What old media are you watching? - Since new media isn't worth watching

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Number two is 1776, a film I’ve seen approximately thirty times... which is 25 too many.

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Not because the movie isn’t good, it's one of the most structurally efficient and intelligently scored musicals in the canon. The gimmick here is that basically every guy in Congress gets a line. The protagonist is John Adams, played by Mr. Feeny from Boy Meets World. Adams is extremely correct, but so shrill and miserable that he begins to hurt his own cause.

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Ben Franklin is played by Howard Da Silva (The Great Gatsby) and he rules. No notes. This is one of the only screen Franklins that isn’t just a sweaty Santa Claus. Equal parts Rabbinical uncle and KGB handler.

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John Dickinson is the villain. He is unfortunately just a better orator than Adams. He absolutely dominates Congress even though he's one part of Pennsylvania's three man delegation.

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Jefferson shows up. His main trait is “severely horny,” and his only emotional arc is getting laid.

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The rest of the Congress is filled out with some familiar salty actors from 70s television. There’s the delegate from Rhode Island who is in a permanent state of being pissed out of his skull; the pervert from New Jersey who flips his vote when Adams bribes him with ale and whores; Caesar Rodney who is cancer ridden but still shows up to to vote; Richard Henry Lee (VA) who is a Charlie Wilson type character; and a suite of other one-liner psychos.

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Special shoutout to John Cullum as the delegate from South Carolina, who performs the showstopper about slavery, it’s basically the "Be Prepared" of the American mythos.

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Adams gets some comic relief in the form of Abigail, his wife, whom he writes letters to and who responds with variations on “stop being a little bitch.” Jefferson’s wife is played by Gwyneth Paltrow’s mom, and while she is undeniably hot in the role, it’s impossible not to retroactively hate her.

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People love to criticize 1776 as jingoistic and whitewashed, which it is. It also makes some bleak points about democracy and the futility of compromise. And even though Adams wins in the end, you can tell the show's not entirely sold on the idea that that was a good thing. It’s a two-and-a-half-hour musical about how change is nearly impossible in America unless everyone in the room is bribed, horny, or dying. Biggest laugh in the show still comes from the New York delegate explaining that his government is too dysfunctional to actually vote on anything, so he just abstains.

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Anyway, great musical, GOATed cast, and it’s the most accurate civics lesson I ever got.
 
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The germans remade Das Boot a few years ago and of course they had to shove a gay couple in it.
I liked all seasons of the new TV mini-series, except the last 2. It seems like they got a tax break for filming in Portugal, so everything is inexplicably taking place in Lisbon and involving Portugal, which does make some sense as a neutral power and hive of espionage, but is obvious because they got tax breaks to film there.

I didn't mind the homogay stuff. All the gay characters get relentlessly hunted down and killed by the Gestapo within the first 2 seasons.

They did a pretty good job stretching out the concept of a U-boat themed TV series into as many seasons as possible, incorporating all the possible drama and conflicts that could involve U-boat crews and shore-based U-boat base personnel and naval headquarters staff.

The more objectionable thing is in one of the later seasons, the protagonist U-boat captain gets jungle fever in New York and there is way more American blacks involved in the plot than should be.
 
Another good special oldie to check is "Swing Out, Sweet Land" presented by John Wayne and starring Lorne Greene, William Shatner, Dan Blocker, Michael Landon, Ann-Margret, Lucille Ball, Jack Benny, etc...
 
For some stupid reason I started watching old What's My Line episodes and I can't seem to get enough. The whole run from the 1950s through the early 1960s is posted on YouTube, so there's a lot there.

Meet Colonel Sanders, who the panel doesn't have a clue as to his profession....

Typical episode is the panel trying to guess the job of (Cow washer/lighthouse keeper/exterminator) plus a celebrity mystery guest. Many of whom I'd never heard of.

I even briefly went down the conspiratard rathole over the death of panelist Dorothy Kilgallen, who was supposed to have had inside knowledge of the Kennedy assassination not being as presented by government. (And TBF she did die under some very weird circumstances. I guess at this late date we'll never know.)
 
