- Joined
- Jan 29, 2021
Thanks, it's all pretty retarded I love it.
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Btw. everyone told SK that argument was shit before the video came out and he didn't listen, he also apparently included responses from random Reddit users and Twitter users cause these guys just care so much lmao.
Wolf had a conversation with Southpaw about his antics on EFAP and elsewhere. Southpaw got really, really upset with Mauler and Fringy because they didn't appraise his favorite TV show (Terriers) correctly. He said some things publicly which Wolf says were akin to calling EFAP rape apologists. Wolf basically confronts him about what he has done and all Southpaw can do is talk about some details in the show that were misunderstood because EFAP doesn't know real world knowledge like he does.
TL;DW is basically this:
Wolf: "Why did you call me and my friends rape apologists?"
SP: "Well, if you skip to this timecode in episode five of Terriers, you can clearly see that..."
Wolf: "You do realize people don't appreciate being called rape apologists, right?"
SP: "..."
By the way. This is basically every interaction ever with Southpaw about media. It's like every piece of media is on trial and he's some kind of lawyer gathering evidence for a client about whether a movie makes sense practically. This is why he says he loves Terriers so much because, according to him, it's internal logic is just so freakin' consistent and practical.
Southpaw also has this uncanny ability to say he messed up and then immediately proceed into explaining why he was right the whole time. He also wrote this huge ream:
https://www.reddit.com/r/MauLer/comments/vu0v7k/missing/ifskzur/?context=3
Wherein he tries to blame his problems on misunderstandings and miscommunication, but as you continue to read he makes it out like he's a victim. Then, he ends the entire thing by calling someone "a liar, a narcissist, an animal abuser, and a groomer" and then proceeds to mention how he saved some woman from this person's abuse.![]()
I remember you were well into the MauLer for years now and I'm curious what brought you to the KiwiFarms in particular?Just a heads up, in the next couple of hours, the channel "Actual Fandom" might be hosting Pillar of Garbage to have him talk about being "harassed" by EFAP:
https://youtube.com/watch?v=Dwk5-Ip8dq0
Bold of you to assume that people in their real life want to hang around them enough to explain anything.I will never understand why do spergs attribute fictional shit with actual abhorrent human behaviors. Like, someone in their life had to explain to them that the things they see in media are not real and that, for example, liking an irredeemable asshole in a movie doesn't make them a bad person, right? Right?
I hadn't returned to the topic until just recently. Most of what I'm garnering is second-hand from folks I've met on smudboy's circle and here from this thread. I've been a KiwiFarms lurker for a bit, following the degeneration of Ethan Ralph, Carl Benjamin, and others.I remember you were well into the MauLer for years now and I'm curious what brought you to the KiwiFarms in particular?
Oh my God, I watched a few videos from S. K. Comics about 2 or 3 years ago and they were about as retarded as you'd expect from an EFAP orbiter. For example, in his review of Spider-Man: No Way Home he asks why Peter isn't arrested for violating the Sokovia Accords from Captain American: Civil War. This is despite the fact that No Way Home takes place 5 years after half the universe was erased from existence by Thanos. Why would anyone give a shit about the Accords by then?He recently got into it on Twitter with smudboy. I get the feeling the pressure led to his trimming it from the video.
https://twitter.com/smudboy/status/1614343750016196608?cxt=HHwWgICz0czFpucsAAAA
https://twitter.com/smudboy/status/1614348068819767296?cxt=HHwWgMC4nf7AqOcsAAAA
View attachment 4290430
Wasn't it explained in the movie with the fact that MATT FUCKING MURDOCK helped him out?Oh my God, I watched a few videos from S. K. Comics about 2 or 3 years ago and they were about as retarded as you'd expect from an EFAP orbiter. For example, in his review of Spider-Man: No Way Home he asks why Peter isn't arrested for violating the Sokovia Accords from Captain American: Civil War. This is despite the fact that No Way Home takes place 5 years after half the universe was erased from existence by Thanos. Why would anyone give a shit about the Accords by then?
Shit, I accidentally said No Way Home instead of Far from Home, which is the review I was talking about. Oops.Wasn't it explained in the movie with the fact that MATT FUCKING MURDOCK helped him out?
The meticulous nature of tearing apart films like this has always struck me as being borderline psychotic. Like, has SK or Southpaw produced any media of their own that's noteworthy? Do they even write their own scripts or make their own movies using this supposed well of facts, logic, and raisins™ that they foist on whomever and whatever?Oh my God, I watched a few videos from S. K. Comics about 2 or 3 years ago and they were about as retarded as you'd expect from an EFAP orbiter. For example, in his review of Spider-Man: No Way Home he asks why Peter isn't arrested for violating the Sokovia Accords from Captain American: Civil War. This is despite the fact that No Way Home takes place 5 years after half the universe was erased from existence by Thanos. Why would anyone give a shit about the Accords by then?
