into this shape, that shape, and the other shape like a butterman dealing with so much butter, and worrying him according to the best models. Nor is the examination unlike many such model displays, both in respect of its eliciting nothing and of its being lengthy, for Mr. Guppy is sensible of his talent, and Mrs. Snagsby feels not only that it gratifies her inquisitive disposition, but that it lifts her husband’s establishment higher up in the law. During the progress of this keen encounter, the vessel Chadband, being merely engaged in the oil trade, gets aground and waits to be floated off.

“Well!” says Mr. Guppy. “Either this boy sticks to it like cobbler’s-wax or there is something out of the common here that beats anything that ever came into my way at Kenge and Carboy’s.”

Mrs. Chadband whispers Mrs. Snagsby, who exclaims, “You don’t say so!”

“For years!” replied Mrs. Chadband.

“Has known Kenge and Carboy’s office for years,” Mrs. Snagsby triumphantly explains to Mr. Guppy. “Mrs. Chadband—this gentleman’s wife—Reverend Mr. Chadband.”

“Oh, indeed!” says Mr. Guppy.

“Before I married my present husband,” says Mrs. Chadband.

“Was you a party in anything, ma’am?” says Mr. Guppy, transferring his cross-examination.

“No.”

“NOT a party in anything, ma’am?” says Mr. Guppy.

Mrs. Chadband shakes her head.

“Perhaps you were acquainted with somebody who was a party in something, ma’am?” says Mr. Guppy, who likes nothing better than to model his conversation on forensic principles.

“Not exactly that, either,” replies Mrs. Chadband, humouring the joke with a hard-favoured smile.

“Not exactly that, either!” repeats Mr. Guppy. “Very good. Pray, ma’am, was it a lady of your acquaintance who had some transactions (we will not at present say what transactions) with Kenge and Carboy’s office, or was it a gentleman of your acquaintance? Take time, ma’am. We shall come to it presently. Man or woman, ma’am?”

“Neither,” says Mrs. Chadband as before.

“Oh! A child!” says Mr. Guppy, throwing on the admiring Mrs. Snagsby the regular acute professional eye which is thrown on British jurymen. “Now, ma’am, perhaps you’ll have the kindness to tell us WHAT child.”

“You have got it at last, sir,” says Mrs. Chadband with another hard-favoured smile. “Well, sir, it was before your time, most likely, judging from your appearance. I was left in charge of a child named Esther Summerson, who was put out in life by Messrs. Kenge and Carboy.”

“Miss Summerson, ma’am!” cries Mr. Guppy, excited.

“I call her Esther Summerson,” says Mrs. Chadband with austerity. “There was no Miss-ing of the girl in my time. It was Esther. ‘Esther, do this! Esther, do that!’ and she was made to do it.”

“My dear ma’am,” returns Mr. Guppy, moving across the small apartment, “the humble individual who now addresses you received that young lady in London when she first came here from the establishment to which you have alluded. Allow me to have the pleasure of taking you by the hand.”

Mr. Chadband, at last seeing his opportunity, makes his accustomed signal and rises with a smoking head, which he dabs with his pocket-handkerchief. Mrs. Snagsby whispers “Hush!”

“My friends,” says Chadband, “we have partaken in moderation” (which was certainly not the case so far as he was concerned) “of the comforts which have been provided for us. May this house live upon the fatness of the land; may corn and wine be plentiful therein; may it grow, may it thrive, may it prosper, may it advance, may it proceed, may it press forward! But, my friends, have we partaken of anything else? We have. My friends, of what else have we partaken? Of spiritual profit? Yes. From whence have we derived that spiritual profit? My young friend, stand forth!”

Jo, thus apostrophized, gives a slouch backward, and another slouch forward, and another slouch to each side, and confronts the eloquent Chadband with evident doubts of his intentions.

“My young friend,” says Chadband, “you are to us a pearl, you are to us a diamond, you are to us a gem, you are to us a jewel. And why, my young friend?”

“I don’t know,” replies Jo. “I don’t know nothink.”

“My young friend,” says Chadband, “it is because you know nothing that you are to us a gem and jewel. For what are you, my young friend? Are you a beast of the field? No. A bird of the air? No. A fish of the sea or river? No. You are a human boy, my young friend. A human boy. O glorious to be a human boy! And why glorious, my young friend? Because you are capable of receiving the lessons of wisdom, because you are capable of profiting by this discourse which I now deliver for your good, because you are not a stick, or a staff, or a stock, or a stone, or a post, or a pillar.

O running stream of sparkling joy
To be a soaring human boy!

And do you cool yourself in that stream now, my young friend? No. Why do you not cool yourself in that stream now? Because you are in a state of darkness, because you are in a state of obscurity, because you are in a state of sinfulness, because you are in a state of bondage. My young friend, what is bondage? Let us, in a spirit of love, inquire.”