For some stupid reason I started watching old What's My Line episodes and I can't seem to get enough. The whole run from the 1950s through the early 1960s is posted on YouTube, so there's a lot there.

Meet Colonel Sanders, who the panel doesn't have a clue as to his profession....
https://youtube.com/watch?v=Wk4Eq8IcQMk
Typical episode is the panel trying to guess the job of (Cow washer/lighthouse keeper/exterminator) plus a celebrity mystery guest. Many of whom I'd never heard of.

I even briefly went down the conspiratard rathole over the death of panelist Dorothy Kilgallen, who was supposed to have had inside knowledge of the Kennedy assassination not being as presented by government. (And TBF she did die under some very weird circumstances. I guess at this late date we'll never know.)
The episode with Dali is great
 
Overall though, if you want an intro to Cagney that doesn’t involve him shoving a grapefruit in someone’s face or dying in a hail of bullets, this is the one.

It's a great movie, but one of those that I really wish had been made in color. It was one of the first to get color-raped by Ted Turner in the 80s, and it looked terrible. I'm hoping AI might do a better job someday.
 
I almost never watch anything from after 2000 anymore, mostly I stay within 1960’s to 1980’s. 90’s are a little mixed but I overall like the decade, but holy shit the declines became more steep with each decade. Eastern European cinema really fell off after the Iron Curtain fell, the only nation that seems promising is China but they will certainly curtail any artistic developments with censorship.

The decline started with the 80’s, 60’s and 70’s are tied for me as my favorite decades, 50’s doesn’t have much in quantity that interest me but what does is usually very high quality. I’m not to into the 40’s unless Powell and Pressburger are involved, 30’s I really don’t fw and 20’s are pretty solid.

2020’s have been actual dogshit, and I thought the 2010’s were bad. I think Covid really expedited already present cultural decline, but it was an opportunity to shake things up but naturally it was squandered.
 
I almost never watch anything from after 2000 anymore
Same here. 2000 is a nice round number and a cutoff point for me. I stick to 70s-90s action, horror, sci-fi, mystery and some drama. Lots of Italian stuff like giallo, poliziotteschi (old crime movies) and post-apocalyptic schlock like 2020 Texas Gladiators. Pre-1997 Hong Kong movies are a lot of fun as well.
 

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50’s doesn’t have much in quantity that interest me
Every decade had its assigned homework. The '40s were just wall-to-wall dames in fur coats and guys tripping over luggage. The '50s were one long war flashback. The '60s were nothing but horses and vague racism, and then the '70s decided that the new frontier was street gangs. All of it technically brilliant, all of it indistinguishable once you’re past five films.
 
few months into going through Thunderbirds an episode a week with nerd buddies
not our first Anderson rodeo by any stretch
feels very early TNG, like "here is an idea for a dramatic hook, let's write it around our show concept. also the characters exist"
maybe if the Tracys weren't shitting out kids like a clown car they'd feel less samey

still lots of fun and amazing models that blow up real good
 
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Alright, I watched The Devil and Daniel Webster (sometimes known by its alternate title All That Money Can Buy). Black-and-white, 1941, I think? This is the one where the devil is some nice business man instead of a monster.

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Movie opens with this farmer, Jabez Stone...his name is Jabez? Sounds like a Goop butt plug.

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Jabez is broke. Chickens are dying, wife’s miserable, then the devil shows up, he’s “Mr. Scratch." Walter Huston (he was in Yankee Doodle Dandy as James Cagney's father) plays it like a traveling salesman who’s been on the road too long. He’s got that little twinkle in his eye, like he’s about to sell you a vacuum cleaner and then fuck your wife.

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Anyway, Scratch is like, “I’ll make you rich for seven years, but then I get your soul.” Jabez is like, “Cool, where do I sign?” They don’t even haggle. He’s just like “Yup, take my soul”.

So Jabez gets rich, but then Jabez gets seduced by, um, a evil maid? And they have these creepy parties with the devil just hanging out in the corner. The devil sent this temptress chick to work in the house. And Scratch is grinning the whole time. Like he’s just delighted to be ruining this farmer's life.

