DC Comics Multimedia General - A crisis of infinite fuck ups

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I think I realized one of the problems: it's trying to be an origin movie without the origin. Like Batman 89. The difference is that Batman 89 still gradually introduced you to things. It wasn't like Batman was already pursuing the Joker, was already fucking Vickie Vale, and etcetera.

It had other problems, too. I didn't find it funny. It was too rushed. I didn't like the guy who played Lex. And Krypto was shoved in there to sell toys and nothing more. You'd think they would have established the god damn dog but no, the dog is there.

Also, unless this suddenly does gangbusters this weekend then it's officially a bomb.
 
These guys look like the cartoon nerd stereotype come to life. Horrifying.
I wonder if these modern Zoomer nerds would shit themselves at the level of collateral damage in an average JLU episode.


What's wrong with the world when a couple of 20 something comic book nerds act and sound like Marge Simpson?!
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I'm surprised nobody has mentioned this yet, but DC's two biggest names are nearing the public domain.

This truly is their last chance to one-up Marvel and create a profitable cinematic universe. James Gunn mentioned a 10-year plan, and guess who's scheduled to enter the public domain in 2034? Superman. Batman follows the next year, in 2035.

They have less time than that to squeeze every penny from these characters before the gold mine starts to dry up.WB's situation is dire. I don't think they can even afford to let Gunn go and start over. Time is not on their side. They need to make this work, or other companies will soon be able to produce Superman and Batman projects. I think Marvel would be foolish not to use both the instant they can.

In fact, I think Gunn's push for "little known" characters beyond his C-list obsession might be backed up by WB' feeling the deadline in ther necks. It might explain the Supergirl movie too. They’ll need other moneymakers besides Superman and Batman, and fast.

Edit: I understand that only the original versions of Superman and Batman will enter the public domain. Some of Superman’s more iconic additions will remain copyrighted for longer, but nothing prevents anyone from creating a unique variation of his original version. Batman, however, is a different case. I believe even his most basic form is highly usable.
 
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As smeone living in a 3rd world South East Asian country
I think the "SUPERMAN IS FAILING INTERNATIONALLY" argument isnt as straightforward as one might think
since its always the implication that the movie sucked
but in reality where im from, 2 weeks now all theatres are booked from morning to night and i had to preorder tickets for Sunday to bring my dad to watch.

Realistically, International audiences in my home country are just somewhat fatigued by the overall lack of quality in Hollywood movies over the years
and with how bad THE FLASH & BLUE BEETLE was, and all following MARVEL movies in phase 4-5. People are just very wary.

Also the overt messaging in most hollywood movies in regards to Californian values. Not US values, Californian values. i.e. Girlboss, noble illegal immigrants, LGBT and other weird shit that goes against the rest of the world's values... i mean.. what can you do?


Nontheless, the new superman movie personally i enjoyed it, and alot of people i saw enjoyed it. and word of mouth is going on spreading saying its good so i reckon in maybe 2-3 weeks the overall results will change.

Yes. I know alot of people enjoyed the Snyderverse, I also wanted to see where Snyder will go with his story and the final battle against Darkseid. But lets be honest here. With how bleak and depressing MARVEL is and majority of movies. The colorful contrast and story of hope in James Gunn's version is much needed in a constantly neverending cynicism the world have gone to.

There is no perfect movie. there will always be flaws.
but how long have it been since you last watched a movie, and walked out giddy and smiling and laughing and feel somewhat refreshed? in the last decade.


Maybe who knows, in a decade if Gunn's projects were all a success, maybe he'll have enough sway and pull to convince the heads of WB to let his friend, Zack Snyder finish his vision. and maybe by that point, a dark gritty DCverse would be refreshing once again.

As for now, I have hope that DC movies will be good again.
and in 2025, maybe a little bit of hope is what we all need in our lives.
 