At this threatening stage of the discourse, Jo, who seems to have been gradually going out of his mind, smears his right arm over his face and gives a terrible yawn. Mrs. Snagsby indignantly expresses her belief that he is a limb of the arch-fiend.

“My friends,” says Mr. Chadband with his persecuted chin folding itself into its fat smile again as he looks round, “it is right that I should be humbled, it is right that I should be tried, it is right that I should be mortified, it is right that I should be corrected. I stumbled, on Sabbath last, when I thought with pride of my three hours’ improving. The account is now favourably balanced: my creditor has accepted a composition. O let us be joyful, joyful! O let us be joyful!”

Great sensation on the part of Mrs. Snagsby.

“My friends,” says Chadband, looking round him in conclusion, “I will not proceed with my young friend now. Will you come to-morrow, my young friend, and inquire of this good lady where I am to be found to deliver a discourse unto you, and will you come like the thirsty swallow upon the next day, and upon the day after that, and upon the day after that, and upon many pleasant days, to hear discourses?” (This with a cow-like lightness.)

Jo, whose immediate object seems to be to get away on any terms, gives a shuffling nod. Mr. Guppy then throws him a penny, and Mrs. Snagsby calls to Guster to see him safely out of the house. But before he goes downstairs, Mr. Snagsby loads him with some broken meats from the table, which he carries away, hugging in his arms.

So, Mr. Chadband—of whom the persecutors say that it is no wonder he should go on for any length of time uttering such abominable nonsense, but that the wonder rather is that he should ever leave off, having once the audacity to begin—retires into private life until he invests a little capital of supper in the oil-trade. Jo moves on, through the long vacation, down to Blackfriars Bridge, where he finds a baking stony corner wherein to settle to his repast.

And there he sits, munching and gnawing, and looking up at the great cross on the summit of St. Paul’s Cathedral, glittering above a red-and-violet-tinted cloud of smoke. From the boy’s face one might suppose that sacred emblem to be, in his eyes, the crowning confusion of the great, confused city—so golden, so high up, so far out of his reach. There he sits, the sun going down, the river running fast, the crowd flowing by him in two streams—everything moving on to some purpose and to one end—until he is stirred up and told to “move on” too.
 
BLEAK HOUSE BY CHARLES DICKENS CONT

CHAPTER XX
A New Lodger

The long vacation saunters on towards term-time like an idle river very leisurely strolling down a flat country to the sea. Mr. Guppy saunters along with it congenially. He has blunted the blade of his penknife and broken the point off by sticking that instrument into his desk in every direction. Not that he bears the desk any ill will, but he must do something, and it must be something of an unexciting nature, which will lay neither his physical nor his intellectual energies under too heavy contribution. He finds that nothing agrees with him so well as to make little gyrations on one leg of his stool, and stab his desk, and gape.

Kenge and Carboy are out of town, and the articled clerk has taken out a shooting license and gone down to his father’s, and Mr. Guppy’s two fellow-stipendiaries are away on leave. Mr. Guppy and Mr. Richard Carstone divide the dignity of the office. But Mr. Carstone is for the time being established in Kenge’s room, whereat Mr. Guppy chafes. So exceedingly that he with biting sarcasm informs his mother, in the confidential moments when he sups with her off a lobster and lettuce in the Old Street Road, that he is afraid the office is hardly good enough for swells, and that if he had known there was a swell coming, he would have got it painted.

Mr. Guppy suspects everybody who enters on the occupation of a stool in Kenge and Carboy’s office of entertaining, as a matter of course, sinister designs upon him. He is clear that every such person wants to depose him. If he be ever asked how, why, when, or wherefore, he shuts up one eye and shakes his head. On the strength of these profound views, he in the most ingenious manner takes infinite pains to counterplot when there is no plot, and plays the deepest games of chess without any adversary.

It is a source of much gratification to Mr. Guppy, therefore, to find the new-comer constantly poring over the papers in Jarndyce and Jarndyce, for he well knows that nothing but confusion and failure can come of that. His satisfaction communicates itself to a third saunterer through the long vacation in Kenge and Carboy’s office, to wit, Young Smallweed.

Whether Young Smallweed (metaphorically called Small and eke Chick Weed, as it were jocularly to express a fledgling) was ever a boy is much doubted in Lincoln’s Inn. He is now something under fifteen and an old limb of the law. He is facetiously understood to entertain a passion for a lady at a cigar-shop in the neighbourhood of Chancery Lane and for her sake to have broken off a contract with another lady, to whom he had been engaged some years. He is a town-made article, of small stature and weazen features, but may be perceived from a considerable distance by means of his very tall hat. To become a Guppy is the object of his ambition. He dresses at that gentleman (by whom he is patronized), talks at him, walks at him, founds himself entirely on him. He is honoured with Mr. Guppy’s particular confidence and occasionally advises him, from the deep wells of his experience, on difficult points in private life.