Here's another example: he reviewed season 2 of that Harley Quinn show and he kept taking jokes 100 % seriously. Like, there's a joke in season 2 where Commissioner Gordon thinks the mayor of Gotham is gonna thank him for saving the city but instead the mayor thanks a bunch of C and D list superheroes who weren't there. In his review S.K. unironically asks "Why is the mayor thanking all these heroes instead of Gordon? They weren't even there!". as if it's some kind of plot hole in the show.
It's funny SM should say this because the overarching point--as indicated by the title--is there's really no reason a TLOU TV show should even exist unless there were going to deviate from the game in some way. In which case, if you already have the game, what's the point of making a show? Why not just play the game again?Mauler liked episode 1 of TLOU show by the way, but not completely sure this is related.
He did have a (seemingly friendly) disagreement with Az in the latest RealBBC
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Disney ain't doing so hot nowadays, fortunately.But, like I said before, Disney doesn't have to change their trajectory at all because they have a hate-watch fanbase that loves to tear it a new one anyway. They will pay money to consume product they hate because it's the only thing that adds any substantive to their anger-monger channel. In fact, this might even incentivize Disney to make even more woke content down the road.
However, the company also disclosed that it is facing a proxy fight from activist investor Nelson Peltz and his fund Trian Partners. Trian has nominated Peltz to serve on the board. In a presentation published on Jan. 11, the investment firm described many of Disney’s challenges as “self-inflicted” and advocated for the entertainment giant to restore its dividend by fiscal year 2025, seek more “efficiencies and additional profits” and expressed concern that Disney management’s direct-to-consumer streaming push with Disney+ “failed to effectively communicate the financial rationale behind the strategic pivot.”
Peltz’ fund went on to elaborate its concerns with Disney+, adding: “We are surprised that Disney’s best-in-class IP, franchises, and scale have not led to in-line, if not superior, unit economics compared with Netflix, which generally lacks high quality, franchise IP.” It also claimed that Netflix is more cost effective in its production and programming costs compared to Disney.
To be frank, nobody is doing so hot nowadays because the economy is in the shitter and it's only going to get worse. If it's a choice between a subscription to your favorite shows or paying rent and feeding yourself for the month, people are going to choose food and shelter. Whether or not your favorite shows are race-swapping characters or pushing more troon shit doesn't really matter if your consumers don't have the money to pay a regular subscription for this garbage anyway. Unfortunately the oligarchs seem to think I make enough money to own a Tesla, an iPhone, and a PS5 and continue to make ends meet.
That is a good point, but if economic scarcity is the biggest market pressure then hatewatchers should be the first ones to drop the shows. The real hatewatching is in the view counts of Mauler and other video essayists. It's not uncommon to enjoy the secondary product more than the primary.To be frank, nobody is doing so hot nowadays because the economy is in the shitter and it's only going to get worse. If it's a choice between a subscription to your favorite shows or paying rent and feeding yourself for the month, people are going to choose food and shelter. Whether or not your favorite shows are race-swapping characters or pushing more troon shit doesn't really matter if your consumers don't have the money to pay a regular subscription for this garbage anyway. Unfortunately the oligarchs seem to think I make enough money to own a Tesla, an iPhone, and a PS5 and continue to make ends meet.
I'd say that ONLY kids care about Scooby-Doo, in the sense those direct-to-market movies (can't say VHS or DVD anyone, damn) did enough to keep getting made. The real story of Velma is that people don't want a different Scooby-Doo that has nothing they liked in the originalThe real story of Velma isn't an obvious cope about right wing bait, it's that kids don't really care about Scooby Doo.
Because it's literally their job to do so, it's how they make money.Why are these people constantly taking pot shots at people and content they don't really care about?
Except the people who hate-watch their content usually pirate it.But, like I said before, Disney doesn't have to change their trajectory at all because they have a hate-watch fanbase that loves to tear it a new one anyway. They will pay money to consume product they hate because it's the only thing that adds any substantive to their anger-monger channel. In fact, this might even incentivize Disney to make even more woke content down the road.
Yes, for sure, and that's happened with almost every sequel made after 2015. But I have to wonder how large the adult demo is. Setting aside the character abuse everyone is complaining about, why did HBO think it was a good idea to greenlight a blood n sex Scooby Doo show?I'd say that ONLY kids care about Scooby-Doo, in the sense those direct-to-market movies (can't say VHS or DVD anyone, damn) did enough to keep getting made. The real story of Velma is that people don't want a different Scooby-Doo that has nothing they liked in the original