The last DC movie I can remember doing well in the box office was Aquaman, and one of the main reasons for that was it being aggressively marketed in and incredibly successful in China.
The last success was the first Joker film which made a billion without much international help. Maybe you can say The Batman, but I am not sure that one did a mass amount of numbers in comparison.
which he could have blown away with his established super breath, or conveniently absent freeze breath, or just burned up in atmospheric re-entry.
I remember getting to the Ultraman fight and just asking myself, why didn't Superman just laser the cameras Lex has flying around. Also, the cameras weren't a thing till that scene right?
I have said it earlier on, but a big problem with Snyder was less the destruction and more the griddy tone and constant pans to people dying under the rubble and whatnot that gave the film its poor reception. Rather than getting a dumb superhero fight to entertain the masses, he tried to have it while also going hard on the tragedy, making the entire thing very off-putting.
 
Maybe you can say The Batman, but I am not sure that one did a mass amount of numbers in comparison.

The Batman did $770M globally (with just over half of that coming from international markets) vs a ~$190M budget and a marketing budget that was probably 1/10th of Superman's. It also spun off The Penguin, which had heat, and people are clamoring for more of (no one can really comment on the numbers for any streaming show, because everything available is pure lies and idiocy, but I highly doubt that the budget was THAT big, as it re-used a ton of assets from the film, and Colin Farrell was the only A-lister in it, and he's not taking RDJ money or anything). It's impossible to know what makes a streaming show successful or whatever, but it's certainly not a failure along the lines of Rangz of Power or literally every Star Wars and Marvel show. If I had to guess, I'd put it somewhere around Stranger Things level of success, all things considered.

I haven't seen Superman, but I highly doubt Gunn could spin off anything successful from it. I mean I guess it's possible, but you know the budgets are going to be bloated, the shows are going to be way too frenetic and unfocused, and/or they're going to shoehorn in boring "muh Trumps and immogrants" shit ad nauseum, so it will literally be impossible for them to be either good or perceived as good. I mean just look at all the chatter about Peacemaker and Creature Commandos - oh wait, there isn't any, and I highly doubt there will be for Lanterns or whatever other Gunnslop is coming out.

Honestly the most interesting thing about this whole endeavor is going to be what happens next. They can go the Disney Marvel route, and keep sinking huge budgets into these (whether from looting the studio or just sheer incompetence, I don't know); they can go the Universal/JW route and just shrink the budgets, continue producing mindless slop that target the left side of the bell curve and make a little bit of money; or they can just give up and start something else (so unlikely it's virtually impossible). Guess we'll see via the announcements and what gets started vs what gets cancelled in utero over the next year.
 
Honestly the most interesting thing about this whole endeavor is going to be what happens next. They can go the Disney Marvel route, and keep sinking huge budgets into these (whether from looting the studio or just sheer incompetence, I don't know); they can go the Universal/JW route and just shrink the budgets, continue producing mindless slop that target the left side of the bell curve and make a little bit of money; or they can just give up and start something else (so unlikely it's virtually impossible). Guess we'll see via the announcements and what gets started vs what gets cancelled in utero over the next year.
Best route is just to accept superheroes are diving back into being a niche again and choosing to develop some good animations and games instead. These projects are lower budget, so they can be more experimental to drive up a new audience like they were doing from the 90s-10s. Just play to nerds while being creative enough to expand a little past that, it was the reason why content like the DCAU, Teen Titans and Young Justice are so fondly remembered and profitable even 10-20 years since cancellation.

They don't even need to invest fully in superheroes, they could try to do more with some of their niche franchises like they have already done:

Hell, go the route of a DC Rivals, make a fun game that allows some of the D-list characters to rise up a bit. They could also do like an Ultimate Alliance/JL Heroes thing, just something...

Knowing WB, rather than fix this mess, they will likely either spin the wheel again for a new DCEU or kill everything that isn't Batman, with bets on it being both.
 
Also also, I hate to say it but I went through a period where I only had access to network TV (all 12 channels) and had to watch whatever was on which is when I discovered Smallville. It's an overall good show. But I think that Michael Rosenbaum was the best actor to play Lex.


After him then I'd say Kevin Spacey was the 2nd best. I know Rosenbaum and Gunn are long time friends and he's too old now but fuck it, Gunn should have cast him as Lex in this.
 