Mr. Guppy has been lolling out of window all the morning after trying all the stools in succession and finding none of them easy, and after several times putting his head into the iron safe with a notion of cooling it. Mr. Smallweed has been twice dispatched for effervescent drinks, and has twice mixed them in the two official tumblers and stirred them up with the ruler. Mr. Guppy propounds for Mr. Smallweed’s consideration the paradox that the more you drink the thirstier you are and reclines his head upon the window-sill in a state of hopeless languor.

While thus looking out into the shade of Old Square, Lincoln’s Inn, surveying the intolerable bricks and mortar, Mr. Guppy becomes conscious of a manly whisker emerging from the cloistered walk below and turning itself up in the direction of his face. At the same time, a low whistle is wafted through the Inn and a suppressed voice cries, “Hip! Gup-py!”

“Why, you don’t mean it!” says Mr. Guppy, aroused. “Small! Here’s Jobling!” Small’s head looks out of window too and nods to Jobling.

“Where have you sprung up from?” inquires Mr. Guppy.

“From the market-gardens down by Deptford. I can’t stand it any longer. I must enlist. I say! I wish you’d lend me half a crown. Upon my soul, I’m hungry.”

Jobling looks hungry and also has the appearance of having run to seed in the market-gardens down by Deptford.

“I say! Just throw out half a crown if you have got one to spare. I want to get some dinner.”

“Will you come and dine with me?” says Mr. Guppy, throwing out the coin, which Mr. Jobling catches neatly.

“How long should I have to hold out?” says Jobling.

“Not half an hour. I am only waiting here till the enemy goes,” returns Mr. Guppy, butting inward with his head.

“What enemy?”

“A new one. Going to be articled. Will you wait?”

“Can you give a fellow anything to read in the meantime?” says Mr. Jobling.

Smallweed suggests the law list. But Mr. Jobling declares with much earnestness that he “can’t stand it.”

“You shall have the paper,” says Mr. Guppy. “He shall bring it down. But you had better not be seen about here. Sit on our staircase and read. It’s a quiet place.”

Jobling nods intelligence and acquiescence. The sagacious Smallweed supplies him with the newspaper and occasionally drops his eye upon him from the landing as a precaution against his becoming disgusted with waiting and making an untimely departure. At last the enemy retreats, and then Smallweed fetches Mr. Jobling up.

“Well, and how are you?” says Mr. Guppy, shaking hands with him.

“So, so. How are you?”

Mr. Guppy replying that he is not much to boast of, Mr. Jobling ventures on the question, “How is SHE?” This Mr. Guppy resents as a liberty, retorting, “Jobling, there ARE chords in the human mind—” Jobling begs pardon.

“Any subject but that!” says Mr. Guppy with a gloomy enjoyment of his injury. “For there ARE chords, Jobling—”

Mr. Jobling begs pardon again.

During this short colloquy, the active Smallweed, who is of the dinner party, has written in legal characters on a slip of paper, “Return immediately.” This notification to all whom it may concern, he inserts in the letter-box, and then putting on the tall hat at the angle of inclination at which Mr. Guppy wears his, informs his patron that they may now make themselves scarce.

Accordingly they betake themselves to a neighbouring dining-house, of the class known among its frequenters by the denomination slap-bang, where the waitress, a bouncing young female of forty, is supposed to have made some impression on the susceptible Smallweed, of whom it may be remarked that he is a weird changeling to whom years are nothing. He stands precociously possessed of centuries of owlish wisdom. If he ever lay in a cradle, it seems as if he must have lain there in a tail-coat. He has an old, old eye, has Smallweed; and he drinks and smokes in a monkeyish way; and his neck is stiff in his collar; and he is never to be taken in; and he knows all about it, whatever it is. In short, in his bringing up he has been so nursed by Law and Equity that he has become a kind of fossil imp, to account for whose terrestrial existence it is reported at the public offices that his father was John Doe and his mother the only female member of the Roe family, also that his first long-clothes were made from a blue bag.

Into the dining-house, unaffected by the seductive show in the window of artificially whitened cauliflowers and poultry, verdant baskets of peas, coolly blooming cucumbers, and joints ready for the spit, Mr. Smallweed leads the way. They know him there and defer to him. He has his favourite box, he bespeaks all the papers, he is down upon bald patriarchs, who keep them more than ten minutes afterwards. It is of no use trying him with anything less than a full-sized “bread” or proposing to him any joint in cut unless it is in the very best cut. In the matter of gravy he is adamant.
 
