Dylan James Mulvaney / Days of Girlhood / Day __ of Being a Girl - Dylan Explains It All, a gay man interprets 'girlhood' in all glorious technicolor.

  • 🏰 The Fediverse is up. If you know, you know.
  • Want to keep track of this thread?
    Accounts can bookmark posts, watch threads for updates, and jump back to where you stopped reading.
    Create account
Here's a whole article stating that anyone who cares about this has never seen, listened to or cared about Six. There's a hell of a generalisation, along with a lot of judging. I guess it's only ok when they're doing the judging..

Man Boylen article
That writing was so fucking stupid I had to see what the guy looked like. As suspected, he looks like he drinks a gallon of troonshine a day:

signal-2026-01-19-17-34-33-759.png

I thought we banned trans-fat in America.
 
Last edited:
After careful consideration I have to say he is NOT suited for this role. He has never been female and will just ham it up and present an uncanny valley simulacrum of both the nuanced emotions and expressions, and the self-awareness regarding those emotions and expressions, of both the character and the small choices an actress would have in vocal delivery and facial expression in her song/solos for this show.
"Don't Lose Your Head" walks a fine line wrt delivery and head/chest/warble/belt situations that he just doesn't have the brain power to understand, even if he was a very good male singer (he wasn't). The reason even a fairly stupid girl might be able to nail that song on stage is that she has just literally lived as a woman. The verses require some speaking-volume stuff that's pretty technically impressive once you get past the distractingness of the bland production choices. Bro here is just going to be screaming into the mic and doing a Jim Carrey rubberface.
 
Last edited:
I'm actually unsure if anyone would go to see it with an American cast. That may be why they had to use Dylan.
I mean, I have no idea if this will actually be successful as even if it wasn't for Dylan I can't see myself choosing it if I ever found myself on Broadway.

With that said, it's success or failure won't be because of some "boycott" since these people aren't the target audience either way, unlike the Bud Light situation where they actively spat in the faces of their main costumers.
 
I actually saw Six recently for a younger female relative’s birthday and it was fine. I was mostly shocked by the amount of children there, it was a lot…. Especially since the first time I saw it I was drunk with a bunch of other twenty-somethings and it was very fun for drunk me. I wonder if a bunch of moms thought history equals age appropriate, and got shocked by the amount of suggestive content. It’s a fine enough pop-opera situation though sober I got annoyed how a so-called feminist story overwrote the a lot of the accomplishments of the women (particularly Anne Boleyn who was not a ditzy teen but an intelligent adult woman) and also upheld a lot of the myths like Anne of Cleves being so shockingly ugly and her portrait inaccurate but hey. It’s a short little musical that had euro trash rave song in that I did bop along too. I did notice several dudes cross-dressing in Anne Boleyn costumes, so this may already Be a Thing for the fandom.
 

Dylan Mulvaney · @dylanmulvaney
Posted 1 day ago
8.96M followers
696.86K views
104.35K likes
1.23K comments
925 shares
Peaceful Melody World - original sound - peaceful.melody.wo
DAY 1408 - first rehearsal @SIX on Broadway
1768929330020.png
DIOS MIO!

Pink News video on the video above:

PinkNews 🏳️‍🌈🏳️‍⚧️ · @pinknews
Posted 5 hours ago
1.5M followers
30.21K views
2.58K likes
48 comments
21 shares
PinkNews 🏳️‍🌈🏳️‍⚧️ - original sound - pinknews
Actress and author Dylan Mulvaney has defiantly responded to fierce backlash after she was cast in the role of Anne Boleyn in Broadway musical Six. On 16 January, it was announced that Dylan Mulvaney, 29, would be taking on the role of Henry VIII’s second wife Anne Boleyn in Six. The stage show is a modern retelling of the lives of the king’s six wives told via a pop concert. Swiftly after the musical theatre star’s involvement was revealed, she was targeted by anti-trans trolls who raged that the role of a female character had been given to a trans woman. Some fumed about the historical inaccuracy of casting a trans woman as Anne Boleyn, despite musical Six also depicting the six wives of Henry VIII as forming a pop band, which is not believed to have occurred in real life. In Six, the lead characters are also noted as having been inspired by pop icons including Beyoncé, Lily Allen and Britney Spears. It is not believed that Anne Boleyn, born at the turn of the 16th century, was actually inspired by said pop stars. #dylanmulvaney #sixthemusicalcosplay #transwoman #broadway #anneboleyn

(The cake remark gets attributed to Marie-Antoinette but it predates her. One of those jokes that go through time and attach themselves to various people, much like Russians tell the same jokes about Putin that they once told about Stalin.)
"It's pronounced 'quiche'."
 
upheld a lot of the myths like Anne of Cleves being so shockingly ugly and her portrait inaccurate but hey.
To me it seemed more like the show presents her as being too tomboyish/independent rather than "ugly". I actually like the song they give her, even though I hate most top of the charts style pop (which is every fucking song in that whole show). It does its best to show that beauty standards have always been cultural, not the old "put her back on the boat she's fuckin bogged" that they teach us in school.
I actually would take an under-17 to see it, just like The Lion King or Spamalot, it's missing a lot of the terminal brainrot that's infected modern-day theatre people ever since whatever year Chicago came out. (I say "terminal" because stage people have always been insufferable but the modern form of it is like looking at those pictures of purebred dogs in 1860 vs. 2005).
 
Last edited:
@NoReturn, Jesus Christ, that jaw. Reminds me of a movie character, can't quite put my finger on it though...

(Just kidding, we both know he doesn't eat)
 
Ftr, I'm a woman and I don't like Broadway faggotry. We used to have good plays with some histrionic characters, of course, until the fags took over and now all plays are about them.
This is so literally the state of things. Like Oh, Mary!, which is basically Mary Todd Lincoln in fagface. Written by a heckin' brave gay man who thinks he's doing the progressive version of "man in a dress is funny by default." They've already switched that role up a lot, you get short stints of the guy who wrote it doing the role, then Tituss Burgess, then Jane Krakowski, then Jinkx, some drag queen that's been making the Broadway rounds in a bunch of shows.

Cole-Escola-9027-in-Oh-Mary-Photo-Credit-Emilio-Madrid.webp

I'm actually unsure if anyone would go to see it with an American cast. That may be why they had to use Dylan.
There was so many complaints when it moved from West End to Broadway because the actors weren't doing the accents. To be fair, there are some lines that work a lot better in Britain.

To me it seemed more like the show presents her as being too tomboyish/independent rather than "ugly". I actually like the song they give her
Cleves is my favorite song, especially Brittney Mack's version.
 
Hamilton, however, baffles me. Every clip I've seen from it is so dull and emotionless. There's no life, yet it's so stupidly successful it's got Disney sucking Lemon Meringue Amanda's dick and putting him on major soundtracks.
By casting black people as founding fathers, Hamilton provides a cypher through which the coastal elite can allow themselves to briefly experience patriotism.

It's like a baby eating its first lemon; the intensity of the new sensation overwhelms them.
 
Back
Top Bottom