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So eventually his seven years are up, and he’s like “Oh shit, I don’t wanna go to hell,” so he calls in real-life politican Daniel Webster, who shows up and opens with, “Show me your passport, Satan." Mr. Scratch just smirks and shuts him down so hard, rattling off a resume of American atrocities like he's been here since the Mayflower, he's literally a Founding Father. Webster tries all these lawyer tricks to get Jabez out of the contract: "Objection, your honor, my client is a dumbass.” And the devil’s like “Cool, but the jury will be composed entirely of historical bastards.”

They’ve got Benedict Arnold, Captain Kidd, plus some witch trial guys.

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Webster does this huge speech about freedom and America and farmer virtue, and the jury’s like “Yeah, fine, we’ll let this guy off,” and the devil just slinks away like, “Damn, foiled again.”

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Outside of Huston, the rest of the cast is kinda whatever. I gotta give it to James Craig (Jabez), he's bringing this broad-shouldered young Orson Welles energy to what is otherwise a pretty nondescript role. He's got that “handsome enough to be in movies, but not handsome enough to not play a farmer” look. And he’s acting his ass off for a role that’s basically “guy who is inconvenienced by Satan for 90 minutes.”

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Ive been watching hogan's heroes tv show wise through plutotv, its fine, and movie wise pink floyd the wall which i own on dvd. I really liked the wall movie, shame that it hasnt had a blu-ray release officially by the companies at be who have the rights and or roger waters (what i mean by that is the rights to the film are all kinds of fucked, mgm and goldcrest made the film, Warner Bros owns the non physical distribution rights to it, as per the purchase of mgm by ted turner rendering all pre 1986 mgm films and stuff being owned by turner then to warner after ted turner sold turner to timewarner, and sony owning the physical media distribution of the wall)
 
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Whenever you talk about remakes there’s always that one person who smugly says, “Well, John Carpenter’s The Thing," "Humphrey Bogart in Maltese Falcon…” as if those two examples end the debate.

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Remakes have been iffy from day one. Take The Front Page, originally a 1930s talkie about a muckraking reporter torn between turning in a innocent pamphleteer to make tomorrow’s headlines or hiding him to actually see justice done.

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Fast forward to the 1970s: they remake it as some dated screwball comedy with Walter Matthau, Jack Lemmon, and soyface king Austin Pendleton playing a walking Darwin Award, tripping over dynamite and almost shooting himself. Matthau does his usual “cigar chomp” thing, but here he’s such an oily, yellow-journalist you can’t root for anyone, and the plot becomes farce.

Alright now take Ninotchka (the film, not the wrestler).

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This is 30s prestige stuff with Greta Garbo and Melvyn Douglas. A duchess bails from Russia after the revolution, she wants her shiny rocks back; so the Soviets send a bunch of joyless bureaucrats to Paris to negotiate. But this isn’t about money, it’s about ideology and the duchess is still seething about the Tsar’s family getting iced and her “winter palace” getting looted, so she tells her boy toy Leon (Douglas) to wine-and-dine these Bolshevik nerds into capitalism.

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This works until the Russians counter with their own WMD: Ninotchka, Greta Garbo as a square-shouldered, sexless Bolshevik Terminator who stomps into Paris with orders to shut this party down. Leon tries his usual charm offensive, but he actually falls for her.

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Flash forward to the 1950s musical Silk Stockings. They cut the duchess subplot, and cast Fred Astaire as Steve, a songwriter doing Fred Astaire things. He is trying to poach some Russian composer named Boroff before the Soviet Minister of Arts drags him back to the gulag. Cyd Charisse is a baddie, but she cannot act. She is a dancer by training. The script doesn’t help by making her Ninotchka even more robotic than Garbo's. Cole Porter mails it in, “Something’s Gotta Give” is the only keeper, and Steve actually says with a straight face, Americans write songs for love and fun, not propaganda. Yeah, sure buddy. If you’re a die-hard Astaire fan or Charisse stan maybe it’s a 3-star curiosity. Everyone else should skip it.
 
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