BLEAK HOUSE BY CHARLES DICKENS CONT

Conscious of his elfin power and submitting to his dread experience, Mr. Guppy consults him in the choice of that day’s banquet, turning an appealing look towards him as the waitress repeats the catalogue of viands and saying “What do YOU take, Chick?” Chick, out of the profundity of his artfulness, preferring “veal and ham and French beans—and don’t you forget the stuffing, Polly” (with an unearthly cock of his venerable eye), Mr. Guppy and Mr. Jobling give the like order. Three pint pots of half-and-half are superadded. Quickly the waitress returns bearing what is apparently a model of the Tower of Babel but what is really a pile of plates and flat tin dish-covers. Mr. Smallweed, approving of what is set before him, conveys intelligent benignity into his ancient eye and winks upon her. Then, amid a constant coming in, and going out, and running about, and a clatter of crockery, and a rumbling up and down of the machine which brings the nice cuts from the kitchen, and a shrill crying for more nice cuts down the speaking-pipe, and a shrill reckoning of the cost of nice cuts that have been disposed of, and a general flush and steam of hot joints, cut and uncut, and a considerably heated atmosphere in which the soiled knives and tablecloths seem to break out spontaneously into eruptions of grease and blotches of beer, the legal triumvirate appease their appetites.

Mr. Jobling is buttoned up closer than mere adornment might require. His hat presents at the rims a peculiar appearance of a glistening nature, as if it had been a favourite snail-promenade. The same phenomenon is visible on some parts of his coat, and particularly at the seams. He has the faded appearance of a gentleman in embarrassed circumstances; even his light whiskers droop with something of a shabby air.

His appetite is so vigorous that it suggests spare living for some little time back. He makes such a speedy end of his plate of veal and ham, bringing it to a close while his companions are yet midway in theirs, that Mr. Guppy proposes another. “Thank you, Guppy,” says Mr. Jobling, “I really don’t know but what I WILL take another.”

Another being brought, he falls to with great goodwill.

Mr. Guppy takes silent notice of him at intervals until he is half way through this second plate and stops to take an enjoying pull at his pint pot of half-and-half (also renewed) and stretches out his legs and rubs his hands. Beholding him in which glow of contentment, Mr. Guppy says, “You are a man again, Tony!”

“Well, not quite yet,” says Mr. Jobling. “Say, just born.”

“Will you take any other vegetables? Grass? Peas? Summer cabbage?”

“Thank you, Guppy,” says Mr. Jobling. “I really don’t know but what I WILL take summer cabbage.”

Order given; with the sarcastic addition (from Mr. Smallweed) of “Without slugs, Polly!” And cabbage produced.

“I am growing up, Guppy,” says Mr. Jobling, plying his knife and fork with a relishing steadiness.

“Glad to hear it.”

“In fact, I have just turned into my teens,” says Mr. Jobling.

He says no more until he has performed his task, which he achieves as Messrs. Guppy and Smallweed finish theirs, thus getting over the ground in excellent style and beating those two gentlemen easily by a veal and ham and a cabbage.

“Now, Small,” says Mr. Guppy, “what would you recommend about pastry?”

“Marrow puddings,” says Mr. Smallweed instantly.

“Aye, aye!” cries Mr. Jobling with an arch look. “You’re there, are you? Thank you, Mr. Guppy, I don’t know but what I WILL take a marrow pudding.”

Three marrow puddings being produced, Mr. Jobling adds in a pleasant humour that he is coming of age fast. To these succeed, by command of Mr. Smallweed, “three Cheshires,” and to those “three small rums.” This apex of the entertainment happily reached, Mr. Jobling puts up his legs on the carpeted seat (having his own side of the box to himself), leans against the wall, and says, “I am grown up now, Guppy. I have arrived at maturity.”

“What do you think, now,” says Mr. Guppy, “about—you don’t mind Smallweed?”

“Not the least in the world. I have the pleasure of drinking his good health.”

“Sir, to you!” says Mr. Smallweed.

“I was saying, what do you think NOW,” pursues Mr. Guppy, “of enlisting?”

“Why, what I may think after dinner,” returns Mr. Jobling, “is one thing, my dear Guppy, and what I may think before dinner is another thing. Still, even after dinner, I ask myself the question, What am I to do? How am I to live? Ill fo manger, you know,” says Mr. Jobling, pronouncing that word as if he meant a necessary fixture in an English stable. “Ill fo manger. That’s the French saying, and mangering is as necessary to me as it is to a Frenchman. Or more so.”

Mr. Smallweed is decidedly of opinion “much more so.”

“If any man had told me,” pursues Jobling, “even so lately as when you and I had the frisk down in Lincolnshire, Guppy, and drove over to see that house at Castle Wold—”

Mr. Smallweed corrects him—Chesney Wold.

“Chesney Wold. (I thank my honourable friend for that cheer.) If any man had told me then that I should be as hard up at the present time as I literally find myself, I should have—well, I should have pitched into him,” says Mr. Jobling, taking a little rum-and-water with an air of desperate resignation; “I should have let fly at his head.”

“Still, Tony, you were on the wrong side of the post then,” remonstrates Mr. Guppy. “You were talking about nothing else in the gig.”

