🐱 ‘Friends: The Reunion’ fails to address the show’s history with racist, homophobic comments

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CatParty


We all like to remember the best moments of our lives. We all like to come back to those moments years later to recall those events. It can become easy to remember all the good.

It’s also easy to forget all the bad memories. We try to forget all the negative experiences, but it’s a part of us — like it or not.

And that’s what “Friends: The Reunion” is all about: remembering the good, forgetting the bad. After postponing the release of “The Reunion” last year because of the Covid-19 pandemic, it made its long-awaited debut on HBO Max on Thursday.

The issue with the show, however, was that it glossed over some bad moments and only focused on what made the show so popular.

Sitting on a couch in Central Perk, the six main actors from the original “Friends” — Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer — went down memory lane to go through their rise to stardom. They were also joined by other stars like Justin Bieber and David Beckham, who are fans of the show.

Through all the stories shared and the nostalgia that it proved, “The Reunion” failed to address the ugly side of “Friends.”

It was disappointing to see that “The Reunion” glossed over the show’s lack of diversity and its history with homophobic, transphobic, racist and misogynistic comments. A true “reunion” doesn’t pick and choose what to remember and what to leave out.

Maybe it’s naive to expect these actors to address a difficult topic when, according to Business Insider, they were each paid $2.5 million to appear in this show. And before the pandemic hit last March, this reunion was supposed to help premiere HBO Max.

The show was hosted by James Corden, which made for an awkward dynamic between him and the other actors. Corden would often bring back talking points already addressed by the other actors; he would have been better suited setting up a topic and allowing the cast to do the rest.

There were moments when the six actors were given the space to talk freely and go over moments that were special to them. That would have been the perfect time to also discuss some of the troubling parts of the show.

For example, in 1999, Amaani Lyle was one of the few Black women employed on the show, becoming a writers’ assistant who was fired after four months. She then filed a lawsuit, which was later dismissed, alleging that her supervisors told racist and sexually graphic jokes, including of other female members of the cast.

These are issues that plagued the show for a long time but have largely gone untouched. Besides a couple of times where the writers of the show were asked to address these issues, it has mostly escaped any deep conversations.

Considering the issues that America has been trying to tackle in the last year with police brutality and racism, this would have been the perfect platform to speak openly about the ugly side of the show. Alas, we got none of that.

Instead, the show spent 105 minutes hearing from other celebrities who adored the show, which created some cringe-worthy moments, and occasional scenes where the cast got to speak to each other. In the scenes where the actors got the chance to open up — especially when Perry talked about the pressure to generate a laugh and the pressure of a joke landing — there were no extended conversations to explore further into these matters.

Maybe the cast isn’t as interesting when they are forced to be themselves rather than in character. Maybe that’s why Corden was there to keep everything moving along, even though it didn’t really work.

In certain moments, it felt like that cast felt scared to get too personal with the crowd. Then what’s the point of a reunion?

And that’s the issue with “The Reunion” — it didn’t involve much of the cast and it failed to engage in deep conversations. Given a year to produce this show, the production should have been better and the cast could have put in more effort to show they care about these issues.
 
Uncle Phil was an ex-radical turned moderate liberal who in his youth marched, protested and rioted against the man, but put those things away once he had a responsibility to his family.
Uncle Phil rates as one of the best TV fathers for that reason as far as I'm concerned. It gets shared quite a bit social media, but that scene where he hugs Will after his emotional breakdown from his father's second abandonment was emotionally poignant. It shows one of the tragedies of Black America and how fathers effectively abandon their children. I heard that fatherlessness in the black community was actually lower than whites as less than 20% before LBJ's Great Society and now it's at 70%. Uncle Phil was a loving father and I believe that despite their differences, he came to see Will as a son by the show's end. It also helped that James Avery brought a great deal of dignity to the role as well.

All right, see Uncle Phil and Al Bundy compete on who can throw Jazz the farthest.
 