How bad is this really? It has creatures. Maybe it could be could.
It's not worth it...

The characters barely have any development and the plot sucks. It is trying so hard to be an edgy Guardians of the Galaxy, but the humor doesn't land and all the "sad" backstories are just nothingburgers. Most will say its woke given the incels at the beginning of the series, along with the Bride being an obvious girl boss who is trying to escape a creepy stalker-incel Frankenstein (She also defends prostitutes from weirdos). It also has G.I. Robot whos whole character is repeating the lets kill Nazis line. In all honesty, the woke is hardly the biggest issue with the series. It just lacks focus, mainly being a series of reveals of the backstories with the government infiltration plot taking a backseat till the shit twist-that-isn't-a-twist happens. Frankenstein and G.I. are obnoxious, The Bride is a nothingburger, Weasley is clearly Gunn's self-insert (including being framed for having weird relations with children), Rick Flagg is a out of place, and the villains may as well just not exist with how little they are given. Nina is the only character worth a shit since she has development and a decent backstory.
 
Just watched Superman. It wasn't the greatest of all time, but it was alright for a superhero movie. Compared to the Marvel slop I've seen recently it beats that at least. If they just didn't make the shithole country full of brown people that whole thing would've played a lot better. I actually thought people were overreacting until I saw that every one of them were a shade of brown while the attackers were all white. Superman intervening in wars isn't new stuff, but it should serve the purpose of whatever story you're telling instead of being shoehorned in. It still could've worked, but there was no reason to keep going with it into the second half of the movie.

They made the superhero actually seem heroic so that's a big plus. I liked that his alien parents weren't redeemed by the end. It always annoys me when Superman starts calling himself Kal-el and goes all Kryptonian. Ending the movie with him watching videos of the Kents was wholesome.

I liked that they pulled some less widely known names from the DC universe.

I liked Lois, but taking her to the pocket dimension was pushing it. I don't know why superhero stuff always has to insist on including the girlfriends in the action.

The fights were meh. People who direct superhero movies should be made to watch fighting anime to get a idea of more clever ways for superhumans to win fights. When they were filling his lungs with the nanomachines and Superman started flying into space I thought for a second something was going to happen. But nah, he just divebombed back to Earth and somehow the supergenius didn't see that coming and it also somehow solved all of Supermans problems.

They did a good job making him nonlethal until the very end when he eye lasered all those jetpack soldiers. I get that didn't kill them, but it makes no sense that it didn't.

I don't really understand why exposing Lex Luthor at the end made everyone love Superman again, but whatever.

I give it a 3/5. or a 4/5 compared to other superhero slop.[/ISPOILER]
 
I’m reminded of that autist from Sci-Fi Speed Dating who dressed up as Jimmy and got every chick’s number by virtue of being normal looking and not smelling.

I bet that’s the reference, Gunn is terminally online enough to know about that.


The thing I really remember about that was that the guy didn't seem especially interested in all the women who were throwing themselves at him - he kinda seemed like he'd rather just hang out with his big, buff, black haired friend who coincidentally just happened to look a bit like Superman.
:gay:

https://youtube.com/watch?v=pHN_j08zBdAView attachment 7647591View attachment 7647610
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Not only did Midnight Edge open his video by saying the international audiences failed Superman. He is using the argument that no one cares or has superheroes outside of America for Superman flopping. Even ignoring Ultraman and Kamen Rider from japan this statement is retarded. The British Invasion in American comics during the 80s is mostly due to miracleman. The most popular superhero cartoon worldwide right now is about French superheroes.

I, for one, struggle to take Midnights Edge in any way seriously any more, after he genuinely brought on Mundane fucking Matt of all people for an unbiased, educated take on Ghostbusters 2016.

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James Gunnfags has zero right to make fun of Synderfags after praising him for ripping off a Simpsons joke about bad Hollywood writing as a plot point. Only DC pajeets and journalists the think plot point is good writing.

That's not a Simpsons joke. The Simpsons referenced it, but they didn't come up with the idea.
'Infinite monkey theorem'. Look it up.
 