“Guppy,” says Mr. Jobling, “I will not deny it. I was on the wrong side of the post. But I trusted to things coming round.”

That very popular trust in flat things coming round! Not in their being beaten round, or worked round, but in their “coming” round! As though a lunatic should trust in the world’s “coming” triangular!

“I had confident expectations that things would come round and be all square,” says Mr. Jobling with some vagueness of expression and perhaps of meaning too. “But I was disappointed. They never did. And when it came to creditors making rows at the office and to people that the office dealt with making complaints about dirty trifles of borrowed money, why there was an end of that connexion. And of any new professional connexion too, for if I was to give a reference to-morrow, it would be mentioned and would sew me up. Then what’s a fellow to do? I have been keeping out of the way and living cheap down about the market-gardens, but what’s the use of living cheap when you have got no money? You might as well live dear.”

“Better,” Mr. Smallweed thinks.

“Certainly. It’s the fashionable way; and fashion and whiskers have been my weaknesses, and I don’t care who knows it,” says Mr. Jobling. “They are great weaknesses—Damme, sir, they are great. Well,” proceeds Mr. Jobling after a defiant visit to his rum-and-water, “what can a fellow do, I ask you, BUT enlist?”

Mr. Guppy comes more fully into the conversation to state what, in his opinion, a fellow can do. His manner is the gravely impressive manner of a man who has not committed himself in life otherwise than as he has become the victim of a tender sorrow of the heart.

“Jobling,” says Mr. Guppy, “myself and our mutual friend Smallweed—”

Mr. Smallweed modestly observes, “Gentlemen both!” and drinks.

“—Have had a little conversation on this matter more than once since you—”

“Say, got the sack!” cries Mr. Jobling bitterly. “Say it, Guppy. You mean it.”

“No-o-o! Left the Inn,” Mr. Smallweed delicately suggests.

“Since you left the Inn, Jobling,” says Mr. Guppy; “and I have mentioned to our mutual friend Smallweed a plan I have lately thought of proposing. You know Snagsby the stationer?”

“I know there is such a stationer,” returns Mr. Jobling. “He was not ours, and I am not acquainted with him.”

“He IS ours, Jobling, and I AM acquainted with him,” Mr. Guppy retorts. “Well, sir! I have lately become better acquainted with him through some accidental circumstances that have made me a visitor of his in private life. Those circumstances it is not necessary to offer in argument. They may—or they may not—have some reference to a subject which may—or may not—have cast its shadow on my existence.”

As it is Mr. Guppy’s perplexing way with boastful misery to tempt his particular friends into this subject, and the moment they touch it, to turn on them with that trenchant severity about the chords in the human mind, both Mr. Jobling and Mr. Smallweed decline the pitfall by remaining silent.

“Such things may be,” repeats Mr. Guppy, “or they may not be. They are no part of the case. It is enough to mention that both Mr. and Mrs. Snagsby are very willing to oblige me and that Snagsby has, in busy times, a good deal of copying work to give out. He has all Tulkinghorn’s, and an excellent business besides. I believe if our mutual friend Smallweed were put into the box, he could prove this?”

Mr. Smallweed nods and appears greedy to be sworn.

“Now, gentlemen of the jury,” says Mr. Guppy, “—I mean, now, Jobling—you may say this is a poor prospect of a living. Granted. But it’s better than nothing, and better than enlistment. You want time. There must be time for these late affairs to blow over. You might live through it on much worse terms than by writing for Snagsby.”

Mr. Jobling is about to interrupt when the sagacious Smallweed checks him with a dry cough and the words, “Hem! Shakspeare!”

“There are two branches to this subject, Jobling,” says Mr. Guppy. “That is the first. I come to the second. You know Krook, the Chancellor, across the lane. Come, Jobling,” says Mr. Guppy in his encouraging cross-examination-tone, “I think you know Krook, the Chancellor, across the lane?”

“I know him by sight,” says Mr. Jobling.

“You know him by sight. Very well. And you know little Flite?”

“Everybody knows her,” says Mr. Jobling.

“Everybody knows her. VERY well. Now it has been one of my duties of late to pay Flite a certain weekly allowance, deducting from it the amount of her weekly rent, which I have paid (in consequence of instructions I have received) to Krook himself, regularly in her presence. This has brought me into communication with Krook and into a knowledge of his house and his habits. I know he has a room to let. You may live there at a very low charge under any name you like, as quietly as if you were a hundred miles off. He’ll ask no questions and would accept you as a tenant at a word from me—before the clock strikes, if you chose. And I tell you another thing, Jobling,” says Mr. Guppy, who has suddenly lowered his voice and become familiar again, “he’s an extraordinary old chap—always rummaging among a litter of papers and grubbing away at teaching himself to read and write, without getting on a bit, as it seems to me. He is a most extraordinary old chap, sir. I don’t know but what it might be worth a fellow’s while to look him up a bit.”