Do people remember that there were shows that had fully black casts back then and even before the 90s? Black people in the 90s were making black media for themselves and now you have all of these articles written by obsessive weirdoes who are like "why didn't this white show weirdly and jankily alter itself to include black people who don't watch this show and never would because it's not made for them?"

Joke's on them, I guess, because black people get to watch shows like blackish now, where the fat guy who was in Kangaroo Jack cries over Coldplay music.
 
Do people remember that there were shows that had fully black casts back then and even before the 90s? Black people in the 90s were making black media for themselves and now you have all of these articles written by obsessive weirdoes who are like "why didn't this white show weirdly and jankily alter itself to include black people who don't watch this show and never would because it's not made for them?"

Joke's on them, I guess, because black people get to watch shows like blackish now, where the fat guy who was in Kangaroo Jack cries over Coldplay music.

If you time-traveled back to the 90's and asked someone to put on "black programming", they'd turn on The Cosby Show, and if you stomped your feet and said "No, BLACK! Programming!" they'd turn to BET, and if you then said "NO! THE SHOW WHERE WHITE PEOPLE TALK ABOUT BLACK ISSUES!" they'd call the asylum.
 
Regardless on anyone's thoughts on Friends, there is no denying the show was popular. People today love revisiting (or even visiting for the first time) the show because, of the humour, drama, and characters that draw them towards the show. Journalists and Hollywood nowadays are so hyper fixated on diversity and current issues that they can't make a show as iconic as Friends anymore. Deep down they are mad that people would rather watch a 20 year old show rather than whatever "new" shit comes out on Netflix or elsewhere. But, they can't say they hate it because they are also drawn to the characters and humour. They are secretly jealous of the show. They want a show with Black/Gay/Trans people to have the same success and popularity as Friends. But the need to tackle current issues and walk on eggshells to not offend anyone will forever hurt their chances of making a show like Friends. And because they like Friends as well, they feel guilty for "betraying" their morals for a few laughs.

This journalist is upset because if they could just change the past and make just one character black, one character gay, insert political messages, change some offensive jokes in Friends, then it can be the best show ever (even when in reality, it would make the show worse). But they can't change the past, so they want feel less guilty for liking the show. They want to hear them say "Oh yeah, if we made this show today, we would change these things".

In short, they want a show that caters to them with the popularity of Friends, but it's never gonna happen, so they pretend Friends caters to them,
 
A reunion where all the aged cast members sit around and apologize for things? Sounds like a hoot! Never let it be said that the social justice crowd doesn't know how to put together one hell of a show. I hope KISS gets back together one more time so they can all get on stage in a packed arena and take turns apologizing.
The Beastie Boys actually did something like that. Even more absurd in that case, since they were basically a joke band to begin with.

As for the muh racism lawsuit “controversy”, this writer is really naive to think the stars of Friends were involved in that or gave a shit at all. Why would self-obsessed A-list 90s actors be concerned with who is hired to or fired from the writing team? They probably don’t even remember it happened.
 
Journalists and Hollywood nowadays are so hyper fixated on diversity and current issues that they can't make a show as iconic as Friends anymore.
And I won't be surprised if they do the following mantra: "diversity and current issues for the thee but not for me".
 
Friends is just like Scrubs, NCIS, and other garbage. A celebration of cosmopolitanism for people who have never had to contemplate their own death.
 
They could have pulled a JK Rowling and just made one of them gay or bisexual. Or they could have brought a black disabled lesbian in and pretended that she was there the whole time. You must admit gender specials do love historical revisionism.
The problem is that they may bite once, then demand a lot more the next time because they already see that their method works there.
 
You have to push back harder before these sjw faggots will learn. When they complain about Friends being too white, explain in a loud demeaning manner that you only watched it because there were no niggers, but you were being gracious since it's produced by kikes. See how progressive!

Together we can stamp out the curse of wokeness.
 
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