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https://youtube.com/watch?v=DnXvsxNhoRw
The thing I really remember about that was that the guy didn't seem especially interested in all the women who were throwing themselves at him - he kinda seemed like he'd rather just hang out with his big, buff, black haired friend who coincidentally just happened to look a bit like Superman.
:gay:



That's not a Simpsons joke. The Simpsons referenced it, but they didn't come up with the idea.
'Infinite monkey theorem'. Look it up.
Well Jimmy was wearing a dress in All-star…….

I fucking hate Grant.
 
I mean, the problem in Man of Steel was never the amount of destruction, it was how Superman seemed to do nothing to try and avoid it. It'd be one thing if Zod and Co kept shutting down any attempt Supes makes to try and divert the fight out of population zones because he's inexperienced, but Supes barely seems to even give a shit and sometimes is directly just driving his opponent into buildings.
 
I think a lot of you are getting really into the weeds with the whole Man Of Steel thing. Man Of Steel's major problem wasn't the amount of collateral damage or Superman killing Zod or whatever. Man Of Steel's major problem was that it was a boring, joyless, up-its-own-arse ordeal of a film, populated by characters people neither liked nor related to, and it completely failed to resonate with audiences as a result. It's not a bad movie because of the destruction, it's a bad movie all on its own, to begin with, and the destruction doesn't help it.

I don't think people don't really especially care about wanton destruction in their superhero movies - stuff gets smashed up all the time in those Avengers movies and nobody cares, because those movies are generally fun and exciting and the characters are charming and likeable.
 
Apparently The Batman is confirmed to be its own thing, which makes me think WB's lost faith in Gunn and don't want their only profitable franchise outside of Harry Potter connected to his failing Trainwreck.
 
I've now watched Superman 2025 and would like to share my thoughts. I'll preface it by saying following Gunn's comments and history tanking my enthusiasm I happily read other takes, spoilers, the lot. I avoid spoilers like crazy if it's something I care about but here I did not. That negative start said up front, here are my thoughts.

I recalled a comment here about how people were just taking selfies whilst Superman fights in front of them and when Eve is doing that I thought this was someone unfairly exaggerating because she was actually safe and it was in character. But then later on I saw what that person meant - other people start doing it too. I don't mind entirely that there's no sense of danger in this movie. Not every movie that's good is good because of tension. But here it became a little grating. And this despite the rather bold choice to open the movie with Superman being defeated.

People weren't kidding about the frenetic pace of the film. By the 20 minute mark we've had Superman defeated, introduced a dog, revealed Lex doing evil things, had interactions with the Daily Planet characters, a meeting at the Pentagon, TV shots of the president of Borovia and a make-out scene between Lois and Clark. And by the 26 minute scene we have Lois and Clark breaking up as she says she warned him she was no good at relationships and he walks out. I think a Justice Gang cameo might have been squeezed in there somewhere too.

I generally like an efficient movie but this is both rushed and leads to every second line being some heavy-handed exposition. E.g.

Lex: "We need to stop Superman".
Engineer: "I know, Lex, I sacrificed my own humanity to be rid of him." (pretty much word for word).

It's not good. What is good? Well the interview scene that precedes their row is interesting. I see what @dick brain meant about it and it's an interesting insight about how men have to be more restrained because the same outburst is much more frightening to a woman than the reverse. And I enjoyed Lois in this - she came across very well and a good reporter. Clark? Well as I said the scene was interesting but is this the version of Superman I want? That I'm less sure of. I prefer Reeve's calmer portrayal. It had a lot more authority and a quiet authority as well. I wont go so far as to call this Superman petulant but it got a little too close to that for me to relate.