“You don’t mean—” Mr. Jobling begins.

“I mean,” returns Mr. Guppy, shrugging his shoulders with becoming modesty, “that I can’t make him out. I appeal to our mutual friend Smallweed whether he has or has not heard me remark that I can’t make him out.”

Mr. Smallweed bears the concise testimony, “A few!”

“I have seen something of the profession and something of life, Tony,” says Mr. Guppy, “and it’s seldom I can’t make a man out, more or less. But such an old card as this, so deep, so sly, and secret (though I don’t believe he is ever sober), I never came across. Now, he must be precious old, you know, and he has not a soul about him, and he is reported to be immensely rich; and whether he is a smuggler, or a receiver, or an unlicensed pawnbroker, or a money-lender—all of which I have thought likely at different times—it might pay you to knock up a sort of knowledge of him. I don’t see why you shouldn’t go in for it, when everything else suits.”

Mr. Jobling, Mr. Guppy, and Mr. Smallweed all lean their elbows on the table and their chins upon their hands, and look at the ceiling. After a time, they all drink, slowly lean back, put their hands in their pockets, and look at one another.

“If I had the energy I once possessed, Tony!” says Mr. Guppy with a sigh. “But there are chords in the human mind—”

Expressing the remainder of the desolate sentiment in rum-and-water, Mr. Guppy concludes by resigning the adventure to Tony Jobling and informing him that during the vacation and while things are slack, his purse, “as far as three or four or even five pound goes,” will be at his disposal. “For never shall it be said,” Mr. Guppy adds with emphasis, “that William Guppy turned his back upon his friend!”

The latter part of the proposal is so directly to the purpose that Mr. Jobling says with emotion, “Guppy, my trump, your fist!” Mr. Guppy presents it, saying, “Jobling, my boy, there it is!” Mr. Jobling returns, “Guppy, we have been pals now for some years!” Mr. Guppy replies, “Jobling, we have.”

They then shake hands, and Mr. Jobling adds in a feeling manner, “Thank you, Guppy, I don’t know but what I WILL take another glass for old acquaintance sake.”

“Krook’s last lodger died there,” observes Mr. Guppy in an incidental way.

“Did he though!” says Mr. Jobling.

“There was a verdict. Accidental death. You don’t mind that?”

“No,” says Mr. Jobling, “I don’t mind it; but he might as well have died somewhere else. It’s devilish odd that he need go and die at MY place!” Mr. Jobling quite resents this liberty, several times returning to it with such remarks as, “There are places enough to die in, I should think!” or, “He wouldn’t have liked my dying at HIS place, I dare say!”

However, the compact being virtually made, Mr. Guppy proposes to dispatch the trusty Smallweed to ascertain if Mr. Krook is at home, as in that case they may complete the negotiation without delay. Mr. Jobling approving, Smallweed puts himself under the tall hat and conveys it out of the dining-rooms in the Guppy manner. He soon returns with the intelligence that Mr. Krook is at home and that he has seen him through the shop-door, sitting in the back premises, sleeping “like one o’clock.”

“Then I’ll pay,” says Mr. Guppy, “and we’ll go and see him. Small, what will it be?”

Mr. Smallweed, compelling the attendance of the waitress with one hitch of his eyelash, instantly replies as follows: “Four veals and hams is three, and four potatoes is three and four, and one summer cabbage is three and six, and three marrows is four and six, and six breads is five, and three Cheshires is five and three, and four half-pints of half-and-half is six and three, and four small rums is eight and three, and three Pollys is eight and six. Eight and six in half a sovereign, Polly, and eighteenpence out!”

Not at all excited by these stupendous calculations, Smallweed dismisses his friends with a cool nod and remains behind to take a little admiring notice of Polly, as opportunity may serve, and to read the daily papers, which are so very large in proportion to himself, shorn of his hat, that when he holds up the Times to run his eye over the columns, he seems to have retired for the night and to have disappeared under the bedclothes.
 
21. Make forays in fertile country in order to supply your army with food.
22. Carefully study the well-being of your men,
and do not overtax them. Concentrate your energy and hoard your strength.
Keep your army continually on the move,
and devise unfathomable plans.
23. Throw your soldiers into positions whence there is no escape, and they will prefer death to flight. If they will face
death, there is nothing they may not achieve.
Officers and men alike will put forth their uttermost strength.
24. Soldiers when in desperate straits lose the sense of fear. If there is no place of refuge, they will stand firm.
If they are in hostile country, they will show a stubborn front. If there is no help for it, they will fight hard.
25. Thus, without waiting to be marshaled, the soldiers will be constantly on the qui vive; without waiting to be asked,
they will do your will;
without restrictions, they will be faithful; without giving orders, they can be trusted.
26. Prohibit the taking of omens, and do away with superstitious doubts. Then, until death itself comes, no calamity need
be feared.
27. If our soldiers are not overburdened with money, it is not because they have a distaste for riches; if their lives are not
unduly long, it is not because they are disinclined to longevity.
28. On the day they are ordered out to battle, your soldiers may weep,
those sitting up bedewing their garments, and those lying down letting the tears run down their cheeks.
But let them once be brought to bay, and they will display the courage of a Chu or a Kuei.
29. The skillful tactician may be likened to the SHUAI-JAN. Now the SHUAI-JAN is a snake that is found in
the Chàng mountains.
Strike at its head, and you will be attacked by its tail; strike at its tail, and you will be attacked by its head; strike at its
middle, and you will be attacked by head and tail both.
30. Asked if an army can be made to imitate the SHUAI-JAN,
I should answer, Yes. For the men of Wu and the men of Yueh are enemies;
yet if they are crossing a river in the same boat and are caught by a storm, they will come to each other's assistance just
as the left hand helps the right.
31. Hence it is not enough to put one's trust in the tethering of horses, and the burying of chariot wheels in the ground
32. The principle on which to manage an army is to set up one standard of courage which all must reach.
33. How to make the best of both strong and weak--that is a question involving the proper use of ground.
[Mei Yao-chèn's paraphrase is: "The way to eliminate the differences of strong and weak and to make both serviceable is
to utilize accidental features of the ground." Less reliable troops, if posted in strong positions, will hold out as long as
better troops on more exposed terrain. The advantage of position neutralizes the inferiority in stamina and courage. Col.
Henderson says: "With all respect to the text books, and to the ordinary tactical teaching, I am inclined to think that the
study of ground is often overlooked, and that by no means sufficient importance is attached to the selection of positions...
and to the immense advantages that are to be derived, whether you are defending or attacking, from the proper utilization of natural features." [2] ]
34. Thus the skillful general conducts his army just as though he were leading a single man, willy-nilly, by the hand.
35. It is the business of a general to be quiet and thus ensure secrecy; upright and just, and thus maintain order.
36. He must be able to mystify his officers and men by false reports and appearances,
and thus keep them in total ignorance.
37. By altering his arrangements and changing his plans,
he keeps the enemy without definite knowledge.
By shifting his camp and taking circuitous routes, he prevents the enemy from anticipating his purpose.
38. At the critical moment, the leader of an army acts like one who has climbed up a height and then kicks away the
ladder behind him. He carries his men deep into hostile territory before he shows his hand.
[Literally, "releases the spring" (see V. ss. 15), that is, takes some decisive step which makes it impossible for the army to
return--like Hsiang Yu, who sunk his ships after crossing a river. Chèn Hao, followed by Chia Lin, understands the wordsless well as "puts forth every artifice at his command."]
39. He burns his boats and breaks his cooking-pots; like a shepherd driving a flock of sheep, he drives his men this way
and that, and nothing knows whither he is going.
[Tu Mu says: "The army is only cognizant of orders to advance or retreat; it is ignorant of the ulterior ends of attacking
and conquering."]
40. To muster his host and bring it into danger:--this may be termed the business of the general.
 