Casting generally was only so-so for me. Lois stood out as did Mr. Terrific's actor. He made Mr. Terrific both charismatic and arrogant at the same time. I like that combo. His emotions were very understated like the little uh-oh as he sees Krypto zooming in on a t-sphere or the vague irritation in which he says "Spheres. Circles are two-dimensional". Although the set up line like a fair bit of this movie is quite forced. Who would ever actually call them "circles". Still, Lois and Terrific were the best casting. Guy Gardner is one of my two favourite DC heroes (other is The Question. Don't read two much into the fact that my favourite heroes are all assholes, please) but Nathan Fillion as him was, okay-ish. He was somewhat the Guy Gardner from the comics, but nothing special. And Corinswet is adequate I guess. In a weird way he's better as Ultraman / Bizarro than Clark, just for the contrast. And I appreciated Cat Grant's decolletage. But the worst casting is probably Jimmy Olsen. And it's not because the actor is bad, I thought he was quite good actually. But what the Hell were they going with in the woman-magnet thing? It was utterly over the top. If some women have a crush on him that's fine. But it's random girls around the office and elsewhere swooning over him. Is it supposed to be humorous because he doesn't look the part? I think the whole thing was a running joke which just didn't land. At all.

Incidentally I thought the worst casting would be Hawkgirl because she's about 5'1 and in every physical sense wrong for the character except for being female. But she just squeaks ahead of Olsen by virtue of the actress being likeable. Still terrible casting though. Also, I couldn't not laugh at her hawk cry. Also, now I think about it - are her wings detachable in this movie? In some scenes she doesn't have them or is my memory playing tricks.

And to finish up on casting, lets talk about Lex. He had his good points. Hoult has energy and is entertaining. But he veers too much towards the Snyder Lex and he lacks stature and authority. I don't see Lex having tantrums and throwing coffee mugs to the floor. And I certainly don't see him crying and giving a speech about how much he envies Superman. That's just not Lex.

What else? The politics, I guess. I didn't see this as Israel and Palestine though a case could certainly be made. For me the more natural fit was Boravia = Russia and Jahandapur seemed more India inspired from the names and ethnicities. Though it was a deliberate and focus-grouped hodge-podge. And given Russia and India have some minor conflict history but are currently on better terms than the West would like them to be, I can see some subtle poking of that bear.

The whole plotline with the bad real parents I just flat out did not like. I've written elsewhere how I don't like the suspicious degree to which Found Family gets pushed by Hollywood but even aside, I just think it's not a pleasant twist and I do not like it. I will concede it works for the film and I do disagree with some posters who found it a flawed plan. I could see it being exploitable the way Lex played it. I just don't like it for what it makes his parents. I guess a Krypton like that sets up Zod's mindset pretty well if he appears (if there are more movies).

The rest is just a grab bag of odd and jarring things. The way one of Corenswet's eyes seems to stare off to the side when he's flying at the camera. He reminds me bizarrely of the mutant version of Sentator Kelly in the old X-men movie. Where he's squeezing his face between the bars. Incredibly forced stuff like the front page spread of "Metropolis's True Hero" with a picture of Mali the falafel guy. The completely over done stuff with the kid with the flag chanting "Superman!" in the face of Borovia's invading army (incidentally one of the worst military deployments ever depicted on film - it's just half a dozen tanks and some soldiers standing out in the open walking about). The abrupt Peacemaker cameo. Hypno-fucking-glasses. Oh, and why if John and Martha Kent have such thick whatever-they-were accents, why doesn't Clark have an accent anything like them?

Lots of the film just felt undercooked, really.

Out of five? I'd give it a two. It feels like a film put together by focus group going through YouTube comments about Marvel and Snyder movies, ticking things off and saying "more zany monsters" mixed with James Gunn's personal issues. We get it - you characterise your critics as monkeys and you were put in Twitter jail.

I feared this movie would be a bad movie done well. That is a movie which is fundamentally not good in morals, structure or characters, but which is sprinkled with enough things people do want to make people like it. For me, I was almost right except it wasn't sprinkled enough.

I did like seeing a brick bounce off Superman's head, though.

EDIT:
Apparently The Batman is confirmed to be its own thing, which makes me think WB's lost faith in Gunn and don't want their only profitable franchise outside of Harry Potter connected to his failing Trainwreck.
In that case, I wish Gunn had been prevented from sabotaging Reeve's sequels. He setting things up very nicely for a strong follow-up, I thought and I'd love to have seen it. If we even still get a sequel it will no longer be Reeve's original intent.
 
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