41. The different measures suited to the nine varieties of ground;
[Chang Yu says: "One must not be hide-bound in interpreting the rules for the nine varieties of ground.]
the expediency of aggressive or defensive tactics; and the fundamental laws of human nature: these are things that must
most certainly be studied.
42. When invading hostile territory, the general principle is, that penetrating deeply brings cohesion; penetrating but a
short way means dispersion.
[Cf. supra, ss. 20.]
43. When you leave your own country behind, and take your army across neighborhood territory, you find yourself on
critical ground.
When there are means of communication on all four sides, the ground is one of intersecting highways.
44. When you penetrate deeply into a country, it is serious ground. When you penetrate but a little way, it is facile
ground.
45. When you have the enemy's strongholds on your rear, and narrow passes in front, it is hemmed-in ground.
When there is no place of refuge at all, it is desperate ground.
46. Therefore, on dispersive ground, I would inspire my men with unity of purpose.
[This end, according to Tu Mu, is best attained by remaining on the defensive, and avoiding battle. Cf. supra, ss. 11.]
On facile ground, I would see that there is close connection between all parts of my army.
[As Tu Mu says, the object is to guard against two possible contingencies: "(1) the desertion of our own troops; (2) a
sudden attack on the part of the enemy." Cf. VII. ss. 17. Mei Yao-chèn says: "On the march, the regiments should be in
close touch; in an encampment, there should be continuity between the fortifications."]
47. On contentious ground, I would hurry up my rear.[This is Tsào Kung's interpretation. Chang Yu adopts it, saying: "We must quickly bring up our rear, so that head and tail
may both reach the goal." That is, they must not be allowed to straggle up a long way apart. Mei Yao-chèn offers another
equally plausible explanation: "Supposing the enemy has not yet reached the coveted position, and we are behind him,
we should advance with all speed in order to dispute its possession."
Chèn Hao, on the other hand, assuming that the enemy has had time to select his own ground, quotes VI. ss.
1, where Sun Tzu warns us against coming exhausted to the attack. His own idea of the situation is rather vaguely
expressed: "If there is a favorable position lying in front of you, detach a picked body of troops to occupy it, then if the
enemy, relying on their numbers, come up to make a fight for it, you may fall quickly on their rear with your main body,
and victory will be assured." It was thus, he adds, that Chao She beat the army of Chìn. (See p. 57.)]
48. On open ground, I would keep a vigilant eye on my defenses. On ground of intersecting highways, I would consolidate
my alliances.
49. On serious ground, I would try to ensure a continuous stream of supplies.
On difficult ground, I would keep pushing on along the road.
50. On hemmed-in ground, I would block any way of retreat.
51. For it is the soldier's disposition to offer an obstinate resistance when surrounded, to fight hard when he cannot help
himself, and to obey promptly when he has fallen into danger.
47: "When Pan Chào arrived at Shan-shan, Kuang, the King of the country, received him at first with great politeness and
respect; but shortly afterwards his behavior underwent a sudden change, and he became remiss and negligent. Pan Chào
spoke about this to the officers of his suite: 'Have you noticed,' he said, 'that Kuang's polite intentions are on the wane?
This must signify that envoys have come from the Northern barbarians, and that consequently he is in a state of
indecision, not knowing with which side to throw in his lot. That surely is the reason. The truly wise man, we are told, can
perceive things before they have come to pass; how much more, then, those that are already manifest!' Thereupon he
called one of the natives who had been assigned to his service, and set a trap for him, saying: 'Where are those envoys
from the Hsiung-nu who arrived some day ago?' The man was so taken aback that between surprise and fear he presently
blurted out the whole truth. Pan Chào, keeping his informant carefully under lock and key, then summoned a general
gathering of his officers, thirty-six in all, and began drinking with them. When the wine had mounted into their heads a
little, he tried to rouse their spirit still further by addressing them thus:
'Gentlemen, here we are in the heart of an isolated region, anxious to achieve riches and honor by some great exploit.
Now it happens that an ambassador from the Hsiung-no arrived in this kingdom only a few days ago, and the result is that
the respectful courtesy extended towards us by our royal host has disappeared. Should this envoy prevail upon him to
seize our party and hand us over to the Hsiung-no, our bones will become food for the wolves of the desert. What are we
to do?' With one accord, the officers replied: 'Standing as we do in peril of our lives, we will follow our commander through
life and death.'
52. We cannot enter into alliance with neighboring princes until we are acquainted with their designs. We are not fit to
lead an army on the march unless we are familiar with the face of the country--its mountains and forests, its pitfalls and
precipices, its marshes and swamps. We shall be unable to turn natural advantages to account unless we make use of
local guides.
53. To be ignored of any one of the following four or five principles does not befit a warlike prince.
54. When a warlike prince attacks a powerful state, his generalship shows itself in preventing the concentration of the
enemy's forces. He overawes his opponents, and their allies are prevented from joining against him.
55. Hence he does not strive to ally himself with all and sundry, nor does he foster the power of other states.
He carries out his own secret designs, keeping his antagonists in awe.
Thus he is able to capture their cities and overthrow their kingdoms.
56. Bestow rewards without regard to rule,
issue orders
without regard to previous arrangements;
and you will be able to handle a whole army as though you had to do with but a single man.
57. Confront your soldiers with the deed itself; never let them know your design.
[Literally, "do not tell them words;" i.e. do not give your reasons for any order. Lord Mansfield once told a junior colleague
to "give no reasons" for his decisions, and the maxim is even more applicable to a general than to a judge.]
When the outlook is bright, bring it before their eyes; but tell them nothing when the situation is gloomy.
58. Place your army in deadly peril, and it will survive; plunge it into desperate straits, and it will come off in safety.
59. For it is precisely when a force has fallen into harm's way that is capable of striking a blow for victory.
60. Success in warfare is gained by carefully accommodating ourselves to the enemy's purpose.
61. By persistently hanging on the enemy's flank,
we shall succeed in the long run
in killing the commander-in-chief.
62. This is called ability to accomplish a thing by sheer cunning.
63. On the day that you take up your command, block the frontier passes, destroy the official tallies,
and stop the passage of all emissaries.
64. Be stern in the council-chamber,
so that you may control the situation.
65. If the enemy leaves a door open, you must rush in.
66. Forestall your opponent by seizing what he holds dear,
and subtly contrive to time his arrival on the ground.
67. Walk in the path defined by rule,
and accommodate yourself to the enemy until you can fight a decisive battle.
68. At first, then, exhibit the coyness of a maiden, until the enemy gives you an opening; afterwards emulate the rapidity
of a running hare, and it will be too late for the enemy to oppose you.
 
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